Showing posts with label Ariela Kristantina. Show all posts
Showing posts with label Ariela Kristantina. Show all posts

Tuesday, March 31, 2026

The Girl Who Draws On Whales GN Review

 



Writer & Artist: Ariela Kristantina

Colorist: Sarah Stern

Letterer: Bernardo Brice

Designer: Kassandra Starkell

Editor: Will Dennis

Publishers: Comixology & Dark Horse Books

Kindle Release Date: September 23, 2025

Kindle Price: Free with an Amazon Prime membership

Paperback Price: $17.99

Paperback Release Date: March 31, 2026

 

Like a pier jutting over the water, Wangi's town perches on stilts. When the whales arrive each year, the girl abandons her hammock and dives into the sea. The whales swim around this cluster of homes that represents Wangi's world. Yet each whale dwarfs this small enclave of Humanity.

 

Despite the village elder's fears, the whales regard their Human neighbors peacefully. Maaha, the pod's leader, even lets Wangi fingerpaint on him. As Wangi adorns Maaha with art, the girl speaks with Maaha, and the pod leader responds. What stories about life do Maaha and Wangi share? And how will Wangi's love for whales affect her future? Let’s grab our art supplies, leap into The Girl Who Draws On Whales GN, and see!

 

Story

The village elder reads the tides and the sky. She has safeguarded her community for decades. But while everyone else sees happiness, the elder worries that the whales will bring trouble to her people. After the whales depart, she breathes easier for a while. But when Maaha returns without the pod, its injuries bode ill. As Wangi directs the villagers to tend Maaha's wounds, the elder’s fears grow.

 

In The Girl Who Draws On Whales GN, the elder cannot repress Wangi’s compassion. Nor can she quench the girl’s curiosity. As Wangi tends Maaha's wounds, she discovers that not all the art on its body has come from her hand. So, when Maaha departs, Wangi climbs into a boat to find her.

 

Ariela Kristantina's story introduces a cast of colorful characters. Like the elder, Wangi's younger brother Banyu urges restraint. But Wangi is up for anything and eager to explore her world. When she meets Citra and his people, some are less friendly than others. But like her, the young mapmaker has the heart of an explorer.

 

As Wangi travels, she meets more people like herself, learns about the history of her world, and beholds wonders she never imagined. Sadly, Wangi also discovers that the village elder’s concerns were warranted. The Girl Who Draws On Whales GN is a story of Human greed and the desire to destroy what you cannot control. Yet the book also celebrates love, family, adventure, and the beauty of nature.

 

Art

Bridges and piers link the islands upon which Wangi’s people have built their homes. Wangi braids her red hair in front. The rest tumbles around her, as uncontrollable as the ocean waves. While other islanders strain to remain in their boats when Maaha rises like a mountain, Wangi perches atop the whale and waves to them. Mythological creatures frolic on the page as Wangi draws on Maaha's hide. The children of the village swim beneath the waves to behold the illustrated whale in The Girl Who Draws On Whales GN.

 

Sarah Stern loads her brush with a soft and inviting palette of colors as she paints Ariela Kristantina’s charming illustrations. Bubbles rise through the turquoise waters as Wangi paints the gray whale with red, yellow, and blue. Citra's green hair evokes Peter Pan as he sits at his desk surrounded by books, charts, and a globe. His purple shirt links with the sky above him, while his maroon chair resonates with the wooden trim of his elegant ship. As green plants adorn Wangi's wood and reed home, metal spikes rise from the captain's jacket as he gazes at the pink clouds floating through a peach sky.

 

Bernardo Brice fills white dialogue balloons with black uppercase letters and lowercase letters in dark yellow paper scraps. As Wangi lies on the injured whale, Maaha speaks white uppercase letters into a black rectangle. While Humans splash in the water, knock on their neighbor's door, and activate alarms, the sea creatures' telepathic communication appears as white uppercase letters surrounded by black. Thanks to Comixology, Dark Horse Books, and Superfan Promotions for providing a review copy.

 

Final Thoughts

Citra is a young mapmaker. He owes everything to the man who raised him. The boy narrates this tale about Wangi’s adventure in his own inimitable style. Yet whether Wangi can trust this stranger who also draws on whales is anything but certain in The Girl Who Draws On Whales GN.

 

Rating 9.4/10


Thursday, March 12, 2026

The Girl Who Draws on Whales Spotlight

 

 

Like a pier jutting out over the water, Wangi's town perches on stilts. When the whales arrive each year, the girl abandons her hammock and dives into the sea. The whales swim around this cluster of homes that represents Wangi's world. Yet each one dwarfs this small enclave of Humanity. 

Despite the village elder's fears, the whales regard their Human neighbors peacefully. Maaha, the pod's leader, even lets Wangi fingerpaint on him. As Wangi adorns Maaha with art, the girl speaks with Maaha, and the pod leader responds. What stories about life do Maaha and Wangi share? And how will Wangi's love for whales affect her future?

Here's all the info from Comixology and Dark Horse Books: 


The Girl Who Draws on Whales

Writer & Artist: Ariela Kristantina

Colorist: Sarah Stern

Letterer: Bernardo Brice

 

The highly anticipated original graphic novel, The Girl Who Draws on Whales, written and illustrated by Ariela Kristantina, the artist of the Eisner award-nominated original graphic novel Adora and the Distance written by Marc Bernardin, arrives digitally on September 23, 2025, from Comixology Originals, Amazon’s exclusive digital content line and in print from Dark Horse Books on March 31, 2026.

 

In The Girl Who Draws on Whales, Kristantina takes readers on a powerful and atmospheric journey through a lush island environment inspired by her homeland of Indonesia. With soft and inspiring colors by Sarah Stern, letters by Bernardo Brice, and edits by Will Dennis, The Girl Who Draws on Whales is a captivating and visually stunning story of exploration and discovery. This epic YA adventure marks the first-ever graphic novel that Kristantina has both written and illustrated.

 

Blending Southeast Asian folklore with themes of colonization and the unshakable power of art and storytelling, The Girl Who Draws on Whales is a coming-of-age story about resistance, siblinghood, and believing in your voice—even when no one else does.

 

“This story is about trust. About believing in yourself. About what happens when no one else does, except the one person who always will,” says Ariela Kristantina.

 

Siblings Wangi and her younger brother Banyu live in a sea-village in a post-apocalyptic world, centuries after The Great Flood changed the face of the world. Wangi shares a mysterious bond with the whales that visit their waters and they allow her to draw on their backs. One day a whale arrives alone, wounded and adorned with strange new markings that seem to carry messages from other lost settlements. Wangi believes it’s a call for help. No one listens—except Banyu.

 

Motivated by this mystery, Wangi vows to investigate. Although forbidden by their parents and the village elders, Wangi and Banyu embark on a wondrous sea journey into the unknown, only to stumble into a much larger fight: one that pits ancient sea magic against a volcanic empire fueled by war, greed, and conquest. Together, they must fight to save their home in The New World.

 

The Girl Who Draws on Whales is a testimony to the power of stories—their uncanny ability to entertain, educate and, ultimately, unite us.

 

About Ariela Kristantina: Kristantina is an artist from Jakarta, Indonesia. Since her debut in 2014, she's best known for her work on InSeXts, Mata Hari, Deep State, and The Logan Legacy. She has contributed covers and illustrations to a range of companies including Image, DC Comics, Top Cow, Vault and more. Kristantina is the artist of the 2022 Eisner award-nominated original graphic novel Adora and the Distance which she co-created with Marc Bernardin. The Girl Who Draws on Whales is the first YA graphic novel she has written and drawn.

 

 

Thanks to Comixology, Dark Horse Books, and Superfan Promotions for sharing this spotlight with us. 

 

Saturday, April 22, 2023

Creepshow TP Vol 1 Review Part 2

 

Creepshow Volume 1 Review

Writers: Chris Burnham, Paul Dini, Steve Langford, David Lapham, Maria Lapham, Steve Foxe, L Marlow Francavilla, Francesco Francavilla, Ariela Kristantina, Kyle Starks, Henry Barajas, Steve Orlando, Clay McLeod Chapman

Artists: John McCrea, David Lapham, Erica Henderson, Francesco Francavilla, Jorge Corona, Fran Galán, Dani, Marianna Ignazzi, Anwita Citriya

Colorists: Adriano Lucas, Mike Spicer, Trish Mulvihill, John Francois Beaulieu, Brad Simpson, Fabiana Mascolo, Jordie Bellaire

Letterer: Pat Brosseau

Cover Artists: Chris Burnham & Adriano Lucas

Publisher: Image Comics

Price: $14.99

Release Date: March 22, 2023

 

The Bridge

Writer: Ariela Kristantina

Artist: Jorge Corona

Colorist: Jean-Francois Beaulieu

 

When Alexis visits a Malaysian island with her friends, her boyfriend breaks off their relationship via cell phone. Incensed, she doesn't wait for her friend to translate their guide's warning. She crosses a bridge and discovers an ancient temple surrounded by Banyan trees. Her friend translates the caretaker's warning, but Alexis storms past him too. What she finds inside the temple will haunt her forever. I like how Alexis’ fixation on social media blinds her to reality. Jorge Corona’s art and Jean-Francois Beaulieu’s soft, appealing colors conjure an exotic landscape reminiscent of 1974’s The Man With The Golden Gun and The Phantom movie of 1996. Fans of Clive Barker's stories, and European comics like Leo’s Aldébaran and Christin and Mézières’ Valerian and Laureline series, should check this one out.

 

Come Out, Come Out, Wherever You Are

Writer: Kyle Starks

Artist: Fran Galán

 

A yellow-orange glow suffuses panels as Nancy remembers exploring the woods with her childhood friends. They find bodies drained of blood, but no one heeds their warnings. So, the kids decide to clear out the local vampire nest. The art and limited color palette give this story an all-ages appeal. While I missed the story's logic, I enjoyed the meditations on adulthood and giving into fear. Mix Stand By Me, Buffy the Vampire Slayer, garnish with Night of the Living Dead and serve.

 

La Mascara Del La Muerte

Writer: Henry Barajas

Artist: Dani

Colorist: Brad Simpson

 

When rising star Lupe Lopez loses a Luche Libre bout, she steals her father’s mask from her grandma and returns to the ring. Too late, she discovers it retains the same power that ended her father's career. Dani’s blotchy, smudgy style art suggests backgrounds. Characters and proportions sometimes look out of skew. It’s almost as if she draws the negative spaces rather than the positive ones. Simpson's vibrant coloring gives her intriguing style energy and a heightened sense of reality. Sadly, this story in Creepshow Volume 1 seemed familiar and predictable. Still, Venom and Carnage fans will like how the mask manifests its power.

 

 

Thirst Trap

Writer: Steve Orlando

Artist: Marianna Ignazzi

Colorist: Fabiana Mascolo

 

Parker does a deal with a demon. In return for taking regular selfies with his cell phone, he gets his youth back and doesn’t age. But what happens if he loses his phone? Ignazzi’s art gives this story scope and Mascolo’s coloring atmosphere. Still, the scene that tripped me up only had limited coloring. I had to flip back and forth several times to understand Steve Orlando's story better and find clues as to who did what and when. Still, aspects of the story spoke to me, and I liked most of the art.

 

Husk

Writer: Clay McLeod Chapman

Artist: Anwita Citriya

Colorist: Jordie Bellaire

 

Sally’s parents value traditional Southern heritage in their lavish plantation home. Her mother trains her in etiquette, dancing, and deportment. Yet, as her rite of passage nears, Sally believes she doesn't belong. The art ranges from adequate to impressive. Bellaire's limited coloring schemes changed with each panel. Citriya hints at Sally’s struggle for identity with her bedroom decor, while other panels hint at her origin. Still, I needed more backstory to prepare me for the shocking reveal at the debutante ball. As exciting as it is, the revelation lacked emotional resonance.

 

Final Thoughts

Like a candy haul after a long night’s Trick Or Treating, Creepshow Volume 1 is a mixed bag of scary sweets. Some stories I’d happily give away. Others I will treasure. My favorites were The Gorgahmorahh Tree, Creator’s Rites, and The Bridge. You'll discover your favorites when you delve into this horror anthology.

 

Rating 8/10

 

To preview interior art from the story Take One, and see more cover art, see my review at Comic Book Dispatch.