Miles Morales: Spider-Man #31 Review

 

Writer: Cody Ziglar

Artist: Luigi Zagaria

Colorist: Bryan Valenza

Letterer: Cory Petit

Cover Artists: Federico Vicentini & Ceci De La Cruz; Sara Pichelli & Federico Blee; Frany

Production Designer: Sarah Spadaccini

Editors: Tom Groneman, Mark Basso, Kaitlyn Lindtvedt, Cy Pedro Beltran, Nick Lowe & C B Cebulski

Publisher: Marvel

Price: $3.99

Release Date: March 19, 2025

 

While Deadpool and Shift battled Midas and Output, Miles repaired Ellie’s phone so they could teleport back to Agent Gao’s hideout. After the two Deadpool & Spidey teams work together to knock out Midas and unhand Output, Miles’ storyteller god senses an interesting development. Then Agent Gao strides in, rocking a Greek outfit and a glowing sword. Is she channeling a higher power or just listening to Coldplay? Let's put on our vibranium suits, leap into Miles Morales: Spider-Man #31, and find out!

 

Story

Agent Gao no longer speaks in terms of justice. Nor does she love the city she once served. Like Rabble, Julia Gao is hurting and seeks a target for her loss. She forgets that Spider-Man teamed up with her squad to help Scorpion, Gust, and Hightail protect New York against costumed villains. And despite New Yorkers arising amid the Gang War to overturn Fisk's Law, she blames Spider-Man for shuttering her Cape Killers crew. So when a mysterious stranger in a dark alley offers her a boon, she takes it. In Cody Ziglar's story, Agent Gao turns her back on democracy. All she wants is the power to enforce her will.

 

After Deadpool mistook Shift for Miles, Spider-Man, Deadpool, and Ellie clashed in a not-so-dark alley. But they’re (mostly) putting their grievances behind them. In Miles Morales: Spider-Man #31, Miles and Wade confront the new-and-improved Agent Gao. Despite Wade's impulsiveness, Miles and Deadpool fight side-by-side to take down the hate-filled, high-powered herald. While Deadpool is over the moon to battle alongside Spidey, Miles isn't ready to make Wade his BFF. But then, Wade speaks of matters Miles doesn't understand while Miles talks to someone no one else can see.

 

As Miles and Deadpool serve up the A-Team action, Shift and Ellie focus on Agent Gao's Not Ready For Prime Time Players. It’s too early to know if Shift’s relationship with Ellie will evolve like Ms Marvel’s. Still, both understand what it's like not to belong anywhere. This crossover began with a high-flying phone call. After Ellie explains why she fought so hard to fight alongside her father, Shift yearns to have a similar talk with his brother in Miles Morales: Spider-Man #31.

 

 

 

 

Art

Agent Gao's blue, white, and gold outfit coordinates with her paid help. Miles’ purple and red suit bonds him with the equally colorful Kwaku Anansi. Shift's red-and-black links him with Ellie and his new buddy (who tried to kill him but apologized later). Bryan Valenza makes Agent Gao’s eyes burn with the same yellow and orange fire that leaps from her curved sword. After she unleashes an Alderaan-incinerating laser beam, heroes and mercs regard Agent Gao amid light green smoke. Then Miles dances amid a yellow venom show that would make Dazzler applaud.

 

Agent Gao’s curved sword hovers before her before unleashing the sun's energy. Deadpool performs acrobatics to attack Agent Gao from behind. Midas and Output demonstrate resilience as Ellie leaps, and Shift gets super-stretchy and pays homage to his trickster god. But after Luigi Zagaria shows Shift and Ellie taking a selfie, Agent Gao does a thunderclap in Miles Morales: Spider-Man #31.

 

Cory Petit thwips uppercase letters into dialogue balloons and narrative boxes. Miles' thoughts appear as white letters in red narrative boxes. Agent Gao's white balloons glow yellow, while 3D logos pop from balloons when heroes and mercs fight together. The dialogue grows bold for intonation, enlarges for volume, and rarely shrinks. Sound effects enhance snapping weapons, breaking bones, explosions, Deadpool getting jerked around, and Anansi's sweet champion thwipping for victory. Thanks to Marvel Comics for providing a copy for review. 

 

 

 

 

Final Thoughts

All great stories poise characters on the cusp of change. As Ellie tries to pull a sword out of stone and gods prepare to renew old conflicts, heroes and villains reexamine and forge new identities in Miles Morales: Spider-Man #31.

 

Rating 9.8/10

 

To look inside see my review at Comic Book Dispatch.

Miles Morales: Spider-Man #29 Review

 

Writer: Cody Ziglar

Artist: Daniele Di Nicuolo

Colorist: Bryan Valenza

Letterer: Cory Petit

Cover Artists: Sara Pichelli & Federico Blee; Javier Garrón & Jesus Aburtov

Design: Jay Bowen

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe & C B Cebulski

Publisher: Marvel

Price: $3.99

Release Date: January 15, 2025

 

T’Challa gave Miles a key. Shuri gave him a heart-shaped herb. The divine panther at the soul tree gave Miles an invitation. But Miles’ vampirism brings Varnae’s spirit into Bast's domain. Worse, his connection to his god allows Kwaku Anansi to crash the party. While Bast seethes at these unwelcome guests, Anansi promises to heal Miles.

 

Bast calls Anansi a Trickster and trusts him like Thor trusts Loki. Can Anansi heal Miles? Or will Miles get trounced in a divine fight club, leaving Shift to assume Miles’ identity and become Brooklyn’s Spider-Man? Let's inscribe seals in a stone circle, leap into Miles Morales: Spider-Man #29, and find out!

 

Story

Humans love stories about the gods. The gods delight in tales of legendary heroes. Anansi controls the Web Of Life And Destiny. He watches his spider-heroes wage villains across the multiverse. So, Anansi offers to heal Miles in return for a great story.

 

Anansi may claim he is the Storyteller God. But in Miles Morales: Spider-Man #29, he severs Varnae’s spirit from Miles and puts it back into T’Challa. The Black Panther attacks Miles with knives and claws. In this realm of the Vodū, all Miles has is his fists. But Miles cannot damage T’Challa’s Vibranium suit.

 

Before they entered Bast’s realm, T’Challa urged Miles to be calm. Shuri warned Miles not to believe what he saw. Both prove easier said than done when Anansi ups the stakes. Forget a vampiric Black Panther. Miles has faced far worse. Those conflicts left Miles stressed and beset with panic attacks. Tiana Toomes convinced Miles to try journaling. Dr Kwan tried the talking cure. But those remedies tackled Miles’ fear of others attacking him or his family. When Varnae bit him, the first vampire inverted Miles' battle. Instead of fearing what others will do to him, Miles fears what he will do to them.

 

While Cody Ziglar pits Miles against villains from his past, Miles must face his most oppressive foe. It isn't vampires or supervillains. It is the one thing that can hold Miles back from becoming all he can be. In Miles Morales: Spider-Man #29, Miles must decide if he will accept Franklin D Roosevelt’s challenge to Americans (including Brooklynites) or remain in his Great Depression.

 

 

 

Art

While Daniele Di Nicuolo shows his eyes bulge, Miles leaps and avoids Black Panther’s claws. But Anansi displays no fright in Miles Morales: Spider-Man #29. Bast regards the fight with displeasure, but a smile dances across Anansi's face. The Storyteller is in his element, even hanging upside down like Spider-Man. But don't expect him to give Bast an affectionate kiss.

 

Amid the purple and pink air and the bluish-gray clouds, Bryan Valenza thwips green webs into Bast’s realm in Miles Morales: Spider-Man #29. The thick webs rise like the chords supporting Riley’s Sense Of Self in Inside Out 2. But they also twist and attack Miles. They hurl him through a realm filled with yellow-green wheels, twisted turquoise and purple-striped buildings, and orange worlds. While Miles fights for his future, Shift arrives "home" in his red hoodie. He enters the kitchen with the red dining table and chairs. Like Bast, Rio shines with purple. Unlike Bast, she may dole out an affectionate kiss.

 

Humans speak black uppercase letters into white balloons. Gods speak colored words into similarly bordered divine dialogue balloons. Other characters talk into gray or black balloons. Miles' thoughts appear as white letters in red narrative boxes. The delicate font grows bold for intonation, enlarges for volume, and rarely shrinks or sways. Cory Petit employs sound effects to spice up a fight in the spiritual realm and make Shift more endearing (if that’s even possible). Thanks to Marvel Comics for providing a copy for review. 

 

 

 

Final Thoughts

Bast warned T’Challa that he would pay for letting Varnae slip into her realm. In Miles Morales: Spider-Man #29, the great spider-god Anansi offers Miles healing. The challenge the Trickster offers isn't what Miles thinks it is. And like the Black Panther, if Miles escapes Varnae’s influence, he must pay a price for such divine benevolence.

 

Rating 9.4/10

 

To look inside see my review at Comic Book Dispatch.

The Amazing Spider-Man Annual #1 Review

 

Writers: Derek Landy

Penciler: Ron Lim

Inker: Don Ho

Artist: Sara Pichelli

Colorists: Israel Silva & Travis Lanham

Letterers: Joe Caramagna & Travis Lanham

Cover Artists: Salvador Larroca & Edgar Delgado; Ron Lim & Israel Silva; Mike McKone & Dean White; RB Silva

Publisher: Marvel

Price: $4.99

Release Date: July 3, 2024

 

Thanos made his beloved Death into an Infinity Stone. Like the others, the Death Stone sought a person to inhabit. Sadly for Thanos, it wasn't him. Who are the Infinity Stone Bearers, and what do they have to do with Peter Parker? Let's thwip into Amazing Spider-Man Annual #1 and find out!

 

The Infinity Watch Part 2

Story

Spider-Man is having a bad day. When he sees someone robbing an armored money truck, he realizes it's about to get better. Apprehending a villain gives him a chance to let off some steam. But will it ease his guilt over not saving a man’s life yesterday? In Derek Landy's story, Peter's not so overwhelmed that he asks Norman Osborn to boost his spider-sense. (In Norman's current mood, he probably wouldn't help anyway). But Fission was learning to use his powers. Perhaps Fission could have matured into a hero and used his powers to help others. But he won't get that chance because Spider-Man couldn't diagnose Fission’s malfunctioning tech before it overloaded.

 

In Amazing Spider-Man Annual #1, Overtime is having a bad day. Fighting Spider-Man doesn’t make it any better. But then he realizes that Spider-Man is also hurting. So, Overtime abandons his long-term plans to ease his conscience and uses his Time Stone powers to help Spider-Man. In Derek Landy's story, Overtime can return to the same event multiple times without meeting himself. To paraphrase his conversation with Spider-Man, he can mess with the timestream without creating paradoxes. But even when he has part of his personal goal within his grasp, Overtime sacrifices his partial victory to help someone else. 

 

 

 

Art

Ron Lim and Don Ho help Spider-Man emerge from a four-panel page as skyscrapers rise to his left and motion lines streak through the sky to his right before the webslinger alights on a street light and crouches like Spidey The Hunter. Yellow police tape surrounds the broken concrete at the base of a pillar supporting an electronic billboard. Spider-Man's body language suggests more anger than amusement as the green-suited robber escalates from fisticuffs to a side-handle baton. Overtime's easygoing expression graduates to irritation, then anger when he realizes he won't accomplish his goal today.

 

 

Israel Silva lavishes a loaded palette of bright and attractive colors on Ron Lim and Don Ho’s action-packed panels in Amazing Spider-Man Annual #1. White-green energy mimics the circle on Overtime’s chest as he travels in time. Colors show depth and nuance as Overtime splashes through the wet streets, webbed Fission explodes in the rain, and the bird on the billboard changes expressions and postures. Joe Caramagna enhances Overtime's sacrificial journey with large, black uppercase letters in white dialogue balloons, white letters in green narrative boxes, enlarged colorful words, and energizing sound effects.

 

 

 

The Death Stone Saga Part 2

Story

The Death Stone rejected Nighthawk and raised Phil Coulson from the dead. Nighthawk tries to connect with Phil, but the revived man's memories are fragmented. Unlike Star, Quantum, and Overtime, Phil Coulson doesn't understand what has happened to him. But Nighthawk isn't interested in what Phil Coulson might do once he gets his head together. Like Thanos in Avengers: Infinity War, Nighthawk wants to reshape the universe. But first, he needs all the Infinity Stones. (A shiny gauntlet would also come in handy).

 

Derek Landy’s second story in Amazing Spider-Man Annual #1 doesn’t feature our web-slinging hero. Still, it’s another story about people trying to rewrite the present to suit their preferred vision of reality. Nighthawk grows more desperate to accomplish his mission here than in the Thanos Annual #1. Perhaps Spider-Man could have talked Nighthawk into making a better choice in The Death Stone Saga Part 2. As things stand, shadows cover Nighthawk's path, and his journey may grow darker with time.

 

Art

Nick Fury’s son rises from bed, pulls on his eye patch, and enters the kitchen. He gazes through the window over the sink and drinks a glass of water. Nighthawk stands atop a crypt. Like Batman or Spawn, he gazes down at Phil Coulson, sitting on the ground between the upright headstones. Coulson resembles a broken man. Yet he soon rises to regard Nighthawk. Resolve washes through his eyes as the purpose that once drove him struggles to return. But then, Tahiti is a magical place.

 

Mattia Iacono casts Nick Fury’s early morning rising in soft blues and paints the graveyard’s sky aqua green. Coulson's dark suit and Nighthawk's black costume stand out amid the pale brown trees and gray memorials. Travis Lanham enhances Derek Landy’s second story in Amazing Spider-Man Annual #1 with large, black uppercase letters in white dialogue balloons and white letters in blue narrative boxes. A shrunken final word suggests Phil Of The Dead's realization that he needs to get his head together fast if he wishes to pursue another celebrated political career.

 

 

Final Thoughts

Should we use our resources and skills to help people today or focus on correcting yesterday’s errors? Or is there a difference between the two options? In Amazing Spider-Man Annual #1, Overtime sets aside his plans to help Spider-Man, while another hero must decide if a second chance at life is worth fighting for.

 

Rating 9.3/10

 

To preview interior art see my review at Comic Book Dispatch.

Miles Morales: Spider-Man #18 Review

 

Writer: Cody Ziglar

Artists: David Marquez; Sara Pichelli; Juann Cabal with Matt Horak; Luciano Vecchio & Federico Vicentini

Colorists: Bryan Valenza

Letterer: Cory Petit

Cover Artists: Federico Vicentini & Richard Isanove; Kaare Andrews; Iban Coello & Jesus Aburtov; Mr Garcin; Adi Granov; David Marquez & Rachelle Rosenberg

Publisher: Marvel

Price: $8.99

Release Date: March 27, 2024

 

Luke Cage gave Agent Gao her marching orders. But instead of disbanding her Cape Killers squad and reporting to Vice, she sought out Rabble. Agent Gao wants the troubled weapons designer’s help. Does she have a plan, or at least 12% of a plan, to keep her crew of semi-reformed supervillains together? Let's ignite our venom-sabers, leap into Miles Morales: Spider-Man #18, and find out!

 

Story

Miles is on a mission to reform Rabble. A natural—or at least the best--reaction to receiving help is wanting to help others. Doc Sasquatch and Dr Kwan have helped Miles deal with his traumas. Miles feels an affinity for the talented young woman who induced them. Miles believes he can help Rabble by sharing what he's learned. The chances may seem remote, but he's trying anyway.

 

Gust returns, and Cody Ziglar tells us the young Cape Killer's name. Ziglar also gifts Scorpion, Ms. Marvel, Shift, and Rabble some powerful character moments. After throwing Miles into harm's way with Rabble and Hobgoblin before vanishing, the Prowler returns to help his nephew. Unfortunately, the villains have pieced the clues together and realize that Prowler is Miles' uncle. That's another weapon in their utility belts now.

 

 

 

But the big news in Miles Morales: Spider-Man #18 is Agent Gao's team-up with Rabble. Everyone’s heard the sad tidings. The clock is ticking on the Cape Killers. Agent Gao gives her people an offer they can’t refuse. Rabble can boost their powers to the max! So it's time for one last blowout battle. But good teamwork involves people working together for the good of all. Does that sound like something Rabble would be part of?

 

The Battle Of Central Park pitted armies of heroes against hordes of villains. Miles Morales: Spider-Man #18 features fewer combatants but packs the last 25 pages of the 60-page story with ferocious fighting. People will be hurt. Villains won't play by the rules. And far from curing Rabble, Miles may have to relieve her suffering in an undesirable way. 

 

 

 

Art

Spider-Man, Ms. Marvel, Shift, and Bumbler leap off the opening pages with startling clarity. Drones whiz through the air and bang off people. Spider-Man thwips webs resembling balls of sticky string while Bumbler shoots globs of honey that leave a gooey residue on his gun. Spider-Man’s visors prove expressive, and animal-like villains frequent The Bar With No Name. Shift demonstrates his alien-like morph-ability, while Ms. Marvel gets stretchy and venomous at a disagreeable suggestion.

 

Character depictions alter with the artist, but Bryan Valenza applies appealing colors throughout the supersized Miles Morales: Spider-Man #18. Prowler’s purple outshines other patrons in The Bar, while light and shadow add depth and interest to Scorpion. Overhead lights reflect off Bumbler’s lenses, becoming spots of yellow while showing darker yellow beneath. The pink sweater Rabble wears to visit her father evokes the pink of her armored suit, while orange circles radiate from Taskmaster when he pulls back his bowstring.

 

 

 

Cory Petit thwips large, uppercase letters into white dialogue balloons and colored narrative boxes. Giant letters indicate places. Laughs whiz past Spider-Man's head like Rabble's drones when he leaves The Bar, while immense transparent letters fill the charged air as Miles stops pulling his venom-punches in Miles Morales: Spider-Man #18.

 

Thanks to Marvel for providing a copy for review.

 

 

 

Final Thoughts

Two women with axes to grind lure Brooklyn’s Team Spidey to a last stand at the Cape Killers’ Corral in Miles Morales: Spider-Man #18.

 

Rating 9.6/10

 

To preview interior art see my review at Comic Book Dispatch.