Marvel Zombies: Red Band #2 Review

 

Writers: Ethan S Parker & Griffin Sheridan

Artist: Jan Bazaldua

Colorist: Erick Arciniega

Letterer: Travis Lanham

Cover Artists: Greg Land & Rachelle Rosenberg; Scott Koblish & Val Staples; Scott Hepburn & Yen Nítro; Adam Warren & Lee Duhíg

Design: Sarah Spadaccini

Editors: Emerald Bensadoun, Jordan D White & EB Cebulski

Publisher: Marvel Comics

Price: $4.99

Release Date: October 22, 2025

 

Peter Parker anticipated making his spectacular debut on the Ed Sullivan show. Instead, he suffered a panic attack when zombies invaded a hospital. The Frightful Four created the zombies when they returned from space in their stolen NASA rocket. Iron Man, snooping on the Teen Brigade's radio frequency, heard Rick Jones hail Hulk. While Donald Blake will never tap his cane again, Daredevil wonders if zombies can reclaim their Humanity.

 

The only one who can deter the zombies is Hulk. He alone has confronted the walking dead before. Can Hulk, Spider-Man, and the newly christened Defenders defeat the zombie horde? Or will TVA agents erase everyone from existence to preserve the sacred timeline? Let's thwip into Marvel Zombies: Red Band #2 and see.

 

Story

Jean Grey never belonged anywhere until she joined Professor Xavier's school for mutants. Despite his assurances, Jean worried about destroying his school and killing her fellow students while she dreamed. Like any anxious soul spending their first night in a new place, Jean's fears conjured a nightmare. But when Scott attacked her, and she had to kill him in self-defense, Jean realized that his attack was no dream.

 

As Marvel Zombies: Red Band #2 introduces Jean Grey and Jessica Jones, it also looks in on Peter Parker. Jean and Jessica fight a losing battle to save people from the undead. Yet, the dwindling survivors hail Spider-Man for delivering them from the zombies. Even though society has fallen, and he no longer has a family to protect, Peter shies away from revealing his identity. Still, he becomes a leader to Jean Grey and Jessica Jones.

 

 

 

Most Humans who become zombies swiftly lose their self-awareness. Reed Richards clings to his sanity in Ethan S Parker and Griffin Sheridan’s story. Mr Frightful knows he has changed. Still, he yearns to share what he learned in space with the brightest minds on Earth. Instead, Reed Richards must fight to prevent the ever-growing horde of the undead from turning on each other.

 

Like many of New York’s heroes and villains, Reed Richards falls into another being's trap in Marvel Zombies: Red Band #2. Now, on a patchwork planet, the man who loves science leads his undead warriors against Earth's mightiest heroes. Reed knows he doesn't have much time left. He may not survive Battleworld. But if he wins, the Beyonder has promised to reward the victors with anything they desire. Perhaps, the Beyonder can even help the Frightful Four regain their Humanity and turn their cursed voyage into a blessing for Earth.

 

 

 

Art

Lights glow in Professor Xavier's mansion as he clasps Jean’s arm and assures his new student that she is safe in his care. But when Jean awakens, her bed has moved to a mutant Deadite cemetery. After the pristine architecture of Xavier’s mansion, Jean wavers between mercy and vengeance among the backstreets and alleys of New York City. Yet she walks through blood and body parts, just as she did when she left Xavier’s school for mutants.

 

While Erick Arciniega lavishes a loaded palette on Marvel Zombies: Red Band #2, Jean’s red hair binds her to Spider-Man’s suit. As she accepts Jessica Jones’ friendship, Jessica’s purple hair links her with the zombies. Yet when they trade the red sky above the glowing yellow and orange buildings for another’s domain, Jessica’s purple hair links her with the planet-filled sky above Battleworld. Jan Bazaldua portrays the fighting on a two-page arcing layout, with the final panel evoking Michelangelo's The Creation of Adam. 

 

 

 

Travis Lanham fills white dialogue balloons with black uppercase letters that grow bold for intonation, swell for intonation, and shrink for lowered voices. Zombies argue with larger dialogue in cloudy balloons. The narrator speaks into torn yellow boxes. Iron Man’s words fill yellow hexagons with red borders. Sound effects help readers hear the zombies tear through the ground, shriek, and feed. Yet whatever happens, Jean Grey seems destined to hear undead jaws snapping for her throat every time she closes her eyes. Thanks to Marvel Comics for providing a review copy.

 

 

 

Final Thoughts

As Humanity’s numbers dwindle, a portal appears in Central Park. Those who enter find themselves on Planet Undead Hulk. Avengers battle Frightful Enforcers for the ultimate prize. But while most of the “heroes” fight to reclaim the past, one pursues a lifelong goal in Marvel Zombies: Red Band #2.

 

Rating 9.8/10

 

To look inside see my review at Comic Book Dispatch. 

Amazing Spider-Man #14 Review

 

Writer: Joe Kelly

Penciler: Ed McGuinness & Todd Nauck

Inkers: Mark Farmer, Wade Von Grawbadger, Ed McGuinness, & Todd Nauck

Colorists: Marcio Menyz & Erick Arciniega

Letterer: Joe Caramagna

Cover Artists: Patrick Gleason & Marcio Menyz; Lee Bermejo (Amazing Visions); Cory Smith & Edgar Delgado; Jay Anacleto & Romulo Fajardo Jr; Joshua Cassara & Matthew Wilson (The Muppets)

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: October 15, 2025

 

Hermes Crenshaw believes that Manhattan's new Take No Prisoners Spider-Man hails from a parallel universe. Instead, while Ben Reilly impersonates Peter Parker at Rand, Norman Osborn thwips the streets as Peter’s alter ego. But Norman doesn’t practice Peter’s restraint. And he hates losing.

 

When Miles Morales, Spider-Boy, Silk, Araña, and Spider-Gwen invade his web after losing his “cowardly” lawsuit against Roderick Kingsley, Norman lashes out. Can Spider-Norman placate New York's Spider-Society? And will the Sic Semper Monstrum club teach Roderick Kingsley their secret handshake? Let's thwip into Amazing Spider-Man #14 and see!

 

Story

Although Silk assured Norman that Peter still lives, he left their encounter feeling like a failure. So Norman seeks out someone else who has tried and failed to be Spider-Man. But Ben Reilly doesn’t want to share the same universe, let alone the same airspace, with Norman Osborn. And he’s far from alone in that sentiment.

 

While Ben impersonates Peter in Amazing Spider-Man #14, his growing closeness to Dr Maira Osmani-Milton drives his girlfriend crazy. Janine Godbe enjoys life in the shadows with Ben. Now he is chasing Peter's life again, and that's beyond frustrating.

 

 

 

While endangering his future with Janine, Ben shuts out the people who care about Peter. Aunt May feels cut off from the successful working nephew who hung photos in her living room when he was bombing interviews. And at work, Brian Nehring isn't feeling freaktastic as his childhood chum’s science outshines his mycoteria.

 

While Joe Kelly’s story urges us to understand what drives us, it also contrasts life in the shadows with exposing our actions to the light of day. Night patrols gave Norman the anonymity to act out his aggressions. Imitating Peter solely at Rand allows Ben to hurt everyone close to him. But people who exercise power responsibly inspire others. That's something a would-be hero learns in Amazing Spider-Man #14. 

 

 

 

Art

Ed McGuinness & Todd Nauck, Mark Farmer, and Wade Von Grawbadger contrast memories of the Spider-Society on a rooftop with Norman sitting alone in his exclusive penthouse. Janine’s masks feed her desire for easy victories but provide no lasting contentment. As Maira sits before an image of sunflowers, she makes a more understanding and accepting comparison with Peter’s not-girlfriend. Yet despite her words, Maira’s disdain for Norman struggles to dominate her face, suggesting a familiar jousting tournament with a business rival. 

 

 

 

Marcio Menyz and Erick Arciniega make Chasm and Hallows Eve look good together in purple, orange, red, and green. Maira and Ben’s blue attire emphasizes the growing connection between them. Norman’s dark gray suit seems a reminder that his self-esteem, if not his body, is trapped in the dark web of Limbo. An attacker's light gray and blue emphasize a cold, clinical approach to curing a disease. While the yellow and orange coursing across his body evoke Hellgate's inner fire, Kintsugi's gleaming suit recalls another cosmic hero.

 

Joe Caramagna fills white dialogue balloons with black uppercase dialogue. Words grow bold for inflection, enlarge for raised voices, and shrink for lowered voices. Faint lowercase handprinted letters reveal Norman's thoughts in irregular white rectangles, while Aunt May writes in tiny cursive. Sound effects hail a pleasant outing, a responsible use of power, and defiant dry-thwipping in Amazing Spider-Man #14. Thanks to Marvel for providing a review copy.

 

 

 

Final Thoughts

While Norman Osborn struggles to overcome his past, Roderick Kingsley makes new friends, Brian Nehring gets desperate, and Astrid reveals a fondness for Battlestar Galactica in Amazing Spider-Man #14.

 

Rating 9/10

 

To look inside see my review at Comic Book Dispatch. 

Marvel Zombies: Red Band #1 Review

 

Writers: Ethan S Parker & Griffin Sheridan

Artist: Jan Bazaldua

Colorist: Erick Arciniega

Letterer: Travis Lanham

Cover Artists: Greg Land & Rachelle Rosenberg; Scott Koblish & Val Staples; Clayton Crain; Ryan Brown; Juan Shavrin; Ryan Meinerding, Amelia Vidal & Sung Choi

Design: Sarah Spadaccini

Editors: Emerald Bensadoun, Jordan D White & EB Cebulski

Publisher: Marvel Comics

Price: $4.99

Release Date: September 17, 2025

 

Aunt May worries about her nephew. He's an impressionable young man, and the TV shows such dreadful things these days. Uncle Ben also frets about how TV will hurt his young nephew. But Peter Parker can't help it. He wants to see the return of Reed Richards, Sue Storm, Jonathan Storm, and Benjamin Grimm. And there's another TV show he's not sure he wants his aunt and uncle to see. How will pop culture's penchant for sensationalism transform Peter? Let's thwip into Marvel Zombies: Red Band #1 and see.

 

Story

While Uncle Ben and Aunt May want to shelter their nephew from the world, Peter yearns to be a part of it. He's already taken steps to become someone noteworthy. But while he has garnered notoriety, someone else has grabbed the spotlight. Four people have stolen a NASA spaceship and launched it into space. Mission Control communicated with the rocket for a while. But as it returns to Earth, the astronauts’ status is a mystery in Marvel Zombies: Red Band #1.

 

Ethan S Parker & Griffin Sheridan’s story returns readers to the origins of the modern Marvel universe. It honors the evolving relationships between heroes like the Fantastic Four, Spider-Man, Daredevil, and their friends and families. But while Peter Parker dreams of attaining popularity and wealth, the Fantastic Four are thieves.

 

 

 

 

 

Marvel Zombies: Red Band #1 reminds us that it's vital to do things for the right reasons. Reed Richards may be brilliant. But his interests outweigh those of others. The Fantastic Four recognize they have changed. Still, they have attained power by breaking the rules and defying the system. And that will cause a lot of people a lot of pain, as the Fantastic Four raise a zombie army to overtake the world.

 

 

 

 

Art

Glowing windows defy the darkness descending on the Parker home as Peter, May, and Ben gather to watch TV together. After the Spider-Mask covers half his face, Peter rises to obscure the TV set and a framed print of Vincent Van Gogh’s “The Starry Night.” But Peter makes way when a broadcaster appears before the NASA logo. The Parker family watches as technicians in blue overalls work on equipment, while armed men in black uniforms and armor await the VTOL rocket’s return. 

 

 

 

 

As Jan Bazaldua fills Marvel Zombies: Red Band #1 with art that harkens back to an earlier era, Erick Arciniega imbues it with all the vibrance, nuance, and texture of modern coloring. Iron Man gleams in his golden armor, while Hulk radiates green. Joined by black, silver, and gold Thor in his red cape, the trio shines amid the glowing yellow buildings. Daredevil shows he belongs with the heroes when he arrives in black, red, and gold. But they must face off against the Frightful Four. Reed and Sue’s blue suits link them together, while Johnny’s flaming skin and Ben’s orange hide likewise bind the friends. All four demonstrate the decay afflicting them, as red fills areas formerly covered by skin.

 

 

 

 

 

Travis Lanham fills white dialogue balloons with black uppercase letters that grow bold for intonation. Yells enlarge words until they threaten to burst balloons, while zombies’ utterances fill cloudy balloons. The narrator speaks into yellow narrative boxes and often enlarges and colors the first letter of a sentence. Iron Man’s words fill yellow hexagons with red borders. Sound effects help readers feel the urgency of the rampaging horde. They also enhance the electrifying action as heroes and villains chart a course that will profoundly affect their world. Thanks to Marvel Comics for providing a review copy.

 

 

 

 

Final Thoughts

It's not just life-changing events that empower us. It's also what we do each day that determines if we are heroes or villains. Fueled by humorous dialogue and an insatiable hunger for Human flesh, Marvel Zombies #1 revisits the origins of the Marvel Universe and asks, "What if the Fantastic Four were villains?"

 

Rating 9.8/10

 

To look inside see my review at Comic Book Dispatch. 

Amazing Spider-Man #13 Review

 

Writer: Joe Kelly

Artist: Pepe Larraz

Colorists: Marte Gracia & Erick Arciniega

Letterer: Joe Caramagna

Cover Artists: Pepe Larraz & Marte Gracia; Lee Bermejo; Pere Pérez & Morry Hollowell; J Gonzo; Dave Bardin; Valerio Schiti & Frank Martin

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: October 1, 2025

 

Cursed with far-sight, Nikodemu charged her knight with a mission. He must pierce the Soul Wall and parley with the Prince of Steel Silk. Peter Parker didn’t understand what Hellgate wanted. Nor did he like how Hellgate dealt with the gunrunners in Queen’s Cola uniforms. So their war of words escalated to a thwip-and-smash across New York City. As their titanic battle waned, Hellgate mourned a lost opportunity. “You were to teach me,” he said, before punching Spider-Man across the universe.

 

A broken man, Peter scrambled to survive on a planetoid with limited resources. All the while, Hellgate’s imperative rang in his ears. After Dr Xanto Starblood rescued him, Peter thought the xenobiological engineer could help him accomplish Hellgate’s final demand. Then he discovered who paid the price for Xanto’s biotech enhancements. Can Peter “get stronger” now that he’s defeated his most promising instructor? And can he prevent the laboratory subjects he freed from shooting Xanto with a Hadron Enforcer? Let’s pull on our Flexisuits, thwip into Amazing Spider-Man #13, and see!

 

 

 

Story

When he freed them from their cages, Peter didn't find Howard the Duck. Still, he met some enormous personalities and a little Venom. While Rocket the Raccoon shines the brightest, he also met Raelith the Wretched and Nial. They form Peter’s brain trust as he works to return them to their respective homes. It’s a simple plan. But in a universe at war, people are bound to cause problems. The Gothon Conglomerate is doing a Trade Federation-style blockade over Gaileia 3. Still, Rocket has escaped from twenty-three-plus prisons. He has a plan for passing through the checkpoint in their Corpo-Death Satellite Web.

 

Rocket is well-versed in disappointment. The Guardian has experienced enough cruelty to know that a dead torturer can’t hurt anyone again. But as with the "Clan of the Hobgoblin," Peter seeks a gentler form of justice in Amazing Spider-Man #13. 

 

 

 

While Joe Kelly chronicles Peter and Rocket’s assault on a Gothon space station, he keeps returning to the Beacon, the deep-space research vessel where Dr Starblood experimented on his subjects. Xanto accompanies Peter, Rocket, and the others on their mission. And despite Rocket’s threats, Xanto approves of the way his former captor treats him.

 

Joe Kelly weaves a dark thread of irony into Amazing Spider-Man #13. As Peter argues for life in prison versus the death penalty, he wears a Flexisuit based on Xanto’s research of Technarchs. And just as Warlock refused to follow the rules of his society and kill his father, Peter refuses to kill the alien who has helped him become 99.9999% stronger than anyone else on Earth. 

 

 

 

Art

Pepe Larraz launches readers into an intense battle in the space station shuttle bay. While Rocket uses a rifle, Peter utilizes Xanto's version of the Iron Spider armor. Rocket seems at home in the battle. The Guardian displays his irritation, contempt, and outrage during group discussions. The park that Peter likened to his boyhood notion of Heaven becomes an amphitheater to propound his philosophy. Nial may evoke Gumby's Blockheads, but he displays wisdom and patience beyond his years. Among the aliens gathered in the park, a Humanoid named Raelith evokes Peter’s non-girlfriend. But Shay Marken doesn’t have Elven ears or red eyes.

 

Amid the fast-paced scenes and the intense arguments, Marte Gracia & Erick Arciniega weave a tapestry of energizing color in Amazing Spider-Man #13. As camera angles change faster than Yondu’s Yaka Arrow, Peter shines in his golden suit. Green often grounds scenes, and soothes as purple and gold battle for dominance. Xanto's purple tattoos link him with a central tree in his park. While the tree fascinates Nial, Rocket displays little interest. Yet despite his opposition to Peter's approach to life, Rocket's red-and-blue suit evokes Peter’s normal appearance as a friendly neighborhood Spider-Man.

 

 

 

Joe Caramagna's black uppercase letters in white balloons and boxes grow bold for intonation, swell for raised voices, and shrink for lowered voices. Rocket utilizes cloudy balloons, while Symbie speaks white letters into less puffy black balloons. Sound effects demonstrate Rocket’s restraint amid battle as Peter launches his personal Infinity War, and Symbie does what he does best. Thanks to Marvel for providing a review copy.

 

 

 

Final Thoughts

Nikodemu watches events in our universe from her realm. And of everyone she sees, she sends Hellgate to our friendly neighborhood Spider-Man. Peter Parker may have dismissed Hellgate as a cosplaying costumed hero when they first met. But after glimpsing Nikodemu amid Dr Xanto Starblood’s rescue, like Luke seeing Obi-Wan on Hoth, Peter's a believer. As order in his universe descends into chaos, Hellgate’s warning haunts Peter Parker in Amazing Spider-Man #13.

 

“Everything relies on your strength.”

 

Rating 9.8/10

 

To look inside see my review at Comic Book Dispatch. 

Amazing Spider-Man #12 Review

 

Writer: Joe Kelly

Penciler: Ed McGuinness

Inkers: Cliff Rathburn & Ed McGuinness

Colorists: Marcio Menyz & Erick Arciniega

Letterer: Joe Caramagna

Cover Artists: Ed McGuinness & Marte Gracia; Lee Bermejo (Amazing Visions); Simone Bianchi; Rogê Antônio & Marcelo Maiolo; James Kerigan (Halloween Mask); NetEase Games (Marvel Mystic Mayhem)

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: September 17, 2025

 

Ben Reilly felt every moment of Cyra’s test thanks to his unspoken clone thing with Peter Parker. So, he impersonates Peter Parker while the genuine article is away. But Ben lacks Peter’s Freaktastic connection to Brian Nehring. And Chasm lacks compassion for the people in Peter’s life.

 

Norman Osborn has come a long way. Driven by Peter’s faith in him, Norman tries to fill his friend’s shoes while he’s gone. But no one likes Norman’s take on Manhattan’s webslinger. And while all that is going on, Roderick Kingsley is fending off Norman’s legal maneuvers and using Queen’s Cola to move weapons in Tombstone’s streets. Will Ben Reilly and Norman Osborn cost Peter Parker his job, his friendships, and his reputation as a friendly neighborhood Spider-Man? Let's thwip into Amazing Spider-Man #12 and see!

 

 

 

Story

We always feel like we know the right thing to do. Hermes Crenshaw thinks he knows what's going on with Spider-Man, but he rushes to judgment without substantiating his claims. J Jonah Jameson generally tries to do what's right. Sadly, his way of doing what's right often means hurting other people. Although he's working for another corporation now, Ben Reilly's still trying to be like Peter Parker. But he knows he's failing and realizes his time at Rand is beyond limited. And that hurts.

 

Of all the people in Joe Kelly’s story, Norman theoretically has the best shot at emulating Peter Parker. He knows the man behind the mask. And unlike Roderick Kingsley, Norman wishes to make amends for his acts as a goblin. But life has forged Norman into a predator who exploits weaknesses and crushes the opposition. That mindset has served him well in building a business empire. No matter how hard Norman wants to be good, his past forged him into a fighter who destroys his rivals. And that hurts.

 

In Amazing Spider-Man #12, New York’s Spider-Society confronts Manhattan's spider-poseur. But instead of attempting an intervention, they adopt Norman's tactics. They try to strongarm the Captain of Industry, who once stole Roderick Kingsley's business empire. And that's going to hurt.  

 

 

 

Art

Ed McGuinness and Cliff Rathburn show Norman swinging into action. He hurtles down pages and careers across two-page layouts. Norman thwips by night and corrals herds of paperwork at Oscorp by day. He slips off brick walls and crashes into cars. Norman hurries from one item on his packed itinerary to the next. And whatever he does, and wherever he goes in his trek toward redemption, Norman frowns.

 

While the paparazzi put Norman’s life under the microscope with their cameras, Brian Nehring tries to peer into Ben Reilly’s soul with his magnifying glass. The Mycoteria clinging to a shard of hovering steel reveal Astrid’s fears, even if it doesn’t justify her goblin-like disdain. But when Brian extends his hand, Ben shrinks from contact, just like Norman Osborn in Amazing Spider-Man #12.

 

 

 

Amid the beige and gray locale, where Tombstone showed Peter the limitations of the legal system, Marcio Menyz and Erick Arciniega's yellow-orange light suggests the sun is setting on Norman's legal maneuvering. A black, white, and red image forms a link with Norman's spider-suit, while a face shaded purple contrasts Norman's strategy with Peter’s when he had to justify his existence. While Norman crouches in a place that has often brought Peter peace, he confronts all the colors that better represent what it means to be a spider-hero.

 

 

 

Joe Caramagna fills white dialogue balloons with black uppercase dialogue. Font size shrinks when business giants whisper. Faint lowercase handprinted lettering reveals Norman's thoughts in irregular white rectangles. Sound effects reveal Norman's pain and his willingness to visit it on anyone who threatens to hurt him in Amazing Spider-Man #12. Thanks to Marvel for providing a review copy.

 

 

 

Final Thoughts

Pain forged Norman Osborn into an unstoppable empire builder. But when a victim from his past returns to judge his progress in turning his life around, Norman realizes he has a long way to go in justifying Peter Parker’s faith in him in Amazing Spider-Man #12.

 

Rating 9/10

 

To look inside see my review at Comic Book Dispatch. 

Miles Morales: Spider-Man #37 Review

 

Writer: Cody Ziglar

Artist: Luigi Zagaria

Colorist: Bryan Valenza

Letterer: Cory Petit

Cover Artists: Federico Vicentini & Neeraj Menon; Peach Momoko; Taurin Clarke; Gerardo Sandoval & Erick Arciniega

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & C B Cebulski

Publisher: Marvel

Price: $3.99

Release Date: August 27, 2025

 

Villains keep turning Miles’ life upside down and inside out. He has battled Rabble to protect his family, Agent Gao to avoid jail, Vulture to keep his girlfriend, and Varnae to retain his humanity. After helping his spider-god, Kwaku Anansi, settle an ancient dispute with angry Ares, Miles looks forward to chilling with his homies. Will life give Miles a breather? Or will it thrust Brooklyn's Spider-Man into his most demanding battle yet? Let's slip on our Wakandan spider suits, leap into Miles Morales: Spider-Man #37, and find out!

 

Story

After bidding goodbye to his brother, gamma-powered therapist, allies, Ares' teammates, and his delighted deity, Miles and Ganke walked home past Velour Vick’s Custom Jewelry & Haberdashery. Cody Ziglar begins his next chapter in Miles’ life that evening, as a security guard spots white animals scampering between the illuminated cases. The animals show a fondness for bling, and their barks ring like laughter in the guard’s ears.

 

When Miles snuck off to Wakanda with the Black Panther, Shift used his shapeshifting ability to impersonate Miles at Brooklyn Visions Academy. His clone-brother found holding Miles' shape stressful. The unfamiliar surroundings and being among so many people didn't help. Ganke noticed Miles stressin' in the boys' room. But when Shift explained why he was being Miles' body double, Ganke helped him through the experience (and introduced him to the wonders of the cafeteria). 

 

Even though they didn't realize what was going on, Miles' other friends eased Shift's distress. Miles has a lot to thank them for, as they helped Shift forge a new life as Jaime Morales in a school of his own. So, he’s overjoyed to share the afternoon with them in Miles Morales: Spider-Man #37. 

 

But Misty Knight has plans for Miles’ evening. Once again, she reminds him of his position in their relationship and quotes her rules as readily as a Ferengi. But Miles doesn’t mind. He looks forward to assisting her. Unlike his battles with the Hobgoblin, vampires, Deadpool & Daughter LLC, and gods, Misty gives Miles a chance to do something fun while protecting his borough. Yet his action-packed detecting will introduce new combatants who challenge him in unexpected ways.

 

Art

Miles and his friends may not wear bespoke haberdashery. But through their similar attire and shared activity, Luigi Zagaria strengthens Miles’ bond with his friends. As he hangs out on the court, jogs while transforming into Spider-Man, and thwips into Misty's rebuilt garage, Miles looks more at ease than at any time since he started seeking therapy. A consultation over a map keeps the investigation low-key, in contrast to earlier planning sessions involving higher stakes and holographic displays. A dramatic upshot of Misty evokes her prior team-up with Manhattan’s Spider-Man. But this time, the Lizard doesn’t join the team, and Miles takes point as they pursue their mission plan.

 

While Luigi Zagaria delivers the action with panel-packed pages, splash pages, and cross-page horizontal layouts, Bryan Valenza paints day scenes with the hum and vitality of everyday life in New York. Miles shines in his Wakandan red, black, and purple suit, while Misty's red outfit illustrates the bond between them. As darkness falls, and the yellow/orange interior lights make the building windows shine, Miles transforms into transparent white and blues. The suit’s color change links with what his enhanced spider-sense helps him see. But nothing glows quite like their adversaries’ animals in Miles Morales: Spider-Man #37.

 

Cory Petit portrays Human speech and animal utterances with black uppercase letters in white dialogue balloons. He shares Miles’ thoughts with white letters in red narrative boxes. The letters grow bold for intonation, enlarge for raised voices, and never shrink. Black letters in yellow boxes provide translations and footnotes. As changing situations prompt a request for assistance, sound effects help us sense music, hear gunfire, feel a brutal impact, and witness greatness in Miles Morales: Spider-Man #37. Thanks to Marvel Comics for providing a review copy. 

 

Final Thoughts

Miles is feeling tight after surviving Ares' Agon. The way Kwaku Anansi repaired his beloved Brooklyn was da bomb. But while a savage Spider-Man stalks the night in Manhattan, sending Shocker's Aftershocks to the ICU, more aftereffects from the Gang War threaten Brooklyn in Miles Morales: Spider-Man #37. 

 

Rating 9.8/10

To look inside see my review at Comic Book Dispatch.

Amazing Spider-Man #10 Review

 

Writer: Joe Kelly

Artist: Michael Dowling

Colorists: Marte Gracia with Erick Arciniega

Letterer: Joe Caramagna

Cover Artists: John Romita Jr, Scott Hanna & Marcio Menyz; Dike Ruan; Paulo Siqueira & Rachelle Rosenberg; J Scott Campbell & Sabine Rich

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: August 20, 2025

 

Nikodemu sent Hellgate to learn from Spider-Man. Instead, Hellgate taught Spider-Man a lesson he won’t forget. Peter Parker’s life is a history of one loss after another. His uncle Ben taught him to pull his punches and flee a fight when no one else faces danger. But as the weeks pass after the Columbus Circle Fracas, Tombstone makes hay while the Spider-Man doesn't shine.

 

Shocker builds a team to "protect" the streets and becomes Tombstone’s second-favorite person (after that Hellgate guy). And while chaos reigns in New York City, Peter Parker is digging into mushrooms and self-isolating from family and friends. Why has Peter gotten soft on crime? And why is he pushing away the people who love him? Let's thwip into Amazing Spider-Man #10 and see!

 

Story

After Shay Marken challenged Peter Parker to be more dependable, Spider-Man teamed with Mayor Cage to throw Tombstone in prison. Instead, Tombstone eluded their legal maneuvering to remain the new Kingpin of New York. But he's got a thing about getting Peter Parker into a limousine. Luke Cage and She-Hulk saved Peter's life the last time he accepted an invitation from Tombstone. Yet in Amazing Spider-Man #10, Tombstone seems surprised when Peter hesitates to take another ride on the wild side.

 

As Tombstone consolidates his hold over New York, Peter once again adopts a proactive view. His approach impresses Dr Osmani-Milton, who promotes Peter over the childhood friend who recommended him. Dr O-M is looking for someone to oversee Rand Enterprises when life calls her away. Employees who make inappropriate workplace remarks and wear mushroom hats aren't on her short list.

 

Peter has always lived a double life. But in Amazing Spider-Man #10, Black Cat worries about her sometime-lover. The all-new, all-different Spider-Man may be the talk of the town. But bad things happen when Spider-Man wears black. As she keeps her eyes on Peter Parker, Black Cat also watches for Spider-Man. Tombstone had a message for Peter to relay. But if Peter didn’t want to play courier, Tombstone may find another way to deliver it.

 

 

 

Art

After the death of his parents, Peter Parker found solace by hiding away from the world in Ben and May’s Walk-In closet. The full-length mirrors weren't from Hogwarts, but they provided the same solace as the Mirror of Erised. Clad in his black-and-red suit, Spider-Man goes full-on Crouching Tiger Hidden Dragon, running along the side of a building before somersaulting down to punch out Aftershocks. With his shield, Captain Kintsugi may emulate a great American hero. But yellow rivulets run through his white suit like hellfire through black 'A’ā. Thus, Spider-Man welcomes his wannabee assistant as much as he welcomed Captain America’s help when trying to rescue Mary Jane from Paul Rabin’s world.

 

As Michael Dowling sketches Peter’s new battle with his identity, Marte Gracia and Erick Arciniega paint Amazing Spider-Man #10 in black. Spider-Man haunts the night in black-and-red, while Felicia Hardy unleashes her frustrations in black. She prowls the skyline as Black Cat, watching as Tombstone offers Peter a ride in his black limo. 

 

 

 

While yellow firepower lights up the night, Brian Nehring’s yellow glasses and yellow mushroom tanks promise to light up the lives of the economically challenged. Compared to the danger that lurks in the night, Peter dresses for the day in a tan suit. Standing alongside gray-clad Brian amid the calming colors of the Rand Enterprises labs, Dr Osmani-Milton enters wearing a black suit. As she frowns at Peter and Brian, a figure in a white lab coat lingers and watches in Amazing Spider-Man #10.

 

Peter shares his thoughts in red-edged narrative boxes. Joe Caramagna's black uppercase letters in white balloons grow bold for intonation, swell for raised voices, and shrink for words uttered through sharpened teeth. Enlarged red dialogue communicates shouts, laughter, and pain, while colorful sound effects help us hear disturbing sounds, electrifying energy, breathtaking impacts, and Spider-Man singing “Dem Bones.” Thanks to Marvel for providing a review copy.

 

 

 

Final Thoughts

Peter has endured the soul-stripping pain of loss many times in his life. But Hellgate’s blow knocked him back to his childhood. Remembering how he lost everything gives Peter Parker the strength to move ahead in Amazing Spider-Man #10. But this time, he’s doing it as the Ghost-Spider.

 

Rating: 9.8/10

 

To look inside see my review at Comic Book Dispatch.