Monday, March 3, 2014

Emily Bronte & the Will to Live

There's nothing like illness to give you a new perspective on life.  As I've been reading Wuthering Heights lately, it struck me that many of the characters in Emily Bronte's novel suffer from long, sustained illnesses. Here are a few examples.

Catherine loves Heathcliff, but marries Edgar Linton.  She wants the two men to get along, but each detests the other.  Following a quarrel which makes any further interaction between the two impossible, Catherine seems to waste away.  



After her death, Mr. Linton confines himself to his books, raising his daughter, and running Thrushcross Grange.  But he never stops mourning her death.  One day, while walking across the moors, he catches a cold and never recovers.  Instead, he longs for death, which will reunite him with his wife.  

Mr. Linton Heathcliff is a sickly boy.  During his youth, his body absolutely refuses to gain any strength.  He struggles on into his teens like an elderly man, needing to be supported, or even carried around.

The most noteworthy sickness of all is that of Mr. Lockwood. At the beginning of the novel, he rents Thrushwood Grange for a year. He visits Wuthering Heights, where he meets Heathcliff, his new landlord.  But he gets caught outside during a storm, and the resultant cold confines him to his rented house for months.  To help him pass the time, his housekeeper, Mrs. Dean, tells him about the people who have lived on the two estates, and her retellings constitute the bulk of the novel. Through her, we learn about Heathcliff and Catherine, their tragic love affair, and how Heathcliff, soured on life after her death, seeks his revenge on all those he believes have wronged him. Unlike the other examples, Mr. Lockwood summons the will to live, and recovers his health.

My first thought on all this is that the story is set in the late 18th and early 19th centuries, long before the invention of modern medicines such as vaccines and antibiotics.  But another thought is that most of these characters have little to live for.  Nearly all of them set their hearts on one particular thing, and when it is taken from them, they lose the ability to derive further enjoyment from life.

As with her characters, Emily Bronte's life was cut short by illness.  Like most of her characters in Wuthering Heights, she had no major career goals or work toward the end of her life, aside from her writing.  Like Heathcliff, when she caught a cold at her brother's funeral, she refused medical assistance. Three months later, her housemaid declared that she had died of a broken heart.  



In the last few years, I've reasoned that, as there's one particular thing I want to achieve more than anything else, then other activities count for little or nothing.  But my recent illness, and Emily Bronte's life and novel, suggest that a revision of my thinking may be in order.  By all means, I shall continue working toward my primary goal.  But those lesser goals still linger in my mind, tugging at my will, year after year. So are they so little after all?  Should I not devote some time on a regular basis--each day, each week, or each month--to their accomplishment?  If I were to do so, might I discover that pursuing those lesser tasks compliments my primary work?  

I have my loving wife, and my work. I don't want to fill up my workdays with too many lesser goals.  But I suppose we all need more than just one or two primary things (persons, goals, whatever) to bolster our will to live. I wish Emily Bronte had lived past the age of thirty.  Given the enduring power of Wuthering Heights, I wonder how many more novels she might have written, if only, like Mr. Lockwood, she had possessed the will to carry on.  

Dragon Dave

Related Dragon Cache entries
An Introduction to Wuthering Heights
Wealth, Poverty, & Happiness in Wuthering Heights

Friday, February 28, 2014

The Dalek Doctors


Denim: Has Master's alarm clock malfunctioned?
Pocket: No, he needed extra sleep, but I want him up now.
Denim: Shall I do the honors, boss?
Pocket: Please do.
Denim: Alert! Alert! Alert! Alert! Alert! 


Pocket: Don't worry, Master.  Mistress may not be here, but we'll help you get better.  
Denim: Medicate! Medicate! Medicate!


Pocket: Now let's get rid of that nasty, excess phlegm.
Denim: Expectorate! Expectorate! Expectorate!


Pocket: Here's a scrubby for the shower.  It'll help you--
Denim: Eradicate! Eradicate! Eradicate!
Pocket: Yes, as I was saying…eradicate excess oils and dirt that might otherwise contaminate your outer casing, and slow down healing.
Denim: Exfoliate! Exfoliate! Exfoliate!
Pocket: I think he gets the idea.
Denim: Sorry boss, I couldn't resist.


Pocket: Finally, you need some exercise and good nutrition. So--
Denim: Bake a cake! Bake a cake! Bake a cake!
Pocket: Master?  Please, come back!
Denim: He did say "Maybe when the Mistress returns."
Pocket: Yes, but I want him better now! Now! Now! Now!

Pocket & Denim Daleks

Thursday, February 27, 2014

Illness in The Empire Strikes Back

Last week, I started taking naps in the afternoon, and experienced difficulty writing.  I don't think I got much done on my novel.  My blog posts grew more expansive, and required more time to compose. I also had to abandon one post, as the topic resisted all efforts to wrestle it into shape.  

This weekend, I bottomed out.  I had no energy, and lacked the mental focus to write or even read much of anything. A plugged-up nose made it difficult to breathe, which led to tightness in the chest.  None of the medicines I took helped me unplug.  One--ironically, the one I thought might do the most good--only made breathing more difficult.  

Thankfully, yesterday I was able to focus on my novel, and met my normal writing target.  The effort left me mentally drained, and incapable of doing a blog entry.  I apologize for the latter, but hey, as much as I enjoy blogging, I need to keep my writing efforts in perspective, right?  

Since I was having trouble focusing on a sustained narrative (whether that meant writing one or reading one), I returned to The Making of 'The Empire Strikes Back' by J. W. Rinzler.  This coffee table-sized book is packed with information and photographs on all the behind-the-scenes minutia I would have killed for (figuratively speaking) while growing up.  I was able to sit down, concentrate on a section, and enjoy the pictures, without having to remember anything I had read before, or invest in a fictional character.



Of course, big productions such as "Empire" involve hundreds of people, none of whom stop getting injured or sick if you're suffering money woes.  And in July 1979, the production was significantly over-budget and behind schedule.  One day representatives of the financing bank showed up at the studios and announced that they were calling the loan, which meant they were demanding immediate repayment.  This forced George Lucas and his financial officers to scramble.  They had to find another bank willing to assume their current debt, and underwrite the remainder of an already expensive production.  And all that without letting anyone learn of their financial difficulties, which could cause cast and crew to walk away, or halt production entirely.  

That month, a key member of the cast, Peter Mayhew, the actor who played the Wookie Chewbacca, got sick.  One crew member noted, "Working in 90-degree heat wearing a 15 pound costume of yak wool and mohair would be fatiguing in itself.  If you also have to carry 35 pounds of metal on your back, it becomes a test of endurance.  But not having Peter here has meant running further behind schedule."  

There's a reason Chewbacca had to carry around 35 pounds of metal. The droid C-3PO has been shot by Imperial Stormtroopers.  Although the Wookie manages to get C-3PO functioning again, he's not yet had the time to fully repair him.  Therefore, he must carry him into the carbon freezing chamber, where he learns his friend Han is about to become a human-popsicle.



Needless to say, Chewbacca doesn't take the news well.  
 

Lando manages to free the Wookie later, but by then it's too late for Chewbacca to rescue his frozen friend from the galaxy's most feared bounty hunter, Boba Fett.  Worse, Chewbacca has to put up with C-3PO's whining. (Note: being partially assembled can make your droid crotchety).

Given that I was having trouble breathing, and lacked the ability to focus on much of anything, this section of the book spoke to me.  While I'm not at my best, I don't have to wear a heavy, uncomfortable suit, or carry 35 pounds of metal on my back.  I'm neither drowning in debt, nor faced with making payroll for hundreds of people this Friday.  I don't even have to put up with C-3PO's whining, or devote several hours each day to an extensive grooming regimen.  

Of course, I always carry a burden around: my desire to finish my stories, and to establish myself as a published writer.  But for a few days, I can afford to set that down, relax my mind, and let my body recuperate.  Then I can pick up the burden again, and renew my storytelling and publication efforts.  

Oh, and C-3PO, you can power down for awhile.  

Dragon Dave

Tuesday, February 25, 2014

Wealth, Poverty & Happiness in Wuthering Heights

One day, Mr. Earnshaw returns from a business trip with a street urchin he found in Liverpool.  As he is not in the habit of picking up waifs and strays, his decision to raise the boy as his own shocks and surprises his family.  At first his son Hindley and daughter Catherine detest the newcomer, but in time Catherine and Heathcliff become fast friends.  There’s some question as to who will inherit Wuthering Heights, as Mr. Earnshaw seems to love Heathcliff more than the others.  But upon their father's death, Hindley inherits the estate, which means that Catherine will receive little inheritance, and Heathcliff none at all. 

When Catherine comes of age, she knows that she loves Heathcliff more than anyone else.  He seems to inhabit her soul, to form a part of her very essence.  Yet marriage seems impossible, as they have no money to purchase a place of their own, and no income they can rely on.  After growing up on the rich estate of Wuthering Heights, she envisions a life of poverty awaits them if she gave into her weakness and married Heathcliff.  So she marries a neighbor, Edgar Linton, who owns the neighboring estate of Thrushcroft Grange.  She argues that she admires Linton, and that she will love him because she should, but when separated from Heathcliff, she grows argumentative and miserable. 


While admiring the paintings at www.gatehouseprints.com, I was taken aback by how the artists’ envisioned Wuthering Heights.  True, Emily Bronte hardly describes it as a great house, such as those owned by Mr. Darcy and others in Pride and Prejudice.  True, under Hindley’s ownership the interior falls into ruin.  Yet Sue Firth and Pat Bell depict the house as a rambling shack that a strong gust of wind might knock down.  It hardly seems a place where anyone would want to live.  In comparison, they portray the quiet English village of Haworth, little changed from the time when Emily Bronte lived, worked, and wrote the novel, as a place you might wish to visit, and yes, even live. 

I’ve read about seventy percent of Wuthering Heights, and I have yet to read a scene that takes place in Gimmerton, the nearby village.  The characters refer to the town, so you know they occasionally visit it.  But so far, there are no references to balls or parties, and little of the social visits or formal dinners with neighbors that form such a large portion of Austen's stories.  Instead, Bronte's characters spend virtually their entirely lives in their homes, or working on their lands, with only immediate family members and servants for company. 


Unlike Pat Bell and Sue Firth, Emily Bronte used words to conjure up her imagery.  Yet the efforts of all three challenge our definitions of wealth and poverty, and point to the sources of true happiness in life.   

Dragon Dave

Related Internet Links
Image: Haworth

Friday, February 21, 2014

Artist Dalek On The Importance Of Meat Pies


Is your Master or Mistress looking run down?  
Humans need sustenance, especially when the temperature falls.  


So when their energies falter, and their spirits ebb, get them something warm and filling right away.


Meat pies with gravy and chips are certain to recharge their batteries, and reawaken their creative impulses.  (You might also want to include some vegetables for a dab of color).


Then they can get back to their creative endeavors, freeing you to return to yours.

Artist Dalek

Thursday, February 20, 2014

Addicted To Sherlock Holmes


A while ago, I had a pastor who was a Sherlock Holmes buff. Not only did he know the original Arthur Conan Doyle stories inside-and-out, but he read novels written by other authors, including ones in which the famous detective moves to America, or investigates crimes in the present era.  At the time, I found this odd: Sherlock Holmes resettles in the United States?  A Sherlock Holmes that works in the present, using a computer and cell phone?  But back then, Sherlock Holmes began and ended for me with the TV series starring Jeremy Brett, which seemed like faithful dramatizations of the original Doyle stories.  

For whatever reason, every time I sat down to read Doyle's stories, I had trouble doing so.  But I enjoyed the Sherlock Holmes TV and movie adaptations, so I sought more out.  While I liked the recent Guy Richie films, my favorite adaptations were the faithful ones, such as the old TV series starring Peter Cushing.  But then I discovered the Basil Rathbone movies, which had Sherlock Holmes uncovering plots involving Nazis during the World War II era.   And then there was the Herbert Ross film "The Seven-Per-Cent Solution."  That movie, while rich in humor, also tackled the issue of Sherlock Holmes' drug-use head-on.  Holmes is so addled by drugs that Watson eventually takes him to see Sigmund Freud, so that the famous psychoanalyst can help cure his addiction.

When I heard about "Elementary" being set in modern-day New York, with a woman playing Watson, I didn't believe it could work.  Yet the series gradually sucked me in, and as the first season rolled along, I grew so enamored that I wrote a few blog posts about it.  Now, well into the second season, my fervor for the show is no less strong.  In fact, I recently started watching the first season on DVD, and watching the episodes quickly became compulsive activity.  One episode just wasn't enough!

Like "The Seven-Per-Cent Solution," the series delves into the topic of Sherlock Holmes' drug use.  In London, Sherlock helps Scotland Yard investigate a string of bizarre serial murders.  The killer strings his victims up in their homes, drains them of blood, and then disposes of their bodies elsewhere.  One day he meets Irene Adler.  Her intelligence, personality, and capabilities astound him.  He never believed that he could meet a woman that fulfilled him so completely, and his love for her grows by the hour.  Irene seems to share his feelings, and find more in common with him than any other person she has ever met.  Day passes after blissful day, until one evening Sherlock arrives at her apartment to find a letter from the serial killer he's been pursuing, and a pool of blood. Heart-broken, blaming himself for her death, an occasional experimentation with drugs grows into something more.  As a result, Scotland Yard refuses to allow him to assist in that or any other investigation.  Traumatized and isolated by his emotions, his career in tatters, and robbed of the woman who once fulfilled him, his descent into drugs becomes total.  

Eventually, he washes up in New York City.

There he meets Watson.  She recently gave up her career as a surgeon, because she blamed herself for the death of one of her patients.  She now works as a sober companion, and Holmes' father back in England engages her services.  So she moves into Sherlock's brownstone, periodically tests his blood, counsels him on how to handle situations that might trigger drug use, and accompanies him as he consults on cases for the NYPD.  Up until now, she has found her new occupation unfulfilling.  But Sherlock Holmes' unique view of the world, and his capabilities as an investigator, confound her.  She rises to this challenge, and offers him advice and suggestions based on her extensive medical knowledge.  

Sherlock's resistance to her constant presence (and unwanted counsel) lessens as he finds his powers of deduction strengthened by her insights, and their investigations fill the void created when she abandoned her medical career.  Her assistance increases as she begins to think like him, extending beyond sheer medical areas, and her ways of reacting to the world rub off on him.  When her period of being a sober companion ends, she finds herself reluctant to move on and care for the next recovering addict, and Sherlock invites her to stay on as his assistant.  Under his tutelage, she becomes a competent detective in her own right, whose aid is likewise valued by the police.  Ultimately, as Season One winds down, summoning up with it the ghost of Irene Adler, it is a suggestion from Watson that allows Sherlock to help the NYPD capture his old nemesis Moriarty.  

Suddenly reality intrudes, and I realize that I've watched all the episodes of Season One.  Now I must sustain myself on the occasional new broadcast episode until Season Two is released.  If only I could fast-forward in time, and receive that DVD set tomorrow.  For despite being set in contemporary New York, with Sherlock Holmes a tech-savvy recovering drug addict, and accompanied by a female Watson, "Elementary" seems to have become the best TV adaptation of Sherlock Holmes I've ever seen!

Maybe I'd better give those Arthur Conan Doyle stories another try.

Dragon Dave

Related Dragon Cache entries
John Hannah and Sherlock Holmes Play With Drugs
Sherlock Holmes Plays With Sticks

Wednesday, February 19, 2014

"Nebraska" & The Elderly


In the movie "Nebraska," elderly Woody Grant believes that he's a millionaire.  He believes this because he receives a letter from a sweepstakes company, which states that he's won a million dollars. Several times he sets off walking from his home in Billings, Montana, only to be intercepted and returned home.  Finally, his son David takes time off work to drive him to Lincoln, Nebraska, where the company that runs the sweepstakes is located.

Why drive to Nebraska, you ask?  Well, you wouldn't trust the post office with a million dollars, would you?

All the way, David tries to get his father to see sense.  He argues repeatedly that Woody hasn't won a million dollars.  But Woody believes, and because he's hoping for a final chance to understand his father, David puts up with all of Woody's idiosyncrasies.  Unfortunately, his father knocks open his head during a fall, which necessitates a night in the hospital, and thus somewhere to spend the weekend, as the sweepstakes company won't reopen until Monday.  The two end up staying with Woody's brother, in Woody's hometown, where later that weekend, David's older brother and mother join them.  The rest of the movie largely takes place there, and by meeting his relatives, and the people he grew up with, we (and David) learn more about this quiet, elderly man.

If you've undergone a similar situation with a relative, then you may find "Nebraska" uncomfortable to watch.  At times, I suspect most viewers will squirm in their seats.  The movie addresses how well-meaning (and not so well-intentioned) relatives and friends treat the elderly.  It reminds us how we often expect rewards for our kindnesses to others, while forgetting all the kindnesses they have paid us.  Gradually, we get to know Woody, who never says much, and who refuses to relinquish a few desires that make no sense to others.  We also learn why his wife fell in love with him, why she found it necessary to drag him away from his hometown, and why it's so important to him to collect that million dollars.  

The Black & White photography in "Nebraska" focuses on the characters, instead of letting us get distracted by the scenery.  The music enhances their isolation from each other, as well as what occasionally draws them together.  The story takes us on a journey into our regrets, our hopes, our confusion, our pain, and how we interact with others.  While it's often humorous, the movie is also quiet and reflective, as this little snippet of conversation toward the end of the film reveals:


"Does your father have Alzheimer's?" a woman asks David.
"No.  He just believes what people tell him."
"That's sad."
"Yes."

It would have been easy to have ended this film on a down note, to reinforce the skepticism of modern life.  Alternatively, the filmmakers could have opted for a miraculous ending, presenting us with a pleasant fantasy that rewarded Woody's unrealistic belief.  Instead, this character-driven film ends by allowing both David and Woody to forge their own victories.  David's heart-warming decision makes him a winner. And Woody's suggestion (which David graciously grants) allows others to look up at this confused, elderly man.  Some of them, for the first time in their lives, regard him with expressions of awe.  

And David, the son who really wanted to understand his father?  He wears a smile.

Dragon Dave

Tuesday, February 18, 2014

A Beautiful View of Haworth



After reading last week's "An Introduction to Wuthering Heights," my wife remembered a beautiful print we purchased during our visit to Haworth in 2012.  It was just one artifact of our travels that had remained packed away, waiting to be rediscovered.  So she found it, and we set out for Michaels, our local art supply shop, to get it framed.

Anywhere you travel, you encounter differences that seem negligible, but later realize are huge.  Such was the case with this little art print, which had been presented in a beige matte suitable for framing. Unfortunately, American paper--and therefore frames--are sized differently from their English counterparts.  We were prepared for this, as we had purchased two larger matted prints during our trip to England in 2011, only to return home and discover that Michaels wanted over $70 to custom frame each one (and that was using their 50% off coupon).  So this time, we prepared to purchase precut frame sections, and then cut down a piece of glass to fit.  What we learned this time was that these precut sections started at 8 inches, and the matte for our Haworth print measured 9 1/2" x 7 3/8".

For every problem, there is a solution.  In this case, we went to the custom framing counter, stripped off the shrink-wrap, and separated the matte from the cardboard backing.  The print was only taped to the back of the matte, so it was a simple matter to measure it.  The woman working in the framing office came out during this, and using her tape measure, we learned that the print was larger than the opening in the matte, and would accommodate a 5" x 7" matte.  We purchased a similar precut matte and an off-the-shelf frame for less than $10, and didn't even have to cut a piece of glass!  

If I hadn't wanted to read Wuthering Heights, we wouldn't have visited Haworth.  If I hadn't written a post about reading the novel, my wife might not have remembered the print we purchased that day in the village for two English pounds (or quid).  It could have remained packed away for years, never framed, just another memento that never saw the light of day.  Instead, while I read, I'll think of Gimmerton, the fictional village referenced in the novel. The print may even inspire me when I sit down to write a scene for one of my own stories.  



The print may also lead me to spend more time sketching. Pat Bell (who created our beautiful view of Haworth) and partner Sue Firth at Gate House Prints do excellent work.  I paged through the Yorkshire section of their website, and their depictions of Aysgarth Falls, Hawes, Ribblehead, Askrigg, and Haworth took me back once again to those beautiful places.  I'm inspired to create scenes equally evocative, or at least to try.  Yorkshire artist Ashley Jackson, whose artistic sensibilities were formed in part by the Bronte sisters' stories, offers just such encouragement on his Facebook page.  Really, what have I got to lose, except the insignificant cost of my pencils and paper, and a little of my time?  As with my writing and blogging, all I need to do is try.

Dragon Dave

Related Dragon Cache Links
An Introduction to Wuthering Heights
Wealth, Poverty & Happiness in Wuthering Heights
Emily Bronte & the Will to Live

Related Internet Links
Take an artist's tour of England with Pat Bell and Sue Firth at http://www.gatehouseprints.com.

Monday, February 17, 2014

Celebrating Brian Michael Bendis

Comic Book Heroes


Brian Michael Bendis has written so many great comics that he's become an architect of Marvel Comics.  This means that he helps chart the course a particular character will pursue in the long term, helps juggle all the characters in their various magazines, and plans big crossover events between titles.  His stories must stand on their own, work within a larger story arc (which frequently encompasses 4-8 issues), and also pave the way for shocking plot developments and character revelations years in the future.  In addition to his work for Marvel, he also writes (and occasionally draws) his own creations.  He's exceptionally hardworking, creative, and responsible, which is why the fans love him, and why all the big (and small) comics publishers want him to work for them.  

Discovering him, and reading his stories, has proven a real treat. While I enjoy much of what he's done, my particular favorites are his Ultimate Spider-Man stories, which blend fun superhero action, charming characters, involving drama, and of course, Peter Parker's trademark wit.  I must ask you to take care as you peruse the following Bendis posts: it's entirely possible that you'll not only find them pleasing, but be tempted to buy some of the books he's written.  Steel yourself, or you could end up filling your bookcases in no time flat! 

Dragon Dave

Related Dragon Cache entries
Brian Michael Bendis & Spider-Man
Captain America's Philosophy 
Identifying with Spider-Man
Richard Castle's First Graphic Novel

Friday, February 14, 2014

The Dalek River-Invasion


K-9: There go the Water Police again.  I wonder why they're on alert?



Artist: It can't be us.  As if Daleks would invade London via the Thames!



Rex: It's do-able.  If we could hire that ship for the weekend…  


K-9: Halt your strategizing immediately!  Daleks will not invade London via the Thames!!

K-9, Artist & Rex