Showing posts with label Pablo Tunica. Show all posts
Showing posts with label Pablo Tunica. Show all posts

Tuesday, September 30, 2025

Godzilla: Escape the Deadzone #2 Review


 


Writers: Ethan Parker & Griffin Sheridan

Artist: Pablo Tunica

Letterer & Design: Nathan Widick

Editor: Jake Williams

Cover Artists: Pablo Tunica & Juan Gedeon

Publisher: IDW

Price: $4.99

Release Date: September 17, 2025

 

Some dubbed them demons. Others proclaimed them gods. Whatever people called them, the kaiju rose from the oceans to wreak destruction upon the land. The United States declares the Pacific Northwest uninhabitable. But as people scrounge amid the Deadzone, they find a way to survive.

 

While searching wrecked stores for cigarettes and drinking alcohol in ramshackle bars, survivors draw strength by sharing their encounters with the kaiju. Lacking cellphones and social media, people trade in urban legends. One concerns a man with a kaiju tail. Who is he? And what allows him to walk into the kaiju-held zones where others fear to tread? Let’s scrounge a Slurpee from a trashed 7-11, leap into Godzilla: Escape the Deadzone #2, and see!

 

Story

With his thick skin, claws, and determination, the Wanderer subdues beasts that defy guns, rockets, and bombs. Like a mutant Mad Max, people hire this mercenary to protect their towns or tame the smaller kaiju. Some see him as a fulfillment of prophecy, a savior of the ruined lands, come to deliver them from their kaiju oppressors.

 

When the Wanderer encounters two kaiju fighting, he discovers two Human children controlling them. In Godzilla: Escape the Deadzone #2, he learns who oversees the children's efforts. Instead of fearing the kaiju, these people believe the monsters are ushering in the next stage of Human evolution.

 

Ethan Parker & Griffin Sheridan’s story shows how tough times reshape Human society. People living in fear often break the social contract, such as by hoarding food and severing relationships. In this otherworldly tale, the kaiju DNA is spreading mutations across the Human population. A visionary leader urges people to welcome this transformation of their world. Some embrace the leader's teachings. Others wonder if hardship and suffering have driven her crazy.

 

Art

As Norman stares at a bottle on the floor, his wife forms a fetal position on the couch. Their dirty, trash-filled living room boasts cracks in the walls and broken windows. Laundry dries on a line before exposed pipes. Covered in dirt and blemishes, his wife keeps her back to him as she tells him it’s over. When Norman steps outside, the door slams behind him in Godzilla: Escape the Deadzone #2. In an instant, the rich greens, blues, and purples fade to light blue and black.

 

Streaks of green fall as Norman smokes on the front porch of this fragile yet retrofitted home. More streaks of green, brown, and yellow form a reflective appearance in the wet street. A stranger approaches and hands Norman a red parchment. The dark red image and lettering suggest a flyer written and drawn in blood.

 

As Pablo Tunica fills Godzilla: Escape the Deadzone #2 with fanciful characters, eye-catching settings, and imaginative mutants and kaiju, characters speak black uppercase letters into edgy, cloudy, and spiky dialogue balloons. The letters grow bold for intonation, swell for raised voices, and rarely shrink. Squiggly lines connect each speaker’s dialogue within and across panels. Nathan Widick paints the black uppercase narration on orange boards with rough-hewn edges. Sound effects start small, but increase in frequency, size, and Kai-Sei energy when a mistreated character grows enraged, and a startling metamorphosis occurs. Thanks to IDW for providing a review copy.

 

Final Thoughts

While everyone else struggles to survive, one man makes the wasteland his own. The narrator claims this powerhouse mutant has no memory of the time he was Human. Yet even as he transforms into a beastly rage, the Wanderer protects children from harm and cherishes a tattered photo in Godzilla: Escape The Deadzone #2.

 

Rating 9.7/10

 

For more cover art see my review at Comic Book Dispatch. 

Thursday, August 7, 2025

Godzilla: Escape the Deadzone #1 Review


 


Writer: Ethan Parker & Griffin Sheridan

Artist: Pablo Tunica

Letterer & Design: Nathan Widick

Editor: Jake Williams

Cover Artists: Pablo Tunica, Rod Reis & Caspar Wijngaard

Publisher: IDW

Price: $4.99

Release Date: August 6, 2025

 

Once, people in the Pacific Northwest lived amid serene beauty. They enjoyed running water, electricity, readily available food, and comfortable homes. Then the kaiju came and took all that away.

 

Like Nirvana, Pearl Jam, Soundgarden, and Alice In Chains, the giants tore across the land and made it their own. The US government declared Seattle uninhabitable. Those who remained among the rubble dubbed it the Deadzone. How do the inhabitants survive without Amazon, Microsoft, and Seattle's creative music scene? Let’s grab our survival kits, leap into Godzilla: Escape The Deadzone #1, and see!

 

Story

Whether we worry about turning off the lights, making our mortgage payments, or surviving a war, stories get us through the dark times. In Ethan Parker and Griffin Sheridan’s tale, one locus point of civilization is the corner bar. People gather there to discuss the realities of life.

 

In these uncertain times, fantasy and reality intertwine. As they search for scraps of food, clothing, and whatever they need to survive, the locals see things they can’t explain. There are the monsters who came to Earth. Then, there are the people who become monsters.

 

While those at the outdoor cantina muse about the changes life brings, Godzilla: Escape the Deadzone #1 focuses on one man. He hides his appearance from others and perhaps even from himself. Yet, in becoming one with his new environment, he flourishes while others live in fear. He wouldn't see things that way. The man with a kaiju tail cherishes memories of his former life. Yet, whether man or monster, he inspires others. And so, they create stories about him.

 

Despite the narration, or perhaps because of it, a silence hangs over Godzilla: Escape the Deadzone #1. People share stories about this “monster man.” We never learn his name. Yet, as he helps others and seeks to tame the wilderness, we admire him. As he leaps into situations that would overwhelm others, he forges his future rather than letting others define it for him.

 

Art

Pablo Tunica contrasts Seattle's gleaming towers with those walking the streets. Then, he introduces a man working at his desk. Amid his cluttered workspace is a Polaroid of a smiling woman. A note reminds him not to work too long. Then he stands with his coworkers as an enormous eye looms like the sun outside the window walls.

 

After revealing the man’s former life, Godzilla: Escape the Deadzone #1 shows how civilization stumbles on. People cobble together whatever materials they can find. The protagonist dresses in a green jacket, a yellow hoodie, a baseball cap, and enormous work boots. His large hands, now as brown and tough as his tail, sprout yellow claws. When the kaiju attack with their amply jointed limbs, enormous maws, and eyes adorning their ridged spines, he is ready for them.

 

Nathan Widick fills Pablo Tunica's evocative panels with black uppercase narration in orange paper scraps. Characters speak into edgy white balloons with arrows as disjointed as their lives. Sound effects shake the ground. Screams and roars alert people of approaching kaiju. Distorted letters in bubbly balloons reveal how some people cope with tough times. After shouts turn balloons spiky, an arrowless balloon heralds a discovery that could change everything. Thanks to IDW for providing a review copy.

 

Final Thoughts

The kaiju do more than destroy buildings and infrastructure. As they bring their radically different bodies among us, they change what it means to be Human. In a world where he doesn’t belong, Godzilla: Escape the Deadzone #1 follows one man's relentless march toward whatever the future brings.

 

Rating 9.8/10

 

For more cover art see my review at Comic Book Dispatch. 

Wednesday, September 11, 2024

TMNT Best Of Dark Leo #1 Review

 


Writers: Kevin Eastman, Bobby Curnow, Tom Waltz, Sophie Campbell

Artists: Mateus Santolouco, Mike Henderson, Sophie Campbell, Pablo Tunica, Zach Howard, Cory Smith & Joylon Yates

Colorist: Ronda Pattison

Letterer: Shawn Lee

Cover Artist: James Biggie

Editors: Maggie Howell & Nicolas Niño

Design & Production: Sandy Tanaka

Publisher: IDW

Price: $6.99

Release Date: September 4, 2024

 

TMNT (2011) #24: Story

In City Fall: Part III, Oroku Karai yearns to prove herself. Shredder promises his granddaughter that she will bathe her katana in blood today. On a rooftop, Old Hob, Donatello, Splinter, and Rafael gaze down on a warehouse. Donatello and Rafael aren't sure they can trust Old Hob, but Splinter believes Old Hob knows where Leonardo is. After Michelangelo befriends the hulking turtle Slash, Rafael and Donatello's instincts prove correct when Old Hob leads them into the dark warehouse and locks them inside.

 

This first story in TMNT Best Of Dark Leo #1 shows Shredder consumed by the past. Angry with his rival, he turns Leonardo against Splinter and his family. Shredder fails to live up to his promise to his granddaughter. City Fall: Part III puts Splinter and the turtles through an emotional meatgrinder as Leonardo disowns his family and declares that Shredder is his master.

 

TMNT (2011) #24: Art

In City Fall: Part III, Karai fights through time-lapse photos. She stands beside Shredder while Alopex takes her grandfather's opposite side. A metal helmet and black mask obscure Shredder's features, while Karai and Alopex wear masks of anger. Rafael and Donatello’s faces reveal their pain and uncertainty, while Michelangelo’s expression shines with his belief in the transformative power of kindness. Dark Leo reveals the soul-robbing power of anger and revenge with his frown and the blue mask he tosses to Splinter.

 

TMNT (2011) #29: Story

In Northampton: Part 1, April O'Neil takes Casey Jones to meet her parents. Recent events in New York have left everyone reeling, so she's bringing the turtles and Splinter along. She sets Splinter and the turtles up in the barn. Then, Alopex appears. She claims that she fled New York after a fight with Shredder and is no longer a member of the Foot Clan. This shift in loyalties is something she shares with Leonardo, as he still struggles to separate memories of his family from Shredder's programming.

 

This second story in TMNT Best Of Dark Leo #1 navigates the difficulties in family and relationships. As Casey speaks with his mother in a dream in TMNT #24, Leo seeks harmony with his mother in TMNT #29. But fathers loom larger in Northampton: Part 1. Casey feels estranged from his father. Leonardo still disowns Splinter as his father, and Alopex no longer views Shredder as her master. While April's mother wears a brave face, her husband recovers from a stroke. April worries that the turtles will disturb the harmonious environment her parents sought to facilitate her dad's recovery. Still, recent events at Stockgen and something April says arouse her mother's concerns.

 

TMNT (2011) #29: Art

The art in Northampton: Part 1 gives the Turtles' idyll in the woods a homespun appearance. April looks young and innocent, her tousled hair restrained by a ponytail. Black cloth covers Leonardo's arms and legs. A black utility belt adorns his waist. Green turtle faces frame a yellowed depiction of the subsequent fight, while the orange and green foliage give the woods an autumnal glow. After Alopex shares her departure from the Foot Clan in a blue and white montage, Leonardo's memories unfold in beige tones while he kneels beside a dark lake and gazes at the moon in the purple sky.

 

TMNT (2011) #132: Story

The Turtles miss Splinter. In his absence, Shredder leads them. The overturning of their longstanding feud with the leader of the Foot Clan fills the Turtles with uncertainty. But no one struggles more than Leonardo. Dark Leo inhabits his mind and makes him doubt his leadership skills. The Turtles have mastered martial arts. Now, Shredder instructs them in the spiritual aspects of being a ninja. Their journey is an inward one. Donatello, Michelangelo, Rafael, and Jennika need an altered perspective. But Leonardo must utilize what he learns to battle Dark Leo for mastery of his soul.

 

TMNT (2011) #132: Art

Leonardo walks through the woods in this third story in TMNT Best Of Dark Leo #1. Dark Leo perches in the branches of a barren tree. Then he leaps down and battles Leonardo. Shredder left his costume behind. He sinches his black hair into a ponytail. Clad in a purple robe, Shredder follows Yoda's example and guides the Turtles through the jungle. While Porgs gently glide around the Turtles, these otherworldly spirits help the Turtles create glowing statues. Shredder instructs them amid a purple haze of darkness and the greenery of Northampton. As the cover promises, an evening communing around a campfire turns the fire blue and summons the spirit of their former master.

 

TMNT Deviations #1: Story

In this final story in TMNT Best Of Dark Leo #1, darkness falls on the Turtles. Under Kitsune's spell, they seek out their former master. Old Hob helps them capture Splinter. This alternate-world story probes the darker nature of ourselves. Without Splinter's restraint, Dark Leo, Rafael, Donatello, and Michelangelo have accomplished what Shredder's other ninjas could not. The Turtles have subdued all the gangs of New York. Shredder controls the city. But the Turtles' rise means others fall, and loyal soldiers like Karai and Alopex have something to say about that. A surprising turn for Casey's father and Old Hob and Slash’s return forms a satisfying conclusion to this four-part collection.

 

TMNT Deviations #1: Art

The Turtles crouch in darkness. Black masks and red bandanas obscure their features as they fight. Only their weapons signal their identities. Splinter has never appeared more vulnerable than in this brutal street fight where his sons wear Shredder's emblem. Dark reds, blues, and purples accompany the highly detailed penciling as the Turtles punish their former master. Shredder sits on a golden throne borrowed from Ming The Merciless. Kitsune frowns beside him, but Shredder lifts his clawed hand to silence her concerns as Karai and Alopex observe the confrontation in the blued distance within a green wood panel hall.

 

Shawn Lee casts large uppercase letters into dialogue balloons and narrative boxes in TMNT Best Of Dark Leo #1. The font size and line spacing make for easy reading. The lettering master also heightens the action with sound effects. Thanks to my compadres at IDW for providing a copy for review.

 

Final Thoughts

Leonardo confronts the darker side of his nature in TMNT Best Of Dark Leo #1. The stories contemplate the role of fatherhood in our lives and reveal Master Splinter's centrality to the TMNT Universe.

 

Rating 9.8/10

 

To preview interior art see my review at Comic Book Dispatch.