Showing posts with label Laurence Campbell. Show all posts
Showing posts with label Laurence Campbell. Show all posts

Saturday, February 17, 2024

The One Hand #1 Review


 


Writer: Ram V.

Artist: Laurence Campbell

Colorist: Lee Loughridge

Letterer: Aditya Bidikar

Cover Artists: Tom Muller, Laurence Campbell & Lee Loughridge

Publisher: Image

Price: $3.99

Release Date: February 7, 2024

 

After a long and successful career, Detective Ari Nassar is retiring from the Neo Novena Police Department. He seems resolved about his upcoming lifestyle change. If boredom strikes, Ari can always train boxers at the gym again. Will he let anything get in the way of the rest of his life? Let's leap into The One Hand #1 and find out!

 

Story

Ari receives retirement cards. His fellow police give him presents. He eats his cake and enjoys his party. Then he notices Detective McCormac enter Lieutenant Souza's office with a file. He watches them converse through the office windows. The Lieutenant closes the blinds. That only confirms Ari's suspicions. He enters the office and picks up the file. One glance is enough. "I got this one, Lieutenant," he says.

 

Twenty-three years ago, Ari caught a serial murderer. Years later, the pattern repeated. So he caught the next killer. Was the second killer a copycat? The police never released details from the original crime scenes. Now, the old pattern has resumed. Another crime scene. Another meticulous recreation of the original killer's MO. Ari's not about to sit this investigation out.

 

In The One Hand #1, Ram V. introduces us to a detective who never had an overriding ambition to become a police officer. Nor was Ari particular about what crimes he solved. He did the job and never sought the limelight. Yet Ari yearns to answer the question that cast a shadow over his career. Did he arrest the wrong people? Or were the deaths part of a larger mystery he never even suspected?

 


 

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Art

Outside light makes the immense windows in Ms. Halam’s office glow. The blinds cast stripes across Ari's pitted features. He assures the police psychiatrist he's okay. Yet Ari remembers ducking beneath police tape in the pouring rain and entering the crime scene in The One Hand #1. Flame from his lighter and CSU floor lights illuminate the writing on the wall. Lines and blocks form square patterns on the wall. What message did the killer try to communicate?

 

Lee Loughridge lavishes a limited palette upon Laurence Campbell’s art. Glowing signs, windows, headlights, and streetlights turn the purple sky red, yellow, and orange. An unseen figure sprays a hand red. A victim lays slumped, colored solely in red. Ari's precinct seems impersonal, lost in yellow and beige. Orange and red warm Lieutenant Souza's office as Ari confronts his superior. Like the falling rain, the loneliness and isolation of Neo Novena seep into your pores in The One Hand #1.

 

Aditya Bidikar fills white dialogue balloons and narrative boxes with large uppercase black letters as Ari shares why he joined the police. No words accompany scenes of Ari’s retirement party or when he exits the 1950s-style cab, walks past immense Roman columns, and enters the police department. As Ari walks past a display of glowing TVs in the rain-soaked street, the rounded vacuum tube screens shout the news he dreads to hear. The One-Hand Killer Strikes Again!

 

Thanks to Image for providing a copy for review.

 

Final Thoughts

After a long and storied career, a retiring detective leaps back into the fray to solve the case that made and plagued his career in The One Hand #1.

 

Rating 8.8/10

 

To preview interior art see my review at Comic Book Dispatch.

Thursday, June 29, 2023

Hellboy And The B.P.R.D.: Fearful Symmetry #1 Review

 


Writers: Mike Mignola & Chris Roberson

Artist: Alison Sampson

Colorist: Lee Loughridge

Letterer: Clem Robins

Cover Artists: Laurence Campbell with Dave Stewart

Publisher: Dark Horse

Price: $3.99

Release Date: June 28, 2023

 

To quote Hellboy, the last time he helped a friend of Professor Bruttenholm’s, "it didn't go so well." Still, when anthropologist Dr. Narendra Jaiswall calls, Hellboy travels to the University of Sagar in Madhya Pradesh, India. Will things go any better this time? Let’s load our four-round revolvers, leap into Hellboy And The B.P.R.D.: Fearful Symmetry #1, and find out!

 

Story

Meet Virginia Payne, a doctoral student intrigued by recent animal attacks. After getting her Bachelor's degree at Harvard, she’s doing a doctoral thesis on the folk beliefs of tribal groups in rural India. The authorities see nothing suspicious in the rash of wild tiger attacks. But according to the villagers she questioned, the attackers walked on two legs, not four.

 

Virginia and Hellboy tracked down a monster seven years ago. She knew him as a boy who read comics. Now she sees him as a man. Hellboy And The B.P.R.D.: Fearful Symmetry #1 isn’t Hellboy In Love, but "Ginny" opens up to her former friend and seems to treat him as an equal. That proves a good thing when a villager ventures outside his hut, only to fall into the embrace of a striped, furry attacker.

 

Virginia and Hellboy make an effective team. They don't waste time arguing or playing games with each other. Instead, they get right down to business and investigate the attacks. When thrown a curve ball, they adjust their strategy and press on. The ending satisfies yet hints that all is not quite as it seems.

 

Art

Virginia's eyes glow with affection and intelligence in Hellboy And The B.P.R.D.: Fearful Symmetry #1. While Hellboy’s demeanor shows his indifference to the mysterious, she seems amazed by all the possibilities life will throw her way. His too-wide mouth, bull neck, and clunky-looking arm make Hellboy look like a human-sized Iron Giant Hells Angel. The way Alison Sampson draws Virginia sideways in a panel takes some getting used to, as does Hellboy’s one-page turntable-style tiger takedown. More fluid transitions between panels and consistently detailed backgrounds would have helped me feel more grounded. Still, the scenes of the two driving through farmland and remote villages transport me to India, and the images accompanying their conversations emphasize the richness of Indian culture.

 

 

Lee Loughridge utilizes a limited color palette in Hellboy And The B.P.R.D.: Fearful Symmetry #1. Interiors draw on reds and pinks, while outsides trend toward greens and browns. Harsh sunlight threatens to turn everything yellow, while lavenders and grays inhabit evenings. Virginia may look bleached in direct sunlight and green in shadow, but Hellboy always burns red. While Sampson and Loughridge’s imagery reminds me of Elizabeth Shaw's dreams in Prometheus, the disconcerting evening scenes suggest Film Noir.

 

Clem Robins helps us hear dialogue with easy-to-read black letters in appealing white balloons and boxes. The tigers' growls confirm Hellboy’s suspicions and sound effects hit you as powerfully as his demon hand.

 

Final Thoughts

Appealing characters, intriguing art, and an involving story make Hellboy And The B.P.R.D.: Fearful Symmetry #1 an oddly satisfying read, regardless of whether you've read earlier Hellboy stories or William Blake's famous poem.

 

Rating 8.4/10

 

To preview interior art see my review at Comic Book Dispatch.