Showing posts with label Cliff Rathburn. Show all posts
Showing posts with label Cliff Rathburn. Show all posts

Wednesday, August 26, 2026

Batman: Bad Seeds – Sunset #1 Preview

 


Vandal Savage captured Pamela Isley. He tried to force her to ravage the Earth and make Gotham a worse place to live. Instead, Pamela protected nature and the people of Gotham, and won her way into the Mayor's Mansion. But now, her supporters have become protestors, and the Parliament of Trees wants her blood. Likewise, Vandal Savage used Pamela to get what he wanted. Then, the "caveman" discarded her.

So, Pamela Isley is returning to her roots. She'll continue fighting to protect the Earth even if everyone is against her. And this time, she's not playing by anyone else's rules. How will Pamela make Gotham greener in a single night? And how will people like their new, greener Gotham?

Here's all the info from DC Connect: 


Batman: Bad Seeds – Sunset #1 Preview

Writers: Matt Fraction And G. Willow Wilson

Art & Cover Artists: Giuseppe Camuncoli & Cliff Rathburn

Variant Covers Artists: Dan Mora & Marcio Takara

Bad Seeds Variant Cover Artist: Jorge Jiménez

Foil Variant Cover Artist: Dan Mora

Glow-In-The-Dark Variant Cover Artist: Jeff Spokes

Also Available: Blank Sketch Cover

Publisher: DC Comics

Issue Length: 48 Pages

Price: $5.99 US/Variant $6.99 US (Card Stock)/ Foil $8.99 US

Release Date: August 26, 2026

 

 

 

The Batman: Bad Seeds Event 

Starts Here! 

 

 

Matt Fraction, G. Willow Wilson, Giuseppe Camuncoli & Cliff Rathburn Kick Off An All-New Batman Event!

 

Gotham City’s new mayor, Pamela Isley, deserted by her allies both political and arcane, is about to make a last-ditch power play that will leave Gotham decimated by daylight. Having already declared war on the Bat-Family and flooded the streets with his private, paramilitarized police army, Police Commissioner Vandal Savage sees an opportunity to solve two problems at once. Storylines converge in Batman: Bad Seeds, a Gotham City event spanning one long, dark night in Gotham that threatens to turn the entire city into a hostile world of prehistoric plant life unlike anything on Earth for millennia, at a time when its greatest heroes are hunted and in hiding.

 

As the sun goes down and Gotham loses power, Matt Fraction (Batman), G. Willow Wilson (Poison Ivy), Giuseppe Camuncoli (Absolute Evil), and Cliff Rathburn (The Walking Dead) deliver an unforgettable opening chapter that shows the only thing scarier than the night just might be the morning sun…


Here's a look inside:

 


 

 

 

 

 

 

 

Thanks to DC Comics for sharing this preview with us.

For what happened last time, see Poison Ivy #47 Preview

For the latest from the Dark Knight, see Batman #12 Preview.

Friday, October 3, 2025

Amazing Spider-Man #12 Review


 


Writer: Joe Kelly

Penciler: Ed McGuinness

Inkers: Cliff Rathburn & Ed McGuinness

Colorists: Marcio Menyz & Erick Arciniega

Letterer: Joe Caramagna

Cover Artists: Ed McGuinness & Marte Gracia; Lee Bermejo (Amazing Visions); Simone Bianchi; Rogê Antônio & Marcelo Maiolo; James Kerigan (Halloween Mask); NetEase Games (Marvel Mystic Mayhem)

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: September 17, 2025

 

Ben Reilly felt every moment of Cyra’s test thanks to his unspoken clone thing with Peter Parker. So, he impersonates Peter Parker while the genuine article is away. But Ben lacks Peter’s Freaktastic connection to Brian Nehring. And Chasm lacks compassion for the people in Peter’s life.

 

Norman Osborn has come a long way. Driven by Peter’s faith in him, Norman tries to fill his friend’s shoes while he’s gone. But no one likes Norman’s take on Manhattan’s webslinger. And while all that is going on, Roderick Kingsley is fending off Norman’s legal maneuvers and using Queen’s Cola to move weapons in Tombstone’s streets. Will Ben Reilly and Norman Osborn cost Peter Parker his job, his friendships, and his reputation as a friendly neighborhood Spider-Man? Let's thwip into Amazing Spider-Man #12 and see!

 


 

 

Story

We always feel like we know the right thing to do. Hermes Crenshaw thinks he knows what's going on with Spider-Man, but he rushes to judgment without substantiating his claims. J Jonah Jameson generally tries to do what's right. Sadly, his way of doing what's right often means hurting other people. Although he's working for another corporation now, Ben Reilly's still trying to be like Peter Parker. But he knows he's failing and realizes his time at Rand is beyond limited. And that hurts.

 

Of all the people in Joe Kelly’s story, Norman theoretically has the best shot at emulating Peter Parker. He knows the man behind the mask. And unlike Roderick Kingsley, Norman wishes to make amends for his acts as a goblin. But life has forged Norman into a predator who exploits weaknesses and crushes the opposition. That mindset has served him well in building a business empire. No matter how hard Norman wants to be good, his past forged him into a fighter who destroys his rivals. And that hurts.

 

In Amazing Spider-Man #12, New York’s Spider-Society confronts Manhattan's spider-poseur. But instead of attempting an intervention, they adopt Norman's tactics. They try to strongarm the Captain of Industry, who once stole Roderick Kingsley's business empire. And that's going to hurt.  

 


 

 

Art

Ed McGuinness and Cliff Rathburn show Norman swinging into action. He hurtles down pages and careers across two-page layouts. Norman thwips by night and corrals herds of paperwork at Oscorp by day. He slips off brick walls and crashes into cars. Norman hurries from one item on his packed itinerary to the next. And whatever he does, and wherever he goes in his trek toward redemption, Norman frowns.

 

While the paparazzi put Norman’s life under the microscope with their cameras, Brian Nehring tries to peer into Ben Reilly’s soul with his magnifying glass. The Mycoteria clinging to a shard of hovering steel reveal Astrid’s fears, even if it doesn’t justify her goblin-like disdain. But when Brian extends his hand, Ben shrinks from contact, just like Norman Osborn in Amazing Spider-Man #12.

 


 

 

Amid the beige and gray locale, where Tombstone showed Peter the limitations of the legal system, Marcio Menyz and Erick Arciniega's yellow-orange light suggests the sun is setting on Norman's legal maneuvering. A black, white, and red image forms a link with Norman's spider-suit, while a face shaded purple contrasts Norman's strategy with Peter’s when he had to justify his existence. While Norman crouches in a place that has often brought Peter peace, he confronts all the colors that better represent what it means to be a spider-hero.

 


 

 

Joe Caramagna fills white dialogue balloons with black uppercase dialogue. Font size shrinks when business giants whisper. Faint lowercase handprinted lettering reveals Norman's thoughts in irregular white rectangles. Sound effects reveal Norman's pain and his willingness to visit it on anyone who threatens to hurt him in Amazing Spider-Man #12. Thanks to Marvel for providing a review copy.

 


 

 

Final Thoughts

Pain forged Norman Osborn into an unstoppable empire builder. But when a victim from his past returns to judge his progress in turning his life around, Norman realizes he has a long way to go in justifying Peter Parker’s faith in him in Amazing Spider-Man #12.

 

Rating 9/10

 

To look inside see my review at Comic Book Dispatch

Saturday, April 5, 2025

Amazing Spider-Man #70 Review

 


Writer: Joe Kelly

Penciler: Ed McGuinness

Inkers: Mark Farmer & Cliff Rathburn

Artist: Cafu

Colorists: Alex Sinclair, Marcio Menyz & Frank D’Armata

Letterer: Joe Caramagna

Cover Artists: Ed McGuinness, Cliff Rathburn & Marcio Menyz; Skottie Young; Peach Momoko; Frank Miller & Alex Sinclair; Iban Coello & Jesus Aburtov; Björn Barends; Brent Schoonover & Rachelle Rosenberg; Netease (Marvel Rivals)

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe & C B Cebulski

Publisher: Marvel

Price: $5.99

Release Date: March 26, 2025

 

Callix slew his siblings and Spider-Man. After threatening to murder his surviving sister unless she joined him, Callix left Cyra with the corpses to attack their father. Cyra never craved power like Callix. Instead, Cyttorak’s games made her feel like nothing mattered. Spider-Man's reverence for life taught Cyra to care about others.

 

So Cyra makes a pact with the Avatar Of Death. The scion offers Phil Coulson her immortality and magical power to revive Peter. Will Cyra’s sacrifice be worth it? And how will Peter Parker’s life change when he becomes the Unstoppable Spidernaut? Let's slip on our hazmat suits, leap into Amazing Spider-Man #70, and find out!

 


 

 

Story

The Blight is a force of nature. While Cyttorak sensed its hunger to devour life, he also felt the vitality of the universe. Cyttorak’s sensitivity to life and how the Blight yearned to destroy it tore at his heart. The god walled away this unendurable pain and fear by distancing himself from life, playing games with his family, and telling himself he didn’t care about anything or anyone.

 

When Dr Strange wanted the power of the Crimson Casket, he discovered the danger of the Blight. He made an offer Cyttorak could not refuse. Why not make a game of protecting life? All this worked fine until Dr Doom became Sorcerer Supreme. The Ruler of Latervia (and perhaps the world) didn't want to protect Earth's Borders and pretend the cosmic danger didn't exist. Strange's approach managed the menace and saved lives. But it also kicked the can down the road for future generations to take care of. In Joe Kelly's story, Doom appoints someone who reveres life and would never make a game out of protecting it. So what if a few million people die because Spider-Man won't play by Dr Strange's rules? Doom is building a better future.

 

In Amazing Spider-Man #70, the Blight festers in anyone who wonders if life is worth fighting for. It feeds off negative energy, empowering people to kill those who hurt them. And who can hurt you more than the people you love? Peter has tried Cyra and Cyttorak’s way of dealing with the Blight. Now, as the Spidernaut, Peter discovers a more direct way of combatting it. When his approach works against the symptoms of infection, Peter channels all his power to tackle the source of the disease.

 


 

 

Art

Spidernaut travels through realms of reality to strike stratospheric Callix. Peter’s punch hurtles Callix back to Earth as a crimson streak. The displaced air and explosion shocks Dr Doom more than the former Sorcerer Supreme. Humming with power, Peter Parker returns to Earth. His first act is to clasp Juggernaut’s shoulder. Callix, beaten but defiant, rises from the impact crater to radiate the Blight like a star in Amazing Spider-Man #70.

 

While the Blight’s infection spreads across him as red eyes and black appendages, Callix thwips barbed webs reminiscent of how Spider-Girl emulates Spider-Boy's powers. As the Blight distorts Callix’s appearance, its massive brown body hangs over New York like a MUTO, turning the sky yellow, orange, and brown. Infused by Cyra’s crimson magic, Spidernaut no longer wears Doom’s arcane armor. Instead, Peter wears a Juggy-shaped version of his familiar red-and-blue. 

 


 

 

When Spidernaut conjures a circle of blue and leaves a blue streak behind, Dr Strange questions his colleague in Amazing Spider-Man #70. Rather than answer, Doom turns away from the blue Dr Strange. Doom’s gray mask lightens, along with the yellow and brown sky.

 

While Alex Sinclair and Marcio Menyz lavish a loaded palette on Ed McGuinness, Mark Farmer, and Cliff Rathburn’s art, Joe Caramagna thwips uppercase black and blue lettering into dialogue balloons and narrative boxes. The dialogue grows bold for inflection, swells and changes color for volume, and shrinks for lowered voices. A giant shout emphasizes the power coursing through Spider-Man, while letters in pink balloons convey agony. Stylized lowercase letters in yellow boxes infuse a historical perspective on these apocalyptic events. Thanks to Marvel for providing a copy for review.

 


 

 

Cash Grab: Story

As Spider-Man pursues thieves, one opens a bag and hurls money from the hoverdisk. When the windfall causes pedestrians' attention to wander, Spider-Man abandons his pursuit to protect them. Joe Kelly's optimistic five-page story in Amazing Spider-Man #70 ponders how institutions weather tragedies that crush individuals.

 

Cash Grab: Art

Laser beams streak past Spidey as he thwips through a flock of greenbacks. Soldiers in black wearing Mandalorian helmets stand atop a hovering metal disk. Spider-Man asks a police officer to grab fluttering currency as he makes an impression on the patrol car roof. Cafu's art and Frank D’Armata’s coloring lend a dreamlike quality to Peter's struggle to live a double life as a superhero with a secret identity and foster friendships, a family, and a successful upfront career. 

 


 

Final Thoughts

Adopting a different suit helps Peter Parker identify with one of his greatest enemies in Amazing Spider-Man #70. Drawing on Dr Strange’s tutelage, Cyra’s endurance test, and Cyttorak’s crimson magic, Peter's courage and selflessness inspire others.

 

Rating 9.6/10

 

To look inside see my review at Comic Book Dispatch.


Friday, December 6, 2024

Amazing Spider-Man #62 Review


 


Writer: Joe Kelly

Penciler: Ed McGuinness

Inkers: Cliff Rathburn, Mark Farmer & Wade Von Grawbadger

Colorists: Marcio Menyz & Erick Arciniega

Letterer: Joe Caramagna

Cover Artists: Ed McGuinness & Marcio Menyz; Gleb Melnikov; Gleb Melnikov & Dean White; Alex Saviuk & Rachelle Rosenberg; Francesco Mobili & Frank Martin; Skottie Young

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe & C B Cebulski

Publisher: Marvel

Price: $4.99

Release Date: November 27, 2024

 

Everyone wants some of Peter Parker’s time. Is he Earth’s Champion or its punching bag? All Peter knows is Doctor Doom wants Spider-Man to fight his battles for him. If any of the eight children of Cyttorak defeat him, Earth will succumb to the dark god’s rule. Can the ghost of Doctor Strange help Spider-Man defeat a second ambitious godling while avoiding another painful death like Spaghettification? Let's thwip into Amazing Spider-Man #62 and find out!

 

Story

Peter's new suit helped him access the mystical universe and cast a spell when fighting Cyntros. Still, Peter knows more about science than magic. After Doctor Strange becomes his astral advisor, he helps Spider-Man and Black Cat bypass the Sanctum Sanctorum's safeguards and retrieve a magic tome. But days of coffee and cramming won’t make Peter the next sorcerer supreme.

 

As Peter studies Doctor Strange’s book, real life intrudes in Amazing Spider-Man #62. The fallout over Peter's recent actions continues, as the Green Goblin's death prompts Norman Osborn to rethink his life. Like Rick Jones, Norman knows a thing or two about death. Doctor Strange briefed Peter on his previous bouts with Cyttorak’s children, but life prevents Norman from imparting helpful advice. 

 


 

 

Joe Kelly’s story focuses on the relationships that define us. After her relationship with Amelia fizzles, Felicia reevaluates her days with Peter. But Peter is prioritizing his romance with Shay while starting a freelance photography career with Randy, training Spider-Boy, helping Aunt May at FEAST, and looking for a new job. Even his new friend Kevin, who helped Peter battle Burnout, has a better handle on his life. But then, Doctor Doom claimed Peter lacked focus, didn't he?

 

As Peter combines his limited knowledge of magic with his deep understanding of physics to fight another champion, Amazing Spider-Man #62 also contemplates the dynamics of dysfunctional families. Cyttorak does little but sit on his throne and watch his children squabble. The god arranged these periodic challenges with Doctor Strange for his amusement. Instead of training his children to succeed him, each enjoys power but feels little responsibility.

 

Are these contests a way for Cyttorak to choose his successor? Or is the god manipulating his children so he can remain in power? Perhaps that's why Doctor Doom called Cyttorak’s bargain with Doctor Strange inefficient. But then, he said the same thing about Spider-Man.

 


 

 

Art

Ed McGuinness, Cliff Rathburn, Mark Farmer, and Wade Von Grawbadger kick off Amazing Spider-Man #62 with a high-flying heist in the Sanctum Sanctorum. Like Miles Morales, Peter sports a new, armored suit that evokes the giver. Felicia enjoys the heist and clasps the book as they leave. Afterward, Black Cat's posture mirrors Peter, while her expression echoes' Doctor Strange’s concern. When Spidey raises the Reeds to show his Get Out Of Heaven Free cards, Black Cat turns away and leaves.

 

Green energy wisps off Peter and supports the leather-bound volume as he studies. The green energy dissipates when Norman expresses disbelief, surrounding the book like a green starburst as it falls on the floor. Peter and Norman look like they belong together, clad in white, black, gray, and subdued blue. Peter's gray and brown apartment looks lifeless compared with Doctor Strange's lavishly colored Sanctum Sanctorum. Nothing speaks so powerfully as Marcio Menyz & Erick Arciniega's red Limbo-like godlings who argue in a brown asteroid spinning through black, purple, and magenta space. But then, there are the red letters adorning Norman's coffee cup, which signify another ending in this story about death and rebirth. 

 


 

 

Joe Caramagna’s uppercase black lettering in dialogue balloons and narrative boxes grows bold for inflection, swells for increased volume, and rarely shrinks in Amazing Spider-Man #62. Sound effects help us hear Spider-Man’s magic armor burn, Doctor Strange’s book hit the floor, and Aunt May text a reminder about volunteering at FEAST. Yet Black Cat sits atop brickwork adorned with red and green graffiti, reminding readers that more gods than Cyttorak control Spider-Man’s fate. Thanks to Marvel for providing a copy for review.

 


 

 

Final Thoughts

Neither Spider-Man nor the Scions of Cyttorak conceived these contests. Yet Earth's champion and the dark god's children must play their parts in this cosmic contest. Still, one godling intends to break the cycle and use this fight to pursue a different agenda in Amazing Spider-Man #62.

 

Rating 9.6/10

 

To preview interior art see my review at Comic Book Dispatch

 

To refresh your memories of how this story started see my review of Amazing Spider-Man #61.

Saturday, June 8, 2024

Amazing Spider-Man #51 Review


 


Writers: Zeb Wells

Pencilers: Ed McGuinness & Todd Nauck

Inker: Mark Farmer, Todd Nauck, Cliff Rathburn & Wade Von Grawbadger

Colorists: Marcio Menyz, Erick Arciniega & Bryan Valenza

Letterer: Joe Caramagna

Cover Artists: Ed McGuinness & Marcio Menyz; Ivan Bigarella; Tony Harris; Skottie Young

Publisher: Marvel

Price: $4.99

Release Date: June 5, 2024

 

The Beyond Corporation turned Ben Reilly's life into a bad dream. Queen Goblin tried to help him with the Hobgoblin's Winkler Device. But since Ben used it, he's suffered from a recurring dream. Is his broken mind trying to tell him something, and will it benefit Ben or others? Let’s thwip into Amazing Spider-Man #51 and find out!

 

Story

Doc Ock burns for revenge. Among the Sinister Six, Electro, Mysterio, and Sandman are up for anything. But Vulture is concerned. Kraven seems lost in a world of his own. Will the Hunter be an asset or a liability if they storm Norman's palace?

 

King Norman’s not bothered by anything. He’s reassumed the throne as a goblin born. He calls Doc Ock to boast of his imminent triumph. Norman even accuses Ock of telegraphing his plans when warning the eight-limbed wonder that his days of living the good life in his underground lair are nearing the end.

 

The Living Brain killed itself. But before it committed suicide, it gave birth. Composed of a smaller brain in a metal body, the Walking Brain leads Dr Curt Connors on a call to arms in Amazing Spider-Man #51. But is the entity that gave them the code phrase to turn Norman back into the Green Goblin on Peter’s side?

 


 

 

As for Ben Reilly, he's sat where many have sat before. Dr Ashley Kafka, Ned Leeds, Roderick Kingsley, and Peter Parker have used the Winkler Machine. Can Ben take something from Peter's time in the chair to make himself whole? At least, now that Dr Kafka told Ben that Beyond stole his memories, Ben should feel more kindly disposed toward Peter. Perhaps he can even help Peter. But is Peter even Peter Parker anymore?

 

Amid so many uncertainties, one fact is beyond doubt in Amazing Spider-Man #51. Peter Parker is not Spider-Man. He’s Spider-Goblin. Unfettered by convention or sentiment, he'll do anything to help others achieve their full potential. 

 


 

 

Art

Electro worries that someone has discovered the Sinister Six's landline in the sewers. The phone cord unites fractured panels to portray both sides of the conversation before Spider-Goblin swoops in via a two-page spread. Slanted panels showcase a frantic fight with Doc Ock before the camera returns to Oscorp, where the Living Brain resembles a used tin of Jiffy Pop. Kamala gives Norman a ring. Her smile suggests she's no longer traumatized over dying. But the icon on her shirt signals the approaching storm.

 

Ed McGuinness, Mark Farmer, Todd Nauck, Cliff Rathburn, and Wade Von Grawbadger deliver strong visuals in the action-packed Amazing Spider-Man #51. They also imbue the characters with personality, as Electro sticks out his tongue, Sandman monsters out, Kraven expresses remorse, and Spider-Goblin can’t wipe the grin off his face. But standout honors belong to the Walking Brain. Did our Mars Attack visitors fuse Dr Johann Krauss with one of their cool cerebrums?

 


 

 

Marcio Menyz, Erick Arciniega & Bryan Valenza bring bright, bold characters that stand out amid the darkness of Ben Reilly’s mind, the gray-blue sewers, white-suited workers in the no-longer-clean Oscorp laboratory, and Kamala’s pale green room. But no one, not even Kraven, who wields a spear with a red gem, outshines green-skinned Spider-Goblin in his black and purple suit. “Calm your worried mind,” Spider-Goblin urges, cradling Kraven’s tanned face in his purple gloves. “Be at peace.”

 

Joe Caramagna thwips uppercase black lettering into dialogue balloons and narrative boxes in Amazing Spider-Man #51. The font grows bold for inflection, swells for increased volume, gets italicized for machine-speak, and shrinks for lowered voices. Immense letters help us hear Otto’s Octoids go wild, Spider-Goblin shatter a fragile person’s illusions, and his joyous, overwhelming laughter.

 

Thanks to Marvel for providing a copy for review.

 


 

 

Final Thoughts

It’s Phone A Friend Day for Norman Osborn, Spider-Goblin makes Sandman shine, J. Jonah Jameson goes wild with a red pen, and two spectacular Spider-Men have broken minds in Amazing Spider-Man #51.

 

Rating 9.8/10

 

To preview interior art see my review at Comic Book Dispatch.

Thursday, August 3, 2023

Amazing Spider-Man #30 Review


 


Writer: Zeb Wells

Penciler: Ed McGuinness

Inker: Mark Farmer, Cliff Rathburn, & Ed McGuinness

Colorist: Marcio Menyz

Letterer: Joe Caramagna

Cover Artists: Ed McGuinness & Marcio Menyz; Nick Bradshaw & Rachelle Rosenberg; Betsy Cola; Mike Vosburg & Rachelle Rosenberg; Skottie Young

Publisher: Marvel

Price: $3.99

Release Date: July 26, 2023

 

Peter Parker teams with Doctor Octopus' old mechanical arms to rescue Norman Osborn. But before he can reach his boss, Doc Ock injects Norman with goblin serum! Muscles constrict, and veins pulse as green serum courses through Norman’s bloodstream. Is this the end of the Gold Goblin? Let’s fwip into Amazing Spider-Man #30 and find out!

 


 

Story

Norman howls and beats his fists against a stone pillar. He shouts, “You don’t know what you’ve done, Otto!” But as he rages, laughter spills from his lips. Then, like Luke Skywalker tossing aside his lightsaber before Emperor Palpatine in Return Of The Jedi, he explains that neither Octavius nor his scientific concoction can control or influence him. He’s a hero because he chooses to be.

 

Spider-Man bursts into the secret lab. How did Spidey find it? The limbs told him where it was! Old Otto says, "You can't use my former limbs against me!" Then Peter reminds him that--back in the Superior Spider-Man days--his body was linked to the limbs. Thankfully each man's consciousness has returned to its rightful owner's body. Still, Peter shares a link with the limbs because Otto forged that link a decade ago. Can Peter resist the mechanical limbs' influence and their hunger for vengeance?

 


 

Art

Peter’s active life keeps him fit and trim. Doc’s old limbs look like they belong on him. They even appear to shoot webs as he flies between New York City skyscrapers. When he breaks down the door, Spidey’s new limbs carry him. They can’t wait to punch it out with ungrateful Otto and his new detachable attachments.

 

Golden Norman may have a full-time job running Oscorp, but his hard-chiseled muscles flex as he joins the fight. Even without his suit or gadgets, he can land a knockout punch. Yet his expression reveals the wisdom that comes with experience and reformation. Like Peter, he feels sad for Otto. For all his power, green-goggled Otto only sees his losses. 

 


 

 

Bold, vibrant colors contrast with panel backgrounds. Even though Electro's not around, sparks fly, and electricity arcs through the air. Page layouts and background colors paint an attractive mix of beautifully crafted panels.

 

Characters may gasp and whisper with tiny letters, but for the most part, the dialogue is easy to read and follow. Changes to balloon shape and size—and letter color—are expressive and provide intensity.

 

Amazing Spider-Man #30 is a master class in writing and art. Either my judgment’s abandoned me for the tunnels beneath Doc Ock’s lab, or Zeb Wells, Ed McGuinness, Mark Farmer, Cliff Rathburn, Marcio Menyz, and Joe Caramagna have crafted the perfect comic. Congrats, Spider-Lads!

 


 

 

Final Thoughts

As Amazing Spider-Man #30 pulses with a fast and furious fight, it examines the link between outlook and actions and reflects on what we leave behind.

 

Rating 10/10

 

To preview interior art see my review at Comic Book Dispatch.