Showing posts with label Rick Steves. Show all posts
Showing posts with label Rick Steves. Show all posts

Monday, March 30, 2020

Rick Steeves on Social Distancing

Sacramento Airport, St. Patrick's Day 2020

Recently, world traveler and TV presenter Rick Steeves has observed that travel has become extremely touristy. Instead of venturing into the unknown to make interesting discoveries, tourists swamp the most popular sites for Instagram moments. 

"Look where I am!" they say. "That's one off the bucket list!

Meanwhile, places off the beaten track, that could prove fun and inspiring destinations, and where tourism could really benefit the locals, go relatively unvisited. This sort of herd mentality, of having to go where everyone else goes, makes no sense to me. Don't people want to experience adventure and discovery anymore?

Besides, where's the fun of sitting in traffic, waiting in line, or being limited to a designated amount of time in a given location because it's such a popular destination? I suppose it's easier to impress your friends with photos and tales of the places you've been, if they are places they'll instantly recognize. But is that was travel is supposed to be about?





On my return flight, I was struck by how empty Sacramento Airport felt. Few restaurants had patrons. Most stood empty. I saw one person walking away from the counter at Starbucks, while Peet's Coffee & Tea was staffed, but seemingly closed. Hardly anyone waited for flights. Most of the chairs at the gates were empty. 

By now, admonitions to wash your hands, wipe down any surfaces you touch, and keep your distance from others were in the news. So we found an unoccupied area at the gate, disinfected the seats and sidetables w/ wetwipes, and pulled out our ebook readers. Within a few minutes, a woman plunked down next to us. Seemingly oblivious to us, she talked on her phone loudly and continuously enough to make reading impossible.




With people canceling or changing their travel plans, most airlines canceled flights. Despite only having thirty passengers, Southwest Airlines demonstrated their mission of customer service by not canceling our flight, or rescheduling all their flights to fly full. Instead, they kept to their schedule, operating at a loss to not inconvenience their passengers. 

The flight crew advised everyone to spread out, and leave plenty of space between themselves and others, in order to inhibit the potential spread of Coronavirus COVID-19. Being among the first to board, my wife and I took a row around a third of the way back. We disinfected out seats and tray tables, and strapped in. 

Despite warnings from government health authorities and the Southwest staff, passengers filled up seats and rows in front, beside, and behind us. Again: the herd mentality. When a family filled up the row directly in front of us, we abandoned our seats, and left our carry-ons where we had stowed them.



The view ahead on our Southwest flight

A little behind the wings, we found a row with no one else close around. We disinfected the seats and tray tables, and got comfortable. By the time boarding had finished, only six others had joined us from the wings back. This left 145 empty seats on the plane, with 22 people clustered up front.


The view behind

On our trips to England, we've visited many popular places, such as Westminster Abbey and Stonehenge. But most of the places we traveled to were places few international travelers go, such as the town of Bideford, where Charles Kingsley set his novel Westward Ho!, and Chagford, a historic stannery town featured in The Tinner's Corpse, a novel in the Crowner John mystery series by Bernard Knight. Some places, such as Cromer, have grown more interesting since our visit. Through my reading, I've accompanied characters on their visits to the seaside town in Tono-Bungay by H. G. Wells, Limitations by E. F. Benson, and So Disdained by Nevil Shute.




No one knows how Coronavirus COVID-19 may alter our world. Times like these make us reflect on our lives, and what really matters. Perhaps we should contemplate how Rick Steeves' observation relates to us. At the very least, it makes sense to adopt easy habits such as cleaning your hands, disinfecting surfaces, and keeping more distance from others than usual. 

Dragon Dave

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Thursday, October 6, 2011

Audrey, Richard, and the Unknown Constable


While a Doctor Who story might have drawn me to Trafalgar Square, another British TV show was foremost in my mind as I stepped inside Britain’s National Gallery.

In the comedy “To The Manor Born,” Audrey has lost her beloved estate to Richard, the founder of a successful grocery chain.  In one episode, he asks her to pose as his wife to fend off the amorous advances of a beautiful French businesswoman with whom he is attempting to finalize a contract.  Unknown to him, Audrey arrives early to redecorate the manor according to her tastes, using many of the furnishings she was forced to sell, along with the manor, after her husband’s death.  When Richard escorts his guest into a sitting room, she inquires if the painting over the fireplace is a Turner.  He chuckles and replies, “No, it’s a Hockney.”  Then he looks, and sees not his modern painting (what appears to have been from the artist’s famous series on Los Angeles’ swimming pools) but a traditional seascape, and must correct himself.  “No, it’s a Turner.”  (Thanks a lot, Audrey!)

I’m not like Thomas Crown (played by Pierce Brosnan in the 1999 remake of “The Thomas Crown Affair”).  I may enjoy rereading my favorite books and stories, or re-watching my favorite TV shows and movies, but to stand or sit for extended periods to study famous paintings is not my normal practice.  Nevertheless, I did enjoy touring (parts of) the National Gallery.  I sought out the work of Joseph Turner, and agreed with Audrey that his famous seascapes and landscapes would better suit the architecture of an English country gentleman’s home.  I noticed that much of the art depicted people and events drawn from the Bible or early Church history.  I sympathized with Rick Steves: much of the great art that mankind has enjoyed for centuries would now be considered “too fleshy” by Americans to be shown in one of his travelogues (even on PBS stations).  And I happened upon the work of one artist whose work I found strangely compelling: the landscapes of John Constable.  My only disappointment was that I didn’t have enough time to explore the museum’s many halls, or listen to the various talks on offer, or simply to gaze in appreciation at so many attempts, on the parts on their creators, to transfer the imagery they saw in their minds into something that could bring joy and inspiration to everyone else.  

That is the power of all art, is it not?  Whether the subjects covered include a Saint, an animal that symbolizes a country, or the individual travel machines of an alien race that invades other planets, all artwork can enrich our lives, often in unforeseen ways.  I’m sure I never thought about visiting London’s National Gallery when I first started watching British TV shows.  But these stories awakened an interest in visiting the country in which they are set.  Seeing “The Dalek Invasion of Earth” drew me to Trafalgar Square.  Once here, “To The Manor Born” drew me into the National Gallery.  Now I have a new artist to learn about in John Constable, and a place to devote more time to on a subsequent vacation.  

One familiar refrain from all who worked on early Doctor Who is their amazement that this show has endured, and continued to entertain and inspire, while many of the other productions they contributed to (either on stage, TV, or film) have been forgotten.  That is the way of life, is it not?  We can never know the ultimate effects of what we do for others.  Out best-intended efforts may be misunderstood or unappreciated.  Some of the work we feel most proud of will be forgotten.  We can only hope that some of what we do will benefit others in the future.  I find that sufficient reason to give of my best to all that I undertake.

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