Writers: Mirka Andolfo & Luca Blengino
Artists: Elisa Ferrari, Mara Angelilli & Tommaso Ronda
Colorists: Maura Gulma & Francesca Vivaldi
Letterer: Jeff Eckleberry
Cover Artist: Leirix
Publisher: Dynamite
Price: $17.99
Release Date: September 4, 2024
Bettie may smile for the camera, but she seethes inside. The photographer calls her Ettie. No one else at the studio knows her name. They work her off her feet and fine her when she slips up. Bettie yearns to slip out for a half-hour lunch break at Tanino’s Pizzeria. But the studio will fire her if she holds up their schedule. And as her assistant Karen points out, Bettie can't afford to pay the default penalty on her contract. Can anyone rescue Bettie from her onerous, low-paying job? Let’s grab our cameras, leap into Bettie Page: La Dolce Vita TP, and find out!
Story
News Flash: Bettie’s agent, Benjamin Du’Met, got her a better-paying job. As they fly from New York to Rome, Benjamin explains that Eugenio Vitelloni wants Bettie in his next movie. The Italian director selected Bettie's photography portfolio from 1,500 candidates. She is his next muse! While Bettie revels in her shot at stardom and Benjamin calculates his commission, Karen wonders if this offer is too good to be true. After all, Bettie is a model, not an actress.
That’s not the only thing that doesn’t add up for Karen. If Vitelloni is such a great director, and Bettie is his next star, why are so many accidents occurring on his set? If Vitelloni has sufficient backing to pay off Bettie’s contract and fly them to Rome, why is he leasing an expensive villa and housing them in a cheap hotel? Karen is a tireless investigator in Bettie Page: La Dolce Vita TP. Her determination to discover the truth leads her to a surprising realization. Vitelloni picked Bettie because she is the spitting image of his new muse, and the mafia wants that woman dead.
In Mirka Andolfo & Luca Blengino’s story, Lisa Cosmi and her boyfriend fled their rival underworld families. But they got separated, and Paolo has gone missing. Bettie loves playing the star on Vitelloni’s film set. But once she realizes that Lisa and Paolo are in trouble, Bettie rushes to their rescue. Bettie vows to reunite the lovebirds, help them escape their criminal families, and begin a new life in the United States. And if she can grab a pizza while she is risking her life for Lisa and Paolo, so much the better!
Art
Elisa Ferrari, Mara Angelilli & Tommaso Ronda pay homage to Bettie’s iconic image by beginning Bettie Page: La Dolce Vita TP with Bettie posing in a swimsuit. Bettie wears a range of attire, from a coat and earmuffs to dresses, blouses, and slacks, but she always looks more elegant than her more practically minded body double. Karen prefers conservative suits and dresses as she tackles locks, safes, and Neapolitan paramours. Benjamin dazzles in his dashing suits and matching hats. But when danger threatens, the agent's elegant walking stick becomes a lethal weapon.
Eugenio Vitelloni and Lisa Cosmi’s past unfolds in sepia tones, but Maura Gulma & Francesca Vivaldi fill Bettie Page: La Dolce Vita TP with an appealing array of cheery colors. Smiling faces intrude on the brightly colored scenes to enhance narration, and Bettie's eyes become red hearts when she imagines Lisa and Paolo together. But whether bullets, cars, or pizzas hurtle through the air, or would-be rescuers race across rooftops in the evening, every page sparkles with energy and '50s fun.
Black uppercase and lowercase letters inhabit narrative boxes and white dialogue balloons. Words grow bold for inflection but never shrink, while question and exclamation marks enlarge for surprise and alarm. Musical notes accompany shower scenes and assassination attempts. Jeff Eckleberry's sound effects help us hear furious fists, careering cars, and the ruination of delicious delicacies. Thanks to Dynamite Comics for providing a copy for review.
Final Thoughts
When Bettie Page's shot at stardom makes her a target of the Italian mafia, she shrugs off danger to reunite lost lovers. Bettie Page: La Doce Vita mixes Shakespeare with The Saint for a humorous and exciting romp rooted in World War II and cinema history.
Rating 9.6/10
For cover art see my review at Comic Book Dispatch.
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