Showing posts with label Sanford And Son. Show all posts
Showing posts with label Sanford And Son. Show all posts

Sunday, July 8, 2012

The “Hunter” of My Memories


In comparison, the cemetery at St. Oswalds in Sowerby,
just a few minutes' walk from Thirsk, is still open.
So Alf Wight (James Herriot) could have been buried there,
had he so desired.


On the night my father died, I left the hospital and walked the streets.  I watched the cars speed by.  I stared up at the stars glowing in the darkness.  The unthinkable had happened, and I didn’t know how to respond.  Eventually, I decided that the world had not come to an end, and returned to the hospital.

My mother, of course, was frantic by this time, wondering where I had been.  But she settled down, and we seemed to do a lot of standing around, as doctors and staff came and went.  At some point, my father’s body was wheeled from the room, and I watched the staff push it down the hall. 

The pastor had been one of my father’s closest friends, and enjoyed similar TV shows.  He and his wife met us at the hospital, and they took us back to the parsonage, where we spent the night.  Before going to sleep, I remember sitting in the pastor’s study, watching a police drama, about a cop who took no prisoners (figuratively speaking), who would do anything necessary to catch the perpetrators of a crime.  It wasn’t a show I remember watching previously, but its name, “Hunter,” stuck in my mind.

In the last few years, the prices of TV series on DVD have fallen dramatically, and “Hunter” appeared in the stores.  I considered watching it again, because of my memory of that night so long ago.  I purchased the first two seasons when the shop bundled them together and reduced them for clearance.  Then they sat on my shelf for months.

Eventually, I reminded myself why I had purchased them, and watched the two-hour pilot that sold the series.  In a strange way, I found watching it a soothing experience, a link to that night so long ago, when the pastor and wife had shown my mother and I particular kindness.  But at the end of the pilot, I noticed the copyright date.  I shook my head.  No.  That couldn’t be right.

I dived onto Wikipedia, my first port of call in such matters.  Then I sat back, stunned.  The date was correct.  Production of “Hunter” began several years after the death of my father.

In pages 61-63 of his book, The Birth of Christianity, author John Dominic Crossan refers to a study on memory conducted at Emory University.  One hundred-and-six students filled out questionnaires on January 29, 1986, the day after the space shuttle Challenger exploded.  In March of 1989, follow-up interviews were conducted with forty of the original test subjects.  When their later “memories” of how they first learned of the disaster were compared with their original reports, ten differed completely.  Only seven achieved the highest possible score, and even those showed minor discrepancies between recall and their original answers.  When asked, subjects generally expressed great certainty in their recollections.  When shown their earlier reports, they said, “I have no recollection of it,” or “I still think it was the other way round.”  The researchers concluded, “As far as we can tell, the original memories are just gone.”

I’m not sure what to make of this study, or what it says about my recollection of the night my father died.  Like I said in yesterday’s post, "The Proper Role of Fiction," I’m absolutely, one hundred percent certain I was watching “Sanford And Son” when my father died.  Then again, for a long time I believed that I watched “Hunter” later that evening.  These memories, having bonded with the events and emotions of that evening, have burned themselves into my brain, and become a part of me.  But if my recollection of one event is wrong, might both be wrong?  In the case of “Sanford And Son,” might I be blaming myself for an incident that never took place?

This recent discovery suggests that the thoughts, emotions, and memories that drive us are more complex than we often believe.  How can I truly know myself, when I cannot be certain of the memories that shaped my consciousness?  Perhaps I can use this insight to craft more compelling characters in my fiction.  At the very least, I should remember this in my dealings with others. 

Musing on the meaning of my memories,
Dragon Dave

John Dominic Crossan is a former Catholic Monk and Priest.  He was also one of the leading historical Jesus scholars of the twentieth century.  His critical work, The Birth of Christianity, uses historical and scientific methods to understand how the era in which Jesus lived might have actually been, as opposed to how it is often portrayed.  It is a challenging tome, and I don’t necessarily agree with all (or even most) of his conclusions.  Nevertheless (as Mr. Spock might say), the research he utilizes, and the comparisons he draws, are fascinating.

“Hunter” was a police drama starring Fred Dryer, which ran from 1984-1991.  The show spawned two reunion specials, as well as five episodes of an aborted sequel series, the latter of which have apparently never been shown on TV.

Related Internet Link
St. Oswald’s Church in Sowerby, next-door to lovely Thirsk.

Saturday, July 7, 2012

The Proper Role of Fiction


The graveyard at St. Mary's Church was closed to burials in 1880,
so Alf Wight (James Herriot) couldn't have been buried
in Thirsk, even if he had desired it.


I was watching the TV show “Sanford And Son” when my father died.

My father had slipped into a coma several months previously.  One day, when my mother was with him, but I was staying with my grandparents, he awakened for a few hours.  As far as my mother could tell, he seemed his old self.  She asked him questions and he answered.  He asked her questions, and seemed to understand her replies.  But then he drifted off again, and never reawakened. 

I suppose everyone else expected his death, but when you’re young, you think of yourself (and those you love) as immortal.  The hospital became my home away from home in the last year or so of his life.  He came and left and returned, was transferred from one hospital to another, and vacillated between intensive care and ordinary rooms.  My mother and I slept on waiting room couches, grew accustomed to eating in the cafeteria, and spent all the time we could sitting by his bed, talking or watching TV with him, or reading.  Then, one day, he slipped into that final coma, and I never spoke with him again.

I remember a little about my father’s taste in TV shows.  For example, I remember he watched some of my favorite programs, such as “Six Million Dollar Man” and “The Incredible Hulk” with me.  He liked Westerns, such as “Gunsmoke,” “The Virginian,” and “The Big Valley,” and because he enjoyed them, I also found value in them.  But for some reason I forget, he disliked the comedy “Sanford And Son.”  This bothers me, as I was watching that show in the hospital room when his breathing, a body function so regular and ceaseless that I never really thought about it, abruptly stopped.

The doctors and nurses had told me that even though he was comatose, he was still, to some extent, conscious.  They said that sometimes coma patients woke up and recalled things they had heard, or remembered a person being with them, talking to them, or holding their hand.  I tried to interact with him in this manner.  When his eyes locked onto me, a part of me felt like he was really there, even if he couldn’t respond.  Yet another part of me found the whole situation eerie, unreal, and pointless.  I didn’t remember what people had said or done while I slept, did I?

I’m not sure why I watched “Sanford And Son” that evening.  I know I enjoyed the show, even if it wasn’t my favorite, or one I watched with any regularity.  Still, was my father fighting for his last breath while I laughed at a show he disliked?  Did my unthinking choice of entertainment let Fred Sanford invade his dreams, to pester and annoy him, when his strength was at its lowest ebb? 

I know that “Sanford And Son,” was an important program for the African American community, and that I shouldn’t use that incident to somehow blame myself for my father’s death.  Yet I’ve never watched “Sanford And Son” since that night, nor can even think about the show without flinching.  I have to think that’s wrong, that I should force myself to watch a few episodes.  If I actively looked for the good it contained, and could once again appreciate it for its merits, perhaps I could suck some of the poison from a wound that, while it lies dormant most of the time, occasionally awakens to cause me pain.

Having conceived of this plan, I hope some day I will follow through on it.  For the proper role of Fiction is to bring joy, to help us understand ourselves as well as how we relate to everyone (and everything) in our world, and to inspire us to acts of greatness that will benefit everyone.  Not to cause us pain, to plague our memories, and reinforce the pain from past mistakes.  Not that.  Never that.

Trying to use Fiction properly,
Dragon Dave