Saturday, November 16, 2024

Doctor Who: The Fifteenth Doctor #4 Preview


 

Have you been enjoying the new Doctor Who series on Disney+? My wife and I are enjoying the first season with the 15th Doctor and Ruby Sunday. I also got to see a fun Doctor Who booth at this year's Comic Con International. Perhaps I can share photos of that soon! 

Here's a preview of the final issue in this first story arc of the 15th Doctor's adventures in comics. Dan Watters tells a terrific story about Cybermen, how fear can dominate our lives, and reveals the mystery surrounding a little girl trapped in the last mall on Earth. But then, he told a terrific story in Universal Monsters: Creature From The Black Lagoon Lives. And then there was his recent Destro series. And then...

Here's all the info from Titan Comics:


DOCTOR WHO THE FIFTEENTH DOCTOR #4
Format: Comic book 
Writer: Dan Watters
Artist: Kelsey Ramsay
Publisher: Titan Comics
FC, 32pp, $3.99, On sale: November 20, 2025

The enthralling final issue of DOCTOR WHO: THE FIFTEENTH DOCTOR comic! FEATURING THE FIFTEENTH DOCTOR & RUBY SUNDAY!

The Doctor and the Cybermen clash while Ruby faces an insectoid threat. But is everything as it seems? And what is the true nature of the terrifying evil that stands ready to unveil itself…

 


 

 





 

Here are two more cover options:

 



That's all for now. Thanks for reading, and thanks to Titan Comics for sharing this timey-wimey preview with us!

 



Witchblade #5 Review


 


Writer: Marguerite Bennett

Artist: Giuseppe Cafaro

Colorist: Arif Prianto

Letterer: Troy Peteri

Editors: Marc Silvestri, Matt Hawkins & Elena Salcedo

Cover Artists: Giuseppe Cafaro & Arif Prianto; Roberta Ingranata and Warnia Sahadewa

Publisher: Top Cow Productions & Image Comics

Price: $3.99

Release Date: November 13, 2024

 

Ian Nottingham trains Sara Pezzini to use the Witchblade. He promises that Sara will eventually master the ancient artifact. Yet Ian tells Kenneth Irons that Sara is growing dependent on the Witchblade. Can Sara trust Ian to prevent the relic from enslaving her? Let's activate our alien armor, leap into Witchblade #5, and see!

 

Story

In her dreams, the Witchblade makes Sara relive the slaughter in the warehouse. She also dreams of the time it made her kill in her apartment. Then, the Witchblade awakens her to danger. Sara leaps out of bed and finds Ian in her kitchen. He may be training her to wield the Witchblade, but that doesn't make him her friend.

 

Marguerite Bennett's story ponders the control we wield over our lives. Sara works for corrupt police officials. She follows their orders while working to imprison them. Sara could have apprehended the Human Smugglers. Yet she let them victimize women to get the information she wanted. As Michael Yee and Nicole Berkshire help Sara investigate her father's death, her partner and civilian liaison use guilt to control Sara.

 

In Witchblade #5, Sara resists the Witchblade while renewing her investigation into her father's murder. Instead of getting sensory information from the ancient weapon, she hears other voices. Sara senses the same dark force that possessed the Human Trafficker in her apartment. As Sara digs into her father's past, she encounters more people possessed by dark power. The Witchblade connects Sara with the web of creation. She shares this larger world with artifacts like the Witchblade and Ian's Sickle Key. Then there are the Creosote Ghouls that Ian controls and orders her to fight.

 

Like Ian's training, Witchblade #5 draws Sara into a larger world. When she thinks of Ian, she detects the corrupting, possessive force. Resisting the Witchblade means relying on her strength. But dark powers are drawn to the Witchblade’s power. Perhaps Sara won't give in to the seductive power of this "dark Excalibur" to protect herself. But will she retain her resolve when forced to protect others?

 

Art

Dark tentacles reach for Sara in her dreams. As they surround her memories, she imagines the Witchblade rebuilding her from the inside out. The tentacles surround the boxing ring where she spars with Michael, emulating ripples in the ocean. They frame her interactions with Michael and Nicole as they investigate leads in her apartment. When Sara delves into her memories, searching for a new lead to her father’s death, Giuseppe Cafaro produces symbols of life and death. They shelter beneath an iconic image that forms the basis of many people’s lives. The Witchblade may be ancient, but does it have its origins in this prehistory of Human society? At least, the image makes an intriguing comparison with the relic’s design.

 

Arif Prianto lavishes a loaded palette on Sara's dreams and nightmarish reality. Greens and blues dominate days and nights, while other colors provide contrast and interest. A golden egg yolk hints at the Witchblade, while an apple echoes its ruby amulet in Witchblade #5. Strong flesh tones remind Sara of the people she protects, whether they build new families in old homes or inhabit the parks and streets. Yet Sara's fondness for black shouts the pain of her father's murder and the stains on her soul from all the deaths she meted out on foreign soil. So Sara paints her nails and lips black to match her hair, clothes, and mood.

 

Troy Peteri orders black uppercase letters into red-outlined golden narrative boxes and white dialogue balloons. The large black letters grow bold for inflection, swell for volume, and rarely shrink. White letters in blue-outlined black clouds hiss the darker voices that tempt Sara to invoke the Witchblade while creaking wooden timbers announce an unwelcome surprise. Thanks to Image Comics and Top Cow Productions for providing a copy for review.

 

Final Thoughts

Detective Sara Pezzini accelerates her investigation into turbo mode in Witchblade #5. Yet the harder she works to find her father's killer, the deeper she dives into the depravity that surrounds his murder and the evil forces that would make her life a living death.

 

Rating 9.6/10

 

To preview interior art see my review at Comic Book Dispatch.

Friday, November 15, 2024

Ms Tree: Fallen Tree Preview


 

When I got back into comics a dozen years ago (or so), one of the first indie titles I collected and read was the Airboy series from Eclipse Comics. After finishing that, I sought other Eclipse titles I might enjoy. Ms Tree was one of the stories that debuted in the Eclipse Magazine anthology series. This trade paperback collects stories published by Renegade Press before the author went on to write Road To Perdition and the artist went on to draw Batman. Here's all the info from Titan Comics:

 

MS TREE: FALLEN TREE

Author: Max Allan Collins

Artist: Terry Beatty

Publisher: Hard Case Crime, Titan Comics imprint

SC, 224 pages, FC, $34.99

ISBN: 9781787735590

On sale November 19, 2024

 

The sixth sensational installment in the Hard Case Crime books of Ms Tree, private detective, from famed Hard Case Crime author Max Allan Collins (Road to Perdition)!

 

Fans of pulp noir and hard-boiled detective crime fiction will love this seminal collection of classic comics.

 

From the minds of award-winning author Max Allan Collins and artist Terry Beatty, comes the sixth collection of classic Ms Tree stories, collected together for the first time!

 

Join Michael Tree, the 6ft, 9mm carrying private detective on her thrilling adventures. No case is too small, no violence too extreme, just as long as it gets the job done.

 

Fans of hard-boiled detective and crime fiction will get a thrill from these tales!

"Fallen Tree!"

"Like Father"

"Murder Cruise"

"New Years Evil"

"Coming of Rage"

And more!

 

Now let's take a look inside:

 


 

 






As you can see, individual issues were printed in Black & White with one color. This allowed the publishers to keep the price low for readers, which in turn aided the series' longevity. While capitalizing on the 1980s B&W boom, it also lends a timeless appeal to this noir crime series!

 

Ms Tree: Fallen Tree is on sale November 19, 2024 at bookstores, comic shops and digital.

 

Pre-order now from Amazon, Barnes & Noble, Books A Million and Forbidden Planet for UK. 

 

Thanks to Titan Comics for sharing this preview with us!

 


 


Moon Dogs #1 Review


 


Writer: Tananarive Due

Artist: Kelsey Ramsay

Colorist: José Villarrubia

Letterer & Designer: Jeff Powell

Editor: Will Dennis

Cover Artists: Kelsey Ramsay & José Villarrubia; Tula Lotay

Publisher: Image Comics

Price: $3.99

Release Date: November 20, 2024

 

Carlos is ready to commit. But Nala isn’t sure. Her heritage complicates any relationship. And once you’ve told people your secrets, they can use them against you. Carlos knows she is a Moon Dog. But is he ready to join Nala’s family? Let's brew some tea, leap into Moon Dogs #1, and see!

 

Story

Nala and Carlos are reporters in Miami, Florida. While riding toward her parents’ house, a tip diverts them to Little Havana. Despite her upbringing and heritage, Nala is appalled by the dismembered body in front of the Carniceria. But they don’t have time to linger. The police are coming. Nala wipes away a paw print and removes a familiar necklace before Luis arrives.

 

In Moon Dogs #1, Nala is like anyone else. When she grows close to someone, she shares her secrets. While attending the University of Miami, she shared her family heritage with Luis. But their relationship didn't lead to marriage, and now Luis works for the police. Despite his faith in Nala, he knows one of "her people" brutally killed someone. Maybe he can work with a reporter to find the killer, but not Nala.

 

While the slaying severs Nala professionally from the police, it also drives a wedge between herself and her brother. Kai is growing up. He seeks empowerment and belonging. A group of young and successful people promises him both. So, Kai shares some of his mother's tea with them. Her ancestral blend helps were-hyenas control their urges and shapeshifting abilities. But in the wrong hands, that tea can empower people and propel them to savagery.

 

Tananarive Due’s story introduces readers to a diverse lycanthrope community. Nala's family successfully blended their werewolf and were-hyena ancestry in Moon Dogs #1. Nala wonders if she and Carlos can overcome the hurdles facing a Human/Lycanthrope marriage. But before considering that, Nala must steer Kai away from people who would unleash chaos in the name of social change. Why? Because the necklace Nala found at the crime scene belonged to her younger brother. And because, like all too many people today, Kai argues that it’s okay for “good” leaders to say or do bad things for “the right reasons.”

 


 

 

Art

Kelsey Ramsay shows a man’s scattered body parts on the sidewalk next to a trash bag awaiting pickup. A selection of prime cuts separates Carlos and Nala as they recognize the necklace in her hand. She raises it to show him the pendant matches the one around her neck. As Luis raises a hand to ward them off, three patrol cars in the street flash their roof lights. After the shocking street scene, Nala and Carlos dine with her parents and Kai. The crossed wooden canes of her ancestors hang on the wall and adorn table linen like a religious symbol.

 

José Villarrubia lavishes bright colors on the vibrant city of Miami in Moon Dogs #1. Houseplants in her parent's dining room echo the palm trees and tropical plants outside. While Nala wears a green shirt, she rides a red motorcycle, matching the red meat and the crime scene. The blue on Carlos’ shirt matches her father’s, the seat cushions, and the dark blue moonlit night. While Kai wears pink like his mother, he recalls a brown and red-colored meeting with the alpha males. And when the full moon rises, Carlos is not invited to dinner when the family wears white.

 

Jeff Powell slashes black uppercase letters into white dialogue balloons and white letters into black narrative boxes. The font emboldens for inflection and rarely shrinks. Nala pours out her heart and hesitation on a yellow legal pad, and drawings accompany an essay on the Were-Hyenas of East Africa. Elegant blue letters adorn a boat hull, while red music notes dance above Nala’s head. Sound effects enliven this story about power and responsibility with gunfire and a ferocious feast. Thanks to Image Comics for providing a copy for review.

 

Final Thoughts

While Moon Dogs #1 ponders what we owe to the past and future, this story of heritage and lycanthropy also addresses those who feel marginalized within an oppressed community.

 

Rating 9.4/10

 

To preview interior art see my review at Comic Book Dispatch.

Thursday, November 14, 2024

Three Exorcism Siblings Vol 3 Preview


 

This was a fun book that's full of energy. I wish there was an introduction to the characters and what had taken place in the first two volumes. I read about half of it, and it reminded me a lot of Marvel Comics' new Kid Venom series. If you like what you see here, I recommend picking up the first volume!

Here's all the info from Titan Manga:

 

THREE EXORCISM SIBLINGS VOL. 3
Format: Manga
Author/Artist: Shinta Harekawa
Publisher: Titan Manga (Titan Comics imprint)
SC, B&W, 176pp, $12.99
On sale: November 12, 2024

Perfect for fans of action-packed supernatural horror, in this third volume Mamoru must deal with his curse and the burden it places upon his beloved brothers. The Noto Shrine is under attack and the brothers must journey to eliminate the Tengu… and whoever is guiding them to this sacred place.

 

Now, let's take a look inside:

 


 

 




Thanks for reading, and thanks to Titan Manga for sharing this preview with us!



Patra #1 Review


 


Writer: James Robinson

Artist & Colorist: Scott Kolins

Letterer: Jim Campbell

Cover Artists: Scott Kolins & Francesco Francavilla

Digital Art Technician: Mars Ralston

Designer: Hannah Noble

Editors: Misha Gehr, Chuck Howitt-Lease & Daniel Chabon

Publisher: Dark Horse Comics

Price: $4.99

Release Date: August 21, 2024

 

Squad cars roar through the streets of Billford, Minnesota. A neighbor reported blood on a neighbor’s front window. When Sheriff Baines and his deputies Jimmy and Sara arrive at the modest single-family home, they find the bodies of parents and their three sons in the living room. What happened to their daughter, and who perpetrated the vicious attack? Let’s leap into Patra #1 and find out!

 

Story

While the Sheriff and his deputies assess the crime scene, a young girl awakens in the forest. Patra climbs to her feet and stumbles between the trees in her pajamas and too big sneakers. She can't remember how she got there. Patra can't recall anything that took place at her house. She senses something isn't right inside her. It goes beyond her lost memories. Then, a mask covers her face, and Patra holds a bloody knife in her hand.

 

As evening falls, Doctor Dakari arrives in Billford. He parks his classic car and discovers a hive of activity in the police station. James Robinson suggests that Dakari is the narrator of Patra #1. Despite the Sheriff’s initial reluctance at the intrusion, Baines welcomes the doctor’s insights. Dakari tells Baines about a young man at his mental wellness center. Jeremy Jones has a traumatic past, and this isn’t the first time he has escaped.

 

As Doctor Dakari relates his tale, Patra struggles with her new situation. She has seen a beloved pet, even though it no longer lives. Patra spotted the town in the distance upon awakening. But despite walking all day, she has yet to reach it. As Patra walks through the arboreal wilderness, someone else haunts the woods. While she initially casts it away, she later elects to keep the bloody knife. But the mask and the knife are a package deal. No matter how far away Patra throws it, the mask reappears on her face. The girl isn’t sure what is more frightening, the man she struggles to elude or the mask that keeps finding her.

 

While Patra wanders through the forest, Sheriff Baines takes Doctor Dakari to the crime scene in Patra #1. Sheriff Baines has reason to fear. He has never seen anything as violent as Jeremy Baines' slaughter. And if Doctor Dakari is correct, there is worse to come.

 


 

Art

The rounded vehicles racing past the wood frame houses imbue Patra #1 with small-town appeal. The police, clad in uniforms and jackets, hold their guns as they enter the house. As their shadows stretch across a carpet littered with broken toys that once were people, Patra awakens amid deciduous trees and evergreens. The wild strands of her thick hair resemble the tall grass surrounding her face. The skull mask that covers her face and her star-covered pajamas enhance the spectral nature of this eerie place. When she casts the mask and knife away, it seems to fade into the grass. But does it disappear, or is it the green ground fog that obscures her happy black pet?

 

Scott Kolins separates panels with black frames lined with red. The red lines match the blood-soaked carpet, Patra's bloody appearance, and the doctor's finned 1950s American car. Yellow, pink, and green pastels soften the busy police headquarters. But Doctor Dakari’s tale resembles a black, purple, and red painting on beige cave walls, as gods strike down Humans and stride like giants through civilization.

 

Jim Campbell casts black uppercase letters into white dialogue balloons and colored narrative boxes in Patra #1. Words grow bold for intonation, swell for volume, and rarely shrink. Sound effects relate racing and resilient vehicles and glowing knives that hiss into existence in the moonlight. But nothing is as powerful as a young girl’s verbal reaction to this strange, unearthly danger. Thanks to Dark Horse Comics for providing a copy for review.

 

Final Thoughts

After a killer escapes his doctor's care, he renews a pattern of violence that disrupts the tranquility of a small Minnesota town. But while the psychiatrist who relates this tragic tale knows more than he should, a savage killer hunts a young girl through an ethereal jungle inhabited by dead loved ones in Patra #1.

 

Rating 9.8/10

 

To preview interior art see my review at Comic Book Dispatch


Apologies that this one is so late, but it was too good not to review!


Wednesday, November 13, 2024

Huge Detective #3 Preview

 

 

This issue deepens the mystery connecting Manny with Detective Gyant. It also reveals his mother and aunt's plans for Manny. But the biggest discovery occurs at Belter's Cave, while an entry in Gyant's journal forges a link between events in this issue and his earlier visit to Guam. 

This has been a super-busy review week, and I'm only reviewing a fraction of the stories I want to cover, but I'll discuss this issue in greater depth if time permits. For now, here's all the info from Titan Comics:


HUGE  DETECTIVE #3
Format: Comic book 
Writer: Adam Rose
Artist: Magenta King
Publisher: Titan Comics
FC, 32pp, $3.99, On sale: November 13, 2024

An All-New Detective Noir of gigantic proportions! Chinatown meets The BFG in an original series!

Something HUGE is coming!

When a string of murders and disappearances sweep the United States, a Human and a Giant with sizable detective skills are on the case!

Now, let's take a look inside:

 






How about all this underwater action? Say, did I mention the catastrophic incident in space?

Here are two more cover options:

 



That's all for now. Thanks for reading, and thanks to Titan Comics for sharing this preview with us!




Heat Seeker: Combustion #1 Review

 



Writer: Charles Ardai

Penciller: Ace Continuado

Inker: Juan Castro

Colorist: Asifur Rahman

Letterer: David Leach

Cover Artist: David Nakayama, Tula Lotay, Ace Continuado, Lesley Li, Brao, Noobvich, Cedric Poulat,Nuno Pereira, Alain Nip, Dalmos, Karina Belous & Cosplay

Publisher: Titan Comics

Price: $3.99

Release Date: November 13, 2024

 

Dr Bessemer Preiss works for unsavory people who value his biochemical research. But he doesn't want them to use his daughter to twist his arm. So, Dr Preiss calls on Dahlia Racers for help. Can Dahlia sneak Rosaline out of Venice and make her disappear? Let’s burn into Heat Seeker: Combustion #1 and find out!

 

Story

This time, Dahlia enlisted Cesar and Sarah Claride’s assistance. That's right! The fierce bounty hunter who hunted her in Heat Seeker: A Gun Honey Series works with Dahlia in Venice. But what happens in Venice stays in Venice. When Dahlia, Cesar, and Rosaline depart, they leave Sarah behind. Still, this should be an easy job. Dr Preiss has arranged for his daughter to hide in a monastery. Rosaline hopes that the nuns won’t make her pray all day.

 

A drive into Italy’s Dolomite Mountains can make for a relaxing holiday excursion. But Dahlia has her eyes out for a tail, and Cesar reads Dr Preiss' book, The Biochemistry Revolution. Despite the cool weather, Dahlia, Cesar, and Rosaline receive a warm welcome at the convent in Montefiacco. While Rosaline envisions her future in black-and-white, Dahlia and Cesar can look forward to the pulsing nightlife of New York. Or perhaps they’ll visit the health spa further up the mountain before they leave Italy in Heat Seeker: Combustion #1.

 

Dahlia’s anxiety rises when Cesar mentions what Dr Preiss has been researching. Something that struck them as odd earlier that day connects with Dr Preiss’ expertise. Rosaline’s father claimed the monastery would provide sanctuary. But if Cesar laid a false trail, how could Dr Preiss’ employers have gotten there before them? Suddenly, Dr Preiss' words don't add up, but Dahlia is still determined to protect his daughter.

 

Heat Seeker: Combustion #1 rips along so quickly it leaves you breathless. Yet Charles Ardai forces his characters to put two-and-two together along the way. The shadow of suspicion even falls on Dr Preiss. He doesn't want his employers to use his daughter against him. Yet he shows no reluctance to continue working for them. If Dahlia doesn’t know the whole story, nor do her pursuers. They may not want to kill Rosaline, but they won't hesitate to kill Dahlia and Cesar. But then, as Cesar tells the Mother Superior, "It's a house of violence tonight, sister."

 

Art

Having introduced Dahlia Racers and demonstrated her abilities in Heat Seeker: A Gun Honey Series, Charles Ardai drops us into the heat of the moment. Ace Continuado and Juan Castro deliver furious action without blurring characters or replacing settings with direction lines. The constant camera angle changes enhance the sense of danger and the story's pace, while flashbacks at key moments feed you tidbits of backstory.

 

While Ace Continuado and Juan Castro occasionally throw in silhouettes, Asifur Rahman delivers deep and nuanced color. The characters shine during the day and night, and dramatic lighting enhances the mood. Venice sparkles with yellows, greens, blues, and reds, while Rahman dusts the tops of the gray Dolomites with white. The convent’s gray stone walls and brown wooden doors show weathering and age, while a glowing white moon illuminates the action beneath a purple and ultramarine night sky. A visit to an exclusive health spa gets the heart racing with ample flesh coloring in Heat Seeker: Combustion #1. While your heart goes to little Rosaline in her yellow and gray dress, the spotlight remains on Dahlia Racers in her green skintight one-piece and flaming red wig.

 

David Leach launches black uppercase letters into white dialogue balloons and colored narrative boxes. The font grows bold for inflection and swells inside dialogue balloons outlined with red in Heat Seeker: Combustion #1. A lack of time/space markers forces readers to pay attention when the story dips into the past before returning to the present. Sound effects like gunfire, shattered wood and glass, and a secreted motor roaring to life power readers through Dahlia Racers' latest adventure. Thanks to Titan Comics and Hard Case Crime for providing a copy for review.

 

Final Thoughts

Dahlia Racers has her hands full protecting a girl who doesn’t want her help from people who don’t want to kill her in Heat Seeker: Combustion #1. While the researcher’s daughter places herself in danger, Dahlia’s new assistant gets ideas above his station.

 

Rating 9.4/10

 

To peek inside see my preview at The Dragon's Cache.

Tuesday, November 12, 2024

Conan: Battle of the Black Stone #3 Review


 


Writer: Jim Zub

Artist: Jonas Scharf

Colorist: Jão Canola

Letterers: Richard Starkings & Tyler Smith

Editors: Chris Butera & Matt Murray

Cover Artists: Liam Sharp, Scott Campbell & Danica Brine

Publisher: Titan Comics

Price: $3.99

Release Date: November 6, 2024

 

In 1936, James Allison sat before his typewriter, spinning weird tales of fantastic adventure. Then, the power of the black stone consumed him. He became its mouthpiece. Caught up in its otherworldly power, James Allison spoke with El Borak, John Conrad, and John Kirowan at the Wanderers Club in Chicago. Yet he also addressed Dark Agnes De Chastillon in 1522, Solomon Kane in 1584, and Conan in the Hyborian Age. As if spinning another yarn, Allison told the heroes they would assemble in the past. What happens when the black stone brings these potent warriors together? Let’s leap into Conan: Battle of the Black Stone #3 and find out!

 

Story

When the Beast from the Black Stone invades Francis Xavier Gordon’s memories, it tears him apart. Now, El Borak is a memory. The Black Stone casts a long shadow over Brissa’s people. She suggests they head toward a monument where the Picts worshipped it. Destroying the statue may break the Black Stone's claim on their lives. But it's a three-day journey, ample time for the Beast to target another victim.

 

The time on the trail gives friends time to process all that occurred. But if it bewilders Conrad and Kirowan, it gives Soloman Kane and Dark Agnes time to bond. Although they hail from different generations, the warriors battled across 16th-century Europe. It helps that Soloman knows Dark Agnes' native tongue. Both have known great evil, but only one banishes reason and attacks opponents in a raging fury.

 

Conan greets Brissa like an old friend. But in Jim Zub’s story, Conan is the elder. The Cimmerian may see himself as young compared to “codger” Kane. Still, years have passed since Conan and Brissa invaded Thulsa Doom’s dark citadel. In Conan: Battle Of The Black Stone #3, Conan confesses that those years have been glorious. Yet, like Yoda, he isn't sure that wars make one great. Nor is he quite sure about Brissa. Conan has always been loathe to accept sorcery. Now, Brissa wields it to guide their steps and shows an understanding of how the Black Stone perpetuates its evil.

 

Of the occult detectives, John Kirowan has oft been the leader in their supernatural adventures. Now, Kirowan seems depressed, and Conrad bursts with excitement. He can't wait to regale his friends and the public with his exploits. Like Dr John Watson and their late comrade El Borak, Conrad strives to chronicle events so that other investigators can enhance their studies. But first, they must survive their adventure in the Hyborian Age. Then, another problem will await them. If they destroy the monument and free themselves from the Black Stone's power, how will they return to 1936?

 

Art

As the six heroes descend a rise in darkness, Brissa and Conan lead, their weapons stained with blood. With the rising sun, Brissa’s thoughts return to the journey that brought her here. When Conan asks if she will fade away, the scenery fades behind him in Conan: Battle Of The Black Stone #3. After their time apart, Jonas Scharf gives the Hyborian couple three pages to catch up until Brissa unwraps a sliver of stone, and James Allison's spirit leads them through the jungle. As Soloman Kane and Dark Agnes journey side by side for two pages, they seem like kindred spirits, with Kane the elder and Agnes a receptive student. The occult detectives share but a single page. Yet Conrad, formerly the doubter, bursts with energy, while John Kirowan, so oft a boy racing into excitement, brings up the rear, his face dour and devoid of enthusiasm. Like James Allison’s spirit, the smoke from Kirowan’s pipe winds a ghostly trail before him.

 

After their trek through greenery beneath orange skies and cloud-streaked day, green energy rises from a split tree. It is not a lightning strike like the one that fueled Dr Frankenstein with the power of electricity. Once again, it paints the glowing green symbol in the darkness. Orange energy contrasts with green and black, imbuing the action with heightened intensity. Jão Canola paints the skies with blue, white, and orange. The soft texture suggests watercolor or paper fibers absorbing colored pencils unevenly. But orange, green, and pink are the colors of death in Conan: The Battle Of The Black Stone #3. When they haunt backgrounds, heroes die.

 

Richard Starkings and Tyler Smith conjure black uppercase words into white dialogue balloons and green narrative boxes. A stately colored font introduces characters and announces the time and location. The letters grow bold for intonation, swell for raised voices, and shrink for lowered voices. Loss robs balloon borders of their integrity and hints at the characters' brokenness over the loss of a friend. Thanks to Titan Comics and Heroic Signatures for providing a copy for review.

 

Final Thoughts

Neither rage nor positivity can safeguard against a creature that attacks you amid a memory. The monster’s claws sweep through heroes’ souls in Conan: Battle of the Black Stone #3 to reap a rich harvest.

 

Rating 9.4/10

 

For more covers and interior art see my preview at The Dragon's Cache.