Sunday, November 15, 2026

Conan: Tides of the Tyrant King #3 Cover Preview

 

Cover A: Mahmud Asrar


She cannot pay for his assistance. But when he protects Zuleika from a dead warrior, Conan realizes they have enemies in common. He doesn’t understand how the green liquid she seeks could restore her lover. Still, Conan will do anything to prevent Thulsa Doom from returning to the Hyborian Age.

 

 

In the early 20th Century, Stephen Costigan drank the emerald elixir. The fiery liquid renewed his strength and banished his fears. Yet it also bound him to Thulsa Doom. Will Stephen help the Atlantean sorcerer raise an army of the dead to conquer the Earth? And how can Zuleika be with him in London’s Chinatown and Conan eons earlier?

 

 

Here's all the info from Titan Comics:

 

 

 

Conan: Tides of the Tyrant King #3 Cover Preview

Writer: Jim Zub

Artist: Jésus Merino

Colorist: Jão Canola

Letterers: Richard Starkings & Tyler Smith

Cover Artists: Mahmud Asrar, Jésus Merino, Danny Earls & John Baizley

Editor: Chris Butera

Publisher: Titan Comics

Issue Description: 32 Pages, Full Color

Series Length: 4 Issues

Price: $4.99 US

Release Date: November 18, 2026

 

 

 

The Conan Event Series Nears Its Conclusion

 

 

 

Conan of Cimmeria believed that Thulsa Doom’s evil had been banished forever, but the Atlantean necromancer’s dark power stirs once more. If it cannot be stopped, the dead shall overtake the living!

 


Here are more collectible covers:

 

 

 

Cover B: Jésus Merino

 

 

 

Cover C: Danny Earls



Cover D: John Baizley




Cover E: Danny Earls (Virgin)



Conan: Tides of the Tyrant King #3 is available through local comic shops or Forbidden Planet for  the UK and Europe.

 

 

 

Thanks to Titan Comics and Heroic Signatures for sharing this cover preview with us.

 

 

 

 

 


Prometheus Graft: The Slayings at Death’s End #1 Advance Review

 


Prometheus Graft: The Slayings at Death’s End #1 Advance Review

Writer: George Northy

Artist: Caitlin Yarsky

Colorists: Marissa Louise & Caitlin Yarsky

Letterer: Richard Starkings & Tyler Smith

Cover Artists: Caitlin Yarsky, Eric Powell, Gabriel Rodriguez & Patricia Martín

Also Available: Blank Sketch Cover

Publisher: Oni Press

Editor: Matt Dryer

Designer: Sarah Rockwell

Production: Matt Harding

Price: $4.99 US

Release Date: December 9, 2026

 

Some would call it madness. Others, an act of genius. Yet after achieving the unthinkable, his creator called him an abomination. And when his creator spurned him, he vowed vengeance on the man who quickened his dead tissues.

 

Like his creator’s obsession, his anger eventually faded. He realized he could choose a better life. Perhaps he could even help other unique individuals relegated to the fringes of Humanity. So, rather than remaining Frankenstein’s Monster, he became the Patchwork Detective. But what kinds of cases will he investigate? And what might they teach him about himself? Let’s grab our lightning rods, leap into Prometheus Graft: The Slayings at Death’s End #1, and see!

 

Story

Dreams plague Lady Vera’s sleep. Or perhaps, as she insists, a recurring dream. Yet when she awakens, the vivid images fade, leaving her with a vague sense of foreboding. After a recent success in London, Prometheus Graft is on everyone’s radar. So, when Lord Lucian Bacia calls upon Prometheus Graft, the patchwork detective travels to Death’s End Castle.

 

But more important matters than Lady Vera’s nightmares concern the two vampyres in Prometheus Graft: The Slayings at Death’s End #1. The pact that protects the supernatural community is coming to an end. As leaders among the lycanthropes and magical practitioners arrive to renew the treaty, Lady Vera fears that her dreams might portend the fraying of the fragile peace.

 

As George Northy introduces the players in his country house mystery, Prometheus wonders who might benefit from sabotaging the event. He sees the tension between the factions and rivalries within each group. Prometheus also discovers that, even here, prejudice rears its ugly head. Yet as he attempts to solve a murder before it happens, the participants are even more fascinated by him.

 

Dr Frankenstein may have created him from pieces of dead people. Most Humans may always shrink from him in horror. At Death’s End Castle, Prometheus doesn’t feel like a curiosity who belongs in a circus freak show. But someone wants to destroy the community that welcomes him in Prometheus Graft: The Slayings at Death’s End #1.

 

Art

His scars and suture marks have faded. Yet an invisible mark divides his scalp and facial hair into black and white. While he wears a suit like his host, Prometheus knots a green cravat around his neck instead of a tie. Lady Vera wears her hair in a Gibson Girl Updo like the lycanthrope matriarch. Yet while Lord Lucian and his kin are comfortable in formal attire, the lycanthrope males favor heavy coats and flat caps. As Prometheus trades the Death’s End’s classical architecture for its formal gardens, the exotic members of a coven reveal their diverse ancestry. Yet the immortal who takes the most interest in him evokes an earlier era of Humanity.

 

As Caitlin Yarsky fills Prometheus Graft: The Slayings at Death’s End #1 with colorful characters, Marissa Louise helps her adorn her art with vibrant colors. After leaving his room, Prometheus walks down a hall that boasts bright red, purple, pink, and orange. As he descends an orange-and-yellow staircase, Lady Vera gazes down from a portrait clad in orange and yellow. Four witches appear amid wisps of blue ether. Yet, only one wears eye-catching clothing. Like the colors of Lady Vera’s dream, the witch wears red and blue.

 

Richard Starkings and Tyler Smith fill white balloons with uppercase black text. The words grow bold and italicized for intonation. They enlarge for raised voices and shrink with distance. Gray words in balloons sans arrows reveal off-screen dialogue in a dream, while they reside in colored boxes during the gathering. Prometheus’s thoughts appear as lowercase letters in beige boxes. Yet as sound effects accompany acts of weakness and scorn, howls pierce the air in Lady Vera's nightmares and her home. Thanks to Oni Press and Superfan Promotions for providing an embargo-free review copy.

 

Final Thoughts

We are the summation of our past, heritage, and experiences. Without a family or culture to call his own, Prometheus Graft wonders how he relates to others. He may spend his days cobbling together clues to create portraits of the cases he investigates. Yet the Patchwork Detective yearns to learn about all the people who contributed dead organs, flesh, and bones so he could live in Prometheus Graft: The Slayings at Death’s End #1.

 

Rating 9.2/10

 

For all the collectible covers, see Prometheus Graft: The Slayings at Death’s End #1 Advance Cover Preview. 



Saturday, November 14, 2026

Prometheus Graft: The Slayings at Death’s End #1 Advance Cover Preview

 

Cover A By Caitlin Yarsky


Some would call it madness. Others, an act of genius. Yet after achieving the unthinkable, his creator repented of his actions. And when his creator spurned him, he vowed vengeance upon the man who quickened his dead tissues. 

 

 

Like his creator’s obsession, his anger eventually faded. He realized he could choose a better life. Perhaps he could even help others relegated to the fringes of society. So, rather than remaining Frankenstein’s Monster, he became the Patchwork Detective. But what kinds of cases will he investigate? And what might they teach him about himself? 

 

 

Here's all the info from Oni Press:

 

 

 

Prometheus Graft: The Slayings at Death’s End #1 Advance Cover Preview

Writer: George Northy

Artist: Caitlin Yarsky

Colorists: Marissa Louise & Caitlin Yarsky

Letterer: Richard Starkings & Tyler Smith

Cover Artists: Caitlin Yarsky, Eric Powell, Gabriel Rodriguez & Patricia Martín

Also Available: Blank Sketch Cover

Publisher: Oni Press

Issue Description: 32 Pages, Full Color

Series Length: 4 Issues

Price: $4.99 US

Release Date: December 9, 2026

 

 

 

From the Ashes of Frankenstein’s Destruction... 

A New Kind of Detective Is Born!

 

 

 

This winter, acclaimed writer George Northy (Yuletide, EC’s Shiver SuspenStories) and Eisner Award–nominated artist Caitlin Yarsky (Dead Teenagers, Black Hammer) invite you to a distant castle to behold a meticulously crafted, first-of-its-kind comics murder mystery starring the greatest man-made monster of all...

 

 

Decades after his creation, the creature once known as Frankenstein’s Monster has reinvented himself as Europe’s most formidable mind. After years underground, his scars have faded, and his genius-level intellect has tamed his hulking nature... revealing an extraordinary talent for solving the world’s most inexplicable mysteries. Today, he is Prometheus Graft: gentleman detective, expert investigator... and something still not quite entirely human.

 

 

Now, on the cusp of a new century set to be ruled by science over superstition, Graft believes he has finally conquered his monstrous past... until he is summoned to the remote Romanian castle of Death’s End, where an immortal lord has assembled Europe’s most feared supernatural beings to broker a long-lasting peace. But their fragile treaty will soon be shattered when the corpse of a powerful family’s envoy is found murdered in the castle’s hedge maze...turning witch against werewolf and vampire against ghoul as suspicion and bloodshed spiral.

 

 

With only his instincts and a bloodstained trail of clues to guide him, can Prometheus Graft solve the slayings at Death’s End before a new day breaks... and all hell follows with it?

 

 

Here are more collectible covers:

 

Cover B By Eric Powell

 

Cover C By Gabriel Rodriguez

 

Cover D Blank Sketch

 

Full Art Variant (1:10) By Eric Powell



Variant Cover (1:20) By Patricia Martín



Also Available: 


Full Art Variant (1:50) By Gabriel Rodriguez

 

 

Thanks to Oni Press and Superfan Promotions for sharing this advance cover preview with us.

 

 

The Toxic Avenger Vs The Noxious Offender #2 Review

 


The Toxic Avenger Vs The Noxious Offender #2 Review

Writer: Matt Bors

Artist: Felipe Sobreiro

Colorist: Lee Loughridge

Letterer: Rob Steen

Flash Fiction Writers: Margaret Beeler, Mark Russell & Stuart Moore

Flash Fiction Illustrators: Rob Steen, Ryan Kelly & Thomas Napolitano

Cover Artists: Matt Bors & Felipe Sobreiro

Also Available: Troma Photo Cover

Publisher: Ahoy Comics

Price: $4.99 US

Release Date: November 11, 2026

 

Everything seems against Melvin and Yvonne. But while an uncertain future frightens Toxie, Yvonne remains optimistic. She and Toxie can handle anything life throws at them if they stick together. Yet Melvin Junko's parents didn't stick together. And after a toxic spill sent him to the hospital, Melvin's mother refused to let his absentee father reconnect with Hugh J. Payne.

 

His father has a coffee mug with Melvin's face on it. He runs the Toxic Avenger "official" store. But can Toxie trust his biological dad? And who is the lookalike who made Grosser 'N Grocer even grosser? Grab your mop, leap into The Toxic Avenger vs. The Noxious Offender #2, and see!

 

Story

Mrs Junko insists that Hugh J. Payne is a bad guy. As Yvonne and his mother define his past and future, Melvin seeks to control his present. Yet when he attempts to connect with his dad, someone who resembles Melvin appears and subdues him.

 

In The Toxic Avenger vs. The Noxious Offender #2, Melvin’s double takes over his life. This alternate version of Melvin may look like him. But his outlook and sensibilities oppose those of the man Yvonne loves. Once, the man may not have wanted children. Yet he slots into his role in Yvonne’s life and his father’s plans for Tromaville.

 

While Matt Bors’ story builds on the events at Troma Craft Con and Grosser ‘N Grocer, it also evokes incidents in Toxic Avenger Comics, Toxic Crusaders, and Toxie Team-Up. As the issue expands Bors' science-fictional tapestry, it revisits Toxie’s origins. And as the doppelganger sows chaos and discontent, people remember how Melvin inspired them in The Toxic Avenger vs. The Noxious Offender #2.

 

Art

The issue opens with Siamese twins in utero. Yet, their environment evokes Blobby, Melvin's hovering alien friend. A gray-and-red memory of a defining incident from Toxie's past takes a decidedly different spin. As Melvin's double threatens to rip Blobby apart, the alien clings to the man's head. Yet as a sign prohibiting fishing, swimming, and disposing of radioactive materials rises above mutated flowers, two distant figures watch as an object from Mrs Junko’s junkyard splashes into the river.

 

As Felipe Sobreiro shows the doppelganger confusing and traumatizing Tromaville, Lee Loughridge adorns The Toxic Avenger vs. The Noxious Offender #2 with a limited palette. In the low evening light, muted colors contrast with a vibrant orange sky. Gray invades a memory and a place some might consider sacred. The river becomes black, while electric green evokes Melvin's identity as Toxie. Yet red splatters panels as "Melvin" secures his hold on Tromaville.

 

Rob Steen fills white dialogue balloons with black uppercase letters. While the Noxious Offender’s green commentary fills black splotches, Blobby’s small, hand-printed-style letters appear in pink clouds. Words in colored boxes compare Yvonne’s view of men with the imposter’s view of women. Amid spiky balloons and large colored letters, sparse sound effects reveal the lookalike’s capacity for compassion. Yet thoughts in colored narrative boxes also reveal how the real Melvin continues to inspire the residents of Tromaville.

 

Flash Fiction

In “Lake Effect,” Margaret Beeler peels away the illusion that some people get everything they want in life. Mark Russell’s “Company Policy Regarding Eels continues Margaret Beeler’s discussion of workplace etiquette. After the two vignettes, Stuart Moore’s longer story, “Jewel-Eyed Terror: From the Chronicles of Jace Duel, Earthman,” transports readers on a cosmic odyssey.

 

Rob Steen celebrates the everyday working world. Then, Ryan Kelly portrays Russell's otherworldly office politics. Finally, Thomas Napolitano's final art contribution to the issue evokes the golden age of science fiction. Thanks to Ahoy Comics and Superfan Promotions for providing a review copy.

 

Final Thoughts

An accident may have made Melvin Junko into a superhuman, but the women in his life helped him become a superhero. Amid a struggle for power and the battle of the sexes, a lookalike with a different heritage shows how our influences shape us in The Toxic Avenger Vs The Noxious Offender #2.

 

Rating 9.4/10

 

To look inside see The Toxic Avenger Vs The Noxious Offender #2 Preview. 

 

For how this series began, see The Toxic Avenger Vs The Noxious Offender #1 Review. 


 


Friday, November 13, 2026

On Mars Complete SC Cover Preview

 


The procedure is commonplace. The doctors don't sedate her as they operate. So, Jasmine Stenford watches as the surgeon installs her new breathing implant. He assures her that she’ll be able to speak again after the anesthetic wears off. Yet after a member of the medical staff wheels her out of the operating room and helps her stand, a guard barks at her to start walking under her own power. 

 


For a few more hours, Jasmine is under the wardens’ control. Then, she’ll be the colonists’ problem. What kind of life can Jasmine expect on Mars? And will she survive to enjoy life after paying her debt to Humanity?

 

 

Here's all the info from Magnetic Press: 

 

 

   

On Mars Complete SC Cover Preview

Writer: Sylvain Runberg

Artist & Cover Artist: Ludovic “Grun” Dubois

Letterer & Layout: Chris Northrop

Localization & Editing: Mike Kennedy

Translation: Dan Christensen

Publisher: Magnetic Press

Book Description: 244 Pages, Full Color

Price: $29.99

Release Date: November 4, 2026

ISBN: 978-1-962413-25-1  

 

 

The “Bloody Code” on the Red Planet

 

 

 

Welcome to a future where the true nature of mankind proves to be inescapable, no matter how far you travel in this explosive sci-fi prison drama by brilliant creators Sylvain Runberg (Warship Jolly Roger) and Grun (Space Relic Hunters). Who is really in control? And can anyone truly claim a planet on the verge of forced evolution?

 

 

In 2132, life on Earth has reached the limits of sustainability. Colonizing Mars has become our only option, and constructing such a significant enterprise has required massive resources and manpower. The most cost-efficient solution to this requirement is conscripted labor provided by convicted felons—early access to humanity’s future homeworld in exchange for the back-breaking and perilous work of constructing the damn thing. Officer Jasmine Stenford is sent to Mars and sentenced to conscripted labor for a wrongful death committed on her watch. With little defense against the corruption on Earth, she has no idea what sort of nightmare awaits her on the red planet...

 

 

This complete edition features the complete story, as well as a 48-page production sketchbook by artist Grun drafted as a prisoner diary.

 

 

Thanks to Oni Press and Superfan Promotions for sharing this cover preview with us. 

 


Vampire Survivors #3 Review

 


Vampire Survivors #3 Review

Writer: David Hazan

Artist: Jimmy Kucaj

Colorist: Jão Canola

Letterer: Chas Pangburn

Cover Artists: Alex Shibao & Nacho Lazaro

Publisher: Titan Comics

Price: $4.99 US

Release Date: November 11, 2026

 

Imelda's disappearance filled Antonio with fear. When his sister returned, she believed she was cursed. Then, strange creatures invaded the rural chapel, and Imelda spoke about seeing a skeletal figure. Antonio risked the dangers of the Mad Forest for his former teacher's help. Gennaro and Imelda sought answers in the Inlaid Library as they awaited Antonio's return. But amid the dusty bookcases, the cloaked skeleton, visible only to Imelda, bespelled her brother so he could speak with her.

 

Will Antonio return with a strategy for safeguarding his sister? Or must the Belpaese siblings again turn to their family's rivals to escape the purple reaper? Let's grab some of Maestro Poe’s garlic, leap into Vampire Survivors #3, and see!

 

Story

As Imelda and Gennaro await Antonio’s return, a visitor arrives at Castle Benevento. Poppea Pecorina wants Antonio’s help in banishing intruders at the dairy plant. Given the importance of cheese to the local Italian community, Imelda believes that the problem cannot wait for Antonio’s return. But Gennaro remembers his brother’s orders to safeguard Imelda. And with his sister seeing a skeletal phantom in a purple cloak, Gennaro wants to play it safe. If they’re going to repulse the invasion at the milk plant, Gennaro and Imelda need backup. Unfortunately, that means traveling to the Ladonna Estate, begging bowl in hand.

 

As Vampire Survivors #3 follows Gennaro and Imelda's attempts to safeguard the region's cheese supply, it also folds in Antonio's journey. Imelda begged him not to risk the Mad Forest's dangers to talk with a crazy old hermit. Yet when he returns to Castle Benevento, Antonio finds Imelda has ventured into danger again.

 

While peppering the wacky family drama with humorous dialogue, David Hazan tackles the rivalry between the region's two vampire-hunting families. Arca dismisses the Belpaese siblings. Yet her sister Lama seems supportive of their desire to protect their community. Once again, Imelda struggles to comprehend the Purple Reaper’s interest in her. But while Imelda falters in her belief that she can discover the answers to any question and master any ability through study, Gennaro faces an even greater crisis in Vampire Survivors #3.

 

Art

As if carved from a mountain, the elegant Castle Benevento rises before a glowing moon (not moonglow or Moongolow). When Imelda releases all the locks and chains on the thick wooden door, she sees Poppea with her milk-stained skirt. Gennaro regards their visitor with wide eyes. Imelda crosses her arms and spares Antonio’s ex sidelong glances.

 

Jimmy Kucaj employs a downshot as Imelda stalks around the sitting room. But when Poppea smiles as she reclines before the fireplace, an upshot reveals Gennaro’s discomfort as he sits on a trunk. The camera focuses on Imelda’s eyes as she realizes the implications of Poppea’s words. Yet a note affixed to the door with Gennaro’s knife receives as much joy as the 95 Theses nailed to a church door.

 

As Jão Canola adorns the action-packed, dramatic art in Vampire Survivors #3 with a vibrant palette, the red trim on Gennaro’s clothes links him with Poppea’s red hair. Yet Arca Ladonna shares the same taste in clothing colors as the insecure monster-slayer. Imelda and the Trickster both wear purple, while Antonio’s green tunic links him with Poppea’s milk-stained skirt. Orange flames seem to end the fighting. Instead, the tension in the milk plant boils over.

 

Chas Pangburn fills white dialogue balloons and narrative boxes with black uppercase letters. Gray letters help readers hear a whispered conversation. Dialogue enlarges and changes color while balloons change shape amid heightened emotions. Beige banners proclaim locations and suggest the reason for the interfamily rivalry. As doorknockers bang against creaking wooden doors, sound effects accompany magic, healthy competition, and Antonio’s willingness to try something he dislikes. Thanks to Titan Comics for providing a review copy.

 

Final Thoughts

Imelda hungers for knowledge and achievements. At the milk plant, Imelda battles characters from a realm she dreamed about when she collapsed at her brothers' feet in the chapel. Yet, as Antonio fears, the greatest danger Imelda faces may be her desperation to prove herself in Vampire Survivors #3.

 

Rating 9.8/10

 

For Antonio's reunion with Maestro Poe, see Vampire Survivors #2 Review. 

 

For all the chaos in the chapel, see Vampire Survivors #1 Review.

 


Thursday, November 12, 2026

Destination Kill Deluxe Edition HC Cover Preview

 


The future could be glorious. Sadly, politicians held London back. Thankfully for all the inhabitants of Central City, private investment has kick-started urban renewal. As living conditions rise in the boroughs, a new building rises, promising a better future for everyone. The new station gives Londoners a better chance to take a hop across the pond. But instead of flying to the colonies, an underground train links Londoners with New York. Forget the Chunnel connecting London to Paris. This high-speed beauty gets passengers to the new world in an hour.

 

How will Londoners welcome this new era of privatization? And will a trip to New York give Gina Serene the rejuvenation she longs for?

 

Here's all the info from Oni Press:

 

 

Destination Kill Deluxe Edition HC Cover Preview

Writer, Artist & Letterer: Joe Palmer

Color Assists: Folasade Olaseni

Editors: Bess Pallares & Azat Sayadi

Designer: Winston Gambro

Production: Melanie Ujimori

Publisher: Oni Press

Book Description: 152 Pages, Full Color

Price: $29.99

Release Date: November 4, 2026

 

 

 

The Future Is A Riot! 

 

 

 

In the footsteps of Judge Dredd, V For Vendetta, and Tank Girl, the first great milestone in 22nd-century science fiction is here! Written, illustrated, and hand-lettered by British comics virtuoso Joe Palmer (Time Before Time), Destination Kill is powered by the thrum of a million gigawatts of nonstop visual firepower... as rendered by one of the most incendiary visual storytellers in comics today.

 

The year is 2125, and the all-powerful corporation Overcon uses its robot workers to pour our drinks and dispense our meds, all while rebuilding London’s Central City into a hyper-modern megalopolis bolted together in its own image. But as Overcon prepares to celebrate the first year of its Paradise Loop—a superfast transatlantic train that connects the Central City to New York in under 60 minutes—an unwieldy army of displaced human workers floods the streets with weapons, plotting an attack at the anniversary gala. Enter: Gina Serene, a stressed-out, pill-popping police detective in desperate need of a vacation and her ex-partner turned P.I., Lance Wingman—who are now the only thing standing between Overcon’s skyscraper-sized fist and the worker uprising that threatens to bring Britain’s capital crashing down around them.

 

Collecting Destination Kill #1–4, this oversized, deluxe hardcover also features development art from creator Joe Palmer and a variant cover gallery including work from Riley Rossmo, Ronald Wimberly, James Harren, Dani, and more!

 

Thanks to Oni Press and Superfan Promotions for sharing this cover preview with us.