We may not think of ourselves as storytellers. But as we live our lives, and interact with others, we all tell stories. Some creators make such an impact through their stories that they encounter difficulties with their fans. Here's an upcoming movie that explores that relationship between the creators, the fans, and the stories that bind them together.
EXCLUSIVE: Writer-director Eric Salberg has wrapped principal photography on YOUR BIGGEST FAN, a new horror-thriller filmed on location in East Hampton, NY. The project, which was shot with a majority-female crew, completed its main block of production in late 2025 and will return for one final special sequence in early 2026.
The feature stars Cosette Hatch as Sophia/Lulu, a breakout young performer who has amassed over 30 vertical film credits, opposite Anthony Jordan Robertson (Bel-Air, 9-1-1) as Theodore. Clare Kramer (Buffy the Vampire Slayer, Bring It On) takes on dual roles as twins Joan and Pam, with Judson Mills (Walker, Texas Ranger, Major League: Back to the Minors) appearing as David Carpenter.
Executive produced by Linda “Lindy” Janota and shot by cinematographer Hanuman Brown-Eagle, the film leans into a voyeuristic visual language inspired by security-camera footage, phone POVs, livestream aesthetics, and digital distortion. Brown-Eagle’s approach grounds the story in the unsettling modern dynamics between creators and their most obsessive fans—blurring the line between performance, surveillance, and reality.
“YOUR BIGGEST FAN explores the dark side of para social connection—the way digital intimacy can twist into something far more dangerous,” said Salberg, who makes his feature directorial debut with the project. “We wanted to build a thriller that feels uncomfortably close to the world we’re all living in right now.”
Janota added, “This film was designed and driven by a predominantly female team, and I’m incredibly proud of the vision, craftsmanship, and fearlessness everyone brought to set. It’s thrilling to be launching a story that speaks to the cultural moment while pushing the visual boundaries of the genre.”
Production is slated to resume in early 2026 for a final narrative sequence, after which the project will move into full post-production.
Thanks to Anderson Group PR for sharing this announcement with us.
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