Blade Runner 2039 #6 Review

 

Writer: Mike Johnson

Artist: Andres Guinaldo

Colorist: Marco Lesko

Letterer: Jim Campbell

Cover Artists: Alan Quah, Lamar Mathurin, & Syd Mead

Publisher: Titan Comics

Price: $3.99

Release Date: August 23, 2023

 

A battle with raiders left Cleo gravely injured. Can Ash get the help she needs so they can resume the search for the girl's mother? Let's climb into our L.A.P.D. Spinners, fly into Blade Runner 2039 #6 and find out!

 

Story

Ash, Cleo, and the replicant Lexi traveled California back roads toward San Francisco. Now Ash faces the consequences of her decision to swap safety to avoid surveillance. While she and Cleo hunker down in the shot-up truck, Lexi braves the storm to seek help. Thankfully, good people still live in Central Cal.

 

In Los Angeles, Luv and Rash search for Isobel, Alexander Selwyn's replicant of his late wife. Even though Niander Wallace intended Rash to be her subordinate, the replicant copy of Ash believes she ought to run the investigation. Understandably, this rubs Luv the wrong way. Even though created later—by a man who prized obedience above all—Rash displays some startling differences. Luv may not have gotten along with her human counterpart in the L.A.P.D., but Rash might.

 

Whether the late Alexander Selwyn's research proves pivotal to the replicant community's future or merely a MacGuffin remains to be seen. What seems vital to Blade Runner 2039 #6 is how industrialization has transformed our planet.

 

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Art

Each page of Blade Runner 2039 #6 produces scenes seemingly lifted from a movie. A dust storm sweeps through central California, dwarfing humans and their creations. Beyond the highrises dominating Los Angeles, people eke out their lives, barely scraping by. Ground down by their socioeconomic plight, the less fortunate exhibit less charm than vehicles, houses, and the sea wall that protects Redondo Beach.

 

A youthful version of Ash harkens back to Blade Runner 2019. The partnership sparks more interest than poor, unloved Luv could sustain. Ash and Cleo's benefactor inhabits a tired relic of better times. Yet it feels homier than the stately residence of one of Alexander Selwyn's former employees.

 

Aside from glimpses of the electronic billboards that dominated Ridley Scott's film, subdued colors fight for survival in Blade Runner 2039 #6. The dust storm that ravages California colors the air brown and casts a pall over everything in its path. Beige, muted green, and red emerge, but barely. The interiors fare a little better. Even in the elegant home of Mr. Hollis, little color survives. More than its predecessors, this series drives us closer to the bleak future Denis Villeneuve painted in Blade Runner 2049. 

 

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Small black letters fill narrative boxes and dialogue balloons. Only the yellow time and space markers give older eyes respite. In keeping with earlier runs, the series' small lettering reminds those who saw the first movie during its original theatrical run that the changes time brings are not all for the better. But then, the trade in black-market eyes opened this series, and a man who cannot afford lab-grown ones in Blade Runner 2039 #6 demonstrates that life goes on, even for those who cannot read comics.

 

Final Thoughts

Ash and Cleo take the back seat while Luv and Rash steer the Spinner in Blade Runner 2039 #6. The replicant Buddy Cop partnership produces wry humor, observations on humanity, and an explosive ending.

 

Rating 8.4/10

 

To preview interior art and more covers see my review at Comic Book Dispatch.

Blade Runner 2039 #5 Review

 

Writer: Mike Johnson

Artist: Andres Guinaldo

Colorist: Marco Lesko

Letterer: Jim Campbell

Cover Artists: Lesley Li; Clark Blint; Syd Mead; Nahuel Grego

Publisher: Titan Comics

Price: $3.99

Release Date: July 19, 2023

 

Niander Wallace bought Tyrell Corp’s assets. His last three Replicant models have disappointed him. Then he learns that the wife and daughter of late Replicant researcher Alexander Selwyn have returned to Earth. What’s an ambitious and wealthy industrialist to do? Acquire Selwyn’s research into replicant physiology by any means necessary. Is this bad news for former Blade Runner Ash, who's taken Selwyn's daughter Cleo under her wing? Let's fly into Blade Runner 2039 #5 and find out!

 

Story

Humans are imperfect, and replicants bear the defects of their creators. Thus, Wallace gifts the police a new and better replicant. His latest creation, named Luv, will never disobey his creator. Unlike Ash, she will never kill humans and side with replicants. But no cops wanted a Skinjob for a partner and impeded her efforts. So Wallace gives her a perfect partner in Blade Runner 2039 #5: a replicant modeled on that renegade, disgraced Blade Runner, and replicant-lover Ash.

 

It's been twenty years since Ash helped Isobel and Cleo escape off-world. Now they’ve returned, or at least Cleo has. The young girl has grown into a woman. Still, she longs to find her mother. Cleo thinks Isobel may be in San Francisco. The best way to travel there—without alerting the authorities—is to travel offroad in a beat-up old truck. But traveling offroad entails certain risks.

 

Perhaps Ash contemplates these as she says her goodbyes to Freysa. There's no doubting her feelings for the former combat-grade replicant. To distract themselves from their parting and the dangers Ash will face, the two women discuss the implications of Selwyn's research.

 

Art

Ridley Scott, the director of Blade Runner, describes himself as more a worldbuilder than a storyteller. Titan Comics has expanded Scott's world with Blade Runner 2019, 2029, Origins, and Black Lotus. As writer Mike Johnson opens the next chapter of this expanded universe with Blade Runner 2039 #5, artist Andres Guinaldo returns us to an Earth that feels closer to director Denis Villeneuve's sequel Blade Runner 2049 than Scott's original film.

 

Niander Wallace meets with city authorities in a vast hall. Despite the grandeur of the setting, he often resides in shadow. Sometimes only his eyes, and part of his mouth, grow distinct. Yet there's no disguising the intensity of his feelings and his ruthless hunger for perfection. His replicant Ash, which he's named Rash, resembles the younger Blade Runner of the first series. Unlike her imperfect human model, the replicant strikes an impressive figure. Quietly elegant in a suit and green overcoat, her black hair falls to her shoulders and shrouds her emotionless face.

 

With her shaved head, Cleo looks like she’s had a hard life. Freysa also looks tired and worn out by all she's endured. At least her replacement eye allows her to view the world without an eyepatch in Blade Runner 2039 #5. Of the three, the years weigh the heaviest on Ash. But then, she was granted opportunities nature never gave her, thanks to an artificial spine in Blade Runner 2019 and a strange rejuvenation in 2029. Yet even though she hobbles around on a cane, she's still a force of nature, always thinking of what she must do next.

 

Sometimes Marco Lesko’s coloring shows a touch of gray in Blade Runner 2039 #5. Yet scenes reveal striking luminescence. A glowing moon Ash and Freysa's parting. The truck's headlights burn like stars as it rumbles across the dirt, casting a writhing, merging cloud in its wake. Green plants and a darker green sky contrast with the old red truck that defies obsolescence to obey Ash's commands.

 

When bullets fly, they resemble the tracer rounds of military combatants. Jim Campbell helps us hear their impacts with bold black letters outlined in white. He fills white balloons with uppercase black letters that could be a little larger for fans who saw Blade Runner during its original theatrical run. But our protagonists’ low-key utterances and movements shield a depth of feeling that makes Niander Wallace’s intensity resemble a childish tantrum.   

 

Final Thoughts

Blade Runner 2039 #5 burns with a creator's striving for perfection, a young woman's hunger to find her mother, and a woman who works tirelessly to help the people society so readily discards.

 

Rating 8.6/10

 

To view covers from artists Clark Blint, Nahuel Grego, and Blade Runner production designer Syd Mead see my review at Comic Book Dispatch. 

View preview art at Comiclist.com