Showing posts with label Aaron Kuder. Show all posts
Showing posts with label Aaron Kuder. Show all posts

Sunday, November 9, 2025

X-Men: Age of Revelation Overture #1 Review

 


Writer: Jed MacKay

Penciler: Ryan Stegman

Inker: JP Mayer

Colorist: Edgar Delgado

Letterer: Clayton Cowles

Cover Artists: Ryan Stegman, JP Mayer & Marte Gracia; Aaron Kuder & Marte Gracia; Stanley “Artgerm” Lau; Cory Smith & Carlos Lopez; Rickie Yagawa & Tamra Bonvillain; Mark Bagley & Alex Sinclair

Design: Jay Bowen

Editors: Lindsey Cohick, Annalise Bissa, Tom Brevoort & CB Cebulski

Publisher: Marvel Comics

Price: $5.99

Release Date: October 1, 2025

 

When voices awaken him, Scott Summers peers through his visor. Although he recognizes the people around him, they look different. Older. As he rises from the hospital bed and yanks the contact pads off his forehead, Scott asks what's going on. His “friends” tell him they’ve transported his consciousness from his era and supplanted him in his older body. Worse than the abduction, they destroyed his present consciousness to bring him here. Why did his older colleagues summon him to the future? And can he trust them? Let’s grab our visors, leap into X-Men: Age of Revelation Overture #1, and see!

 

Story

Magneto, so often Scott's adversary, wears an X on his belt. He leads Scott out of the cave and shows him a foreign land. It used to be the United States. Below him, nature has encroached upon cities. Foliage-crowned, crumbling towers poke above the forest. Magneto tells him that a mutative virus is sweeping across the United States. Like the Terrigen Bomb that activated Kamala Khan's Inhuman genes, this virus turns Humans into Mutants. This virus has also changed the landscape, destroying the roads and cities that helped Humanity thrive.

 

 

As Scott realizes that civilization lies in ruins, he learns that Doug Ramsey rules the isolated pockets of survivors in this vast, expanding landscape. His choristers assist those villages loyal to him. Seraphim kill the dissenters. Millions may have died. But the Revelation Territories have taken on the vitality of the Mutant nation of Krakoa that Doug helped create. As Cipher, Doug helped people communicate and grow in harmony with nature. Now, as Revelation, Doug takes inspiration from the Biblical story of Humanity's first attempt to build a skyscraper. He turns dissenters into Babels stripped of any ability to communicate in X-Men: Age of Revelation Overture #1.

 


 

 

After providing a glimpse of village life, Jed MacKay's story follows Scott, Revelation, and his seraphim, Psylocke. But the spotlight shines brightest on Scott Summers as he navigates unfamiliar surroundings. He doesn't know this world or who he can trust. And in their desperate struggle to survive, the X-Men employ harsher methods than Scott approves of. While they value his abilities, some aren't ready to follow him. He may not like what his X-Men have done. Still, Scott Summers fights to meet the demands facing him without relinquishing his principles in X-Men: Age of Revelation Overture #1. 

 


 

 

Art

Ryan Stegman and JP Mayer fill traditional page layouts with natural beauty, drama, and action. Scott's muscular body, long hair, beard, and clothing show how time has forced his older self to adapt. His new allies mutter to each other about him. Most regard him with frowns. After cloaking his features in shadow, Magneto's face appears within his mask as he explains the world they inhabit. Then a hairy Mutant leaps from above the cave mouth to confront them. 

 


 

 

Edgar Delgado applies a loaded palette of nuanced colors to X-Men: Age of Revelation Overture #1. Like the fire that accompanies his choristers' appearances, Revelation adorns himself in yellow and orange. As he plucks blue fruit from a tree, the purple foliage forms a link with our first glimpse of his wife. But Bei's predominant red outfit links her with Magneto's costume and Scott's cape. Still, no color reinforces the harshness of this Brave New World like pink. It colors Glob Herman's translucent body, Psylocke's sword, and the energy whirling around Quentin Quire's goggles.

 


 

 

Clayton Cowles fills panels with black uppercase letters in white dialogue balloons and narrative balloons. When he bends others to his will, Revelation speaks white letters into black boxes. White block letters introduce settings and characters. Telepathic communication occurs in cloudy balloons. Sound effects enhance weapon fire and clashing blades, while giant letters overtake the background when Revelation sends his Angel of Death to dispatch his enemies. Thanks to Marvel Comics for providing a review copy.

 


 

 

Final Thoughts

As Cipher, Doug Ramsey helped the Mutants thrive. Now, as Revelation, he isolates people into small pockets of civilization that he can control. While ruling with an iron fist, the truth becomes whatever Revelation wishes it to be. And anyone who disagrees with him never does so again. Jed MacKay, Ryan Stegman, JP Mayer, Edgar Delgado, and Clayton Cowles deliver a far-reaching meditation on what happens when the abilities that help us achieve greatness outweigh our respect for others in X-Men: Age of Revelation Overture #1.

 

Rating 9.8/10

 

To look inside see my review at Comic Book Dispatch


Friday, October 31, 2025

The Amazing Spider-Man: Torn #1 Review

 


Writer: J Michael Straczynski

Artist: Pere Pérez

Colorist: Guru-eFX

Letterer: Joe Caramagna

Cover Artists: Adam Hughes; Aaron Kuder & Morry Hollowell; Lee Garbett; Javier Garrón & Rachelle Rosenberg; Pere Pérez & Marte Gracia; Mark Bagley & Frank D’Armata; Mark Chiarello

Designer: Carlos Lao

Editors: Kaitlyn Lindtvedt, Nick Lowe & CB Cebulski

Publisher: Marvel Comics

Price: $4.99

Release Date: October 8, 2025

 

Sandman is attacking the United Nations. It's just business. Nothing personal. Still, Spider-Man doesn't stand by when people are in peril. If only he didn't have to fight Sandman after pulling an all-nighter to keep up with his classes. Then there's Mary Jane Watson. Peter Parker wants to pursue a relationship with her, but something holds him back. Can Spider-Man triumph over Sandman? And can Peter forge a connection with Mary Jane while maintaining his GPA? Let's thwip into The Amazing Spider-Man: Torn #1 and see!

 

Story

Not only is Peter intelligent, but he also boasts numerous scholastic achievements. So, when Empire State University forces him to take a math class beneath his abilities, he can't fight back his exhaustion. He's trying his best, but he's not an expert in every subject. And some of his instructors are taskmasters.

 

In The Amazing Spider-Man: Torn #1, Peter Parker looks forward to an evening with his friends. Only tonight, their conversation opens a can of worms. Universities have their fun side, but they also make you study. Additionally, they force you to look ahead and make decisions that will affect your future. Peter Parker, Harry Osborn, Mary Jane Watson, and Gwen Stacy reveal their uncertainty over their future when they should be enjoying their evening together. And when his friends try to pry a confession out of him, Peter can't restrain his negativity. It's just the pressure of trying to do well in school. Nothing personal.

 

Like many prestigious universities, the library at Empire State University holds a few literary treasures. When Evangeline enters the library, she makes a beeline for a rare 13th-century text. Lauren, the librarian's assistant, doesn't give it to her. So, Evangeline attacks her. It's just business. Nothing personal. 

 


 

 

Art

While Spider-Man engages in acrobatic thwipping, Sandman swings a morning star-shaped fist in The Amazing Spider-Man: Torn #1. Later, Peter rests his elbow on his desk and props up his head with his hand. After his eyes close, Peter inadvertently does something that makes Gwen smile. The buildings rise around Peter and Gwen as they leave class, conveying their stature and grandeur. When a professor approaches, Pere Pérez shifts the camera away from Peter as he and his nemesis share frowns.

 

While Guru-eFX shows Spider-Man in his familiar red and blue, Peter disassociates himself from his superhero alias at school. While he wears yellow, orange, and brown, Gwen wears a red dress, Evangeline a red blouse, and Lauren a red scarf. Despite their differing economic status, Harry’s green blazer and Sandman’s green shirt remind us of their broken homes. As the setting sun casts orange and purple into the sky, Peter sits on the beach beside the red-haired Mary Jane Parker. But instead of gazing at her, Peter’s eyes fix upon the yellow flames in The Amazing Spider-Man: Torn #1.

 

Amid Pere Pérez’s detailed art and Guru-eFX's loaded palette of vivid colors, Joe Caramagna thwips uppercase black letters into white dialogue balloons and narrative boxes. The words grow bold for intonation, swell for raised voices, and rarely shrink. Balloons squeeze words Peter wants to tune out, while sound effects heighten accidents, battles, and Peter's latest attempt to give Sandman a bad day. It’s nothing personal. Just ordinary Spidey business. Thanks to Marvel Comics for providing a review copy.

 


 

 

Final Thoughts

Even the most seemingly invulnerable people have their breaking point. As Peter Parker struggles to meet the demands of Empire State University, his behavior reveals worrying fractures. In J Michael Straczynski's The Amazing Spider-Man: Torn #1, Peter is anything but his carefree, optimistic self. Perhaps he never will be again.

 

Rating 9.6/10

 

To look inside see my review at Comic Book Dispatch