Showing posts with label David Curiel. Show all posts
Showing posts with label David Curiel. Show all posts

Monday, August 18, 2025

Amazing Spider-Man #9 Review

 



Writer: Joe Kelly

Artist: Michael Dowling

Colorist: Marcio Menyz

Letterer: Joe Caramagna

Cover Artists: John Romita Jr, Scott Hanna & Marcio Menyz; Ema Lupacchino & David Curiel; J Scott Campbell & Sabine Rich; Netho Diaz & Alex Guimarães

Designer: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe, & CB Cebulski

Publisher: Marvel

Price: $4.99

Release Date: August 6, 2025

 

Nikodemu promised Hellgate a great teacher. But Hellgate values strength, and he perceives weakness in Spider-Man. It’s not Peter’s fault. His uncle Ben raised him to pull his punches and flee a fight when no one else was in danger. But Peter has a dark side like everyone else. He tried to kill Hellgate with an axe. Then he dropped a building on his prospective pupil. Has Peter taught Hellgate what Nikodemu wanted her warrior to learn? What will Hellgate's lesson cost Spider-Man and the people of New York City? Let's grab a cone from the I Scream van at Columbus Circle, thwip into Amazing Spider-Man #9, and see!

 

Story

Peter Parker’s life is one nonstop juggling act. Every time he strives to get on top of a situation, life hurls him back down. Everyone makes demands on his time, and try as he might, he never satisfies them. Perhaps Peter feels this most with the women in his life. Aunt May befriends a man who badmouths him. Mary Jane chooses a life with Paul Rabin instead of him. Shay Marken insists that they're not a couple and goes on a date with someone else. What's the point in trying hard when people shrug off your best efforts?

 

In Amazing Spider-Man #9, Peter survives his battle with Hellgate. Yet something in him has died. Whether it was Hellgate’s final punch, his broken leg, or just the unending series of disappointments, Peter has retrenched. He hasn’t given up on life as he did after Cyra’s test. Instead, he does what Aunt May requested. Peter settles down and concentrates on his job at Rand Industries. He doesn’t take on additional obligations, such as working with Norman Osborn to put down the Hobgoblin’s burgeoning organization. Nor does he don his red-and-blue suit and protect New Yorkers as Spider-Man.

 

Joe Kelly’s story ponders the delicate dance we walk through life. It also reminds us how integral we are to those around us. In Amazing Spider-Man #9, Peter Parker makes the responsible choice. Peter distances himself from the people that he can never please and doesn’t accept responsibility for another would-be protégé. If New York falls apart in his absence, it’s not his problem. Then Peter watches to see how the people he can never please, like Aunt May, Shay Marken, and Mary Jane, react.

 


 

Art

Guest artist Michael Dowling shows the Shocker taking over the streets of New York City. Peter stands on a street corner, his leg in a brace, and watches the man in quilted armor attack a police truck. Then Peter hobbles off to sit in a subway train, using earbuds to tune out his surroundings. He smiles as he approaches the gleaming modern Rand building and does a choreographed high-five with Brian to end a team briefing.

 

Gold symbolizes Peter’s potential futures in Amazing Spider-Man #9. Brian Nehring’s glasses glow gold as he tries to set Peter up with a blonde coworker. The lenses match the mushrooms growing in Brian’s terrariums. The gold material of the Shocker’s armor also signals the anarchy that could reign in New York’s streets, if Spider-Man continues to play Hider-Man. Like the rivulets of lava that flowed through Hellgate’s dark skin, gold lines flow through Captain Kintsugi’s white suit. Marcio Menyz also uses green to link Peter with some of those in his web of relationships. As he hobbles through his day, Peter’s green slacks link him to a friend on his phone, Mary Jane and Randy’s green jackets, and the soup May cooks in the FEAST center.

 

As block letters locate us in time and space, Peter shares his thoughts in red-edged narrative boxes. Joe Caramagna's black uppercase letters in white balloons grow bold for intonation, swell for raised voices, and shrink for lowered voices. Small gray letters in gray balloons share the colorful future Peter once imagined, while the words of a newscast swell as Peter inserts his earbuds. Red and yellow sound effects help us hear the pain and destruction villains inflict while Peter sits on the sidelines. Thanks to Marvel for providing a review copy.

 


 

 

Final Thoughts

While Peter hobbles around on a crutch, his friends worry about him. He seems to have lost his verve. But in Amazing Spider-Man #9, Peter is lying low. He realizes his dream of having it all and living the best life was a lie. So, he settles for what he can do, even if that means he’s quit with quips.

 

Rating 9.2/10

 

To look inside see my review at Comic Book Dispatch



Friday, October 6, 2023

Red Goblin #9 Review


 


Writer: Alex Paknadel

Penciler: Chris Campana

Inker: Roberto Poggi

Colorist: David Curiel

Letterer: Travis Lanham

Cover Artist: Kendrick “Kunkka” Lim

Publisher: Marvel

Price: $3.99

Release Date: October 4, 2023

 

Normie Osborn, the son of Harry Osborn and Liz Allan, has a friend. His name is Rascal, and he was a gift from Dylan Brock. Will Venom’s generosity result in tragedy? Let’s leap into Red Goblin #9 and find out!

 

Story

Like Peter Parker, young Normie’s always seen the best in his friend. But Rascal’s hunger for violence has influenced Norman Osborn’s grandson. Normie partnered with Miles Morales to find his missing schoolmate. But knowing Spider-Man wouldn’t let him kill Phil Urich, Normie gave Miles the slip and Rascal free reign.

 

Rascal tries to comfort Normie. He won't let Normie turn them in to the authorities, so he goes after a boy who attacked Normie at school. Latching onto his host’s painful memory, Rascal runs to Harry Osborn's grave. He digs into the soft earth and exhumes Normie's father. If he crushes Harry's remains, might that bring Normie peace?

 

As the relationship between Normie and his grandfather has dominated this series, Norman Osborn finds the symbiote and confronts him. Unlike his grandson, Norman never believed in the symbiote's potential for good. But can the Gold Goblin take down Rascal in Red Goblin #9? And can Normie reassert control over his violent symbiote?

 

Red Goblin action figure available at Amazon.com

 

 

Art

As Quinton and his parents watch evening news reports about Normie’s disappearance, their disdain for Norman Osborn and his Oz-Spawn is evident. Rascal looks menacing as he captures the bully but freaks out when the family dog leaps to the rescue. The Gold Goblin makes interrogating a member of Urich’s Goblin Gang old hat. Yet Normie’s memories of his father’s death evoke pages from a medieval manuscript. Symbiotic artists Chris Campana and Roberto Poggi combine entrancing art styles that build toward a concussive confrontation in Red Goblin #9.

 

Stars shine in the dark skies above Quinton's house in Manhattan's Upper West Side. Dim interior lighting reveals the detectives questioning Tim Anders. Norman's gold faceplate shows reflections of the green-covered Goblin Gangster as he stands on a roof under a bright blue sky. Brown, orange, red, beige, and yellow color Normie’s memories. Yet red dominates this issue, as David Curiel emphasizes that Rascal rocks Red Goblin #9!

 

Black uppercase words inhabit white dialogue balloons. Rascal's hisses appear as white letters in red balloons. Light green narrative boxes reveal Normie's thoughts as he tries to reign in Rascal's excesses. Travis Lanham makes Alex Paknadel’s heartrending drama poignant through his colorful dialogue and violent sound effects.

 

Final Thoughts

A child’s optimism turns to agony when he crosses the line in Red Goblin #9. Next time Dylan Brock feels generous, perhaps he should give Norman Osborn’s grandson a gift certificate to Chuck E. Cheese.

 

Rating 9.2/10

 

To preview interior art see my review at Comic Book Dispatch.

Monday, October 2, 2023

Invincible Iron Man #10 Review


 


Writer: Gerry Duggan

Artist: Juan Frigeri

Colorist: Bryan Valenza

Letterer: Joe Caramagna

Cover Artists: Lucas Werneck; Chris Allen & David Curiel; Cafu; Meghan Hetrick; Bob Layton & Paul Mounts; George Pérez & Edgar Delgado

Publisher: Marvel

Price: $4.99

Release Date: September 27, 2023

 

Industrialist Kelvin Heng, a.k.a. Feilong, bought Stark Unlimited via a hostile takeover. He used Tony Stark's proprietary technology to aid Orchis' attacks on mutants by building thirty-foot-tall Stark Sentinels. Tony's bid to destroy the Sentinels ended with Rhodey, a.k.a. War Machine, in prison.

 

Forced to comply with a court order, Tony deleted his B.O.S.S. operating system and gave Feilong his Mark 70 armor. Can Tony Stark free Rhodey, turn the tables on Feilong, and save mutants everywhere from the evil Orchis organization? Let's blast into Invincible Iron Man #10 and find out!

 


 

Story

Feilong is all about the show. He gets a guard to hand Rhodey a cell phone, then uses a masked servant at the Hellfire Club to bring Tony Stark one. Feilong arrives in time to watch Tony listen while inmates beat Rhodey to death. Thankfully, Tony's made a deal with Wilson Fisk, a.k.a. Kingpin, the new White King of the Hellfire Club. The big man's got friends in places high and low. That includes the Polunsky Unit in Livingston, Texas, one of the harshest prisons in the United States.

 

Feilong doesn't realize that Tony could kill him at any time. Disguised as his assistant Hazel Kendal, Emma Frost would like nothing better than to use her psychic powers to fry his brain. But that wouldn't stop Orchis from hurting mutants or inciting hatred across the globe. Feilong holds all the cards, and Tony's only got one viable play. As readers of X-Men #26 know, opportunity strikes when you least expect it.

 


 

 

Feilong doesn't miss an opportunity to disadvantage Tony Stark in Invincible Iron Man #10. When he sees Tony hustle Hazel into a side room, he intrudes on Tony's privacy. Feilong misinterprets the inhibitor ring Tony wants Emma to wear for a wedding band. To see the former billionaire bachelor settling down with his secretary must smell like victory. How else can you explain Feilong following Tony and Emma to Las Vegas? Now that he's broken Tony, Feilong can help Tony rebuild his life. So long as Tony knows who's the boss.

 

Feilong doesn't realize Las Vegas is all a show for him. Or perhaps not all. Tony Stark's got practical reasons for slipping into Sin City apart from a shotgun wedding. Still, after Wilson Fisk lost his wife at the Hellfire Gala, Tony Stark gets a wife in Invincible Iron Man #10. Wilson Fisk wants Typhoid Mary back. Emma wants out of the relationship ASAP. As for what Tony wants, time will tell.

 


 

Art

Juan Frigeri portrays Tony Stark's reversal of fortune with imagery that celebrates Iron Man's rich history in Invincible Iron Man #10. Scenes inside the Hellfire Club marry well with those in X-Men #26. Colorist Bryan Valenza helps prison scenes hum with drama and surprise with explosive action. Some favorite moments include seeing images of Howard Stark, Tony clad in his first Iron Man suit, and the rented red Ferrari parked outside the aptly-named Gamble Of Love wedding chapel.

 


 

 

Joe Caramagna's dialogue occasionally shrinks in Invincible Iron Man #10, but most are easier to read than in X-Men #26. I especially like the typewritten narrative in light-blue boxes. Ostensibly extracts from Tony's memoir, they don't impress Emma Frost. Still, Tony Stark's autobiography could prove a best seller and fund his next financial empire.

 


 

 

Final Thoughts

Desperate situations call for unlikely partnerships and desecrating sacred institutions in Invincible Iron Man #10.

 

Rating 9.8/10

 

To preview interior art see my review at Comic Book Dispatch.

Thursday, July 6, 2023

Amazing Spider-Man #28 Review

 


Writer: Zeb Wells

Penciler: Ed McGuinness

Inker: Mark Farmer

Colorist: Marcio Menyz

Letterer: Joe Caramagna

Cover Artists: Ed McGuinness & Marcio Menyz; Elena Casagrande & David Curiel; Olivier Coipel; Lucas Werneck

Publisher: Marvel

Price: $3.99

Release Date: June 28, 2023

 

J. Jonah Jameson's got legs and he knows how to use them. Only they're not his legs: they used to belong to Doctor Octopus. But Doc Ock doesn't want them because they didn't kill Spider-Man. So he tried to destroy them. Doc Ock’s injured legs crawled off to J. Jonah Jameson's door. Can J.J.J. save Otto's old legs for Old Time's sake? Let’s thwip into Amazing Spider-Man #28 and find out!

 

Story

Triple J doesn’t have time to waste. He charges past the secretary at Oscorp looking for Peter Parker. But Peter’s with his boss Norman Osborn, and J. Jonah doesn't want Osborn's help. Likewise, Norman doesn't want to mess with Doctor Octopus. But Jameson pleads for help, and Peter realizes they need Norman's help to reassemble Doc Ock’s old legs. Besides, the legs have a mind of their own. They defied their builder and saved Peter’s life!

 


 

Amazing Spider-Man #28 continues this series' ruminations on second chances. It features a cameo of Kraven The Hunter and shows the capabilities of Doc Ock’s new, improved replacements. The issue reveals the vulnerability that hides beneath Jameson's bluster and unveils the ultimate aim of Doc Ock’s plan.

 

Zeb Wells often kickstarts new stories by drawing on the past. While I've been walking alongside this series for twenty issues, the history of Otto's old legs runs back further. Thankfully, a write-up on the credits page brings us up to date and helps us appreciate the resumption of these leg-endary events.

 


 

Art

J. Jonah Jameson looks as broken as Doc Ock’s old legs. Peter looks concerned, Kraven The Hunter’s suspicious and angry, while Doc Ock has never seemed more malicious. But his new legs steel the show in Amazing Spider-Man #28. Composed of individual units, each with a mind of its own, the metal components with green gooey insides swarm around Doc Ock like armored Adipose babies. But don't let their appearance fool you. The metal baby legs will adopt your cell phones and laptops and start emailing your old boy- and girlfriends the first chance they get!

 

Vibrant coloring provides texture and contrast, allowing panels packed with passion and punch to pop. Expressive dialogue grabs leg fanciers' hearts from white balloons, and colorful sound effects help you hear the sounds Doc Ocks’ new legs make. Like Oscorp’s lobby secretary, Amazing Spider-Man #28 may make you shriek. But that’ll only be because you’re having so much fun.

 


 

Final Thoughts

A hard-bitten journalist’s surprising vulnerability and the deadliness of endearing creatures allow readers to ponder the worth of first impressions in Amazing Spider-Man #28.

 

Rating 9.2/10

 

To preview interior art see my review at Comic Book Dispatch.