Amazing Spider-Man #13 Review

 

Writer: Joe Kelly

Artist: Pepe Larraz

Colorists: Marte Gracia & Erick Arciniega

Letterer: Joe Caramagna

Cover Artists: Pepe Larraz & Marte Gracia; Lee Bermejo; Pere Pérez & Morry Hollowell; J Gonzo; Dave Bardin; Valerio Schiti & Frank Martin

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: October 1, 2025

 

Cursed with far-sight, Nikodemu charged her knight with a mission. He must pierce the Soul Wall and parley with the Prince of Steel Silk. Peter Parker didn’t understand what Hellgate wanted. Nor did he like how Hellgate dealt with the gunrunners in Queen’s Cola uniforms. So their war of words escalated to a thwip-and-smash across New York City. As their titanic battle waned, Hellgate mourned a lost opportunity. “You were to teach me,” he said, before punching Spider-Man across the universe.

 

A broken man, Peter scrambled to survive on a planetoid with limited resources. All the while, Hellgate’s imperative rang in his ears. After Dr Xanto Starblood rescued him, Peter thought the xenobiological engineer could help him accomplish Hellgate’s final demand. Then he discovered who paid the price for Xanto’s biotech enhancements. Can Peter “get stronger” now that he’s defeated his most promising instructor? And can he prevent the laboratory subjects he freed from shooting Xanto with a Hadron Enforcer? Let’s pull on our Flexisuits, thwip into Amazing Spider-Man #13, and see!

 

 

 

Story

When he freed them from their cages, Peter didn't find Howard the Duck. Still, he met some enormous personalities and a little Venom. While Rocket the Raccoon shines the brightest, he also met Raelith the Wretched and Nial. They form Peter’s brain trust as he works to return them to their respective homes. It’s a simple plan. But in a universe at war, people are bound to cause problems. The Gothon Conglomerate is doing a Trade Federation-style blockade over Gaileia 3. Still, Rocket has escaped from twenty-three-plus prisons. He has a plan for passing through the checkpoint in their Corpo-Death Satellite Web.

 

Rocket is well-versed in disappointment. The Guardian has experienced enough cruelty to know that a dead torturer can’t hurt anyone again. But as with the "Clan of the Hobgoblin," Peter seeks a gentler form of justice in Amazing Spider-Man #13. 

 

 

 

While Joe Kelly chronicles Peter and Rocket’s assault on a Gothon space station, he keeps returning to the Beacon, the deep-space research vessel where Dr Starblood experimented on his subjects. Xanto accompanies Peter, Rocket, and the others on their mission. And despite Rocket’s threats, Xanto approves of the way his former captor treats him.

 

Joe Kelly weaves a dark thread of irony into Amazing Spider-Man #13. As Peter argues for life in prison versus the death penalty, he wears a Flexisuit based on Xanto’s research of Technarchs. And just as Warlock refused to follow the rules of his society and kill his father, Peter refuses to kill the alien who has helped him become 99.9999% stronger than anyone else on Earth. 

 

 

 

Art

Pepe Larraz launches readers into an intense battle in the space station shuttle bay. While Rocket uses a rifle, Peter utilizes Xanto's version of the Iron Spider armor. Rocket seems at home in the battle. The Guardian displays his irritation, contempt, and outrage during group discussions. The park that Peter likened to his boyhood notion of Heaven becomes an amphitheater to propound his philosophy. Nial may evoke Gumby's Blockheads, but he displays wisdom and patience beyond his years. Among the aliens gathered in the park, a Humanoid named Raelith evokes Peter’s non-girlfriend. But Shay Marken doesn’t have Elven ears or red eyes.

 

Amid the fast-paced scenes and the intense arguments, Marte Gracia & Erick Arciniega weave a tapestry of energizing color in Amazing Spider-Man #13. As camera angles change faster than Yondu’s Yaka Arrow, Peter shines in his golden suit. Green often grounds scenes, and soothes as purple and gold battle for dominance. Xanto's purple tattoos link him with a central tree in his park. While the tree fascinates Nial, Rocket displays little interest. Yet despite his opposition to Peter's approach to life, Rocket's red-and-blue suit evokes Peter’s normal appearance as a friendly neighborhood Spider-Man.

 

 

 

Joe Caramagna's black uppercase letters in white balloons and boxes grow bold for intonation, swell for raised voices, and shrink for lowered voices. Rocket utilizes cloudy balloons, while Symbie speaks white letters into less puffy black balloons. Sound effects demonstrate Rocket’s restraint amid battle as Peter launches his personal Infinity War, and Symbie does what he does best. Thanks to Marvel for providing a review copy.

 

 

 

Final Thoughts

Nikodemu watches events in our universe from her realm. And of everyone she sees, she sends Hellgate to our friendly neighborhood Spider-Man. Peter Parker may have dismissed Hellgate as a cosplaying costumed hero when they first met. But after glimpsing Nikodemu amid Dr Xanto Starblood’s rescue, like Luke seeing Obi-Wan on Hoth, Peter's a believer. As order in his universe descends into chaos, Hellgate’s warning haunts Peter Parker in Amazing Spider-Man #13.

 

“Everything relies on your strength.”

 

Rating 9.8/10

 

To look inside see my review at Comic Book Dispatch. 

Amazing Spider-Man #11 Review

 

Writer: Joe Kelly, Saladin Ahmed, Lee Gatlin, & Jason Loo

Penciler: John Romita Jr

Inker: Scott Hanna

Artists: Pepe Larraz, Pere Pérez, Lee Gatlin & Jason Loo

Colorists: Marcio Menyz, Marte Gracia & Morry Hollowell

Letterer: Joe Caramagna

Cover Artists: Pepe Larraz & Marte Gracia; Lee Bermejo; Pepe Larraz & Edgar Delgado; Sanford Greene; Junggeun Yoon; Bengal; Benjamin Su; Javier Garrón & Jesus Aburtov; Felipe Massafera; Luciano Vecchio; James Kerigan

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & CB Cebulski

Publisher: Marvel

Price: $7.99

Release Date: September 3, 2025

 

With Kingpin’s forces reigning chaos in the streets, Spider-Man has taken off the kid gloves. J Jonah Jameson, never soft on crime, is calling out his friend on-air after Spidey sends three Aftershocks to the hospital. Even Black Cat’s sweet reason couldn’t stop Spider-Man from breaking Shocker’s arm.

 

While Spider-Man is taking out the trash, Peter Parker is whipping everyone into shape. He dissed his freaktastic friend Brian in front of Dr Osmani-Milton. Then Peter broke poor Frankie’s nose, just because he didn’t want to take a ride on the wild side with Tombstone. Why is Spider-Man using harsher webs than Spider-Girl? And why is Peter Parker dating a secret girlfriend and ghosting everyone he loves? Let's thwip into Amazing Spider-Man #11 and see!

 

 

Broken Mirror: Story

Peter’s silence and distance weigh down Aunt May. But she can’t sleep, can’t divert her focus from her nephew’s betrayal. So, Aunt May takes comfort in memories of better times, when she believed she could help Peter choose a better path.

 

Usually, it’s Peter who reacts to others' needs. Now, the people in his web alter their behavior to accommodate Peter’s absence. Perhaps most surprising of all is Tombstone’s response. He’s used to Peter Parker being his link to his foe. Yet Spider-Man was an opponent Tombstone respected. The crime boss even checked Spider-Man into the hospital after their brutal brawl in the New York underground. In Amazing Spider-Man #11, the hero who helped Tombstone become the new Kingpin no longer serves as a mirror to gauge his actions against.

 

 

 

Broken Mirror: Art

A framed photograph prompts Black and White memories, while a childhood costume makes Aunt May wonder at her parenting decisions. The city glows yellow, highlighting Peter and Spider-Man’s faces as they confront each other beneath a blue night sky. A double-page spread unleashes a fight between two former heroes, before one dispenses with his disguise as they reenact Spider-Man and Tombstone’s fight at the Canal Street Station. Marcio Menyz unleashes a vivid palette of colors on John Romita Jr and Scott Hanna's dramatic, action-packed, and revelatory art in Amazing Spider-Man #11. 

 

 

 

Broken Man: Story

After the big reveals in “Broken Mirror,” Joe Kelly takes us on a space odyssey in “Broken Man.” Hellgate’s punch proved stronger than Hulkette’s, propelling Peter to a planetoid where he struggles to survive. After the rigors of playing Robinson Crusoe on a planet as barren as Mars, an alien extends a helping hand. Xanto may not live in Xanadu, but life on his spaceship seems ideal. With the Imperial War raging across the cosmos, Peter knows he couldn’t return home right now even if he wanted to. But he knows that Hellgate isn’t through with him. As in his battle with the scions of Cyttorak, that knowledge drives Peter’s actions in “Broken Mirror.”

 

 

 

Broken Man: Art

Marte Gracia lavishes a vibrant palette on Pepe Larraz’s extraterrestrial art. Peter crouches in darkness. Survival reduces him to barbarism. A yellow figure glows like an angel, willing him to survive. Aboard the Beacon, Peter trades his ravaged red-and-blue for a white and black suit with a partial exoskeleton. A sleek fighter sits in the hangar where Peter tests his limits. Afterward, he traverses a circular corridor with someone who shares Korg’s sense of humor, if not his looks.

 

In the station’s upper levels, a tree rises before a waterfall, while Peter enjoys a riparian picnic in the park without Shay Marken. After a workout, his gold-clad companion turns blue as he gazes down and rests his hand on Peter’s shoulder like a proud father. But when Peter stands alone amid a starry and colorful cosmos, a purple shadow points toward danger in Amazing Spider-Man #11.

 

 

 

Rapid Return: Story

Roger has a lot to be grateful for. In Lea, he has a loving helpmate. Noah is an adoring son. Roger knows that love means taking care of the people in your life. But as with Aunt May, it can be draining. Roger and his father have always been distant from each other. Now, visiting his dad in the hospital reminds him of his unhappy childhood. And he resents the time he spends with his comatose father when he could be investing it in Lea and Noah.

 

After Roger’s debut in Giant-Size Amazing Spider-Man #1, Saladin Ahmed brings us a day in Roger’s life. An experimental serum that could have healed his father accidentally helped him slow time. Spider-Man helped him during his rough superhero birth as Rapid. So when Spider-Man isn’t around, Roger uses his super-speed to protect his neighborhood. Roger may not have spider-powers, but he demonstrates all that Peter could have if he realigned his priorities. 

 

 

 

Rapid Return: Art

As Roger leans against the hospital wall, his shirt heralds the energy he wishes he possessed. The motto on another visitor’s T-shirt urges him to “Be stronger.” Instead, Roger glares at his unresponsive father and strides from the room. Lea and Noah’s embraces make him feel guilty. Roger’s eyes widen when he stares at his phone. Another hug brings him peace.

 

Morry Hollowell imbues vibrant color on Pere Pérez’s heartfelt intro. Then, energy lines and smoke infuse pink, blue, and gray backgrounds as energy arcs around Rapid’s pink and black suit. Another pink bubble evokes the explosion that Spider-Man helped him control. Yet a gray cloud that hovers before a close-up shows what empowers the latest hero to hold an Avengers membership card.

 

 

 

Spider-Mayonnaise

Lee Gatlin’s two-page cartoon showcases Peter Parker’s innovative nature. He is always learning and growing. While Peter takes inspiration from science, another hero wonders if sometimes he doesn’t go too far in Amazing Spider-Man #11.

 

 

 

In The City With…Spider-Man

Jason Loo delivers another two-page story highlighting Spider-Man’s abilities. While a snapshot of what makes Spidey special, it highlights a different ability than Peter works hard to enhance in Joe Kelly’s “Broken Man.”

 

 

 

Lettering

Peter shares his thoughts in red-edged narrative boxes. Roger’s thoughts appear as white letters in pink boxes. Joe Caramagna's black uppercase letters in white balloons grow bold for intonation, swell for raised voices, and shrink for lowered voices. Sound effects accompany battle and betrayal, while faint lowercase black letters reveal an imposter’s thoughts. Thanks to Marvel for providing a review copy.

 

 

 

Final Thoughts

As Shay Marken once noted, Peter’s life may be a dumpster fire. But when Peter pulls a no-show, friends and villains shine in Amazing Spider-Man #11.

 

Rating 9.6/10

 

To look inside see my review at Comic Book Dispatch. 

 

Amazing Spider-Man #58 Review

 

Writers: Zeb Wells

Penciler: John Romita Jr

Inker: Scott Hanna

Colorist: Marcio Menyz

Letterer: Joe Caramagna

Editors: Kaeden McGahey, Nick Lowe & C B Cebulski

Cover Artists: John Romita Jr, Scott Hanna & Morry Hollowell;Chris Allen & Frank D’Armata; Giuseppe Camuncoli & Ramulo Fajardo Jr; Ryan Meinerding; Leonardo Romero

Publisher: Marvel

Price: $4.99

Release Date: September 25, 2024

 

When Lonnie Lincoln lay on life support, Janice took his crime syndicate away from him. Lonnie teamed with Spider-Man in the Gang War because he didn’t want his daughter to become like him. Then he stripped Janice of her Beetle wings at The Battle Of Central Park, abandoned Spider-Man’s coalition in the fight against Madame Masque, and boogied home with White Rabbit and his gang. After his lawyer arranged bail, Lonnie sent White Rabbit after his would-be son-in-law and murdered the police outside his daughter’s apartment. Will Lonnie kill Janice to prevent his daughter from sending him back to Ryker’s Island? Let's thwip into Amazing Spider-Man #58 and find out!

 

Story

When Spider-Man admitted he convinced Janice to testify against her father, Lonnie Lincoln told Spider-Man, “You have no idea what you’ve done.” When Michele got Lonnie out of Ryker’s, Peter Parker asked Lonnie's lawyer, “Do you have any idea what you’ve done?” No one expected Lonnie to attack his daughter in her apartment. They assumed Janice would be safe. But Janice is the key to locking her father behind bars, and as Lonnie once told her, "Whoever wins today will own everything and will have to be a monster to keep it."

 

 

 

Perhaps Shotgun’s indictment still rings in Lonnie’s ears. The government didn’t view him as a long-term threat and sent Shotgun to assassinate his daughter. But when Janice reminds Lonnie of his paternal relationship in Zeb Wells’ story, her father says, “Not anymore.” Lonnie once told Wilson Fisk, “It’s Tombstone when I’m working.” Intriguingly, whether wearing street clothes or his costume, Peter Parker never uttered Tombstone’s name when he tried to cage the crime lord in Amazing Spider-Man #57. But when he interrupts the family squeezefest in Amazing Spider-Man #58 and Tombstone races outside after his daughter, Spider-Man never utters Lonnie's moniker. Instead, Spider-Man repeats the crime lord’s name in the fading hope that part of the man doesn’t want to be a monster.

 

 

 

Art

When Tombstone took out the police guarding her apartment, Janice heard three shots. Yet when Tombstone enters her apartment, he replaces the magazine in his semiautomatic with a fresh one. As she dives behind the bed, crawls into the bathroom, and dons her costume, Tombstone sprays the apartment with bullets. When Janice knocks the gun from his hand with a laser blast, Tombstone tosses an EMP grenade that chokes the room with smoke. As Janice goes for his throat with both hands, Tombstone grabs one of her arms, hurls her to the floor, and squeezes the life out of Janice with his free hand. John Romita Jr and Scott Hanna respect page boundaries while delivering an average of four to six panels per page. The exception is a double-page spread with inset panels when Spider-Man makes a spectacular entrance in Amazing Spider-Man #58.

 

 

 

Marcio Menyz surrounds Janice's chocolate features with mauve-brown walls. When Tombstone points his gun at her, orange fills the background and illuminates her face. Tombstone's stony features and white skin suggest Frankenstein's monster as he relentlessly pursues his daughter. His purple vest echoes his daughter's Beetle costume. Tombstone's choice of shirt seems deliberate, as it links him with the other person determined to rob him of his empire in Amazing Spider-Man #58. 

 

 

 

Joe Caramagna’s uppercase black lettering in dialogue balloons and narrative boxes grows bold for inflection, swells and changes color for increased volume, and shrinks for lowered voices. While colored and transparent sound effects enhance the nonstop battle and chase, red dominates with gunshots and enlarged dialogue that often disrespects balloon boundaries like Madame Masque, Spider-Man, Janice Lincoln, and the US government have disrespected Lonnie Lincoln. Thanks to Marvel for providing a copy for review.

 

 

 

Final Thoughts

Janice Lincoln doesn’t want Spider-Man to rescue her. Lonnie Lincoln doesn’t want Spider-Man to prevent him from killing his daughter. As Tombstone, Lonnie always put business over family. But then Spider-Man found Tombstone’s weak spot. So, in Amazing Spider-Man #58, Tombstone seeks to eliminate it before his weakness destroys what he values most.

 

Rating 9.6/10

 

Preview the interior art in my review at Comic Book Dispatch.

Blood Hunters #1 Review

 

Writers: Mark Russell, Christos Gage & Erica Schultz

Artists: Bob Quinn, Javier Garrón & Bernard Chang

Colorists: Matt Milla, Morry Hollowell & Marcelo Maiolo

Letterer: Joe Caramagna

Cover Artists: Greg Land & Frank D’Armata; Declan Shalvey

Publisher: Marvel

Price: $4.99

Release Date: May 8, 2024

 

Day becomes night as Darkforce energy invites vampires to dine on our world. How can three superheroes prevent New York City from becoming their bloody smorgasbord? Let's grab our garlic, stakes, and symbols of our beliefs, leap into Blood Hunters #1, and find out!

 

The City That Never Weeps

Story

Mayor Cage may have nixed Fisk's Powers Act, but Hawkeye is on the lam in Blood Hunters #1. For some reason, people think he assassinated a UN ambassador. But when two police officers see through his disguise and try to arrest him for such trifles, the skies turn dark, and they find more important things to do. Mostly, they do a lot of yelling and screaming as vampires crash the diner. Hawkeye goes all Buffy The Vampire Slayer, but after defending his fellow patrons, he realizes his job isn't over. This neighborhood needs protection, and not from Tombstone's heavies.

 

In The City That Never Weeps, Hawkeye enlists a puppet therapist, a Spanish-speaking priest, and a burly Union worker to stamp out the Darkforce invasion. Writer Mark Russell's story reminds us how much like-minded people can accomplish when working together toward a goal. Russell uses the same low-key, playful dialogue and storytelling that made his recent Traveling To Mars series a joy to read. As the story nears its completion, and Hawkeye heads off for Shawarma, Russell also reminds us how important it is to heed government advisories during a vampire invasion and pack plenty of "light-to-medium-strength wooden stakes.”

 

Art

Bob Quinn ups the fun factor with Hawkeye marveling that the police recognize him with a mustache. While the police disappear amid the chaos, the young therapist wears a Save The Bees T-shirt and screams at his undead pursuer. But he joins Hawkeye on the roof of a restaurant to view the body-strewn street and vampires chasing citizens on the sidewalks. Later, he fights alongside Hawkeye in Blood Hunters #1, impaling vampires with his wooden puppet. Matt Milla sets the action under turquoise-streaked darkness, with streets and buildings muted, allowing people and vehicles to stand out. Interiors are more vibrant and help golden-haired Hawkeye glow with his purple outfit, bow, and arrows.

 

Joe Caramagna fires large uppercase lettering in white dialogue balloons and lavender narrative boxes while filling the air with loud hisses, screams, and crashes, the sounds of arrows leaving bows and plunging into bodies, and an intriguing but almost anticlimactic Ploof.

 

 

 

Blood Relations

Story

John waits for his father, J Jonah Jameson, to take him to lunch. But JJJ hurries past him to the balcony. John realizes the day is dark as the driver or assistant shouts a warning. A vampire bat crashes through a concrete wall. JJJ sees John transforming and begs him to let Spider-Man handle this, but John turns into Man-Wolf and takes the vampire for a ride off their roof.

 

Christos Gage peppers this action-packed story about a father and son protecting their city with MCU dialogue and complex character dynamics. Gage pokes fun at authority figures such as news and talk show personalities with JJJ's bluster, while John, even in werewolf form, proves the voice of reason. Yet JJJ is surprisingly proactive. He is the first to notice the darkening sky. JJJ quickly calls Spider-Man for assistance. He formulates plans to protect New York City. He quickly reduces a wood and cloth patio chair into stakes and a carrier bag to become J Jonah Jameson the Vampire Hunter! Take that, Abraham Lincoln!

 

Gage’s contribution to Blood Hunters #1 reminds us how families can weaken and empower their members, how we often yearn for authoritarian leadership, and

how beliefs can give us superpowers.

 

Art

His son may transform into Man-Wolf, but JJJ burns with frenetic energy in Blood Relations. John conserves his strength and remains calm and composed even in werewolf form. JJJ’s expression constantly changes as each new thought and feeling rocks his world. And despite all the money he's accumulated and the power he wields, he can only enjoy the view of his city from his high-rise apartment patio through cage-like iron bars.

 

Javier Garrón’s vampire-bat evokes Barry Windsor-Smith’s portrayal of Conan The Barbarian’s flying foes. Garrón also conveys John's amazement as he watches the Avengers battle a horde of vampire bats while he's just tackled one. In addition to the vampire-bat, other vampires menace father and son. Vampirism transformed them, yet their supernatural power accentuates their individuality.

 

Morry Hollowell brightens the darkened day with purple, maroon, orange, and yellow in Blood Hunters #1, pairs a silhouette with red to capture a violent moment, and pokes fun at JJJ’s fashion sense with flood-ready slacks and by making him carry a pink bag with white spots. Joe Caramagna hurls large-size uppercase black words into dialogue balloons, scares up crashes and impacts, and emphasizes that the humane way to kill vampires is a wooden stake.

 

 

 

Once More Into The Darkness: Part 1

Story

Darkforce energy consumed her partner. Without Cloak by her side, Dagger defends her adoptive home in New York City. Vampirism alters but doesn’t overpower villains in Erica Schultz's story, as drug dealers find a new way to prey on the citizens of NY’s Theater District.

 

Dagger's thoughts guide us through her battle against bloodthirsty drug dealers. Once More Into The Darkness: Part 1 is aptly named, as Dagger sympathizes with those she fights. Like a vampire, she has known insatiable craving. As more friends get drawn into dangerous situations, Dagger struggles to protect them from themselves.

 

Art

Bernard Chang brings big-screen appeal to Once Into The Darkness: Part 1. Dagger moves swiftly and athletically as she bounds, whirls, and flings psionic light daggers at her fanged opponents. Whether thin or muscular, the vampires show exceptional poise and definition, and their demonic features are haunting. Marcelo Maiolo brings a moody atmosphere to Blood Hunters #1 by contrasting cool browns and blues with bright yellows, oranges, pinks, and reds, giving this final story a film noir quality. Joe Caramagna breathes big uppercase letters into more narrative boxes than dialogue balloons, while the Shunk of psionic daggers gives Dagger hope before dispelling it with an immense heartrending scream.

 

Thanks to Marvel for providing a copy for review.

 

Final Thoughts

Hawkeye soothes New Yorkers’ fright through spirituality, Man-Wolf forces J Jonah Jameson to confront his Spider-Man fixation, and Dagger battles the overwhelming power of addiction in Blood Hunters #1.

 

Rating 9.5/10

 

To preview art for all three stories in Blood Hunters #1 see my review at Comic Book Dispatch.