Showing posts with label Puppets. Show all posts
Showing posts with label Puppets. Show all posts
Tuesday, February 10, 2015
Happy Birthday Mary Robinette Kowal
At the World Fantasy Convention held in Brighton, England in November 2013, I had the opportunity to attend a reading by Mary Robinette Kowal. She imbued her reading from her upcoming novel with personality and flair, giving each character his or her own unique voice. This novel was from a series written in the style of Jane Austen, and set in a Regency era England in which women can manipulate glamour to enhance their lives.
As an unexpected bonus, she revealed that she was not only a fan of the TV show Doctor Who, but she inserted a cameo of the Doctor in each novel. While she didn't identify the character as such, she would typically have a scene involving a medical doctor in each book, and she would mold his speech and mannerisms around one of the incarnations of the famous Time Lord. She read us these sections of each novel, and awarded a copy of the book to the first listener to correctly identify the Doctor she was portraying.
When she's not writing, she's making costumes, or hanging out with her friends who love dressing up in old English attire. Or she's using her old typewriters, of which she has a substantial collections. Or there's her day job, which is building puppets or holding performances. She gave us an example of her puppeteering skills with a short selection from a famous play, using a stage and figures she fashioned from the most inexpensive of materials. She held the audience in stitches, and left us wanting to read her books. (Or reread them, especially the sections that included a cameo of the Doctor).
Last Sunday was her birthday, so Happy Belated Birthday, Mary Robinette Kowal! May you continue writing, puppeteering, and entertaining us for a long time to come!
Dragon Dave
Related Dragon Cache entries
Pride and Prejudice and Magic
Pride and Prejudice and Puppets
Pride and Prejudice and Propriety
Pride and Prejudice and Plays
Pride and Prejudice and Passion
Monday, May 26, 2014
Pride And Prejudice And Puppets
In an era before television and cinema, shadow plays offered
an inexpensive form of entertainment. They were performed simply, using little
cut out shapes that children could reproduce at home. One such play was “The
Broken Bridge,” which may have originated in France in the 18th
Century. One puppeteer, Francois Dominique Seraphin, so captivated audiences that he drew the attention of the French aristocracy. Marie Antoinette reportedly attended his shows.
Author Mary Robinette Kowal pays homage to this once-popular form
of entertainment in her Jane Austen-like novel Shades of Milk and Honey. One
afternoon Melody Ellsworth receives visitors in the family drawing room. Her
old sister Jane is upstairs, reading to her mother from William Meinhold's gothic romance novel Sidonia The Sorceress. After awhile, her mother asks
Jane to see what’s occurring in the drawing room. She creeps
downstairs, where she watches Mr. Vincent performing “The Broken
Bridge” for her sister Melody and the dashing Captain Henry Livingston. Weaving
folds of glamour from the ether, Mr. Vincent creates small dark silhouettes on the tea
table.
“A traveler, after a number of obstacles, approached a
bridge, which was in the process of being destroyed by a workman with a pickax.
The traveler tried to get the workman to tell him how to cross the river, and
after receiving a series of increasing rude answers, he found a boat and
crossed the river.”
Mary Robinette Kowal is a professional puppeteer, and she
performed “The Broken Bridge” at last year’s World Fantasy Convention in
Brighton, England. Afterward, she turned her stage around to show
us how she constructed it. Apparently, she found a better use for cereal boxes than consigning them to the landfill.
Isn’t it amazing the way an author or a puppeteer
can make a story come alive for us, can draw us into their characters, plot, and
drama, can make us laugh and cry and care about what happens, and without
spending hundreds of thousands, or hundreds of millions of dollars, to make a “realistic”
TV episode or movie? That’s a special kind of magic, a feat that such talented
people should take great pride in.
At least, that’s what I think. But then,
maybe I’m just prejudiced…
Dragon Dave
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