Showing posts with label Michael Wiggam. Show all posts
Showing posts with label Michael Wiggam. Show all posts

Friday, May 16, 2025

Kid Juggernaut #1 Review


 


Writer: Emily Kim

Artists: Minkyu Jung & Peter Nguyen

Colorist: Michael Wiggam

Letterer: Ariana Maher

Cover Artists: Woo-Chul Lee; Dike Ruan & Neeraj Menon

Special Thanks: Anthony Oliveira

Logo Design: Stacie Zucker

Production Design: Carlos Lao

Digital Production Team: Jasmine Alvarez, Annie Cheng & Tim Smith 3

Editors: Lindsey Cohick, Sarah Brunstad, Tom Brevoort & CB Cebulski

Publisher: Marvel

Price: $6.99

Release Date: April 30, 2025

 

Hellrune lacks a mentor and is still learning to wield her powers. While the orphan's magical birds transport Moon Squire, Liberty, and Cadet Marvel to a remote Norweigan island, they also bring Fantasma, Spider-Boy, Amaranth, Hulkette, Nightshade, Monte, Gold Tiger, Kid Juggernaut, and Deadpool Boy.

 

After banishing the Viking Zombies, Liberty invites the newcomers to join the New Champions team. Some of the surprise guests accept Liberty’s offer. Among those who decline, Kid Juggernaut expresses interest but explains that he is already on a team. Who is Kid Juggernaut? How did he come to wield Cyttorak’s powers? Let’s grab a coffee and donut, leap into Kid Juggernaut #1, and find out!

 

Story

Justin Jin grew up in Canada. He is an eighteen-year-old who rode a growth spurt into Vancouver’s Big And Tall clothing shops. Justin helps his mother run Vancity Buns when he’s not thrashing the competition at pickup basketball games. Despite his height, Justin is sensitive and insecure. Like many of us, he gets flustered when he meets someone he likes.

 

But Justin has more to worry about than dating in Kid Juggernaut #1. When his father dies, his mother visits the lawyer to sort out his father’s estate. But before his mom returns, Justin receives a package from Korea. After quitting Korean school, Justin can’t read his father’s Hangeul writing. Still, Justin opens the package.

 

In Emily Kim’s story, Justin has a lot to sort out. His father left home a long time ago and never returned. Aside from a few childhood memories, Justin feels no connection to his father. Because his father abandoned him, Justin knows little of his heritage. But when he opens a wooden container and touches the red amulet inside, Justin embarks on a journey of discovery about his family and where he belongs in Kid Juggernaut #1.

 

Art

Vertical panels dominate this six-part infinity comic converted into a printed double-length story. The scenes often flow horizontally like traditional comics as a man appeals to Cyttorak. Fires rage through and between panels as the cloaked sorcerer clutches his twisted, spiky staff. Justin’s mother, or Umma, interrupts his childhood memory of his father as he lays in bed near a basketball and a Dazzler poster.

 

After finding a photo that echoes his memories, Justin touches a red gem wire-wrapped with white and green tassels in Juggernaut #1. White and red energy arcs around his hand. The lightning casts waves of red force that swirl around him in the coffee shop lobby. Then Justin reaches out to steady himself and knocks a hole in the wall.

 

While Michael Wiggam paints Minkyu Jung & Peter Nguyen's art with a loaded palette, visions of Justin's grandfather receive additional texturing. The aged colors portray the Korean farmer's anger at his plight and his Olympian-like transformation after red energy swirls around him. Muted colors accompany Umma’s tale of her ex-husband's life. Beiges, browns, and reds dominate distressed panels that suggest brush marks and water absorption. 

 

Ariana Maher hurtles uppercase black letters into white and colored dialogue balloons and narrative boxes. The letters embolden for intonation and occasionally swell. Cyttorak utters a smaller, haunting font in crinkle-edged balloons. Sound effects help us hear baby Justin's wailing as his father misbehaves, Justin exploring his capabilities, and a familiar hero rushing to his aid as a red giant's laughter echoes through Kid Juggernaut #1. Thanks to Marvel Comics for providing a copy for review.

 

Final Thoughts

While Justin's grandfather and father chose their relationships with Cyttorak, the young Canadian baker stumbled into transformation. Once he receives the powers of the dark god, there's no backing out. All Justin can do is decide how to wield his new power.

 

Kid Juggernaut #1 speaks to how enriching embracing our heritage can be, how to tackle those who oppose us, and the need to follow our moral code rather than allowing anger, greed, or authority figures to dictate our actions.

 

Rating 9.4/10

 

To look inside see my review at Comic Book Dispatch.

Thursday, March 16, 2023

Masters of the Universe Masterverse #2 Review

 

Masters of the Universe Masterverse #2 Review

Writer: Tim Seeley

Letterer: Deron Bennett

 

Framing Story

Artist: Eddie Nunez

Colorist: Rico Renzi

 

East Of Eternos

Artist: E. J. Su

Colorist: Michael Wiggam

 

Man-At-Arms-For-Hire

Artist: Victor Santos

 

Cover Artists: Eddie Nunez with Rico Renzi; E. J. Su; Victor Santos

Publisher: Dark Horse

Price: $3.99

Release Date: March 15, 2023

 

Absolute power corrupts absolutely. So Zodak, the Cosmic Enforcer, contends. Should Adam continue to wield the sword of power? Is he worthy? Let’s gaze into our multiverse portals at Masters of the Universe Masterverse #2 and find out!

 

FRAMING STORY

Story

Zodak contends that Adam has it easy. The Sorceress gave him the sword of power and guided him in its use. Thus, he must look to other versions of Prince Adam—other realities—before being convinced that Adam will not tip the cosmic balance between good and evil. Unlike the last issue, this two-page story suggests that Zodak not only weighs Adam's worthiness to wield power but also that of the Sorceress. I wonder: is Zodak on the level?

 

Art

The Sorceress, clad in her Falcon attire, stands upon a rocky outcrop and gazes at portals that float in space. She looks up at Zodak, seated like Thanos upon his hovering throne. In addition to his clawed feet, he also bears a gun. He raises the latter when proclaiming his intention to test Adam. Vibrant coloring enlivens this cosmic scene. While paying homage to the 1980s Filmation TV series, all the white stars shining in space and the intense purple void that gradually shifts from ultraviolet to magenta surpass the original animators’ capabilities.

 


 

EAST OF ETERNOS

Story

King Randor's Vizier, his blue-skinned brother Keldor, advised that a sword of power might aid Randor in conquering all of Eternos. Haughty general Prince Adam demands respect from Captain Duncan as they sail in search of this fabled artifact. He brings the thief Jitsu as a guide to the mythical isle of Grayskull. But those aboard ship--and ningyo fish that leap above the waves--are not alone in these uncharted waters.

 

Art

The Dreadnought Marlena Glenn sails upon rough, brown waters. Streaks of light pierce brown swirling clouds. A trace of red, low to the horizon, contrasts with the sea, sky, and the warship. The figurehead of a roaring Battlecat adorns the bow. Wind pushes the beige sails hung from three masts into convex shapes. Prince Adam, clad in plate armor, stands on the deck. He writes on parchment with a feather quill. Surrounding him--and beneath his feet--the wood gleams. Do the sailors scrub and oil all the woodwork daily to reveal such natural luster and grain?

 

As the story continues, colors grow more vibrant. Keldor’s intense blue skin outshines all else in Adam’s memories of the throne room. Pointed blue ears remind us of the Na’vi in Avatar, but the men's postures suggest Loki advising Odin or Wormtongue and Theodin. In the present, Captain Duncan attends Prince Adam, adorned in his traditional blue helmet and yellow. The few light rays piercing the clouds illumine Jitsu, clothed in red and gold. He wears a thick gold gauntlet like Thanos. Prince Adam and Jitsu emerge as larger-than-life gods among men.

 

Like the two stories in the previous issue, this first tale in Masters of the Universe Masterverse #2 reminds us of another popular Fantasy genre. After the Michael Moorcock/Robert E. Howard Swords & Sorcery tale, and the MAD Magazine spoof of issue #1, readers enjoy a Sinbad or Jason of the Argonauts-style legend. Superior art fuses with vibrant color in this beautifully told story.

 


 

 

MAN-AT-ARMS-FOR-HIRE

Story

Our narrator Duncan is no longer Man-At-Arms. Now he operates as a private eye. His assistant, the beautiful Ms. Powers, was once known as Evil-Lyn. Now she aids him in his cases. Darkness has fallen upon Castle Grayskull since Prince Adam disappeared while fighting Skeletor. Now King Randor has also disappeared. Orko blames himself for this latest mishap and hopes Duncan can find the king and return Randor to the throne. Duncan agrees to take the case, assuming Orko can pay his fee.

 

Art

Stark Black and White imagery remind us of the 1980s B&W indie revival. Lines and dots provide shading. Generous inking surround characters, form silhouettes, and shape backgrounds. Excellent composition and dramatic panel angles evoke classic Film Noir. A touch of humor shines light upon this dark tale. At times, scenes of High Fantasy blend with Judge Dredd-style imagery. After the rich color of Prince Adam's sea adventure, this striking B&W story blew me away. Dashiell Hammet and Raymond Chandler would be proud.

 

Final Thoughts

After a Filmation-style framing story, Masters of the Universe Masterverse #2 brings us a magical Ray Harryhausen sea adventure and a classic film noir detective story. Easy-to-read lettering, gorgeous art, and engaging stories make this issue a Must Read. Once again, Tim Seeley and company reveal the richness of Eternia and its characters in diverse and compelling ways.

 

Rating 9.6/10

To preview the Framing Story and East Of Eternos see my review at Comic Book Dispatch