Showing posts with label Derek Landy. Show all posts
Showing posts with label Derek Landy. Show all posts

Wednesday, January 22, 2025

Amazing Spider-Man #65 Deaths Review


 


Writer: Derek Landy

Penciler: Kev Walker

Inkers: Kev Walker & Wade Von Grawbadger

Colorist: Mattia Iacono

Letterer: Joe Caramagna

Cover Artists: Mark Bagley & Richard Isanove; Carlo Pagulayan & Romulo Fajardo Jr

Editors: Kaitlyn Lindtvedt, Tom Groneman, Nick Lowe & C B Cebulski

Publisher: Marvel

Price: $3.99

Release Date: January 15, 2025

 

What does it matter how much you accomplish? Everyone forgets you after you die, and your impact on the world fades. The fifth scion of Cyttorak claims her test is the Inevitability Of Truth. Spider-Man dubs it the Inevitability Of Death. He knows Cyra's visions speak emotional rather than literal truth. Yet Spider-Man grasps defeat from the jaws of victory. He refuses to uphold Doctor Strange's Covenant and fight Cyttorak's three remaining scions.

 

Will Peter Parker let Earth fall? Or can Doctor Strange convince him to preserve the Covenant? Let's take a long look in the mirror, thwip into Amazing Spider-Man #65 Deaths, and find out!

 

Story

Doctor Strange imagined the worst. No matter how much he learned or how hard he practiced, Doctor Strange could never protect Earth from every possible danger. So, the Sorcerer Supreme bargained with Cyttorak. In exchange for more power, Doctor Strange agreed to battle the scions of Cyttorak every January of the Crimson Calendar year. The bargain worked until Doctor Strange died. Now, the responsibility of protecting Earth from Cyttorak's wrath falls to someone else.

 

Doctor Doom doesn't care about non-Latverians enough to protect them. The new Sorcerer Supreme looks for someone willing to put the needs of others above himself. Doctor Doom gives Spider-Man arcane armor to protect him while battling demigods. Doom also gifts Peter the eight Get Out Of Death Free Reeds Of Raggadorr. Yet in Amazing Spider-Man #65 Deaths, Peter Parker says, “I’m done.” Doctor Strange doesn’t understand Peter’s decision. To the former Sorcerer Supreme, life is a game, and Peter has a role to play.

 

In his story, Derek Landy contemplates the tapestry that connects every person in the multiverse. Like all spider heroes, Peter feels that interconnectedness thanks to the Web Of Life And Destiny. Yet Cyra revealed everyone's insignificance. Saving individual lives means nothing in that context.

 

The deaths of beloved individuals like Uncle Ben and Gwen Stacy helped Peter Parker feel a responsibility to protect those he didn’t know. But in Amazing Spider-Man #65 Deaths, Peter no longer knows who he is. Peter cannot suddenly view the world through Doctor Doom or Doctor Strange’s eyes. All Peter can see is that he built his life on a lie.

 


 

 

Art

Kev Walker and Wade Von Grawbadger show Peter shuffling through life. Like a zombie, he moves without purpose and sees without observing. Peter leaves his apartment to purchase a hot dog. Then he stares into space as the ketchup and mustard ooze onto the kitchen table. Peter takes no pleasure in eating. Even the flavor of the food he chose cannot reach the pleasure centers of his brain. Devoid of purpose, Peter hugs a pillow and retracts into a near-fetal position.

 

Mattia Iacono juxtaposes Phil Coulson's cool purplish-black suit with warm browns, tans, and golds in Peter's apartment. Like Vision, Coulson floats through his surroundings. Unlike Peter, he observes. Still, he drifts. Coulson struggles to sit with Peter as an equal, preferring to stand to attention. When Coulson peers into Peter's memories, bright colors explode around him. Like the fireworks on the Fourth Of July, the formative clashes and catastrophes that transformed Peter Parker into Spider-Man surround these lost souls on a battered red couch.  

 

Joe Caramagna thwips uppercase black and blue lettering into white dialogue balloons. The dialogue grows bold for inflection and never shrinks. Peter signals his disinterest in life by slamming a door on Doctor Strange, then hurling the door closed before Phil Coulson. Yet the spectral font that fills cloudy dialogue balloons inevitably accompanies Coulson’s Test Of Truth. Thanks to Marvel for providing a copy for review.

 

Final Thoughts

Phil Coulson never chose to embrace the dead. Like Peter Parker, he feels lost, drifting through an endless existence. Doctor Strange urges Coulson to convince Peter to uphold the Covenant in Amazing Spider-Man #65 Deaths. As Phil Coulson peers into Peter’s mind, Coulson remembers the events that shaped him and discovers why he has become more than a government agent who collects superhero trading cards.

 

Rating 9.5/10

 

To preview interior art see my review at Comic Book Dispatch.

Friday, July 12, 2024

The Amazing Spider-Man Annual #1 Review


 


Writers: Derek Landy

Penciler: Ron Lim

Inker: Don Ho

Artist: Sara Pichelli

Colorists: Israel Silva & Travis Lanham

Letterers: Joe Caramagna & Travis Lanham

Cover Artists: Salvador Larroca & Edgar Delgado; Ron Lim & Israel Silva; Mike McKone & Dean White; RB Silva

Publisher: Marvel

Price: $4.99

Release Date: July 3, 2024

 

Thanos made his beloved Death into an Infinity Stone. Like the others, the Death Stone sought a person to inhabit. Sadly for Thanos, it wasn't him. Who are the Infinity Stone Bearers, and what do they have to do with Peter Parker? Let's thwip into Amazing Spider-Man Annual #1 and find out!

 

The Infinity Watch Part 2

Story

Spider-Man is having a bad day. When he sees someone robbing an armored money truck, he realizes it's about to get better. Apprehending a villain gives him a chance to let off some steam. But will it ease his guilt over not saving a man’s life yesterday? In Derek Landy's story, Peter's not so overwhelmed that he asks Norman Osborn to boost his spider-sense. (In Norman's current mood, he probably wouldn't help anyway). But Fission was learning to use his powers. Perhaps Fission could have matured into a hero and used his powers to help others. But he won't get that chance because Spider-Man couldn't diagnose Fission’s malfunctioning tech before it overloaded.

 

In Amazing Spider-Man Annual #1, Overtime is having a bad day. Fighting Spider-Man doesn’t make it any better. But then he realizes that Spider-Man is also hurting. So, Overtime abandons his long-term plans to ease his conscience and uses his Time Stone powers to help Spider-Man. In Derek Landy's story, Overtime can return to the same event multiple times without meeting himself. To paraphrase his conversation with Spider-Man, he can mess with the timestream without creating paradoxes. But even when he has part of his personal goal within his grasp, Overtime sacrifices his partial victory to help someone else. 

 


 

 

Art

Ron Lim and Don Ho help Spider-Man emerge from a four-panel page as skyscrapers rise to his left and motion lines streak through the sky to his right before the webslinger alights on a street light and crouches like Spidey The Hunter. Yellow police tape surrounds the broken concrete at the base of a pillar supporting an electronic billboard. Spider-Man's body language suggests more anger than amusement as the green-suited robber escalates from fisticuffs to a side-handle baton. Overtime's easygoing expression graduates to irritation, then anger when he realizes he won't accomplish his goal today.

 

 

Israel Silva lavishes a loaded palette of bright and attractive colors on Ron Lim and Don Ho’s action-packed panels in Amazing Spider-Man Annual #1. White-green energy mimics the circle on Overtime’s chest as he travels in time. Colors show depth and nuance as Overtime splashes through the wet streets, webbed Fission explodes in the rain, and the bird on the billboard changes expressions and postures. Joe Caramagna enhances Overtime's sacrificial journey with large, black uppercase letters in white dialogue balloons, white letters in green narrative boxes, enlarged colorful words, and energizing sound effects.

 


 

 

The Death Stone Saga Part 2

Story

The Death Stone rejected Nighthawk and raised Phil Coulson from the dead. Nighthawk tries to connect with Phil, but the revived man's memories are fragmented. Unlike Star, Quantum, and Overtime, Phil Coulson doesn't understand what has happened to him. But Nighthawk isn't interested in what Phil Coulson might do once he gets his head together. Like Thanos in Avengers: Infinity War, Nighthawk wants to reshape the universe. But first, he needs all the Infinity Stones. (A shiny gauntlet would also come in handy).

 

Derek Landy’s second story in Amazing Spider-Man Annual #1 doesn’t feature our web-slinging hero. Still, it’s another story about people trying to rewrite the present to suit their preferred vision of reality. Nighthawk grows more desperate to accomplish his mission here than in the Thanos Annual #1. Perhaps Spider-Man could have talked Nighthawk into making a better choice in The Death Stone Saga Part 2. As things stand, shadows cover Nighthawk's path, and his journey may grow darker with time.

 

Art

Nick Fury’s son rises from bed, pulls on his eye patch, and enters the kitchen. He gazes through the window over the sink and drinks a glass of water. Nighthawk stands atop a crypt. Like Batman or Spawn, he gazes down at Phil Coulson, sitting on the ground between the upright headstones. Coulson resembles a broken man. Yet he soon rises to regard Nighthawk. Resolve washes through his eyes as the purpose that once drove him struggles to return. But then, Tahiti is a magical place.

 

Mattia Iacono casts Nick Fury’s early morning rising in soft blues and paints the graveyard’s sky aqua green. Coulson's dark suit and Nighthawk's black costume stand out amid the pale brown trees and gray memorials. Travis Lanham enhances Derek Landy’s second story in Amazing Spider-Man Annual #1 with large, black uppercase letters in white dialogue balloons and white letters in blue narrative boxes. A shrunken final word suggests Phil Of The Dead's realization that he needs to get his head together fast if he wishes to pursue another celebrated political career.

 


 

Final Thoughts

Should we use our resources and skills to help people today or focus on correcting yesterday’s errors? Or is there a difference between the two options? In Amazing Spider-Man Annual #1, Overtime sets aside his plans to help Spider-Man, while another hero must decide if a second chance at life is worth fighting for.

 

Rating 9.3/10

 

To preview interior art see my review at Comic Book Dispatch.