Showing posts with label Edgar Rice Burroughs. Show all posts
Showing posts with label Edgar Rice Burroughs. Show all posts

Saturday, August 1, 2026

Titan's Publishing Program for Edgar Rice Burroughs

 


Titan Comics has enjoyed a successful partnership with Heroic Signatures. Both companies have honored Robert E Howard's legacy with new Conan stories. They've also expanded the publishing program in books and comics to include more of Howard's classic characters. Now, Titan Comics is building on this model of success to introduce modern readers to another pulp era creator. 

While I shared this announcement with you during San Diego Comic-Con, here's more detailed information on Titan's plans for their partnership with Edgar Rice Burroughs, Inc. Enjoy!

 

TITAN ANNOUNCES MAJOR EDGAR RICE BURROUGHS PUBLISHING PROGRAM LAUNCHING SUMMER 2027

 Thanks to Titan for sharing this news with us.

 

 

Saturday, July 25, 2026

Alien Books' New Tarzan Series

 


While fans await Titan Comics' upcoming Dejah Thoris series, another Edgar Rice Burroughs character is gracing comic book shops now. Alien Books' new Tarzan Beyond series will be five issues long, with another, shorter series to follow. At the Edgar Rice Burroughs panel, Matias Timarchi from Alien Books announced that they've just released the second issue, so now is a great time to return to the jungle with Tarzan and Jane. 

What changes have Alien Books made to ERB's classic characters? And how will they help modern readers identify better with these characters created a century ago?

Here's all the info from Alien Books:

 

 


TARZAN BEYOND #1

Written by: Steve Orlando

Illustrated by: Renato Guedes

Cover Artist: Agustin Alessio

Variant Cover Artists: Federico Mele, Stewart Moore, Noobovich & Dustin Nguyen

Issue Length: 40 Pages (full color)

Price: $5.99 US

Release Date: June 10, 2026

 

 

TARZAN RETURNS TO COMICS 

WITH AN ALL-NEW SERIES!

 

The years have been kind to the lord of the Jungle and his faithful companion, Jane. They’ve grown older, wiser, and carved out a peaceful existence after decades of adventuring. But not all good things are meant to last, as their world becomes threatened when the nefarious Blackbeard the Pirate and his crew lay siege to Tarzan’s homeland in search of the secrets of immortality! Can Tarzan return to his adventuring ways and save Jane and the rest of the world from Blackbeard’s crew?

 

Redhot writer Steve Orlando (Scarlet Witch) and legendary artist Renato Guedes (Superman) team up to bring one of the world’s most iconic characters into the future in the all-new TARZAN BEYOND series!

 

Thanks to Alien Books, ERB Inc, and San Diego Comic-Con for sharing this news with us. 



Friday, July 24, 2026

New Partnership with Edgar Rice Burroughs Inc & Titan Comics

 

Andrew Sumner (Titan COO) on right


Today, Edgar Rice Burroughs Inc had a bundle of news to release to fans, and did they deliver! One of the people ERB Inc brought to their panel at San Diego Comic-Con today was Andrew Sumner, the Chief Operating Officer of Titan Comics. Andrew grew up reading Edgar Rice's John Carter of Mars and Tarzan novels, and fell in love with Edgar Rice Burroughs' interconnected universe. Andrew has wanted to produce new stories about his favorite characters, and now, he can.

Titan will be producing an extensive lineup of comics and novels, both old and new. Similar to their programs with Alcon (Blade Runner) and Heroic Signatures (Conan & the Robert E Howard-verse), they'll be producing collections of old comics and publishing new ones. They'll also be reproducing old prose stories in collected editions.

Here's an outline of their plans:

 


  

First up is a Dejah Thoris comic series. Sadly, we'll have to wait until next year to see it. Still, this deal has been in the works for a long time, and Titan intends to pay homage to ERB's legacy by doing this series right. So, give your local comic shop the heads up, and keep alert for more news from Titan about the upcoming series.

I'll report more on ERB, Inc's bundle of announcements as time permits.

 

Thanks to Edgar Rice Burroughs Inc, Titan Comics, and San Diego Comic-Con for sharing this news with us. 

Monday, February 2, 2015

Jeremiah & George Lucas: Part 1

Joseph Campbell had a great dream. He yearned to study all the great literature of the ancients, those stories that had been passed down throughout the centuries, both in oral and written forms, and not lost to history. He compared all these great stories that he read, and created the philosophy of the Monomyth, or The Hero's Journey. He not only preached this philosophy to others, but he wrote about it in books such as The Hero with a Thousand Faces.


Filmmaker George Lucas & actor Mark Hamill,
who played his character Luke Skywalker,
on the cover of J. W. Rinzler's authoritative book,
The Making of Star Wars.

In the 1970s, a young filmmaker named George Lucas was writing a screenplay. He wanted to make a science fantasy to honor the epic sagas he grew up with, like Alex Raymond's Flash Gordon comic strip, and Edgar Rice Burroughs' John Carter of Mars novels. Plot wasn't that important to Lucas; what mattered was that he got the characters right. In The Making of Star Wars, author J. W. Rinzler provides an insight into Lucas' approach to writing his screenplay. 

"I spent about a year reading lots of fairy tales--and that's when it starts to move away from [asian filmmaker Akira] Kurosawa and toward Joe Campbell," Lucas says. "About the time I was doing the third draft I read The Hero with a Thousand Faces, and I started to realize I was following those rules unconsciously. So I said, "I'll make [my story] fit more into that classic mold."


A photo of Lucas' character
Luke Skywalker adorns the bottom of
Joseph Campbell's book.

Lucas went on to do just that, refining his characters and story to best embody the archetypes and structure Campbell felt crucial to his Monomyth. Needless to say, his film became one of the most successful and influential films in history. "Star Wars" has seeped into our culture, and characters like Luke Skywalker are household words around the world. So, assuming you're familiar with the film, the question becomes, if Jeremiah represents some crucial aspect of The Hero's Journey, which character in "Star Wars" might best embody the prophet Jeremiah?

Who do you think might best fulfill that role?

Dragon Dave

Saturday, December 29, 2012

The Religious Message in “Cowboys & Aliens”




Last night, we watched a movie we missed last year in the theaters: Cowboys & Aliens.  For a secular, genre film, it had a surprisingly religious message.  Daniel Craig plays an outlaw named Jake, who at the start of the movie has lost his memory.  He arrives at a town called Absolution, shortly before the aliens attack.  A preacher named Meacham tends his wounds, and accompanies Jake and the others intent on rescuing the townspeople abducted by the aliens.  While Meacham generally has something moral to say any time he’s onscreen, his final words to Jake seem at the heart of the movie: “God don’t care who you were, son.  Only who you are.”

Jake doesn’t spend much time being penitent, at least not in the manner of a devout Catholic seeking the divine rite of Absolution, but the story seems in tune with the era of American expansion, when those who never achieved their potential in the more established towns and cities headed west to begin new lives.  Some, like Jake or Edgar Rice Burroughs’ character John Carter, might have been running away from something, or had pasts they would just as soon forget.  So rather than accept the limited opportunities life seemed to have handed them, they tried something new, something bold and extreme, and hoped that their efforts would be rewarded. 

As we’re approaching the New Year, this seems a good message for all of us to contemplate.  If we have yet to achieve what we wish to in life, then should we alter our approach?  I don’t buy the adage that success never comes to people who keep doing the same thing: one must first develop one’s skills and abilities, and gain mastery over them, before long term success can come.  But then, a slight correction, or even a radical one, is mandated if one has drifted off-course.  While I feel like I’m making good progress toward developing my skills and abilities as a writer, I also feel I need to refocus my energies somewhat in the forthcoming year.  Specifically, I need to kick my submission efforts up a notch.  How exactly I can accomplish that, I don’t know, as the Divine never gives us more hours in each day.  

I know I’m a hard worker.  (At least, I can be when I really want to be).  The key is not just to work hard (which, if ill-directed, may only lead to exhaustion), but to also work smart, focusing on those tasks most necessary to achieving the desired goal.  I feel that 2013 could be my year for something to break loose and finally get a publishing deal.  But for that to happen, I have to make it happen.  So, I’ve got some thinking to do. 

What, if anything, will you do differently next year?  Is a course correction called for, or do you merely need to continue along the path you are currently following?  I wish you all wisdom as you contemplate what, if anything, you will do differently in 2013.

Dragon Dave

Friday, June 22, 2012

Kevin J. Anderson & Rebecca Moestra: Rousing Stories of Adventure


The "Star Wars: Young Jedi Knights" saga:
Fourteen Installments to Enjoy!


Growing up, I read anything I could get my hands on.  When the latest offerings from Scholastic arrived in my classroom, my parents purchased any books that interested me.  I took frequent trips to the library.  After I saw “Star Wars,” I realized that a wealth of newer books awaited me in grocery store spinner racks.  I sought out the Science Fiction sections in bookstores, as well as the book areas of department stores where my parents shopped.  In time, I discovered the Science Fiction Book Club, and that offered up a whole new source of beautiful, affordable hardcovers, some of them with two or three novels in one volume.

I think many of us are naturally drawn to series fiction.  If we find a particular character or characters, or a setting or world we like, then we yearn to return to it again and again.  Some of the series fiction I enjoyed during this period were media tie-in books, such as “Star Trek” and “Battlestar Galactica.”  Others were action/adventure novels such as “The Executioner” and “The Destroyer.”  And then there were the various series created by past and current SF and Fantasy authors, such as Robert E. Howard, Michael Moorcock, and Edgar Rice Burroughs.  These simple, rousing tales of derring-do entertained me with vivid characters, nonstop action, and awesome settings.  Because they wrote so well, they made storytelling seem so effortless.  Later, when I tried writing my own stories, I learned that writing was anything but easy.  Yet it was those authors’ vivid stories, as well as the sheer number of books they wrote about the characters I loved, or the worlds they inhabited, that made me want to become a writer. 

Kevin J. Anderson and Rebecca Moesta carry on this proud tradition of writing rousing stories of adventure.  Instead of losing themselves in the intricacies of plot, the evolution of character, or striving for stylistic perfection, they paint their creations with a gentle hand, allowing their readers to easily immerse themselves in the world and their characters, before whisking them off on their next adventure.  Because they do not attempt to forge each book into a masterpiece of stunning brilliance that will entertain reviewers, but simply aim to please fans, they write at an enviable pace, and always deliver their novels on time.  This gives their fans plenty of stories to enjoy.  Readers appreciate this, knowing they can expect many more stories from them in the future, as opposed to one or two masterpieces in the next five years.

There will always be arguments regarding the relative merits of quality versus quantity, as well there should be.  But I still remember my childhood delight when I discovered a novel I particularly enjoyed, and learned that the author had written many more adventures in that series.  I’m still feel the same thrill when I realize that I can count on an author to deliver many more stories written in a similar vein to the one I fell in love with.  Don’t get me wrong: I also enjoy reading those artists who strive for originality, who constantly challenge their readers, and attempt to reinvent themselves with each new novel.  I just don’t get to enjoy the work of those authors nearly so often.

Still hungry for my next great read,
Dragon Dave

Thursday, June 14, 2012

Of Ayrton Senna and Ray Bradbury


In 1994, during the San Marino Grand Prix, Ayrton Senna lost his life when his Williams F1 race car swerved off at the Tamburello corner and plowed into a concrete barrier.  His close friend and fellow racer, Gerhard Berger, later complained about many of the tributes paid to Senna by people who had never met the Brazilian.  He disliked how they spoke, often with tear-streaked faces, about how much Senna had meant to them.  To Gerhard Berger, such outpourings of grief seemed inappropriate. 

At the time, I didn’t know how to react to his statement.  Although I had only started watching Formula One two years previously, Senna had become a demigod to me.  He seemed immortal and impervious to harm, a superior being capable of feats mere mortals could only dream of accomplishing.  His death left me shattered.  (Or, as the English would say, gutted).  Obviously, I never knew or even met the man.  Perhaps his death should not have affected me thus.  Yet it did.

Last week, Ray Bradbury passed away.  He was a popular and award-winning author chiefly known for his short stories, although he had written influential novels and worked with filmmakers.  While I read several of his books in my youth, I'm not sure that he was ever a primary influence in my life.  Yet for many, his work proved influential, even monumental.

In previous posts, I’ve mentioned the impact that Edgar Rice Burroughs, Frank Herbert, and Roger Zelazny made in my youth. (There were many, many others).  In the past decade, authors such as Kevin J. Anderson, Kim Stanley Robinson, Dan Simmons, Robert Silverberg, and Terry Pratchett often entertained me and stirred my soul.  Janet Evanovich offered numerous moments of undemanding delight.  A quick glance at my reading list for the past year-and-a-half suggests that Gregory Benford, E. F. Benson, James Herriot, and Steven Brust have recently proven important.  Each, in his or her way, has contributed in a positive manner to my life.

Several years ago, after reading an interview in which Robert Silverberg asserted the eternal importance of The Martian Chronicles, I dug out my old, battered Scholastic edition and reread it.  At the fellowship following an Easter Vigil service, I fell into conversation with the associate priest.  I mentioned how something in his sermon reminded me of a story in The Martian Chronicles.  This older gentleman always struck me as someone better versed in Bible-related and spiritual works than the offerings of popular culture.  Looking back now, it seems strange to me that I can no longer remember any of the sermons he preached, and few of our conversations. Yet our talk that night, in which he shared how one of Bradbury’s stories had served as a minor metaphor for his life, still shines like a beacon in my mind. 

In 2009, my wife and I traveled to San Jose, California, to attend the World Fantasy Convention.  At an evening event, we filled our plates with goodies, and looked for a place to enjoy them.  As all the tables were full, one couple invited us to join them.  Unlike most World Fantasy attendees, he and his wife were not working- or aspiring-writers, but merely readers.  (Not that there’s anything ordinary about someone who regularly reads SF and Fantasy!)  His favorite author was Ray Bradbury.  With glowing eyes and a wide smile, he spoke of meeting the author, and how he would forever cherish the books Bradbury had signed for him. 

In the past week, I’ve read a number of glowing tributes to Ray Bradbury.  Most came from people who only met him a couple times, if at all.  Yet they speak of a man whose fiction loomed large in their lives.  Perhaps Gerhard Berger is right: perhaps it’s inappropriate to speak of what a person you’ve never really known means to you.  But as for how an author’s fiction has helped form the paradigm of your life, or how it enabled you achieve your own works of greatness, or even how it provided pleasant moments of connection between yourself and others...it seems to me that such contributions should not only be mentioned, but shouted from the highest mountains.

Rest well, Ray Bradbury.  You shall be well-remembered.

In respectful tribute,
Dragon Dave

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Tuesday, April 10, 2012

Steampunk on Earth and Barsoom Part 2

All fiction is a way of taking our minds off the issues of today.  Science Fiction, Fantasy, Mystery, Romance: any flavor of fiction can give us temporary respite from our problems, and even inspire us to improve our lives in myriad ways.  As this blog has shown, I’ve taken what I desired from Fiction and applied it to my life.  Whether it was something big like planning a trip to England, something comparatively small like visiting Poirot’s home, or simply trying a new variety of cheese, I’ve repeatedly looked to Fiction to enhance my life, and found myself better for the effort.  What’s interesting is when other artists notice a trend in popular fiction and make a nod toward it, even if they don’t fully celebrate the movement.  I suspect the filmmakers of making such a nod in the Disney movie “John Carter.”

Dejah Thoris, designer of
Steampunked Blue Ray devices
(not those made by Sony)

While the characters don’t wear Victorian era clothing, or build machines powered by steam, director Andrew Stanton and his production staff must have noticed the rising popularity of Steampunk.   In the red human cities of Helium and Zodanga, every gear is exposed, every machine big and stylized.  Zodangan doorknobs are elaborate brass affairs, more like something a sailor would turn on a submarine.  Dejah Thoris’ Blue Light (Special) machine, with its intricate housing, resembles one of the large light fixtures that Hollywood once used to light film sets.  The airships feature lots of moving metal parts, all of which are crafted to appeal to the eye and polished to reflect the sun’s rays.  I’m not saying that they’ve intentionally Steampunked Barsoom, but neither can I believe that they would have designed it the same way had they made the movie in the 1970s or 80s.  (They’re certainly not taking any design clues from Edgar Rice Burroughs’ descriptions in his novel A Princess of Mars).  Clearly, the influence of the Steampunk movement extends far beyond its immediate focus.

The launch room for NASA's Redstone, Jupiter, and Juno rockets

Our modern technology is streamlined to the nth degree: the more powerful our creations, the more ordinary we make their appearance.  Victorian inventions may have been more fanciful than functional, but at least they looked interesting.  Today’s bland little cellphone allows you to talk to people thousands of miles away, as well as surf the Internet, but is many times more powerful than the huge machines--with all their gears, levers, dials, and lights--that once guided spaceships to the moon.  Is it any wonder that we yearn to make our technological wonders look as powerful as they really are?  

The "Hive Mind" of the once all-powerful
Launch Control system

With my apologies to John Steed and Sherlock Holmes, I don’t plan on purchasing a Bowler or a Top Hat anytime soon.  I can’t imagine exchanging my jeans and T-shirts for the elaborate clothing of a bygone era any time soon.  I’m sure the Steampunk movement will not influence me to redesign the rooms in my house.  I’m not even going to buy a fanciful little adapter kit to Steampunk my cellphone.  Might I intentionally enhance aspects of the novel I’m writing about my dragon to cater to those involved in this popular trend?  Perhaps.  Even if I don’t fully understand the movement, I cannot help but admire the elegance and beauty created by Steampunk aficionados.  In fact, I’m not too proud to rise to my feet and applaud their efforts.  For what others do to bring meaning and beauty to their lives, and hence to the world around us, should not be criticized, but celebrated.

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Monday, April 9, 2012

Steampunk on Earth and Barsoom Part 1

One dealer's unsold Steampunk apparel
on the final day of Condor


The theme of this year’s Condor was “Men in Black,” as Guest of Honor Lowell Cunningham created the comic upon which the popular movies were based.  But the unstated theme of the convention could have been Steampunk.  More attendees than ever wore Victorian-styled clothing, or carried gadgets that might have been designed by inventors in that era.  What?  Didn’t bring your Steampunk with you?  Dealers sold Steampunk apparel, accessories, add-ons to modern devices such as cellphones, and toys.  At times I wondered if the convention had time-traveled back a century or more.  Certainly the attendees would have looked more “futuristic” in 1912 than they did in 2012.

So what is Steampunk?  This is a question I’ve struggled to wrap my brain around for some time.  While I don’t fully understand it, for me, Steampunk seems to be primarily about looking back to the glories of a previous era.  It celebrates the scientific developments that the late nineteenth and early twentieth century promised.  It glories in the extravagant lifestyle that the aristocracy enjoyed.  It trumpets attitudes and outlooks that our culture might actually embrace, if only modern man valued form over function.  Like the conspirators in the Doctor Who adventure “Invasion of the Dinosaurs,” it does not spend too much time dwelling on the drawbacks of life in that past era.  Instead, like all humans do, the movement draws inspiration from what delights it, and moves on from there.

It is just as well Steampunk does not look to the actual past for its inspiration.  In the nineteenth century, the poor left the country and smaller towns to find employment.  They descended upon London, the cultural center of Victorian England from which the Steampunk movement derives its signature style.  They flooded the workhouses, tramped the filthy streets in search of employment, or starved in its dark alleys.  In her novel Emma, Jane Austen writes, “My poor dear child, the truth is that in London it is always a sickly season.  Nobody is healthy in London, nobody can be.”  In his story “A Study in Scarlet,” Dr. John Watson, writing under the pen name of Arthur Conan Doyle, goes further.  “London, that great cesspool, into which all the idlers and loungers of the empire are irresistibly drained.”  

Needless to say, life in such a city proved dangerous for many.  Facing rampant crime, the understaffed police, overrun by the unwashed poor, bought into the Victorian philosophy that crimes were only committed by the lower orders, not the educated and well-bred gentry.  They could not protect ordinary citizens like you and me; more than likely, they would view us as suspects in any investigation.  Late in the century, “The Illustrated Police News” recorded the sensational details of the Whitechapel Murders.  The police could not protect the women from Jack the Ripper.  Nor did they catch the serial murderer.  (At least director Nicholas Meyer offered us closure ninety years later: in his movie “Time After Time,” we finally learned the identity of Jack the Ripper, how he escaped to the 1970s in H. G. Wells’ time machine, and how his reign of terror was finally ended).  

Nor did the early twentieth century, with its celebration of science, inventions, and industrialization necessarily make London a better place to inhabit.  While the rich and socially-adept Lucia glories in climbing the social ladder in E. F. Benson’s Lucia in London, her husband Peppino grows sick from the cold, the damp, and the pollution.  And in The Man From St. Petersburg, Ken Follett describes the rigid divisions of the social order.  Even if you were fortunate enough to have learned a trade and worked hard to build your business, you could not charge more for your goods or services than the aristocracy would pay.  The rules of fashion might have dictated what type of clothing the rich wore during each period of the day, the week, and for each type of social activity, but a tradesman could not reap the financial benefits of producing superior apparel, such as a finely made shoe or hat.  Life among the lower classes was hand-to-mouth; tradespeople faced too much competition to distinguish themselves and thus improve their social and economic position.  It wasn’t until after World War I that the overcrowding, and the barriers to improving one’s lot, began to fall.  Of course, the glorious fashion sense that Steampunk celebrates then began to die as well.

This entry will conclude with Steampunk on Earth and Barsoom Part 2.

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