Amazing Spider-Man #10 Review

 

Writer: Joe Kelly

Artist: Michael Dowling

Colorists: Marte Gracia with Erick Arciniega

Letterer: Joe Caramagna

Cover Artists: John Romita Jr, Scott Hanna & Marcio Menyz; Dike Ruan; Paulo Siqueira & Rachelle Rosenberg; J Scott Campbell & Sabine Rich

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: August 20, 2025

 

Nikodemu sent Hellgate to learn from Spider-Man. Instead, Hellgate taught Spider-Man a lesson he won’t forget. Peter Parker’s life is a history of one loss after another. His uncle Ben taught him to pull his punches and flee a fight when no one else faces danger. But as the weeks pass after the Columbus Circle Fracas, Tombstone makes hay while the Spider-Man doesn't shine.

 

Shocker builds a team to "protect" the streets and becomes Tombstone’s second-favorite person (after that Hellgate guy). And while chaos reigns in New York City, Peter Parker is digging into mushrooms and self-isolating from family and friends. Why has Peter gotten soft on crime? And why is he pushing away the people who love him? Let's thwip into Amazing Spider-Man #10 and see!

 

Story

After Shay Marken challenged Peter Parker to be more dependable, Spider-Man teamed with Mayor Cage to throw Tombstone in prison. Instead, Tombstone eluded their legal maneuvering to remain the new Kingpin of New York. But he's got a thing about getting Peter Parker into a limousine. Luke Cage and She-Hulk saved Peter's life the last time he accepted an invitation from Tombstone. Yet in Amazing Spider-Man #10, Tombstone seems surprised when Peter hesitates to take another ride on the wild side.

 

As Tombstone consolidates his hold over New York, Peter once again adopts a proactive view. His approach impresses Dr Osmani-Milton, who promotes Peter over the childhood friend who recommended him. Dr O-M is looking for someone to oversee Rand Enterprises when life calls her away. Employees who make inappropriate workplace remarks and wear mushroom hats aren't on her short list.

 

Peter has always lived a double life. But in Amazing Spider-Man #10, Black Cat worries about her sometime-lover. The all-new, all-different Spider-Man may be the talk of the town. But bad things happen when Spider-Man wears black. As she keeps her eyes on Peter Parker, Black Cat also watches for Spider-Man. Tombstone had a message for Peter to relay. But if Peter didn’t want to play courier, Tombstone may find another way to deliver it.

 

 

 

Art

After the death of his parents, Peter Parker found solace by hiding away from the world in Ben and May’s Walk-In closet. The full-length mirrors weren't from Hogwarts, but they provided the same solace as the Mirror of Erised. Clad in his black-and-red suit, Spider-Man goes full-on Crouching Tiger Hidden Dragon, running along the side of a building before somersaulting down to punch out Aftershocks. With his shield, Captain Kintsugi may emulate a great American hero. But yellow rivulets run through his white suit like hellfire through black 'A’ā. Thus, Spider-Man welcomes his wannabee assistant as much as he welcomed Captain America’s help when trying to rescue Mary Jane from Paul Rabin’s world.

 

As Michael Dowling sketches Peter’s new battle with his identity, Marte Gracia and Erick Arciniega paint Amazing Spider-Man #10 in black. Spider-Man haunts the night in black-and-red, while Felicia Hardy unleashes her frustrations in black. She prowls the skyline as Black Cat, watching as Tombstone offers Peter a ride in his black limo. 

 

 

 

While yellow firepower lights up the night, Brian Nehring’s yellow glasses and yellow mushroom tanks promise to light up the lives of the economically challenged. Compared to the danger that lurks in the night, Peter dresses for the day in a tan suit. Standing alongside gray-clad Brian amid the calming colors of the Rand Enterprises labs, Dr Osmani-Milton enters wearing a black suit. As she frowns at Peter and Brian, a figure in a white lab coat lingers and watches in Amazing Spider-Man #10.

 

Peter shares his thoughts in red-edged narrative boxes. Joe Caramagna's black uppercase letters in white balloons grow bold for intonation, swell for raised voices, and shrink for words uttered through sharpened teeth. Enlarged red dialogue communicates shouts, laughter, and pain, while colorful sound effects help us hear disturbing sounds, electrifying energy, breathtaking impacts, and Spider-Man singing “Dem Bones.” Thanks to Marvel for providing a review copy.

 

 

 

Final Thoughts

Peter has endured the soul-stripping pain of loss many times in his life. But Hellgate’s blow knocked him back to his childhood. Remembering how he lost everything gives Peter Parker the strength to move ahead in Amazing Spider-Man #10. But this time, he’s doing it as the Ghost-Spider.

 

Rating: 9.8/10

 

To look inside see my review at Comic Book Dispatch. 

Amazing Spider-Man #9 Review

 

Writer: Joe Kelly

Artist: Michael Dowling

Colorist: Marcio Menyz

Letterer: Joe Caramagna

Cover Artists: John Romita Jr, Scott Hanna & Marcio Menyz; Ema Lupacchino & David Curiel; J Scott Campbell & Sabine Rich; Netho Diaz & Alex Guimarães

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: August 6, 2025

 

Nikodemu promised Hellgate a great teacher. But Hellgate values strength, and he perceives weakness in Spider-Man. It’s not Peter’s fault. His uncle Ben raised him to pull his punches and flee a fight when no one else was in danger. But Peter has a dark side like everyone else. He tried to kill Hellgate with an axe. Then he dropped a building on his prospective pupil. Has Peter taught Hellgate what Nikodemu wanted her warrior to learn? What will Hellgate's lesson cost Spider-Man and the people of New York City? Let's grab a cone from the I Scream van at Columbus Circle, thwip into Amazing Spider-Man #9, and see!

 

Story

Peter Parker’s life is one nonstop juggling act. Every time he strives to get on top of a situation, life hurls him back down. Everyone makes demands on his time, and try as he might, he never satisfies them. Perhaps Peter feels this most with the women in his life. Aunt May befriends a man who badmouths him. Mary Jane chooses a life with Paul Rabin instead of him. Shay Marken insists that they're not a couple and goes on a date with someone else. What's the point in trying hard when people shrug off your best efforts?

 

In Amazing Spider-Man #9, Peter survives his battle with Hellgate. Yet something in him has died. Whether it was Hellgate’s final punch, his broken leg, or just the unending series of disappointments, Peter has retrenched. He hasn’t given up on life as he did after Cyra’s test. Instead, he does what Aunt May requested. Peter settles down and concentrates on his job at Rand Industries. He doesn’t take on additional obligations, such as working with Norman Osborn to put down the Hobgoblin’s burgeoning organization. Nor does he don his red-and-blue suit and protect New Yorkers as Spider-Man.

 

Joe Kelly’s story ponders the delicate dance we walk through life. It also reminds us how integral we are to those around us. In Amazing Spider-Man #9, Peter Parker makes the responsible choice. Peter distances himself from the people that he can never please and doesn’t accept responsibility for another would-be protégé. If New York falls apart in his absence, it’s not his problem. Then Peter watches to see how the people he can never please, like Aunt May, Shay Marken, and Mary Jane, react.

 

 

Art

Guest artist Michael Dowling shows the Shocker taking over the streets of New York City. Peter stands on a street corner, his leg in a brace, and watches the man in quilted armor attack a police truck. Then Peter hobbles off to sit in a subway train, using earbuds to tune out his surroundings. He smiles as he approaches the gleaming modern Rand building and does a choreographed high-five with Brian to end a team briefing.

 

Gold symbolizes Peter’s potential futures in Amazing Spider-Man #9. Brian Nehring’s glasses glow gold as he tries to set Peter up with a blonde coworker. The lenses match the mushrooms growing in Brian’s terrariums. The gold material of the Shocker’s armor also signals the anarchy that could reign in New York’s streets, if Spider-Man continues to play Hider-Man. Like the rivulets of lava that flowed through Hellgate’s dark skin, gold lines flow through Captain Kintsugi’s white suit. Marcio Menyz also uses green to link Peter with some of those in his web of relationships. As he hobbles through his day, Peter’s green slacks link him to a friend on his phone, Mary Jane and Randy’s green jackets, and the soup May cooks in the FEAST center.

 

As block letters locate us in time and space, Peter shares his thoughts in red-edged narrative boxes. Joe Caramagna's black uppercase letters in white balloons grow bold for intonation, swell for raised voices, and shrink for lowered voices. Small gray letters in gray balloons share the colorful future Peter once imagined, while the words of a newscast swell as Peter inserts his earbuds. Red and yellow sound effects help us hear the pain and destruction villains inflict while Peter sits on the sidelines. Thanks to Marvel for providing a review copy.

 

 

 

Final Thoughts

While Peter hobbles around on a crutch, his friends worry about him. He seems to have lost his verve. But in Amazing Spider-Man #9, Peter is lying low. He realizes his dream of having it all and living the best life was a lie. So, he settles for what he can do, even if that means he’s quit with quips.

 

Rating 9.2/10

 

To look inside see my review at Comic Book Dispatch. 

Amazing Spider-Man #8 Review

 

Writer: Joe Kelly

Pencilers: John Romita Jr with Todd Nauck

Inker: Scott Hanna with Todd Nauck

Colorists: Marcio Menyz with Erick Arciniega

Letterer: Joe Caramagna

Cover Artists: John Romita Jr, Scott Hanna & Marcio Menyz; Humberto Ramos & Edgar Delgado; Dan Panosian; Gabriele Dell’Otto; Jeff Dekal

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: July 23, 2025

 

When the new Kingpin of New York tipped Peter off to an illegal weapons deal, Black Cat decided to tag along. Hellgate arrives mid-transaction and kills the Queen's Cola goons when Spider-Man hesitates to parley. Spider-Man owes his strength more to radioactive spider-venom than gamma radiation, but such slaughter enrages him.

 

Hellgate embarked on an epic quest to confer with the Prince of Spider-Silk. Instead, Spider-Man threatens him. Hellgate relishes testing his mettle against the warrior that Nikodimu sent him to meet. But can the inhabitants of New York City withstand their battle? Or will the Hobgoblin's soldiers be the first casualties in a war of the worlds? Let's thwip into Amazing Spider-Man #8 and see!

 

Story

Peter loved his uncle Ben, even if they often clashed. Still, his uncle's teachings return to Peter as he battles Hellgate. The fighting grows so fraught that Spider-Man struggles to quip. But his every movement is tempered by his uncle's teachings.

 

Hellgate thought he would meet someone who exercised great power. He envisioned an unstoppable Spidernaut who prevented cosmic calamities like the Blight. Instead, he finds a man clad in a close-fitting costume who hesitates to fight and wastes his energy shielding those unworthy of being warriors.

 

In Amazing Spider-Man #8, Joe Kelly reminds us how power swells our self-esteem while diminishing our view of others' importance. His story also reminds us that true power comes from helping those in need. It's a lesson that Peter has taken to heart. As Peter follows his uncle's teachings by protecting New Yorkers, another person senses he is in danger. She should be sharing this battle with him. Instead, fate has taken her on a different course. Ironically, she and her spouse confront the same difficulties Uncle Ben and Aunt May faced when they took in a young boy and raised him as their own.  

 

 

 

Art

John Romita Jr., Scott Hanna, and Todd Nauck reveal the brutality of Spider-Man's battle with Hellgate amid the "insignificant" people infesting this realm. Hellgate's armor evokes the fabled knights of yore and an Asgardian god. Peter’s punches dislodge Hellgate’s helmet and draw blood in Amazing Spider-Man #8. Yet the fire flowing through the volcanic warrior’s cooled and crackling lava-skin, and the flames he unleashes, remind us that Hellgate feeds on conflict, and that anger makes him stronger.

 

Marcio Menyz and Erick Arciniega fill the linear page flow with the colors of a new day. Spider-Man's intense conflict with Hellgate and the heat he radiates softens nearby colors by overexposure. Black And White memories help center Peter. Yet glowing red and blue circles remind him of a time he teamed with Mayor Cage to take the law into his own hands. As buildings turn to rubble, and smoke rises amid the conflict, a silver-clad warrior enters the gray fray in Amazing Spider-Man #8.

 

Block letters locate us in time and space, while narrative boxes remind us how long Peter has battled this warrior from another realm. As Peter shares his thoughts in red-edged narrative boxes, dots flock to Hellgate’s dialogue. Joe Caramagna's black uppercase letters in white balloons grow bold for intonation, swell for raised voices, and shrink for lowered voices. The enlarged colored dialogue reminds us that Peter doesn't want to fight, while gray letters in gray balloons tell us why. Sound effects accentuate the collateral damage Peter struggles to prevent as his opponent's movements prophesy his doom. Thanks to Marvel for providing a review copy.

 

Final Thoughts

While Peter battles a warrior from another realm, the people in his web sense he is in danger. Amazing Spider-Man #8 introduces another potential hero and reminds us how George Washington's fledgling army defeated a superior empire.

 

Rating 9.6/10

 

To look inside see my review at Comic Book Dispatch. 

Amazing Spider-Man #7 Review

 

Writer: Joe Kelly

Penciler: John Romita Jr

Inker: Scott Hanna

Colorist: Marcio Menyz with Erick Arciniega

Letterer: Joe Caramagna

Cover Artists: John Romita Jr, Scott Hanna & Marcio Menyz; Doaly; Simone Bianchi; Lee Bermejo; Leonardo Romero

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: July 2, 2025

 

It’s been so long that he doesn’t recognize it. Then Peter realizes what he is feeling. He’s happy. Aunt May and Shay gently nudge Peter to keep improving, but they like the direction he’s heading in. Black Cat wants to get frisky with him again. Peter’s boss is eying him for promotion. His friend, Brian, is looking out for him. Tombstone is helping Peter prevent another Gang War. And an axe-wielding armor-clad knight just hailed him the Prince of Steelsilk. Say, you don't think that last thing could make Peter unhappy, do you? Let's thwip into Amazing Spider-Man #7 and see!

 

Story

Hellgate explains that he has traveled through mystic realms to reach Spider-Man. Even if he's not a pirate, Hellgate's mistress wants Hellgate to parley with Spider-Man. But Peter is tired of cosmic beings interrupting his duties. Compared with the scions of Cyttorak, the knight seems like an obsessive gamer. Besides, Peter and Felicia have waited hours to apprehend the Queen's Cola goons. So, like the Hollywood agent in Bolt, Peter suggests they put a pin in whatever Hellgate wants.

 

A month ago, Hermes Crenshaw told scientists in Arizona that sandstone formations were petrified tree trunks. While the scientists mused about microbursts of cosmic radiation, Hermes spoke of the heartbeat of a tree. Then a doorway opened, and Hellgate hopped out of the hoodoo. Using his research and the devices he has built, Hermes follows Hellgate. In Amazing Spider-Man #7, Hermes arrives in New York City. With his insights into the beliefs of indigenous peoples, Hermes hopes the superhero community will take him seriously. Perhaps Hermes can even pick up some Shawarma, and prevent Hellgate from giving Iron Man more panic attacks.

 

Joe Kelly intersperses Spider-Man's story with glimpses of what other characters are doing. Some participants are aware of the cosmic event taking place. For others, it seems like another day in New York City. Like many of the great stories of Human literature, Amazing Spider-Man #7 is a tragedy. An unnecessary battle occurs because a hero is fatigued, misjudges a situation, and disrespects someone who comes into his life. It’s a mistake anyone can make when we feel like we’re getting on top of things, that life is finally going our way, and we don’t need to listen to others because we know the score.

 

 

 

Art

Studded armor runs from Hellgate’s helmet to his shoulders. Iron circles his wrists and waist. He carries his notched axes in an X on his back like a ninja. Yellow fire burns through Hellgate’s veins like lava flowing beneath a cooled layer of pahoehoe. This mystic angel of death hurls fire like Han Solo’s blaster and leaves burning destruction in his wake. As Spider-Man bounds across rooftops, John Romita Jr and Scott Hanna show that fire and webbing don’t mix.

 

Dawn creeps into the sky as Hellgate confronts Spider-Man and Black Cat in black, yellow, silver, purple, and blue. Pink and peach creep into the sky as Hellgate unleashes yellow and orange. Marcio Menyz and Erick Arciniega fill the destruction with gray smoke as Peter Parker goes on the offensive in Amazing Spider-Man #7. Soft blues and greens dominate Hermes’ scenes while another yellow and black character sits beneath a purple sky. Yet Peter revisits a place he had hoped to avoid, as orange and yellow suffuse the air above a sea of greenery.

 

Peter shares his thoughts in red-edged narrative boxes. Joe Caramagna's black uppercase letters in white dialogue balloons grow bold for intonation, swell for raised voices, and shrink for lowered voices. Block letters indicate time shifts in Joe Kelly’s linear story, while enlarged colored dialogue and sound effects heighten the action. Amid the thwipping, shooting, and explosions, Hellgate's font reminds us that Miles Morales isn't the only Spider-Man fighting the gods. Thanks to Marvel for providing a review copy.

 

Final Thoughts

We all know appearances can be deceiving. Yet, it's hard to ignore our first impressions. When Peter Parker disrespects Hellgate, he unleashes the catastrophe he was trying to prevent and initiates a conflict between Earth and the mystic realms in Amazing Spider-Man #7.

 

Rating 9.6/10

 

To look inside see my review at Comic Book Dispatch. 

Amazing Spider-Man #6 Review

 

 

Writer: Joe Kelly

Penciler: John Romita Jr

Inker: Scott Hanna

Colorist: Marcio Menyz

Letterer: Joe Caramagna

Cover Artists: John Romita Jr, Scott Hana & Marcio Menyz; Gleb Melnikov & Edgar Delgado; John Romita Jr; Peach Momoko; Damion Scott; Paulo Siqueira & Yen Nitro; Stefano Caselli & Federico Blee; Mark Bagley & Edgar Delgado

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: June 18, 2025

 

Peter Parker had an Itsy Bitsy drug habit. So, the Hobgoblin took Peter on a bad trip that made him a serial no-show at his new job. But since he kicked his Queen’s Cola addiction, Peter is raising Aunt May, Shay, and Dr Osmani-Milton’s expectations. Can Peter be a dependable nephew, boyfriend, and employee? Let's play a game of Pickleball on the Rand Enterprises court, leap into Amazing Spider-Man #6, and see!

 

Story

Aunt May sees Peter’s potential. Yet, he still struggles to be dependable. It’s been a long road as a single parent since her husband died. May knows she won’t be around forever. Still, she carries on, encouraging and nurturing, in the hopes of seeing her nephew settle down. But what if she didn’t have to carry that burden alone?

 

 

 

After his failure with Mary Jane, Anna Watson nudged Shay into Peter's orbit. As a nurse at the Ravencroft Institute, Shay spends her days caring for villains in need. She's also seen coworkers die, as when Itsy Bitsy wrecked Rhino's rest day at Ravencroft. So, while she's well-versed in the roadmap of grief, Shay understands what causes it. Like May, she wants to be there for Peter. Just not too close.

 

 

 

After emerging as the head crime boss, Tombstone returns in Amazing Spider-Man #6. Brian Nehring may think it's cool that Peter is Goodfellas with the mob. But Peter knows that Tombstone only uses him to remain the new Kingpin of New York. Peter doesn’t want to prop up a gang lord. But neither does he want rival gangs fighting each other to expand their territories in another Gang War.

 

 

 

Art

Red combats purple when Spider-Man blows up a hoodie convention in a hijacked limousine. Blue dominates the engineering labs of Rand Enterprises Applied Science Division. A folded yellow note from a man wearing a purple shirt in another black limousine portends a nightlife of crime. The bluish-purple hangout promises to enliven Peter’s prospects while awaiting action in Amazing Spider-Man #6.

 

 

 

While Marcio Menyz wields his nuanced palette of colors, John Romita Jr and Scott Hanna focus on Peter's preparations to keep New York safe. They balance his technical know-how with the physical necessities of a stakeout. The artists also show Peter using his webs to create an ad hoc HQ while he monitors crime scenes via remote cameras in Amazing Spider-Man #6.

 

 

 

While crashing through glass like Tombstone, chatting with mushroom-man Brian, walking with Shay at sunset, or hanging out with Black Cat, Peter shares his thoughts in red-edged narrative boxes. Joe Caramagna's black uppercase letters in white dialogue balloons grow bold for intonation, swell for raised voices, and rarely shrink. Block letters indicate time shifts in Joe Kelly’s nonlinear story, while enlarged colored dialogue and sound effects heighten the action. Yet nothing seems as essentially Peter Parker as when we hear him struggle with a big gulp. Thanks to Marvel for providing a review copy.

 

 

 

Final Thoughts

Success in life necessitates multitasking. Succeeding in business requires keeping secrets. Earning the boss’s trust threatens Freaktastic friendships with coworkers. While combating his fears of losing the people he loves, goblins and nurses show Peter Parker the way. Old foes and feline friends enmesh Peter in a web of duplicity in Amazing Spider-Man #6.

 

Rating 9.6/10

 

To look inside see my review at Comic Book Dispatch. 

 

Giant-Size Amazing Spider-Man #1 Review

 

Writer: Kevin Smith, Al Ewing, Chip Zdarsky & Mitsuyasu Sakai

Artist: Giuseppe Camuncoli, Daniele Orlandini, Mark Buckingham, Cafu & Gerardo Sandoval

Colorist: Erick Arciniega, Rachelle Rosenberg, David Curiel & Israel Silva

Letterer: Joe Caramagna & Joe Sabino

Cover Artists: Greg Capullo & Alex Sinclair; Lee Bermejo; Mark Bagley & Edgar Delgado; Scott Hepburn & Rachelle Rosenberg

Designer: Gabriel Mata

Editors: Kaitlyn Lindtvedt, Nick Lowe & CB Cebulski

Publisher: Marvel

Price: $7.99

Release Date: June 11, 2025

 

Peter Parker has a long and distinguished career as the Amazing Spider-Man. But who does he turn to when he pulls a Janet Jackson? How does Spider-Man nurture new heroes as they arise? And with new spider-heroes constantly occurring in the multiverse, what makes our friendly neighborhood Spider-Man unique? To learn these answers (and more), let’s thwip into Giant-Size Amazing Spider-Man #1 and find out!

 

Unstable: Story

Kevin Smith begins with Spider-Man taking on the Sinister Six. When he thwips away Mysterio's gauntlet, Spider-Man discovers the special effects wizard is alone. But as the cops drag Mysterio away, the illusionist gets the last laugh. So, Spider-Man seeks help to hide his "Peter Tingle."

 

"Unstable" boasts playful dialogue and suggests Spider-Man enjoys his celebrity status. The story also illustrates a temptation that police, military, self-appointed vigilantes, and anyone entrusted with a position of power should resist.

 

Unstable: Art

Erick Arciniega adorns Giuseppe Camuncoli and Daniele Orlandini’s detailed art with a loaded palette of colors. Inventive layouts enhance the story’s rockstar quality. After combating the Sinister Six, Spider-Man beholds a page packed with foes in Giant-Size Amazing Spider-Man #1. The characters and setting of these introductory pages evoke recent Spider-Man movies. The crowd's reactions and Mr Fantastic’s factory remind us that perceptions often matter as much as our abilities. 

 

 

 

616 Day: Story

After Kevin Smith’s lighthearted story, Al Ewing peers into the heart of the Marvel Universe. As Spider-Man learns what makes his world tick, he also realizes how it relates to other realities in the multiverse. Wyn introduces Spider-Man to the numerology and concepts underlying the 616 Universe. Characters who have supported Marvel's popularity in comics, TV, and movies join Spider-Man on his journey into the past to save the future. Thankfully, no one sucks the joy out of everything or forces anyone to beat up grass. 616 Day celebrates the marvelous possibilities that await us as we take an active role in shaping our realities.

 

616 Day: Art

Rachelle Rosenberg paints Mark Buckingham's art with a loaded palette. The coloring grows more constrained as Wyn takes Spider-Man to the epicenter of the Marvel Universe. Buckingham’s Old School art and Rosenberg’s four-coloring mastery energize Spider-Man’s fight to save the 616 universe. A preponderance of globes, worlds, and colored circles surrounding a battle form an intriguing link with Mysterio's villainy in Giant-Size Amazing Spider-Man #1.

 

Rapid Advancements: Story

Chip Zdarsky introduces a new character who could race into readers' hearts. Roger doesn't view himself as a hero. Like Valerie Bertinelli, he takes life one day at a time. Roger works hard and cares for his family while struggling to meet his financial obligations. The chink in Roger’s armor is his father. His name is Earl.

 

Earl's focus on work evokes the lyrics to “Cat’s In The Cradle.” Roger's no "I hate everything about you" Ugly Kid Joe. Still, he can't count on his dad to be there for him, so he pushes Earl away. But when Roger discovers his father in peril, he drops everything to protect him.

 

Chip Zdarsky's story reveals the past while bringing readers up to speed with Roger and his father. After Spider-Man communicates with Roger, he conceives a plan to assist him. Roger may not regard himself as a hero. But his attempts to save his father evoke Spider-Man's race to help Mary Jane escape an alternate dimension, while Roger’s reactive nature mirrors Spider-Man’s approach to life.

 

Rapid Advancements: Art

Roger’s hair and attire evoke Tom Cruise in “All The Right Moves,” while a scene in his kitchen echoes his admonition to his father. An erupting time bubble continues the theme of worlds or globes from the previous stories. The police watch Spider-Man thwip away to investigate. His most poignant action highlights one of Spider-Man’s defining traits while echoing a similar incident in Joe Kelly's ASM #1.

 

Pink plays a significant role in Rapid Advancements, defining both Roger's costume and his father's research. A villain in green forges another link with the first story in Giant-Size Amazing Spider-Man #1. As David Curiel lavishes a loaded palette on Cafu's sophisticated art, Roger's blue pants and red truck enhance this spectacular origin story. 

 

 

 

Prelude To The New Dimension: Story

Mitsuyasu Sakai provides a teaser for the upcoming Kid Venom Team-Up series. Kid Venom has traveled to the 21^st Century. Kid Venom worries about the threats facing his friends and his country, but Spider-Society doesn't know how to send him home. While grounding this prelude story with staples like Peter Parker and Miles Morales, Sakai includes popular characters from Spider-Man: Across the Spider-Verse.

 

Prelude To The New Dimension: Art

Israel Silva's dark tones imbue Gerardo Sandoval's art with a haunting aspect. Kid Venom's spiky hair and blue and white coloring make him stand out from the spider-heroes. One panel reveals the threat dominating his homeland, while the characters Kid Venom meets in the final scene echo another story in Giant-Size Amazing Spider-Man #1.

 

Lettering

Joe Caramagna and Joe Sabino thwip uppercase black and colored letters into white and yellow balloons. They employ a variety of fonts, balloon shapes, and arrow designs. White words fill narrative boxes that would make Spider-Gwen jealous. Black balloons threaten a deluge. Musical notes adorn red banners. Enlarged colorful dialogue and sound effects heighten the action, humor, and explosive storytelling in Giant-Size Amazing Spider-Man #1. Thanks to Marvel for providing a review copy.

 

 

 

Final Thoughts

Humor becomes a weapon. Heroes succumb to “righteous” anger. New heroes arise to defend the multiverse in Giant-Size Amazing Spider-Man #1. And when they're most needed, Spidey and his iconic friends remind us why Earth-616 remains the brightest star in Marvel's sky.

 

Rating 9.5/10

 

To look inside see my review at Comic Book Dispatch. 

Amazing Spider-Man #5 Review

 

Writer: Joe Kelly

Artist: Pepe Larraz

Colorist: Marte Gracia

Letterer: Joe Caramagna

Cover Artists: Pepe Larraz & Marte Gracia; Joëlle Jones & Rachelle Rosenberg; John Romita Sr, John Romita Jr & Morry Hollowell; Mark Bagley & Edgar Delgado; Peach Momoko; Luciano Vecchio

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: June 4, 2025

 

Peter’s school chum Brian Nehring got him a job at Rand Industries. But before Peter can impress his new boss, Dr Maira Osmani-Milton, Rhino has a heart attack. Then someone roofies Peter, twisting his past and fears into a bad trip. When Peter’s investigation into hallucinatory drugs takes him to the Queen’s Cola facility, he finds Hobgoblin guarding the factory.

 

Before Peter can apprehend the villain, Hobgoblin flies away while Itsy Bitsy puts him in a tizzy. Will Brian and Maira be the latest casualties of the Cola Wars? Can Peter prevent Roderick Kingsley from making his office look even more like Easter Island? Let's grab a can of Queen’s Cola, leap into Amazing Spider-Man #5, and see!

 

Story

Before Hobgoblin left, Itsy Bitsy told him that someone from Rand informed the Justice Department about his exciting new range of anxiety drinks. Hobgoblin’s drugs have made Peter fear losing the people he loves. As he leaves the Queen’s Cola plant like Bruce Banner left a bottling factory in Rio de Janeiro, Peter gives Brian a call. But Peter’s too late. Hobgoblin’s already yucking his murder yum at Rand Industries.

 

Joe Kelly's story alternates between Peter, Dr. Maira Osmani-Milton, and Brian Nehring as Hobgoblin attempts to protect his industrial secrets with extreme prejudice. Maira shines as a mother, an easy-going boss, and a caring employer. 

 

 

 

After all the people he failed at Ravencroft, Spider-Man gives his all to ensure no additional deaths weigh on his conscience. While Brian may not impress immediately, he earns his place at Rand (and reader’s hearts) in Amazing Spider-Man #5.

 

Hobgoblin’s spectacular entrance suggests an Ultron-level tragedy, but the characters work together more effectively than the Avengers on the SHIELD helicarrier. Peter demonstrates his ability to think while thwipping and quipping. Amid all the fighting, this fast-paced action thriller is about the importance of protecting the people we care about and never pushing them away. 

 

 

 

Art

Pepe Larraz begins Amazing Spider-Man #5 with Rand Enterprises in flames. Hobgoblin descends into the plant-and-tree-filled atrium, driving away workers like the angel sent to guard Eden. Brian clutches his notebook to his chest, cognizant of the secrets he guards. Although wide-eyed, Dr Maira Osmani-Milton never loses her cool, facing down Hobgoblin even as he strangles her.

 

Marte Gracia surrounds Spider-Man with yellow, orange, and red as he crashes through the skylights. After sheathing his yellow flaming sword, bluish-white energy crackles from Hobgoblin’s hands and red eyes in Amazing Spider-Man #5. Past merges with present as gray characters frame colorful scenes and yellow fire washes across Peter's Black and White memories. 

 

 

 

Amid frantic panels, splash pages, double-page spreads, and a raging contest between Black and White, limited color schemes, and loaded palettes, Joe Caramagna thwips uppercase black lettering into dialogue balloons. Words grow bold for inflection, swell, change color, and rarely shrink. Texting with emojis turns narrative boxes blue amid glaring red lights. Sound effects include web-thwipping, glass shattering, and Brian bonking Hobgoblin. Thanks to Marvel for providing a review copy.

 

 

 

Final Thoughts

Amazing Spider-Man #5 pulses with MCU-level action and drama as Peter draws a line in the sand and Hobgoblin tries to capitalize on people’s inclination to destroy their lives. Hey, if they’re going to worry about things they can’t control, why not make money off their lack of mindfulness?

 

Rating 9.4/10

 

To look inside see my review at Comic Book Dispatch.