Showing posts with label Klingon. Show all posts
Showing posts with label Klingon. Show all posts

Monday, June 3, 2013

Kirk and Spock as Parents


After Ilia vanishes from the bridge in the movie “Star Trek: The Motion Picture,” she reappears aboard the U.S.S. Enterprise.  Dr. McCoy determines that she is a probe, sent by V’ger, and this replica confirms that the beautiful Deltan navigator no longer lives.  Still, the probe possesses not only Ilia’s looks, but also many of the dead woman’s mannerisms.  As Commander Will Decker once had a relationship with Ilia, he gives her replica a tour of the Enterprise, hoping he can learn as much about V’ger through the probe as V’ger learns about the ship and its crew.

Spock is concerned that the Ilia replica is their sole source of information about this vast alien consciousness that is traveling toward Earth, so he steals a space suit and departs the ship.  He travels through vast chambers within V’ger, and amid the darkness, sees immense holographic images, including a planet, the Federation space station Epsilon 9 (which, like the Klingon ships, vanished amid powerful bursts of white energy), and a giant image of Ilia.

In Marvel Comics’ “Star Trek” Vol. 1, Issue #3, writer Marv Wolfman again diverges from Harold Livingston’s script.  In his version, Captain Kirk immediately learns of Spock’s unapproved jaunt, suits up, and pursues him.  


Unlike his half-Vulcan Science Officer, a crystalline swarm attacks Kirk, and must Spock delay his journey ahead of the ship. 


He jets over to Kirk, and banishes the attacking crystals with a few well-aimed phaser shots.  Kirk and Spock then journey together into V’ger. 

Instead of holographic images that illuminate the surrounding darkness, the men travel through lighted caverns.  Instead of projections powered by plasma energy, Spock deduces that V’ger’s memory is stored by highly efficient crystals, which have recorded everything they destroyed, from Ilia, to the Epsilon 9 space station, to the three Klingon ships that attacked the space cloud at the beginning of the film.  


Wolfman’s changes give us more interaction between the story’s two main protagonists, tell us more about how V’ger functions, and better link the Klingons’ disappearance to the overall plot.  By showing us caverns of light, he connects V'ger's destructive energy with its “memory,” as well as how this alien consciousness learns (or gains enlightenment).  People and things may be dead in a corporeal sense, but they remain very much alive to this vast alien entity.  Thus, Wolfman perpetuates the theme he began in Issue #1 (see last month's entry "Klingons and the Book of Genesis"), when he narrated: 

“In the beginning there was darkness.  
Then God said 'Let there be light.'  
...and the light was good.”

Of course, the humans, the Federation, and the Klingons disagree with V’ger’s assessment.  But then, V’ger cannot comprehend how its actions affect others.  As with a child, lecturing it will do no good.  Kirk and Spock must help this growing alien entity develop a more mature viewpoint, one that respects others’ rights and differences, and recognizes its responsibility as a steward of the universe.  Unfortunately, instead of having eighteen years in which to nurture their child, only a few hours remain before the cloud reaches Earth.  But then, whoever said that parenting was easy?

Dragon Dave 

Monday, May 13, 2013

Klingons and the Book of Genesis

Few films open as majestically as director Robert Wise's "Star Trek: The Motion Picture."  As Jerry Goldsmith's sweeping orchestral music plays, three Klingon battle cruisers approach a blue cloud in space, then fire into it.  In response, the cloud fires back.  The Klingons aboard one vessel see sparkling balls of energy envelop their sister ships.  They watch, helpless, as the ships disappear amidst lightning storms.  The captain of the surviving ship barks orders, and the crew rush to obey.  The ship fires a photon torpedo as another sparkling ball of energy leaves the cloud.  

This scene unfolds over the course of several minutes, and audience receives no explanation of what has just occurred.  So, in Marvel Comics' adaptation, writer Marv Wolfman simplifies the action.  He does so with a few short panels, which take up only one page.

"In the beginning, there was darkness...
Then God said, 'Let there be light!'"

"Give me tactical!"


We miss the elegant close-ups of the Klingon ships, and fail to grasp the true scope of the cloud we will later learn is called V'ger.  But the Klingons' panic is evident, and the brevity of the artwork leaves the reader just as intrigued by what force in the universe could dispatch Klingon battle cruisers so readily.

"Stand by on Photon Torpedos--Now!"
"Full forcefields!  Evasive maneuvers--quickly!"

"...and the light was good!"

All this is little comfort for the crew of the final Klingon ship, as their photon torpedo fails to disrupt the sparkling ball of energy approaching them.  When it strikes, they too are enveloped in a lightning storm.  Then the ship, with all aboard, fades into nonexistence.  

At first, Marv Wolfman's invocation of the Book of Genesis seems inappropriate.  But then, when one considers that (Spoiler Alert!) V'ger is traveling to Earth to meet its creator, the Biblical reference makes more sense.  
At least, that's my Human reaction.  I'm not sure the Klingons would agree. 

Dragon Dave

Related Internet Links
Marvel's Star Trek Vol. 1 Issue No. 1