Showing posts with label Andrew Dalhouse. Show all posts
Showing posts with label Andrew Dalhouse. Show all posts

Thursday, July 3, 2025

New Champions #6 Review

 


Writer: Steve Foxe

Artist: Ruairí Coleman

Colorist: Arthur Hesli

Letterer: Travis Lanham

Cover Artists: Gleb Melnikov & Arthur Hesli; Edwin Galmon & Andrew Dalhouse; Meghan Hetrick

Graphic Designer: Kat Walkington

Editors: Sidney Stubbs, Alanna Smith & CB Cebulski

Publisher: Marvel

Price: $3.99

Release Date: June 11, 2025

 

While Hellrune tries to reclaim her family’s magical heritage, Amaranth wields magic on behalf of the team. The Scarlet Witch’s former apprentice suggests they would be more effective if everyone had a basic understanding of magic. While showing them how to view potential threats, the team sees Monte fighting a Human-sized frog. Fantasma transports them to Monte’s aid, and Amaranth bespells the amphibian aggressor.

 

After Cadet Marvel demonstrates that magic is only one solution to any problem, the kids notice Liberty and Monte have vanished. Can the team find their team leader and the street magician? Let's hitch a ride with Fantasma through a Hell Portal, leap into New Champions #6, and find out!

 

Story

Sometimes, the best thing you can do is recognize you need help. In Liberty's absence, Cadet Marvel emails the Avengers. Still, he's surprised when Captain Marvel appears. Carol Danvers knew his mother from when they served together in Alpha Flight. She agrees to help the young man who pays her homage by protecting San Francisco.

 

But in New Champions #6, it's the Avengers who honor Liberty by convening in her parents' house. As they learn about this young lady who builds Hard Light devices and vehicles, the Avengers comfort her worried parents. Without Monte and Magnetrix manipulating their emotions, the New Champions get on better with the Avengers than with Nova, Ms Marvel, and the more established Champions team. But they realize they need to be prepared for a battle, as Monte has used magic to shield Liberty's distinctive energy signature.

 

When the Scarlet Witch and Amaranth transport the Avengers and New Champions to New York, they discover Magnetrix draining Liberty of her energy. With Monte questioning her actions, Magnetrix secures help to prevent the heroes from disrupting her plans. As with Jeph Loeb's Nova series, Steve Foxe's story lets the New Champions work with and measure themselves against their heroes. Most of the Avengers are happy to pay it forward and help fight Monte and Magnetrix. But, like Spider-Man mentoring Spider-Boy, one adult hero worries about how power can transform our character in New Champions #6.

 


 

 

Art

Cadet Marvel evokes a young Steve Rogers dressed in a red T-shirt, blue pants, and a brown leather jacket. Like him, Captain Marvel brings flowers to his mother's grave. But she wears her uniform. Her scowl suggests her displeasure at adopting her name without permission. Inside a graffiti-adorned building, Liberty strains at the magic binding her to Magnetrix’s adjustable office chair. The silhouette behind Monte, suggestive of his shadow, hints at his concerns over authenticity in New Champions #6.

 

Ruairí Coleman shows the heroes and villains preparing for their battle with separate double-page horizontal layouts. Arthur Hesli also suggests similarities by coloring Scarlet Witch and Amaranth's magic the same pink and purple as Magnetrix’s uniform. When Monte's master summons a purplish-white orb, the yellow, pink, and white lights fade from the skyline. Thankfully, white stars still shine in the blue sky, and no vampires fill the streets of New York. 

 

Travis Lanham conjures uppercase black letters into white dialogue balloons. The letters grow bold for inflection, swell for volume, and rarely shrink. Iron Man and Vision both utilize yellow balloons, while white letters in blue balloons deliver Fantasma’s dialogue. Larger lowercase white letters with red borders locate us in time and space. Sound effects accompany Storm’s displeasure and Magnetrix emulating Palpatine. The draftee to the “Brotherhood of Disgruntled Hydra Agents” delivers a series of noisy attacks, while a low buzzing signals a cry for help in New Champions #6. Thanks to Marvel for providing a review copy.

 


 

 

Final Thoughts

When you realize people have taken advantage of you, it changes you. Like Moon Squire, Liberty uses the power Hydra gave her to help and support others. Other team members with less supportive families have struggled with their commitment to protect and serve their communities. In New Champions #6, Liberty gains insight into why Magnetrix chose to walk a different path.

 

Rating 9.6/10

 

To look inside see my review at Comic Book Dispatch


Wednesday, August 9, 2023

The Amazing Spider-Man Annual #1 Review

 


Cover Artists: Corin Howell & Brian Reber; George Pérez & Alex Sinclair; Clarice “Saowee’ Menguito

Letterer: Joe Caramagna

Publisher: Marvel

Price: $4.99

Release Date: August 2, 2023

 

First Story

Writer: Erica Schultz

Artist: Julian Shaw

Colorist: Andrew Dalhouse

 

Second Story

Writer: Celeste Bronfman

Artist: David López

Colorist: KJ Díaz

 

A transplant from Milwaukee discovers why, as she tells her mother, New York City has a superhero on every corner. Not even birthday parties are safe in the Big Apple! What can Spidey do to protect people on the streets and in their homes? Let’s fwip into Amazing Spider-Man Annual #1 and find out!

 

First Story

Peter’s flying through the streets when he notices a demon harassing a woman from Milwaukee. After the fight, Spider-Man tracks the miscreant back to Limbo Embassy. His attempt to capture Demon Daddy sends both crashing inside. Naturally, this initiates more fighting as the miscreant's fellows take umbrage at Peter's intrusion. Amid the chaos, Hallows' Eve slips into Chasm's cell and tries to free him.

 

At first glance, Spider-Man seems incidental to Erica Schultz’s story. But the careful reader will notice the links I missed on my first read-through. I should have been reading Marvel's Hallow’s Eve series (and perhaps the X-Men), as Amazing Spider-Man Annual #1 made me realize how much I've missed Janine, Ben Reilly, and Madelyne Pryor since Dark Web Finale #1. The ill-fated lovers' saga continues while the Goblin Queen discovers that ruling a kingdom is less fun than chicanery. Madelyne's weariness over the tedium—and her solution to Spider-Man's intrusion—is understandable. One can only imagine her pain for her fellow mutants' suffering after the events of X-Men: Hellfire Gala #1.

 

Art

Julian Shaw kicks panels into high gear in Amazing Spider-Man Annual #1. Characters show spark and individuality, and he captures motion well. Sometimes the demons' features look fuzzy. That's a shame, as they've got a spunky appearance. I especially liked Peter's Spider-Glider. While I've been reading this series for ten months, Julian's take on Bug made me sit up and take notice. I also loved the way the Limbo Embassy rose above NYC's crowded skyline and the architectural design of its halls and rooms.

 

After enjoying his coloring on Valiant titles like Bloodshot, Ninjak, and Rai, Andrew Dalhouse’s contribution to Marvel’s Amazing Spider-Man Annual #1 was a pleasant surprise. Intense, bright colors gave ample contrast to outside scenes. The way he gradually faded the background colors was a nice touch. Characters usually stand out inside the embassy, and he makes Hallows' Eve and Chasm pop. I wish he could have made the walls, columns, and spiky ceilings brighter and less gray.

 


 

Second Story

After Erica Schultz’s twenty-page story, Celeste Bronfman's ten-pager gets off to a rocky start in Amazing Spider-Man Annual #1. At least it did for me, as I missed the Spider symbol that stood in for The End. The lack of titles for either story and editor Nick Lowe's decision to leave the second story credits for the final page tricked me into thinking this constituted a continuation of Spider-Man’s Limbo Embassy chicanery. Still, after a page or two, I remembered that annuals often include multiple stories. The difference in art styles also helped.

 

Mary Jane and her beau Paul throw a birthday party for her aunt Anna Watson. Sadly, chaos erupts due to events spinning out of X-Men Hellfire Gala #1, which editor Nick Lowe insists, "I’m telling you, stuff went down!" While Spider-Man plays the hero, the story doesn't show Peter at his best. Or how about the peeps at the bakery who wrote "Happy Earth Day, Anna" on the cake? Peter suggests it was a misunderstanding, but Earth Day only happens once a year. Or do people celebrate personal Earth Days? Is that a thing? In any case, I can't imagine it taking more than a few minutes for the decorators to fix the mistake. Also, Mary Jane's solution works so rapidly that I had trouble believing this tale.

 

David López’s characters are appealing and convey motion believably in Amazing Spider-Man Annual #1. I had trouble interpreting emotions in a few scenes, and most panels could have benefitted from more background elements. Perhaps a bolder palette would have enriched the party scenes. Still, those set at Ravencroft, when the characters are outside in the rain, and the final panel, will thrust a dagger into your heart.

 


 

Joe Caramagna’s lettering is beyond impressive. Ample-size uppercase black letters in white dialogue balloons are easy to read, even when scenes burst with dialogue. Sound effects and heightened dialogue are expressive and energetic. Small moments—such as Madelyne thumping her staff and Spidey hitting the pavement—are only two highlights of his word mastery.

 

Final Thoughts

The Amazing Spider-Man Annual #1 gives readers a peek inside New York City's exclusive Limbo Embassy, an invitation to Anna Watson's B-Earth Day party, and a haunting look at Ravencroft Institute. While Spider-Man seems more incidental than central, the stories explore the edges of his world and hint at possible future events.

 

Rating 8.9/10

 

To preview interior art see my review at Comic Book Dispatch.