Showing posts with label rev. Show all posts
Showing posts with label rev. Show all posts

Tuesday, August 19, 2025

The Lucky Devils #4 Review

 


Writer: Charles Soule

Artist & Designer: Ryan Browne

Colorists: Ryan Browne & Kevin Knipstein

Art Breakdowns: Zander Cannon

Letterer: Christopher Crank

Logo: Thomas Quinn

Production Design: Erika Schnatz

Cover Artists: Ryan Browne & Andrew MacLean

Publisher: Image Comics

Price: $3.99

Release Date: July 30, 2025

 

“Imagine there’s no Heaven,” Rake sang. (Or perhaps it was John Lennon?) Collar and Rake may not believe in Heaven. Still, they're climbing through the ranks of devil society so they can bring Hell crashing down.

 

Cameron Stane didn’t believe Collar existed. Still, he followed the little devil's advice. Cameron has ascended from an assistant professor to the head of his department. As the daughter of a Baptist preacher, Starr Winslow believes in Rake’s existence. Yet she has let the devil help her become the director of nurses at her hospital. Can Collar and Rake keep rising through the ranks? And how are Cameron and Starr enjoying success? Let's grab our Bibles and The Discourses of Epictetus, leap into The Lucky Devils #4, and find out!

 

Story

Every person influences others. As they grow in influence, Hell assigns a devil to them. The leaders of Hell, who belong to the Nine-Zed, want to protect their realm. They need Humans to spread evil for Hell's continued health. But that relationship carries dangers. If Human influencers flip the script and do good, that anti-evil provokes "natural" disasters in Hell.

 

In The Lucky Devils #4, Wrench Fortune summons the other Nine-Zed. He wants to investigate recent disasters. Instead of working through governmental channels, Wrench drafts in an outsider. But Sandpaper Pinch may not share his sense of urgency.

 

In Charles Soule's densely written story, the higher Rake and Collar advance, the more their supervisors trust them. Three years have passed since Rake and Collar started helping Starr and Cameron. The Humans cannot believe their success. Yet Starr and Cameron aren't sure they like who they are becoming.

 

When the influencers meet in The Lucky Devils #4, Starr and Cameron discover their common bond. By advancing their careers, they help Rake and Collar achieve greater wealth and importance. What seems a philosophical dilemma to the Humans confirms Wrench Fortune's worst fears.

 

Art

Lightning arcs from clouds to charge the high-rises of Hell City. Wrench Fortune pounds the conference table while his contemporaries regard him with doubt and disinterest. Sandpaper Pinch exudes confidence while sitting in a conference chair upholstered with faces. But when she returns home, Sandpaper Pinch summons her nesting eyeball and initiates a three-way on her faded sectional.

 

While colorful fires burn from each devil’s horned head, Sandpaper Pinch’s left arm glows with light blue fire. The sky above Struggle Beach matches Collar’s orange and Rake’s pink skin. Compared with the vibrant colors of Hell, Ryan Browne and Kevin Knipstein apply muted tones to an evening in Chicago. Cameron signs a white and red book for customers in a gray store. Starr sits in a grayish-purple cushioned booth and dines surrounded by brown. But Cameron and Starr’s faces glow pink when their devils join them for dinner in The Lucky Devils #4.

 

White uppercase letters in red banners announce the time and locations as Rake and Collar contemplate joining the Five-Zed ranks. Uppercase letters inhabit white and colored dialogue balloons and narrative boxes. The letters grow bold for inflection, enlarge for volume, and rarely shrink. Hammer Wrench writes yellow and white letters in the red air to assert why he believes Hell may come crashing down. Thanks to Image Comics and Silent E Productions for providing a review copy.

 

Final Thoughts

Charles Soule, Ryan Browne, Kevin Knipstein, and Christopher Crank's beautifully told comic asks if evil and power are mutually exclusive. In an era when many confuse material success with virtue, the Lucky Devils #4 reminds us that what we do in the world can hurt our loved ones.

 

Rating 9.8/10

 

To look inside see my review at Comic Book Dispatch




Saturday, May 31, 2025

Modville Ashcan Review

 


Writers: Jesse Negron & Joe Matsumoto

Artist: Hendry Prasetya

Colorist: Eko Puteh

Letterer: Tyler Smith

Editor: Dave Elliott

Publisher: Mechanical Cake LLC and Scott Free Productions

 

A House bill established an Autonomous Humanoid Zone in the French Quarter of New Orleans. Thousands of artificial humans, or Mods, have abandoned their posts to join the tight-knit community called Modville. How do the Mods live in their sanctuary? What trials do they face? Let’s leap into the Modville Ashcan and see!

 

Story

In Jesse Negron and Joe Matsumoto's story, floods have struck New Orleans. Abandoned by its human population, the Mods settle in this damaged district. They live a life much like humans anywhere. Yet the Human government polices the district.

 

The Modville Ashcan takes place in 2169 when the American Republic has taken over from the United States. Police cars fly or hover above roads like landspeeders. When violent crimes occur, Juris Operators question victims, witnesses, and suspects by delving directly into their minds.

 

In a world that has endured traumatic change, humans have not learned the value of equality or living together in peace. Villains stalk their prey, and Juris Operators, or Snoops, strip people of privacy by invading their minds. It's a practice as damaging to those questioned as the Juris Operators. But it's all in the name of holding together a troubled nation.

 

Art

Hendry Prasetya and Eko Puteh open the Modville Ashcan with grand scenes of New Orleans. The cinematic widescreen shots set the stage for Humanoid interaction. Teens congregate in this decaying district illuminated by neon lights. As they interact in person and via communicators with holographic projectors, someone watches the Mod youth.

 

The Modville Ashcan features photographic art that shows the hyperreal, decaying world the Humanoids inhabit. It features the text of the House bill and shows the teens’ personalities and vulnerabilities. It also focuses on the Juris Operators, portraying the tools of their trade and delineating the dangers they face in the near and long term.

 

As Ridley Scott's atmospheric worldbuilding style flows through this glossy, magazine-size ashcan, Tyler Smith casts uppercase letters into white dialogue balloons. Green narrative boxes reveal hologrammatic interaction. Jesse Negron closes out the Modville Ashcan by sharing his TV and Filmmaking journey, including his relationship with the Scott Free production company and his plans for his graphic novel series. Thanks to Mechanical Cake LLC and Scott Free Productions for providing a copy for review.

 

Final Thoughts

The glossy, magazine-style Modville Ashcan invites us into a future world that evokes Blade Runner and Batman, promising an exciting forthcoming graphic novel series.

 

Rating 9.6/10