Craniacs Vol 1 Review

 

Craniacs Vol 1 Review

Creators: Ira Friedman & Joe Simko

Writer: Sholly Fisch

Artist & Cover Artist: Joe Simko

Colorist: Valentina Bianconi

Letterer: Dave Lentz

Editor: Jonathan Wilkins

Designer: Matt Bookman

Publisher: Titan Comics

Price: $17.99

Release Date: July 21, 2026

 

As the chieftain's son, Rocky has a duty to be the best smasher around. When he's not smashing things with his club or playing drums along to the latest Ozzy Ozbone single, Rocky hangs out with Phoebe, an artist who enjoys painting murals on boulders.

 

While Rocky and Phoebe enjoy their days in Retrovia, Bo and Darby zoom through the skies of Futurra on their hoverboard and hover skates. The competitive children are always looking for the next challenge. How will they react when they meet Rocky and Phoebe? And can Retrovia and Futurra survive when their two worlds collide? Let’s leap into Craniacs Vol 1 and see!

 

Story

Rocky wakes up on Shatterday to find his mother stomping on Devan's plans for the day's ceremony. When Chieftain Riley insists her son take a bath, Rocky reluctantly heads to the lake, where he also captures a fish for breakfast. Then he takes a ride to school along with Phoebe, where they sit around a campfire while their leader tells them about Shatterday.

 

In Craniacs Vol 1, Bo dashes out of his bedroom when he awakens. He doesn't have time to sit down for breakfast like his sister. But as he rushes off to school on his hoverboard, his sister follows him on her hoverskates. Their friends at school catch a glimpse of the race as they ride in the hoverbus to Napoleon Bone-Apart Skullastic Middle School. In the classroom, their teacher tells them about Shatterday, which celebrates the day two planets became one.

 

Unfortunately, no one regards the joining as a good thing. In Sholly Fisch's story, the leaders of both worlds view their counterparts with suspicion. But for the kids, it's just another day. When Phoebe finds the perfect spot for her next mural, she invites Rocky to see it. In Futurra, Darby dares Bo to brave the dangers of Retrovia.

 

When the four children meet, they view the strangers through the lenses of their cultural biases. As Rocky, Phoebe, Bo, and Darby get to know each other, they discover that their two worlds have much to offer each other. But to continue having fun together, the children must keep their friendships a secret in Craniacs Vol 1.

 

Art

Joe Simko introduces the cast with a series of trading cards. Rocky sleeps in a hammock, clutching drumsticks. While a Craniac skull supports a lamp, his mother reclines on a throne of dinosaur skulls. Despite their closeness to nature, a prehistoric creature repurposed as a school bus sports exhaust pipes. And as the schoolteacher teaches his students, a hologram appears above a firepit.

 

When Bo rises from a bathtub-shaped bed, last night's snacks rest on a hovering end table. He dashes into the kitchen, plucking his helmet from a hovering bowl not laden with fruit or packaged food. While Valentina Bianconi enhances both worlds with vibrant color, purple adorns Rocky and Riley's skin. The flagstones and the cliff bearing Phoebe's mural are purple. As Bo and Darby soar above hovering vehicles and fly past (or through) purple towers, Bo’s blue coloring and Darby’s green helmet and clothes suggest that the Futurrans also retain a closeness to nature.

 

Dave Lentz fills white balloons and colored boxes with black and colored uppercase letters. The letters grow bold and swell with raised voices. Lowercase letters represent lowered voices. Electrifying colorful dialogue accompanies the kids’ youthful exuberance for life, phone calls from worried parents, and a bird’s wake-up call. Colorful sound effects amplify Rocky and Riley's smashing, Bo and Darby's race past honking vehicles, competitive water sports, and Phoebe's favorite new art form. Thanks to Titan Comics for providing a review copy.

 

Final Thoughts

At first glance, Retrovia and Future have nothing in common. Each culture blames the other for having to share their divided world. Most children accept their cultures' teachings and observe the warning signs lining the border. Their parents may fear their neighbors. Still, the rulers' children decide to forge a better future for their world in Craniacs Vol 1.

 

Rating 9.8/10

 

To look inside see my preview of Craniacs Vol 1. 

Justice League Knight Vision Special #1 Review

 

Justice League Knight Vision Special #1 Review

Writers: Mark Waid & Joshua Williamson

Artist: Miguel Mendonça

Colorist: Romulo Fajardo Jr

Letterer: Steve Wands

Editors: Ben Mears & Rob Levin

Cover Artist: Carmine Di Giandomenico

Variant Cover Artists: Juan Ferreyra; Mark Spears; Javi Fernández with Marcelo Maiolo

Publisher: DC Comics

Price: $5.99 US

Release Date: July 29, 2026

 

Batman may believe in preserving life. He may admire genius. But that doesn't mean Batman wants Lex Luthor in the Justice League. And after Lex Luthor inflamed the Brainiac Queen crisis, Batman doesn't want Lex anywhere near the Watchtower control room.

 

But when Batman tried to throw Lex out, both men shared a vision. Will Batman and Lex Luthor establish an interstellar empire like Aquaman? Or will they awaken a dragon as they tinker with potentially planet-destroying forces like Cyborg in Mount Titans? Let’s leap into Justice League Knight Vision Special #1 and see!

 

Story

When gunrunners want to meet with their buyer in Gotham, they opt for Slaughter Swamp to avoid Batman's scrutiny. Thanks to their shared vision, Batman and Lex Luthor find the miscreants regardless. But before the Justice League teammates can arrest the weapons dealers, a house appears in Slaughter Swamp. And although Batman tries to warn them, the gunrunners flee inside the house.

 

In Justice League Knight Vision Special #1, Lex Luthor claims this mission is an unwelcome task. Batman argues that the visions are designed to prepare them for Darkseid’s return. Still, Lex can't wait to get inside the house. And Lex seems more interested in learning how much Batman knows about its occupant than sharing information with his partner.

 

Mark Waid and Joshua Williamson’s story contrasts Bruce Wayne’s approach to life with Lex Luthor, his socioeconomic equal. It also compares Batman's origins with those of Prometheus. As the fast-paced story follows Lex and Bruce, the men test each other. And even when they confront the house's owner, both men expect the other to let them down in Justice League Knight Vision Special #1.

 

Art

As the gunrunners arrive in their airboat, Batman and Lex Luthor descend from the Batwing. While Batman spreads his arms wide to support his cape, Lex Luthor crosses his arms over his armored chest and frowns. When Batman lands atop the propeller cage, his cape emulates wings as he crouches. But when the arms dealers raise their weapons, Lex fires an energy burst from his hand. Then a twisted tower erupts from the water, hurling the combatants and the boats into the air.

 

As Miguel Mendonça depicts Batman and Lex obeying whatever force gifted them their shared vision, Romulo Fajardo Jr. adorns Justice League Knight Vision Special #1 with a bright palette. While the weapons dealers dress to melt into the green and blue Slaughter Swamp, Lex's green armor and Batman's blue suit, cowl, and cape shine brightly. The brown door, outlined with white, adopts a 2D cartoony appearance when the gunrunners enter. As Batman realizes the twisting nature of the interior, white lines and a turquoise background fill a panel. Yet when the weapons dealers reappear, they bring the yellow, orange, and red of Gotham to Slaughter Swamp.

 

While large white letters identify locations, black uppercase letters fill white dialogue balloons. Steve Wands shrinks and grays dialogue for lowered voices, and warps words when navigating Prometheus' inner sanctum. Lex Luthor and Batman's offscreen dialogue appears as white letters in green versus black boxes. Sound effects accompany fighting, weapon fire, and the strange house doing what a strange house does. Thanks to DC Comics for sharing this story with us.

 

Final Thoughts

While Batman and Prometheus endured similar trauma, Bruce has more in common with Lex Luthor than he would care to admit. After the Omega Tournament and Lex's recent actions aboard the Watchtower, Bruce knows he can never trust his partner. But while Bruce must find a way to combine their differences to fulfill their shared vision, he and Lex confront a villain with a different type of vision in Justice League Knight Vision Special #1.

 

Rating: 10/10

 

For what happened last time, see my preview of Justice League Unlimited #21. 

For how this story arc started, see my preview of Justice League Unlimited #17. 

Batman/Superman: World’s Finest 2026 Annual #1 Review

 

Batman/Superman: World’s Finest 2026 Annual #1 Review

Writers: Mark Russell; Mark Waid & Tyrone Finch

Artists: Clayton Henry & Patrick Boutin

Colorists: Pedro Estouco & Romulo Fajardo Jr

Letterer: Steve Wands

Cover Artist: Dan Mora

Variant Cover Artists: Rahzzah; Clayton Henry & Arif Prianto

Editors: Chris Rosa & Paul Haminski

Publisher: DC Comics

Price: $5.99 US/Variant $6.99 US (Card Stock)

Release Date: July 29, 2026

 

When Superman, Batman, and Robin searched for a missing Air Force pilot, they ended up on another world. Batman and Robin befriended Warlord and his savage and beautiful cadre. Then Batman disappeared amid his search for Superman. But no one anticipated that Air Force pilot Randall Kreitzer, transformed into Tyrant Rex, could drain Superman of his powers and bestow them on his trusted lieutenants.

 

Now, Superman, Batman, and Robin have returned from Skartaris. Warlord can live out his Edgar Rice Burroughs dreams without interference from Robin. Where will the World's Finest team travel next? And what trouble will they find? Let's leap into Batman/Superman: World's Finest 2026 Annual #1 and see what happens!

 

The Hero Trap: Story

Bruce and Clark wanted to honor their fathers with a celebratory meal. But Bruce worries that Alfred won't like Clark's choice. When Jonathan and Alfred arrive, Jonathan feels at home in the Middle Ages-themed restaurant. Yet Alfred is ill at ease.

 

When Clark and Bruce receive alerts before Jonathan and Alfred can peruse the menu, Bruce leaves to assess the situation. But while Jonathan remains buoyant in Clark's company, Alfred withdraws further.

 

As Mark Russell splits the narrative between Batman, Superman, and the men who raised them, he also focuses on their dilemmas. Batman and Superman seek to rescue their friend. Yet Jonathan and Alfred, who taught them how to be heroes, must wait to learn their fate. Both fathers wrestle with letting their children live their lives, while worrying about the dangerous road they set their sons upon in Batman/Superman: World's Finest 2026 Annual #1.

 

The Hero Trap: Art

A knight clad in plate armor guards a fortress with his spear. Inside, Bruce and Clark sit side by side. Yet both men look away, as if alert for danger. When the men who raised them arrive, Jonathan waves to his son, while Alfred leans away from the wooden tables where a squire takes dinner orders.

 

As Clayton Henry conveys the action and drama, Pedro Estouco lavishes a richly colored palette on Batman/Superman: World's Finest 2026 Annual #1. While red and blue dominate scenes as both sets of heroes seek to solve a mystery, Alfred's gray vest links him with Bruce Wayne's suit and the Batmobile. Jonathan's red flannel links with the hero in need of rescue, the SUV Bruce climbs into, and the Batmobile’s turbine exhaust. While the heroes play Detective Comics in a blue room, muted colors adorn the memories that flow through their elders’ minds.

 

Date Night: Story

In the Fifth Dimension, Bat-Mite and Mr Mxyzptlk yearn for entertainment. But when Bat-Mite reads a comic asserting that Batman is a better match for Lois Lane, Mr Mxyzptlk attempts to rewrite the story. As Mark Waid and Tyrone Finch switch the action to Earth, Superman has left Lois Lane in danger to address a global threat. But Clark Kent never suspected how Bruce Wayne would stick close to Lois Lane.

 

Both Batman and Superman have egos. Clark may know Bruce is just having fun at his expense. Still, Clark decides to show Bruce just how much fun he can have as Lois’ date. After Jonathan worked tirelessly to lighten Alfred’s spirits in The Hero Trap, Clark and Bruce’s antics further lighten the tone in Date Night.

 

Date Night: Art

When Mr Mxyzptlk spies Bat-Mite eating a sandwich while reading a copy of Batman/Superman: World’s Finest 2026 Annual #1, he zooms over to grab the comic. As it floats between them, opposing waves of energy rush toward the empty pages. Then, the first page of Date Night appears. Superman rises to the forefront while Earth orbits beneath him. But when he returns to Metropolis, Superman flies past the iconic Daily Planet building toward another destination.

 

Romulo Fajardo Jr adorns Patrick Boutin’s manga-style art with a vibrant palette. As Superman hovers above them, red shadows tinge Lois and Bruce's features. When Superman interferes with their evening, Bruce exchanges his black suit for red, yellow, and blue clothes. Yet red proves Bruce's nemesis, even as Lois pulls him close and smiles at him with her red lips.

 

Lettering

Steve Wands fills white balloons and boxes with black uppercase lettering. The words shrink for lowered voices and grow bold with intonation. Large white letters in blue fields locate readers in time and space while Superman’s thoughts appear as white uppercase letters in blue boxes. Sound effects enhance vehicles, gunfire, surprise attacks, and rescue attempts. And after Batman realizes a name on a door spells death, sound effects accompany his attempt to impress the woman Superman adores. Thanks to DC Comics for sharing this story with us.

 

Final Thoughts

Jonathan and Alfred defended their country. After they left the military, the men advised their sons on their future campaigns. Jonathan and Alfred may not give their sons orders when Superman and Batman leave on their missions. Yet neither man has any intention of gracefully retiring from Fatherhood in Batman/Superman: World’s Finest 2026 Annual #1.

 

Rating: 9.6/10

 

To look inside see my preview of Batman/Superman: World’s Finest 2026 Annual #1.

 

For what happened last time, see my preview of Batman/Superman: World’s Finest #53. 

 

For what happened before that, see my preview of Batman/Superman: World's Finest #52. 

For how this story arc started, see my preview of Batman/Superman: World’s Finest #51.

For what happened even before that, see my preview of the oversize anniversary issue Batman/Superman: World's Finest #50. 

 

Conan The Barbarian #33 Review

 

Cover by Max Von Fafner

Conan The Barbarian #33 Review

Writer: Jim Zub

Artist: Fernando Dagnino

Colorist: Diego Rodriguez

Letterer: Richard Starkings & Tyler Smith

Cover Artists: Roberto De La Torre, Fernando Dagnino, Max Von Fafner, Don Aguillo, Rebeca Puebla & Dan Panosian

Editor: Chris Butera

Publisher: Titan Comics

Price: $4.99

Release Date: July 29, 2026

 

The Zingaran government wants to send a message: its ports are open, and its seas are safe for vessels to sail upon. As the Navy cracks down on piracy, one ship defies their reach. Commanded by Captain Quinn Corvaxis, the Briney Wren strikes terror upon the seas. But what makes this crew of pirates such an unstoppable force? And what dangers will arise to threaten Captain Quinn, Valeria, and Conan the Cimmerian’s supremacy on the high seas? Let’s shout, “Hail Crom,” leap into Conan The Barbarian #33, and see!

 

Story

Captain Quinn may order his sailors into battle against the Zingaran seadogs. But Conan is the first to board the military vessel. The Cimmerian orders the Red Brotherhood to seize the helm. While his zeal inspires most of his comrades, two other seasoned sailors observe the Cimmerian's bloodlust. Morley quips with Valeria as they cut a swathe across the deck. And they force the Zingaran Captain to surrender, while Conan would prefer to continue the fighting.

 

In Conan The Barbarian #33, the Cimmerian is more prone to melancholia than mirth. Morley senses a history between Conan and Valeria. But Conan says nothing, and Valeria insists they were just fellow thieves. Like Captain Quinn, Conan seems content to observe his fellow sailors following the battle. But he snaps into action when another danger arises.

 

As Jim Zub’s story follows a day in the life of Conan and Valeria, Morley is an interloper. He seems intent on sweeping Valeria off her feet. While Valeria keeps him at arm’s length, the two warriors are well-matched. Conan takes little interest in the duo's flirting. More attuned to nature's rhythms than his civilized companions, the Cimmerian remains alert for danger.

 

But while the smirking swordsman and the warrior woman spar, an unseen enemy begins a game of their own. Like Morley and Valeria, their adversary plays by their own rules. And while Morley and Valeria cut short Conan’s battle aboard the Zingaran naval vessel, the Cimmerian may get more than his fill of death in Conan the Barbarian #33.

 

Art

While Bêlit disdained restrictive clothing, Captain Quinn has a dress code. And instead of the sword he found at the Battle of Venarium, Conan wields a sabre with a crossguard. As he swings over to the Zingaran vessel in his long-sleeve shirt, pants, and boots, Valeria and the others follow wearing similar attire. A red sash at their waist is their calling card, along with the crimson they spill with their swords. After a splash page and a double-page spread, Fernando Dagnino uses rectangular panels to portray calm moments, while diagonal borders enhance the fraught battles.

 

Diego Rodriguez lavishes a loaded palette on the swashbuckling action in Conan The Barbarian #33. Red and yellow enhance the daytime battle as the pirates battle purple-clad Zingarans beneath purple sails. But the blue night turns green when Conan’s heightened senses detect danger. As sailors scramble for safety, green and white electrify the night. Yet Captain Quinn stands on the top deck, wearing his black hat and long jacket, while his long gray beard and a dagger adorning his wide leather belt mark him as an experienced captain.

 

Richard Starkings and Tyler Smith fill white dialogue balloons with black uppercase text as Conan strikes terror into his enemies. Jim Zub's narration in yellow boxes guides readers through this maritime chapter of the Cimmerian’s life. The words grow bold for intonation and never shrink. Yet they swell, and balloons grow spikes, when sailors’ voices rise. And dialogue changes color when staring death in the face. Thanks to Titan Comics for providing a review copy.

 

Final Thoughts

Conan and Valeria have fought together before. Then they slipped through shadows as thieves, and nighttime was their friend. Now they rob and steal in daylight. But when darkness falls, the pirates brave unknown dangers in Conan The Barbarian #33.

 

Rating 9.8/10

 

To look inside, see my preview of Conan The Barbarian #33. 

 

For how this series began, see my review of Conan The Barbarian TP Vol 1.

 

For Conan's first adventure after the Battle of Venarium, see my review of Conan The Barbarian Vol 4: Frozen Faith.

 

Swamp Thing 1989 #4 Review

 

Swamp Thing 1989 #4 Review

Writer: Rick Veitch

Artist: Tom Mandrake

Colorist: Trish Mulvihill

Letterer: Todd Klein

Cover Artist: Rick Veitch

Editors: Alex Galer & Chris Conroy

Publisher: DC Comics

Price: $4.99/$7.99 Foil

Release Date: July 22, 2026

 

Swamp Thing, John Constantine, and Abby Holland are on a journey together. They paved this path with their affection for each other and their desire to wrest good from evil. While Swamp Thing has helped the Son of God, John Constantine has aided God's Vengeance. Now, when their dream should come true, and Abby is at her weakest, the evils from her past resurface. Can John Constantine fly to Abby's aid? And after battling the Roc Riders in the Stone Age, how will Swamp Thing return to the present? Let's leap into Swamp Thing 1989 #4 and see!

 

Story

As he traveled through the multiverse, Swamp Thing witnessed acts of love and the effects of hate. But searching for home has taken a dedication that few could muster. And while he has given up everything to return to Abby, she suffers the agony of childbirth.

 

Rick Veitch begins his story at the end. Abby has given birth to their son. Now, she can finally enjoy a future with Alec Holland and Sprout. Yet like any loving couple, Abby yearns to hear about Alec’s struggle to return to her side and the adventures he enjoyed along the way. As Abby’s husband reflects on his journey, Swamp Thing 1989 #4 returns to the crisis in the bayou, when her uncle and Dr Hubert Sax arose from Hell to menace her once again.

 

As Veitch follows the lovers' long journey toward reunion, this final issue also highlights the horrors that prompted Abby to seek a midwife instead of a hospital. Like all the best love stories, Swamp Thing 1989 #4 culminates with the couple's reunion. Yet Alec and Abby recognize the need to live their lives differently from now on, so they can make a stable home life for their son.

 

Art

As Tom Mandrake opens this swan song to Alec and Abby, the couple inhabit rooms in a tree. Panels show the couple inside their eco-friendly home. Tree roots intertwine around panels, celebrating how Swamp Thing’s determination to return to Abby has finally brought them together. As Tom Mandrake shows Swamp Thing and Abby relaxing, scenes from his travels fill the air above the couple, while their final battle spreads across the bottom.

 

Anton’s greed has reduced him to a rotting, yellow head. He commands an insectile body formed by the yellow faces of doomed souls and the red hatred his benefactor savored. His companion, Dr Hubert Sax, walks naked through the bayou clutching a saw. While suffering the pangs of labor, Abby’s sapphire top and indigo skirt highlight her love for Alec and her desire to heal the world through their child.

 

John Constantine, who made Abby's pregnancy possible, represents all of us in yellow and blue, as he hopes and fears what the future will bring. While Alec Holland’s green appearance underlines his willpower to return to Abby, the orange chunk of amber represents his desire for more than the Source could give him. Yet as Trish Mulvihill lavishes a vibrant palette on Swamp Thing 1989 #4, Anton Arcane attacks, spearing Abby’s friends with his red, bug-like limbs.

 

Todd Klein places black uppercase letters in white and colored dialogue balloons and narrative boxes. Anton's red words appear in black balloons. Like the chunk of amber that has plagued his travels, Swamp Thing's dialogue appears in orange polygons. The letters grow bold with intonation, while words swell with volume and deform balloons. Sound effects accentuate Swamp Thing’s bravery and herald a visitor, as laughter rings through the cosmos. After Rich Handley’s introductory essay sets the issue in context, Rick Veitch reflects on finally bringing Alec and Abby’s epic ending to readers. Thanks to DC Comics for sharing this story with us.

 

Final Thoughts

Relationships take hard work. And getting along with others necessitates restraining your emotions and desires. While Anton Arcane and Dr Hubert Sax's search for power ruined their futures, Alec Holland and Abby Arcane's love for others finally allows them to enjoy the happily ever after they desire in Swamp Thing 1989 #4.

 

Rating 9.8/10

 

To look inside see my preview of Swamp Thing 1989 #4.

 

For what happened last time, see my review of Swamp Thing 1989 #3. 

For what happened before that, see my review of Swamp Thing 1989 #2.

For how this series resumed, see my review of Swamp Thing 1989 #1. 

 

Dark Knights of Steel II: Heir to the Sea #1 Review

 

Dark Knights of Steel II: Heir to the Sea #1 Review

Writer: Tom Taylor

Artist: Riccardo Federici

Colorist: Arif Prianto

Letterer: Wes Abbott

Cover Artist: Reiko Murakami

Editors: Matthew Levine, Andrea Shea & Andrew Marino

Publisher: DC Comics

Price: $5.99 US

Release Date: July 22, 2026

 

It was a historic gathering: a celebration of their friendship, symbolizing the union of their three nations. But as the Queens and their contingents gathered, a threat arose from the deep that threatened to ravage the Island Kingdom of Amazonia. Then he appeared. And he would give his all to protect these rulers who sought to live in peace in their lands above the waves.

 

Who is Arthur Curry? And how did he become Aquaman? Let’s grab our tridents, leap into Dark Knights of Steel II: Heir to the Sea #1, and see!

 

Story

Jonathan and Martha fight under General Grant’s command. After yet another bloodbath, the Waynes order the company to the coastal city of Leguin. The port is key to maintaining international trade and defending their realm. Yet the tides of blood and broken bodies washing ashore warn that another war may threaten their country.

 

In Dark Knights of Steel II: Heir to the Sea #1, warfare is the only life Jonathan and Martha have ever known. As warriors, they fight by each other’s side. They excel on the battlefield. Yet they can’t help feeling that each victory leaves their country poorer than before.

 

Tom Taylor’s story focuses on the human costs of war. It also shows how discrimination and intolerance can tear communities apart. But in Dark Knights of Steel II: Heir to the Sea #1, Jonathan and Martha get a chance to start again. Yet it is not the life of honor that their country upholds.

 

Art

Jonathan and Martha fight in plate armor against opponents clad in cloth and leather. Yet their lack of helmets makes them vulnerable. When a foe clubs a fellow knight with the butt of his axe, Jonathan stays the man's hand and bangs his head into the opponent's face. After meeting with General Grant in his tent, Jonathan and Martha sit side by side in the forest. Their linen shirts link them, while Martha's laces echo her braided hair. Amanda Waller smiles when meeting the Cleavers of Rothfus. But when Jonathan frowns, Martha gazes upon her friend with concern.

 

Arif Prianto bestows a lush, painted appearance on Riccardo Federici’s art in Dark Knights of Steel II: Heir to the Sea #1. While surrounded by greenery, soldiers fight and die beneath barren brown tree limbs. The bluish green evening after the battle links the Wayne contingent and the soldiers in the troubled undersea domain. As they look down from the wall surrounding Leguin, clad in gleaming silver, Jonathan and Martha observe a clash between soldiers wearing plate armor, leather, and cloth. The undersea emperor's red eyes and the strands of red kelp adorning his armor precede the spots of red splashing against the combatants' legs. Jim Gordon's red hair counts him among the casualties of war, while red will color a defining incident in Jonathan and Martha's future.

 

Close-set italicized, uppercase black letters fill beige boxes as Jonathan guides readers through his past. Black uppercase letters in white balloons grow bold with inflection and shrink for lowered voices. Raised voices enlarge words on the battlefield and turn balloons into spiky weapons. Despite all the battles and the soldiers who lay down their lives for their kingdoms, Wes Abbott’s infrequent sound effects usually emphasize the violence that doesn’t lead to death. Thanks to DC Comics for sharing this story with us.

 

Final Thoughts

First, they were heroes. But when they followed their hearts, Jonathan and Martha became criminals. Yet by following their consciences, the knights found the happiness that had eluded them. And in time, their dedication to their cause helped them become leaders among their people and strengthen their kingdom. Still, Jonathan and Martha’s path to a better future begins with an act of faith and compassion in Dark Knights of Steel II: Heir to the Sea #1.

 

Rating 9.5/10

 

To look inside see my preview of Dark Knights of Steel II:Heir to the Sea #1.

 

For how the series begins, see my preview of Dark Knights of Steel II #1.  

Hawkmoon: The Battle of the Kamarg Review

 

Hawkmoon: The Battle of the Kamarg Review

Story: Michael Moorcock

Writer: Jérôme Le Gris

Artists: Benoît Dellac & Didier Poli

Colorist: Bruno Tatti

Letterer: Lauren Bowes

Translator: Marc Bourbon-Crook

Assistant: Angélina Rodrigues

Editor: Ibraheem Kazi

Designer: Oz Browne

Publisher: Titan Comics

Hardcover Price: $19.99

Release Date: March 17, 2026

 

Baron Meliadus doesn't fight fair. But then, he can't afford to. He wants to retain his position in the Granbretan Empire at any cost. Count Brass could ensure Meliadus' future. But after a life spent propping up weak leaders and tearing down kingdoms, the weary soldier wants to care for his beautiful and serene province.

 

So, the Baron hatches a plan. Dorian Hawkmoon, the former Duke of Köln, will be his tool to secure the Count's agreement to become Meliadus' military advisor. But will Dorian Hawkmoon play along? And if Dorian resists, will the enchanted stone in his forehead destroy the man who lost his family and his country to Baron Meliadus? Let’s grab our swords, leap into Hawkmoon: The Battle of the Kamarg, and see!

 

Story

When Lieutenant Von Villach brings Count Brass to inspect their uninvited guest, the ruler of this final outpost of freedom asks Hawkmoon about his family. After Baron Meliadus’ attempted abduction of Yisselda, Count Brass refuses to accept foreign visitors at face value. Still, Von Villach worries when Count Brass dismisses the guards.

 

Count Brass does not welcome the news of Lyon's recent downfall. Nor does he dismiss his advisors' warnings about the Granbretan Empire's Human Rights violations. Unifying their divided world cannot justify nearly losing Yisselda and Lyon's destruction. And then there is the Black Jewel fixed upon Dorian Hawkmoon's forehead, another symbol of the Empire's ruthlessness.

 

Jérôme Le Gris’ adaptation of Michael Moorcock’s novel takes place in a distant future. Nuclear war has destroyed all the old nations of Earth. Smaller principalities squabble over resources. All the accumulated knowledge of the old world has passed away. And as science rises again, so does magic.

 

Few people understand the forces that rule their world. So as Count Brass prepares for war with the Granbretan Empire, Councilor Bowgentle devotes his limited knowledge of Magience to grant Hawkmoon a reprieve from Kalan's control. Count Brass needs to ensure that Kalan, Baron Meliadus, and King-Emperor Huon cannot monitor events via the Black Jewel. But unless Hawkmoon can find someone better schooled in Magience, the former Duke of Köln will lose his mind and suffer an agonizing death in Hawkmoon: The Battle of the Kamarg.

 

Art

Giant flamingoes soar over a majestic city arising from the surrounding wetlands. As the camera descends through towers, pillars, and elevated walkways, soldiers surround Dorian Hawkmoon on a circular platform over a pool. The deposed Duke, hands bound behind him, kneels before Count Brass and his advisors. From a landing, Yisselda gazes down past the immense statues as soldiers in sculpted plate armor guard Hawkmoon with spears.

 

Benoît Dellac and Didier Poli’s detailed art conveys the historic grandeur that Count Brass strives to protect. The Count’s advisors and daughter wear sturdy clothing that would serve them well in battle as they dine. Count Brass, Yisselda, Hawkmoon, and the Baron's advisors regard each other with guarded expressions in the sweeping, open-air dining room. Later, Hawkmoon and Yisselda stand atop the palace, looking out over the city and surrounding moors. Small moments—Yisselda and Hawkmoon’s gazes, their hands placed near each other but not touching—bespeak their frustration over being tools in Baron Meliadus’ schemes, and perhaps something more.

 

Surrounded by the blue-and-green wetlands, Bruno Tatti applies a restrained palette of greens, reds, browns, and golds on Count Brass’s stronghold. After suffering torture in Baran Kalan’s dark tower, Hawkmoon braves the black columns and monochromatic stone tiles dominating Bowgentle’s laboratory. The black stone glows purple when Bowgentle tinkers with forces he doesn’t completely understand. And in a vision, gold runes shine on a dark staff.

 

Beige parchment banners denote time and space, while black uppercase letters in white balloons and boxes portray dialogue. The words grow bold with intonation, swell for raised voices, and shrink for lowered voices. The balloon arrows often arc like lightning, while sound effects heighten the conflict threatening Count Brass’s redoubt of peace. Thanks to Titan Comics for providing a review copy.

 

Final Thoughts

In Jérôme Le Gris’ adaptation of Michael Moorcock’s novel, Count Brass realizes Baron Meliadus no longer seeks his advice and leadership. As the ruler of the Kamarg prepares the city of Aigues-Mortes for war, the Count mobilizes his forces, hoping to hold off his overwhelming enemy. Yet while King-Emperor Huon mobilizes a fleet of ornithopters, Councilor Bowgentle utilizes the machinery of a past age to defend their tiny principality in Hawkmoon: The Battle of the Kamarg.

 

Rating 9.6/10

 

To look inside see my preview of Hawkmoon: The Battle of the Kamarg. 

 

For how this series began, see my review of Hawkmoon: The Black Jewel. 

Absolute Superman #21 Review

 

Absolute Superman #21 Review

Writer: Jason Aaron

Artist: Rafa Sandoval

Breakdowns: Zander Cannon

Colorist: Ulises Arreola

Letterer: Becca Carey

Cover Artist: Rafa Sandoval & Ulises Arreola

Variant Cover Artists: Jerome Opeña, Gabriel Hernández Walta & Marguerite Sauvage

Editors: Ash Padilla & Chris Conroy

Publisher: DC Comics

Price: $4.99/$5.99 Card Stock

Release Date: July 22, 2026

 

They battled across the planet. Hawkman defied Talia al Ghul to fight alongside Superman. John Henry proved he deserved a better life than working in a slaughterhouse. Yet as King Shazam unleashed storms and natural disasters, Superman simultaneously protected people from the once and (perhaps) future king's fury.

 

As Ra's al Ghul knew, King Shazam refused to listen to reason. But will Superman? Or will Kal-El take Hawkman and John Henry's advice and kill King Shazam? Let's leap into Absolute Superman #21 and see!

 

Story

After Superman took Hawkman’s mace and John Henry’s hammer, and hurled Teth-Adam to the moon, the story returns to those tense moments before Teth-Adam returned to the shuttered Lazarus Corp building. Kal-El called Lois Lane and Jimmy Olsen to warn them that they would arrive soon. Their friend realizes he must step up his attacks like never before. But in case he doesn't survive this final battle, Kal-El gives Lois and Jimmy a final request.

 

While the primary battle takes place on the moon, Absolute Superman #21 weaves Lois, Jimmy, and Talia al Ghul’s battle into the narrative. Amid all the fighting, it also shows how far Hawkman has come. Yet these are battles between people who have lost everything. Like Kal-El, even if they survive this conflict, they must chart a path to their new normal.

 

In Jason Aaron’s story, Teth-Adam and Kal-El have much in common. Both lost their parents and their worlds. Yet while the young boy sought to protect his people, Kal-El used his powers to help and protect strangers.

 

Perhaps Teth-Adam has suffered more than Kal-El. He was tantalized with the power to protect people from aggressors. As King Shazam, he transformed his world. Then, he endured the trauma of 3,000 years of imprisonment. He may have killed Ra's al Ghul. Yet, Teth-Adam also believes that safety can only be achieved through strength. But in Absolute Superman #21, Kal-El cannot accept that holding power over anyone will ever lead to peace.

 

Art

The twisted metal framework of the damaged building frames Lois standing on the shattered floor. Immobilized, Talia sits and watches. Jimmy charges down a flight of stairs as he implores Kal-El to save himself. Yet in space, Kal-El holds a hammer and mace. A storm of energy swirls around him, obscuring his features as it transforms his appearance.

 

Aided by Zander Cannon’s breakdowns, Rafa Sandoval stretches the action across pages as Kal-El's armor covers him with spikes. The thorned warrior glows amid the energy storm. Yet Teth-Adam’s features also change. Freed from the Father Box, Teth-Adam has grown younger. But while battling to build his perfect world, cracks race across his skin as he and Kal pound regolith into rubble.

 

Ulises Arreola frames the first page in orange as the red dust of Krypton merges with yellow energy. Lois bears orange on her shoulder, while indigo and green surround Jimmy. The green links Jimmy with Talia, as they once fought together in the Omega Men. Orangish red and yellow rage on the moon as the combatants’ hands and feet glow, and the symbols they wear with pride burn in their chests. Yet the blue void surrounding the fighters darkens, until a storm of power swirls amid Kal-El’s darkest night in Absolute Superman #21.

 

Becca Carey fills white dialogue balloons with black uppercase text. The letters shrink for lowered voices and grow bold for intonation. Rage-fueled yells swell letters and deform balloons. Two characters speak into black fields, while large white letters indicate time and location. Yet Lois’ narrative fills beige boxes, guiding readers through the tragic events. Vibrant sound effects enhance the battle of two supermen wielding weapons fit for the gods as they shake the heavens. Thanks to DC Comics for sharing this story with us.

 

Final Thoughts

Like Sol, Kal-El’s fallen friend, most people believe that the Earth is hopelessly flawed. Perhaps if they had the power, they could make it more balanced. Yet Kal-El saw the Klerics of the Science League destroy Krypton by rigidly controlling every aspect of their world. So, as he strives to protect his adoptive planet, Kal-El fights not to install a perfect system, but to protect imperfect people in Absolute Superman #21.

 

Rating 9.8/10

 

To look inside see my preview of Absolute Superman #21. 

 

For what happened last time, see my preview of Absolute Superman #20.

For what happened before that, see my review of Absolute Superman #19. 

For what happened even before that, see my preview of Absolute Superman #18.  

For more on Hawkman, see my previews of Absolute Superman #16 & Absolute Evil #1.