Showing posts with label John McCrea. Show all posts
Showing posts with label John McCrea. Show all posts

Sunday, January 18, 2026

Babs: The Black Road South #1 Review

 



Writer: Garth Ennis

Artist: Jacen Burrows

Colorist: Andy Troy

Logo, Production & Letterer: Rob Steen

Cover Artists: Jacen Burrows & Andy Troy; John McCrea & Mike Spicer

Editor: Tom Peyer

Publisher: Ahoy Comics

Price: $4.99

Release Date: January 14, 2026

 

The city-state of Matazak is abuzz as spectators fill the arena. The announcer welcomes Emperor Gabbagool the Ninth’s subjects and promises them a rousing spectacle. As people fill the stands, purchase refreshments, and place their bets with the bookies, they watch as a newcomer enters the arena. Who is Babs? And can she defeat Yorikk the Ginger? Let’s leap into Babs: The Black Road South #1 and see!

 

Story

Yorikk may have earned a fearsome reputation in Matazak. But this battle is personal for Babs. Like Steven Tyler, her childhood nurse taught Babs that getting even was better than getting mad. So, when she enters the arena, Babs takes out her childhood disappointment on Yorikk.

 

Babs: The Black Road South #1 introduces Babs and her friend Izzy. Despite the protestations of Babs’ talking sword, the girls make a killing and enjoy a mad night on the town. Garth Ennis imbues his medieval fantasy world with modern appeal as the girls check into the Tyrannical Suite and start their pub crawl at Pale Elric's. But trouble finds them when they make plans in their inebriated state.

 

This debut installment features cultural references and pays homage to literature, comics, and cinematic fantasy. The dialogue may be saltier than the sea-elves serving aboard the good ship Marillion, but the hijinks are all in good fun. Still, Babs and Izzy would do well to listen to Barry, even if the talking sword wants to curtail their frivolity. But as they don't, Babs must face her fears in Babs: The Black Road South #1.

 

Art

The announcer wears Shakespearian attire as he speaks into a branched brass horn, while Babs dons armor before spilling blood. The Human, Elven, and fantasy-race spectators watch from their concrete benches. Izzy stands with the bookies as they take bets and track the odds on their whiteboards.

 

Andy Troy lavishes a loaded palette on Jacen Burrows’ detailed art in Babs: The Black Road South #1. After their day at the arena, Babs and Izzy visit the Ryvendale Loriental, a multistory hotel adorned with Ionic pillars and Gothic windows. They check in with the receptionist in a grand lobby. Then they enter a suite filled with bearskin bed comforters, a chaise lounge, a freestanding wine rack, a scalloped bathtub, and a stuffed dragon head above the brick fireplace.

 

Rob Steen aids the bikini-armored barbarian and the Zula-like Izzy with black uppercase dialogue in white balloons. The letters grow bold for intonation and swell for raised voices. Dialogue balloons sprout spikes when the girls belt out their favorite song via fish preserved on wooden sticks. Barry's quillons gesture as he speaks or covers his gleaming gem when his owner's antics overwhelm him. Giant black words outlined with white rise above the tables as Babs and Izzy wow their fellow drinkers.

 

Bonus Features:

In "Here Today, Scone Tomorrow," Mallory tackles the pros and cons of gentrification. "A Trail in a Timeline" by Byron Ackerman ponders the seemingly innocuous acts that determine our future. While Joe Orsak contributes a black-and-white illustration for the first chapter of a potential crime saga, Rick Geary’s drawing evokes the moment when the 14th Doctor got a second chance at life. The Editor's Notes page contains poems from a writer compared with Taylor Swift and Kanye West, and the author who sought the Prince Regent's patronage in Black Adder the Third. Thanks to Ahoy Comics and Superfan Promotions for providing a review copy.

 

Final Thoughts

It's not easy to plan your future when you're a freebooting barbarian. Still, Babs and Izzy are up for anything. But like anyone making a big purchase, the wild warrior women battle buyers’ remorse in Babs: The Black Road South #1.

 

Rating 9.4/10

 

To look inside see my preview of Babs: The Black Road South #1


Sunday, September 28, 2025

DC’s Zatannic Panic! #1 Preview

 

 

Her father was one of DC's earliest characters. Giovanni Zatara was a stage magician and superhero who sacrificed himself to save his daughter's life. This anthology begins by showing how deeply Zatanna cherishes her father's memory. How much more will it reveal about the heroes she fights alongside, and the villains they battle?

Here's all the info from DC Connect:

 

DC’s Zatannic Panic! #1

Writers: Daniel Warren Johnson, Roberto Recchioni, Andrew MacLean, Lyndon Radchenka, Callie C Miller, Rowan MacColl & Cavan Scott

Artists: Riley Rossmo, Gigi Cavenago, Andrew MacLean, John McCrea, Rowan MacColl & Don Aguillo

Cover Artists: Lee Bermejo, Daniel Warren Johnson & Sean “Raiko” Tay

Publisher: DC Commics

Price: $9.99

Issue Length: 80 Pages

Release Date: October 1, 2025

 

A haunting anthology to usher in the Halloween season!

 

Spooky stories for terrifying times, featuring bone-chilling tales from some of comics’ most fearsome fabulists and harrowing artists! With spine-tingling shorts starring Batman, Ambush Bug, Raven, The Demon, Plastic Man, Swamp Thing, and, of course, the Mistress of Magic herself, Zatanna, as they summon spirits and struggle against the supernatural!

 

 

Now, let's take a look inside:

 

 


 

 


 


 

 

Thanks to DC Comics for sharing this preview with us.

Thursday, April 20, 2023

Creepshow TP Vol 1 Review: Part 1

 

Creepshow Volume 1 Review

Writers: Chris Burnham, Paul Dini, Steve Langford, David Lapham, Maria Lapham, Steve Foxe, L Marlow Francavilla, Francesco Francavilla, Ariela Kristantina, Kyle Starks, Henry Barajas, Steve Orlando, Clay McLeod Chapman

Artists: John McCrea, David Lapham, Erica Henderson, Francesco Francavilla, Jorge Corona, Fran Galán, Dani, Marianna Ignazzi, Anwita Citriya

Colorists: Adriano Lucas, Mike Spicer, Trish Mulvihill, John Francois Beaulieu, Brad Simpson, Fabiana Mascolo, Jordie Bellaire

Letterer: Pat Brosseau

Cover Artists: Chris Burnham & Adriano Lucas

Publisher: Image Comics

Price: $14.99

Release Date: March 22, 2023

 

The 1982 Creepshow movie ripped through cinemas with stories written by Horror master Steven King. The movie spawned two sequels, a comic book novelization, and the TV series Tales From The Darkside. After owning the ‘80s, Creepshow refused to die, returning with a web series, a streaming TV series, and Scholastic tie-in books. It's even returned to comics courtesy of the good folks at Image. Are you ready for ten new terrifying tales? Then let’s dig into Creepshow Volume 1 and brave what we find inside!

 

Take One

Writer & Artist: Chris Burnham

Colorist: Adriano Lucas

 

When three Trick Or Treaters ignore written instructions—and memories of draconian punishments awarded by the former owner of a shuttered house—they discover that Death still has its sting. Burnham’s story reminds us of society’s current trend away from traditional Trick Or Treating, and the ending highlights the sometimes twisted ethics of horror stories. Detailed penciling, tilted camera angles, silhouettes, textured coloring, and excellent shading and light sources give this comic a film noir appeal. The over-the-top violence and gore make Take One a fitting companion to Spawn: Unwanted Violence. Strangely, the morning after welcomes an October sun. Did the boys get their dates mixed up? Was that why we saw no other Trick Or Treaters on those dark streets?

 

 

Shingo

Writers: Paul Dini & Stephen Langford

Artist: John McCrea

Colorist: Mike Spicer

 

A daughter’s birthday party becomes the latest battleground for separated parents. Shingo asks: when parents refuse to get along, how does this affect their children? The circular nature of the story suggests how parents can initiate a cycle of dysfunction and abuse that lingers for generations. Its lighter, humorous tone allows readers to recover from the last story's graphic excess. The art’s more Golden Age than Modern and reminds me of the EC horror comics that the United States Senate called a Comic Book Menace in 1954.

 

The Gorgahmorahh Tree

Writers: David Lapham & Maria Lapham

Artist: David Lapham

Colorist: Trish Mulvihill

 

Dysfunctional families enrich the soil in which horror stories grow. The way Lapham draws people in The Gorgahmorahh Tree reminds me of his 90s Harbinger run. Each panel compels as Lapham contrasts the majestic, ancient tree with Daphne’s cluttered, disordered home. How much of what occurs is real? How much does Daphne imagine? This third story in Creepshow Volume 1 evokes classic episodes of The Avengers, Night Gallery, and Doctor Who. It also reminded me of Patrick Ness' novel A Monster Calls and the 2016 movie. An unreliable narrator, a tortured daughter, and mesmerizing art turn an old gardener's adage on its head in this unique take on an oft-told story.

 

Creator’s Rites

Writer: Steve Foxe

Artist: Erica Henderson

 

Creator’s Rites tackles elder abuse: a subject most don't want to face. Compare the years it takes to become a doctor or nurse with the weeks of preparation (perhaps via the Internet) to work in a nursing home. We may never become luminaries in the comic world, but if we live long enough, we’ll all need help meeting our basic needs. Do Henderson's Old School TV animation style and vibrant coloring blunt the edges of Foxe’s story or make them sharper? Seemingly ripped from the final days of Stan Lee, Creator’s Rites cuts deep.

 

Hair

Writer: L. Marlow Francavilla & Francesco Francavilla

Artist: Francesco Francavilla

 

Jimmy feels more kinship with wild animals than civilized people. The barber doesn't hurt anyone, but Jimmy’s actions aid the animals in the forest outside town. The character reminded me of activist Nick Van Owen (played by Vince Vaughn) in The Lost World: Jurassic Park. Scenes of town life evoke the Andy Griffith Show and Groundhog Day, with no newcomers saying "Heavy" or asking for a Pepsi Free. Francavilla's carefree, heavy inks and limited palette--greens, yellows, and oranges—give Hair a faded appearance. Hair combines a love of nature with a yearning for a simple life in a mood piece that—while not surprising--lingers. 

 

To read this review in its entirety, and preview art from Take One, see my review at Comic Book Dispatch.