I don’t know about you, but I don’t like it when my favorite
characters die. Usually, they’re not the
primary characters, but the peripheral ones who add interest and color to the
story. Many will argue that such deaths
imbue a plot with tension, the characters with obstacles (such as heartache, betrayal, or a consequent loss of status or effectiveness), and the author's world with a necessary sense of reality.
While I know they’re often right, it still hurts when the characters I
care about die.
When these deaths arrive organically, as a consequence of
the protagonist’s (or antagonist’s) actions, I can deal with such deaths
better. I read the Star Wars novel Darksaber
by Kevin J. Anderson back in February 2009, and the death of the clone Dorsk 81
still shines like a beacon in my mind.
I’ve read a lot of books since then, and probably couldn’t adequately
describe the characters in most of them.
But somehow, Dorsk 81’s supreme sacrifice branded itself into my memory.
I’ve recently reread Phoenix by Steven Brust. When events force Vlad to choose between getting
his wife out of prison and everything he has built, his decision turns friends
into enemies, and makes any potential return to his former life impossible. His second-in-command Kragar must strike down one employee who tries
to kill Vlad. Although we never learn the man's motives, it seems as though he either chose personal gain or loyalty to his
House over his duty to Vlad.
Another of his employees, and an even more memorable character, dies
defending Vlad in another attempt on his life.
These characters lived in my consciousness just like real, breathing
people. Reliving their deaths still
hurt.
In television and movies, other concerns come into play
beyond a writer’s concern for what’s best for a particular story or series. Perhaps the most famous case in Sci-fi comes
from Star Trek II: The Wrath of Khan, in which Mr. Spock dies. Leonard Nimoy had endured years of legal
wrangling with Paramount, and it was this enticement, to play a good death
scene, that lured him back to the franchise.
But Spock had been an integral part of Star Trek’s enduring
popularity, and thus, in the following movie, a way was found to resurrect him.
Bizarrely, the Star Trek folks didn’t learn from their
mistake, and later decided to kick off The Next Generation
movies by killing off Captain Kirk. Even
after all these years, I cannot understand the movie producers' reasoning. If there was one character that the fans were
fascinated with, it was Mr. Spock. If
there was one character that most fans saw as a role model, it was Captain
Kirk. Again, Paramount bowed to outraged
fans, and in the later novels, a way was found to bring Kirk back to life.
Now, if only Steven Brust would bring back the two
characters he killed off in Phoenix, and Kevin J. Anderson would resurrect
Dorsk 81. Authors, hear my plea!
This entry will conclude with When Your Favorite Characters
Die: Part 2.
Grieving,
Dragon Dave
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