Showing posts with label Maura Gulma. Show all posts
Showing posts with label Maura Gulma. Show all posts

Wednesday, December 25, 2024

Bettie Page: La Dolce Vita TP Review


 


Writers: Mirka Andolfo & Luca Blengino

Artists: Elisa Ferrari, Mara Angelilli & Tommaso Ronda

Colorists: Maura Gulma & Francesca Vivaldi

Letterer: Jeff Eckleberry

Cover Artist: Leirix

Publisher: Dynamite

Price: $17.99

Release Date: September 4, 2024

 

Bettie may smile for the camera, but she seethes inside. The photographer calls her Ettie. No one else at the studio knows her name. They work her off her feet and fine her when she slips up. Bettie yearns to slip out for a half-hour lunch break at Tanino’s Pizzeria. But the studio will fire her if she holds up their schedule. And as her assistant Karen points out, Bettie can't afford to pay the default penalty on her contract. Can anyone rescue Bettie from her onerous, low-paying job? Let’s grab our cameras, leap into Bettie Page: La Dolce Vita TP, and find out!

 

Story

News Flash: Bettie’s agent, Benjamin Du’Met, got her a better-paying job. As they fly from New York to Rome, Benjamin explains that Eugenio Vitelloni wants Bettie in his next movie. The Italian director selected Bettie's photography portfolio from 1,500 candidates. She is his next muse! While Bettie revels in her shot at stardom and Benjamin calculates his commission, Karen wonders if this offer is too good to be true. After all, Bettie is a model, not an actress.

 

That’s not the only thing that doesn’t add up for Karen. If Vitelloni is such a great director, and Bettie is his next star, why are so many accidents occurring on his set? If Vitelloni has sufficient backing to pay off Bettie’s contract and fly them to Rome, why is he leasing an expensive villa and housing them in a cheap hotel? Karen is a tireless investigator in Bettie Page: La Dolce Vita TP. Her determination to discover the truth leads her to a surprising realization. Vitelloni picked Bettie because she is the spitting image of his new muse, and the mafia wants that woman dead.

 

In Mirka Andolfo & Luca Blengino’s story, Lisa Cosmi and her boyfriend fled their rival underworld families. But they got separated, and Paolo has gone missing. Bettie loves playing the star on Vitelloni’s film set. But once she realizes that Lisa and Paolo are in trouble, Bettie rushes to their rescue. Bettie vows to reunite the lovebirds, help them escape their criminal families, and begin a new life in the United States. And if she can grab a pizza while she is risking her life for Lisa and Paolo, so much the better!

 

Art

Elisa Ferrari, Mara Angelilli & Tommaso Ronda pay homage to Bettie’s iconic image by beginning Bettie Page: La Dolce Vita TP with Bettie posing in a swimsuit. Bettie wears a range of attire, from a coat and earmuffs to dresses, blouses, and slacks, but she always looks more elegant than her more practically minded body double. Karen prefers conservative suits and dresses as she tackles locks, safes, and Neapolitan paramours. Benjamin dazzles in his dashing suits and matching hats. But when danger threatens, the agent's elegant walking stick becomes a lethal weapon.

 

Eugenio Vitelloni and Lisa Cosmi’s past unfolds in sepia tones, but Maura Gulma & Francesca Vivaldi fill Bettie Page: La Dolce Vita TP with an appealing array of cheery colors. Smiling faces intrude on the brightly colored scenes to enhance narration, and Bettie's eyes become red hearts when she imagines Lisa and Paolo together. But whether bullets, cars, or pizzas hurtle through the air, or would-be rescuers race across rooftops in the evening, every page sparkles with energy and '50s fun.

 

Black uppercase and lowercase letters inhabit narrative boxes and white dialogue balloons. Words grow bold for inflection but never shrink, while question and exclamation marks enlarge for surprise and alarm. Musical notes accompany shower scenes and assassination attempts. Jeff Eckleberry's sound effects help us hear furious fists, careering cars, and the ruination of delicious delicacies. Thanks to Dynamite Comics for providing a copy for review.

 

Final Thoughts

When Bettie Page's shot at stardom makes her a target of the Italian mafia, she shrugs off danger to reunite lost lovers. Bettie Page: La Doce Vita mixes Shakespeare with The Saint for a humorous and exciting romp rooted in World War II and cinema history.

 

Rating 9.6/10

 

For cover art see my review at Comic Book Dispatch.

 

Wednesday, October 4, 2023

Bettie Page #4 Review


 


Writers: Mirka Andolfo & Luca Blengino

Artists: Elisa Ferrari, Mara Angelilli & Tommaso Ronda

Colorists: Maura Gulma & Francesca Vivaldi

Letterer: Jeff Eckleberry

Cover Artists: Joseph Michael Linsner; Leirix; Rebeca Puebla; Mirka Andolfo; Cosplay

Publisher: Dynamite

Price: $3.99

Release Date: September 27, 2023

 

Lisa Cosmi wants to marry Paolo Raviolo. Their opposing mafia families forbid the match. The Sicilian lovebirds eloped. Then they got separated. Can Bettie reunite the couple without getting shot by singing sniper Spartaco Serpe? Why not leap into Bettie Page #4 and find out?

 

Story

Two Cosmi clods kidnapped Paolo. Raviolo robbers ran off with Lisa. But no one told the crooning killer. Karen and her paramour Davide race across rooftops to seize the signing sniper. Spartaco got off his shot while trilling Nel Dipinto Di Blue and escaped their clutches.

 

Unfortunately for him, Benjamin got in the way of bringing Bettie a pizza. Guess what splattered red all over her hotel room? Guess what Bettie has been craving since issue #1 and still does?

 

The rival families decide to do a swap. But that will not reunite the lovebirds. Can Bettie, Karen, and Benjamin help Lisa and Paolo realize their dreams?

 

The complex story structure demands that the gears driving this story mesh. Thankfully, Bettie Page #4 ties everything together. While inspired by Shakespearian tragedy, the fun farce ends with a comedic but realistic take on how life often takes us in unexpected directions.

 

Art

Elisa Ferrari, Mara Angelilli, and Tommaso Ronda relate Bettie, Karen, and Benjamin's matchmaking mission with classic Disney appeal. Panels could be stills taken from an animated movie. Characters are expressive and eye-pleasing. Towns, rustic cottages, and scenic landscapes are alluring. Backgrounds rarely fade away in Bettie Page #4.

 

Maura Gulma and Francesca Vivaldi fill scenes with nuanced color. Backgrounds may change color in successive panels but remain pleasing. While ranging from soft to vibrant, the rich coloring shows highlights and shadows without relying on gray.

 

The black dialogue in white balloons is easy to read. Colored narrative boxes provide good contrast. Jeff Eckleberry shrinks the print in white narrative boxes. Sound effects heighten the action in Bettie Page #4. Occasionally, they overtake panels in the final movement of this symphony sparked by famed film maestro Eugenio Vitelloni.

 

Final Thoughts

Italian lovers fight their families for the freedom to fix their future in Bettie Page #4 but find life fussier than fairy tales.

 

Rating 9.6/10

 

For more cover art see my review at Comic Book Dispatch.

Tuesday, August 22, 2023

Bettie Page #3 Review


 


Writers: Mirka Andolfo & Luca Blengino

Artists: Elisa Ferrari, Mara Angelilli & Tommaso Ronda

Colorists: Maura Gulma & Francesca Vivaldi

Letterer: Jeff Eckleberry

Cover Artists: Joseph Michael Linsner; Leirix; Rebeca Puebla; Mirka Andolfo;

Publisher: Dynamite

Price: $3.99

Release Date: August 16, 2023

 

Lisa Cosmi wants to marry Paolo Raviolo. Their opposing mafia families forbid the match. The Sicilian lovebirds eloped. Then they got separated. Can Bettie find Paolo and help the couple escape their families' hitmen? Let's leap into Bettie Page #3 and find out!

 

Story

Bettie’s agent, Benjamin Du’Met, got her a starring role in Eugenio Vitelloni’s next movie. Along with her secretary Karen Beauregard, Bettie discovered she was a decoy. Eugenio wanted Lisa—the spitting image of Bettie— to be his muse but first needed to put the hitmen off Lisa’s scent. Unwittingly, he put Bettie in the crosshairs instead.

 

In Bettie Page #3, Bettie, Lisa, Karen, and Benjamin traverse Naples, following a trail of breadcrumbs that they hope will lead them to Paolo. As they meet a cast of colorful characters, Benjamin shares his WWII experience in the city, and Karen displays a new skill. Each searcher plays a vital role in locating their prize. But if you think they'll find Paolo without suffering setbacks, think again!

 

This enjoyable all-ages comic puts the fun back in the funny pages. As in newspaper strips of yore, Bettie Page #3 delivers a stomach-buster of narrative and dialogue that is character-specific and never feels overwritten. It’s a satisfying situation comedy that doesn't dumb down or become crass. While the authors break the wall on the final page—and deliver the disheartening news that it's the penultimate issue—this charming story held my interest from beginning to end.

 

Say, did I mention the singing paparazzo who moonlights as a hitman? Mamma mia!

 


 

Art

Along with the plot, the characters and settings remind me of classic Disney animated movies. The action—and the story's sensibilities--recall the studio's live-action cousins. At the same time, Betty Page #3 also evokes episodes of Roger Moore's TV series The Saint set in Italy.

 

The cast of characters exudes warmth and personality. Whether housewives, henchmen, hunchbacks, or anything in between--the people Bettie and company encounter always appeal. While a few pages have only a single scene, most boast six or more. Backgrounds fade in closeups, but mid and wide-range shots boast compelling imagery. Classic architecture and richly drawn interiors encourage me to add a visit to Naples to my Bucket List.

 

Panels benefit from a loaded palette of bright, soft colors. The sun's radiance slants through windows, brightening walls and floors and making characters glow. Darker shades reveal shadows without relying on gray. Sepia-toned Polaroids enhance the search for Paolo.

 

Tiny, italicized letters inhabit narrative boxes. Their larger uppercase relatives fill dialogue balloons. Inflection frequently emboldens words. The lyrics of the hitman's song appear as bold words accompanied by musical notes. While sound effects rarely take the stage, love fills the air in Bettie Page #3. At least, in one panel!

 

Final Thoughts

With nothing to gain, Bettie and her friends risk their lives to reunite pining lovebirds in Bettie Page #3, a lively, comedic twist on Shakespeare’s Romeo And Juliet.

 

9.4/10

 

Enjoy more covers at my review on Comic Book Dispatch.