Batgirl #18 Review

 

Batgirl #18 Review

Writer: Tate Brombal

Penciller & Inker: Takeshi Miyazawa

Inker: Juan Castro

Colorist: Mike Spicer

Letterer: Tom Napolitano

Cover Artists: David Talaski & Christian Ward

Things To Come Variant Cover Artist: Takeshi Miyazawa with Mike Spicer

Publisher: DC Comics

Price: $3.99/$4.99 Card Stock

Release Date: April 1, 2026

 

Her parents made her a monster. When Cassandra rejected a life of hurting and killing others, she found the belonging and purpose she sought in her Bat family. Then her mother burst into her life in Gotham. In her resultant journey around the world, Cassandra discovered a brother. In addition to Tenji Turner, Cassandra also befriended Jaya Jayesh.

 

Tenji forges a link between her past and her future. Jaya's healing helps Cassandra face her past. But when she brings Tenji and Jaya to Gotham, Cassandra's Blood heritage activates. Can she restrain her magical Blood powers? And can Cassandra Cain avoid once again feeling like a monster? Let's leap into Batgirl #18 and see!

 

Story

Cassandra Cain traveled around the world seeking justice for her mother. Instead, she found only blood, betrayal, and death. Yet along the way, she discovered Tenji and Jaya, new additions to her found family. Cassandra looked forward to resuming life in Gotham and integrating them into her Bat family. Instead, her heritage took over her life once again. Cassandra judged that her best hope of escape lay in Wu Lin, her mother’s cousin. But just as Cassandra, Tenji, and Jaya found him, his assistant, Wu Zhi, killed him.

 

In Batgirl #18, Cassandra, Tenji, and Jaya travel to the Spirit World. In this realm hostile to life, where the dead crave their life energy while awaiting reincarnation, the trio finally meets Wu Lin. But while Tenji welcomes him as an uncle, Cassandra keeps her distance. She may need his help to return to her Bat family. Still, Wu Lin represents the past she has fought so hard to escape.

 

In Tate Brombal's story, Cassandra undertakes a journey through the Spirit World. Like Lady Shiva's sudden appearance in Gotham, the Blood of Wu has derailed her chosen path. Cassandra cannot understand why they manifested. When Wu Lin sent his emissary, Cassandra refused to join the Blood of Wu and learn how to activate them. But even if she didn't want them, Cassandra now wields the powers of a god.

 

Just as Batman helped steer her in a more positive direction, Wu Lin once again offers to help Cassandra control her Blood powers. If she wishes to escape the Spirit World, Cassandra cannot refuse. Still, whether she can use her Blood powers without sinking deeper into her heritage and further away from the family she loves remains to be seen.

 

Art

Stephanie Brown yearned to speak with Cassandra when she traveled around the world. Once again, while their family awaits Cassandra at the dinner table, Stephanie's texts to her Bat sister go unanswered. In Wucorp Tower, Wu Lin kneels surrounded by red notepaper. Instead of facing a mirror, his blood flows into a portal behind him. While Jaya kneels to study the writing, Cassandra Cain leaps into the swirling void in Batgirl #18. Jaya follows her as Wu Lin's people barge in. Tenji regards the women and the hail of bullets with wide eyes. But his features transform from shock to fright, as he falls toward a street bordered by traditional Chinese buildings. The trio forms a circle facing outward and raises their weapons as revenants and monsters draw near.

 

As Takeshi Miyazawa and Juan Castro pack panels with eye-catching characters, furious action, and menacing monsters, Mike Spicer unleashes a vivid spectrum of colors on Batgirl #18. After Stephanie's blouse ushers readers into the purple book-lined tower office at Wucorp, the red note papers seem invitations to another realm. As red lines of energy swirl around Cassandra, she stands upon red symbols. Red tinges foreground characters. Jaya fights while wearing a red mask. And swords slice red lines through bodies.

 

Tom Napolitano places Cassandra’s white uppercase thoughts in black narrative boxes, while spirits speak white letters into black dialogue balloons. As Cassandra, Jaya, and Tenji speak black uppercase letters in white dialogue balloons, a red border surrounds Cassandra’s words. The letters grow bold for intonation, swell for raised voices, and shrink for lowered voices. Unlike many of the other spirits, a man Cassandra distrusts speaks black letters into white balloons. Yet, the scars covering his arms bespeak a similarly traumatic history. Thanks to DC Comics for sharing this story with us.

 

Final Thoughts

Life forged Cassandra Cain into a weapon. Despite her skills in the martial arts, she dislikes inflicting harm on others. Yet as Cassandra navigates the Spirit World, she ponders the qualities that make a person worthy of life in Batgirl #18.

 

Rating: 9.8/10

 

For what happened last time, see my preview of Batgirl #17. 

Batgirl #18 Preview

 

Her parents made her a monster. When Cassandra rejected a life of hurting and killing others, she found the belonging and purpose she sought in her Bat family. Then her mother burst into her life in Gotham. In her resultant journey around the world, Cassandra discovered a brother. In addition to Tenji Turner, Cassandra also befriended Jaya Jayesh.

Tenji forges a link between her past and her future. Jaya's healing helps Cassandra face her past. But when Cassandra brings Tenji and Jaya to Gotham, her Blood heritage activates. Can she restrain her magical Blood powers? And can Cassandra Cain avoid once again feeling like a monster? 

Here's all the info from DC Connect:

 

Batgirl #18 Preview

Writer: Tate Brombal

Penciller & Inker: Takeshi Miyazawa

Inker: Juan Castro

Colorist: Mike Spicer

Letterer: Tom Napolitano

Cover Artists: David Talaski & Christian Ward

Things To Come Variant Cover Artist: Takeshi Miyazawa with Mike Spicer

Publisher: DC Comics

Price: $3.99/$4.99 Card Stock

Release Date: April 1, 2026

 

“The Curse of the Blood” continues!

 

Batgirl’s battle with the Blood of Wu explodes beyond Gotham as Cassandra, Tenji, and Jaya are thrust into a supernatural war tied to her family’s past. To save Batgirl from the curse, the trio must face ancestral horrors and a destiny darker than any of them expected.

 

 

Now, let's take a look inside:

 

 

 

 

 

 

 

 

 

Thanks to DC Comics for sharing this preview with us.

 

 

The Bat-Man: Second Knight #3 Review

      

Writer: Dan Jurgens

Artist: Mike Perkins

Colorist: Mike Spicer

Letterer: Simon Bowland

Cover Artists: Mike Perkins, Marc Aspinall & Stephanie Hans

Publisher: DC Comics

Price: $6.99

Release Date: February 25, 2026

 

In 1939, most people in Gotham struggled to put food on the table. The Great Depression has brought America to its knees, and a war rages overseas. When the Hood uses a series of bizarre and brutal murders to stoke Gotham’s fears, the Scarecrow spots a chance to realize his potential. Aiding the Hood, or Hangman, in killing community leaders, the Scarecrow uses his gas to bring the community’s fears to the boiling point.

 

After bullets rained on Julie Madison's film premiere, a new player bursts into the chaos. Some call him Superman. They claim he can fly. Bruce Wayne can thank him for saving Julie Madison’s life. But can he trust this super-powered do-gooder? And can Superman help him bring the Hood and the Scarecrow’s reign of terror to an end? Let’s grab a gas mask, leap into The Bat-Man: Second Knight #3, and see!

 

Story

Mayor Avril Vincent dislikes people hiding in their homes. He urges calm and community involvement. But Commissioner Gordon knows he cannot protect Gotham from the Hood's horrific slayings and the Scarecrow’s hallucinatory gas. He may have urged the Bat-Man to carry a gun and employed gas weapons recently. But having fought in World War I, Gordon cannot forget how machine guns and chemical weapons transformed battles into soulless slaughter. Still, when villains attack Gotham with a gas that turns neighbors against each other, Gordon must arm his men with Trench Sweepers and Tommy Guns to protect Joe Citizen.

 

After a mass shooting mars the premiere of The Night of a Thousand Cuts, Bruce Wayne is less worried about the movie he funded than what the terrorists will do next. His search for answers leads him to a nearby military base researching chemical weapons. But just as Lois Lane endangered Julie's life when she ran their car off the road, Superman threatens Bruce's attempts to safeguard his city.

 

Dan Jurgens roots his story in the 1930s with period dialogue and the conflicts that dominated people’s thoughts. His cast of characters shares their histories, fears, and what drives them. Jurgens pits the rich against the poor, the criminals against community leaders, and relationships versus careers. Yet The Bat-Man: Second Knight #3 is also about how we face setbacks. As Bruce Wayne and Clark Kent have grasped victory from defeat, a villain has seen his hopes for the future dashed. In an era when governments struggle to provide for their citizens’ needs, he seeks vindication by destroying civilization.

 

Art

Mike Perkins opens with Superman gripping his caped adversary amid fallen soldiers and a demolished concrete wall in an industrial lab. Bat-Man strikes an authority figure next to Lois Lane, while Maxie Cross battles cops in City Hall. Toting two handguns and wearing a gas mask, Commissioner Gordon and his masked squad look more like villains than heroes. Yet demons clad in uniforms and battle helmets loom over the mob, as if ushering the frightened citizens to Hell in The Bat-Man: Second Knight #3.

 

After Bat-Man and Superman's confrontation in a gray and green lab, Mike Spicer paints the traumatizing gas green. Dressed in blues and purple,  the Bat-Man may seem as dangerous to Gotham as the Hood. Yet Bruce Wayne drives a red car and wears a red robe. Wayne Manor's red fabrics and furnishings offer Clark Kent a warm welcome in his blue suit, red tie, and red handkerchief. The Scarecrow's brown attire links him with James Gordon. But unlike the Scarecrow, the Commissioner looks weighed down by his struggle to keep the city safe as another man in brown counsels the traumatized veteran.

 

Amid Mike Perkins detailed period art and Mike Spicer’s loaded palette of colors, Simon Bowland fills white balloons and boxes with black uppercase dialogue. The lettering grows bold for intonation and swells for raised voices, while Scarecrow’s dialogue has a haunted appearance. Sound effects accompany blows, alarms, gas, gunfire, and struggling engines in The Bat-Man: Second Knight #3. Yet they also herald the imposition of people the police might call leeches, and Bruce Wayne once dubbed hyenas and jackals. Thanks to DC Comics for providing a review copy.

 

Final Thoughts

Rabbi Jakob Cohen has always regarded people as inherently good. But he has watched his fellow Germans abandon their principles to commit atrocities in the name of patriotism. After finding haven in America, he saw corrupt and bigoted Americans prey on their neighbors. When the Scarecrow unleashes his gas, Jakob wonders if faith, education, and a system of laws can ever cure Humans of their selfish savagery. As Bruce Wayne races to protect Gotham by apprehending the Hood and the Scarecrow, The Bat-Man: Second Knight #3 ponders what drives us to push past our differences to create something greater than ourselves.

 

Rating 9.8/10

 

To look inside see my preview of The Bat-Man: Second Knight #3.

 

Babs: The Black Road South #1 Review

 

Writer: Garth Ennis

Artist: Jacen Burrows

Colorist: Andy Troy

Logo, Production & Letterer: Rob Steen

Cover Artists: Jacen Burrows & Andy Troy; John McCrea & Mike Spicer

Editor: Tom Peyer

Publisher: Ahoy Comics

Price: $4.99

Release Date: January 14, 2026

 

The city-state of Matazak is abuzz as spectators fill the arena. The announcer welcomes Emperor Gabbagool the Ninth’s subjects and promises them a rousing spectacle. As people fill the stands, purchase refreshments, and place their bets with the bookies, they watch as a newcomer enters the arena. Who is Babs? And can she defeat Yorikk the Ginger? Let’s leap into Babs: The Black Road South #1 and see!

 

Story

Yorikk may have earned a fearsome reputation in Matazak. But this battle is personal for Babs. Like Steven Tyler, her childhood nurse taught Babs that getting even was better than getting mad. So, when she enters the arena, Babs takes out her childhood disappointment on Yorikk.

 

Babs: The Black Road South #1 introduces Babs and her friend Izzy. Despite the protestations of Babs’ talking sword, the girls make a killing and enjoy a mad night on the town. Garth Ennis imbues his medieval fantasy world with modern appeal as the girls check into the Tyrannical Suite and start their pub crawl at Pale Elric's. But trouble finds them when they make plans in their inebriated state.

 

This debut installment features cultural references and pays homage to literature, comics, and cinematic fantasy. The dialogue may be saltier than the sea-elves serving aboard the good ship Marillion, but the hijinks are all in good fun. Still, Babs and Izzy would do well to listen to Barry, even if the talking sword wants to curtail their frivolity. But as they don't, Babs must face her fears in Babs: The Black Road South #1.

 

Art

The announcer wears Shakespearian attire as he speaks into a branched brass horn, while Babs dons armor before spilling blood. The Human, Elven, and fantasy-race spectators watch from their concrete benches. Izzy stands with the bookies as they take bets and track the odds on their whiteboards.

 

Andy Troy lavishes a loaded palette on Jacen Burrows’ detailed art in Babs: The Black Road South #1. After their day at the arena, Babs and Izzy visit the Ryvendale Loriental, a multistory hotel adorned with Ionic pillars and Gothic windows. They check in with the receptionist in a grand lobby. Then they enter a suite filled with bearskin bed comforters, a chaise lounge, a freestanding wine rack, a scalloped bathtub, and a stuffed dragon head above the brick fireplace.

 

Rob Steen aids the bikini-armored barbarian and the Zula-like Izzy with black uppercase dialogue in white balloons. The letters grow bold for intonation and swell for raised voices. Dialogue balloons sprout spikes when the girls belt out their favorite song via fish preserved on wooden sticks. Barry's quillons gesture as he speaks or covers his gleaming gem when his owner's antics overwhelm him. Giant black words outlined with white rise above the tables as Babs and Izzy wow their fellow drinkers.

 

Bonus Features:

In "Here Today, Scone Tomorrow," Mallory tackles the pros and cons of gentrification. "A Trail in a Timeline" by Byron Ackerman ponders the seemingly innocuous acts that determine our future. While Joe Orsak contributes a black-and-white illustration for the first chapter of a potential crime saga, Rick Geary’s drawing evokes the moment when the 14^th Doctor got a second chance at life. The Editor's Notes page contains poems from a writer compared with Taylor Swift and Kanye West, and the author who sought the Prince Regent's patronage in Black Adder the Third. Thanks to Ahoy Comics and Superfan Promotions for providing a review copy.

 

Final Thoughts

It's not easy to plan your future when you're a freebooting barbarian. Still, Babs and Izzy are up for anything. But like anyone making a big purchase, the wild warrior women battle buyers’ remorse in Babs: The Black Road South #1.

 

Rating 9.4/10

 

To look inside see my preview of Babs: The Black Road South #1. 

The Bat-Man: First Knight #1 Review

 

Writer: Dan Jurgens

Artist: Mike Perkins

Colorist: Mike Spicer

Letterer: Simon Bowland

Cover Artists: Mike Perkins, Ramón Pérez, Marc Aspinall & Jacob Phillips

Publisher: DC Comics

Price: $6.99

Release Date: March 5, 2024

 

As he sits in his upholstered chair before a roaring fire, a man ponders how the 20^th Century has shaped America. The country is enduring a Great Depression. Yet he foresees a glorious new era for them. He tells his followers to await his orders. Who is the Voice? And how does he intend to reshape Gotham in 1939? Let’s grab a plate of pasta, leap into The Bat-Man: First Knight #1, and see!

 

Story

Commissioner James Gordon pushes through the reporters outside Nick and Joe’s Italian Spaghetti House. But he’s not prepared for the crime scene inside. Vincent Hodges was one of Gotham’s leading Councilmen. Now, he’s just a headless corpse. Ruby isn’t his widow, but Maxie’s girl was spending the evening with him. She tells him that a couple of big mooks stormed in and beat poor Vinnie to a pulp.

 

The reporters may regard Bruce Wayne as Gotham's Little Lord Fauntleroy. Police officers may be jealous of the orphan's wealth. But James Gordon calls Bruce Wayne a friend. Like the Commissioner, the young socialite is concerned about the recent rash of high-profile slayings. Still, when Bruce repeats rumors about Beast-Men walking the streets, Commissioner Gordon cuts him off. Most of his force is on the take. The mayor is demanding that he find the perpetrators. Gordon must focus on what's real, not imaginary.

 

After introducing the setting and the stakes, The Bat-Man: First Knight #1 follows Bruce Wayne's double life of deep-pocketed socialite and secret crimefighter. With people struggling amid the Great Depression, he knows they need someone in Gotham that they can believe in. Still, Bruce keeps everyone at a distance to protect his secret identity as the Bat-Man.

 

People will slip through the cracks in any society. The Great Depression was an exception. Dan Jurgens immerses readers in an era when the United States government seems incapable of caring for its citizens. Morals have fallen, and the police give the mob a free hand. Struggling Gothamites notice people across the globe rallying around strong leaders with isolationist polices. But while killers walk the streets, people glimpse shadows in the night. One is the Bat-Man. It's too early to know whether he could become a symbol of hope. But in this era of broken promises, they'll reach for anything that promises a better tomorrow.

 

Art

Mike Perkins uses widescreen panels to give The Bat-Man: First Knight #1 a panoramic feel. Black borders and heavy inking evoke the darkness hovering over Gotham. Dots and smudges suggest the people’s struggle to get by in an era when the world seems against them. The inking emphasizes creases in clothing, the texture of the roads, and seeps into walls and buildings. Yet towers gleam in the sky, promising an escape from the darkness hovering over the city, at least for the privileged few.

 

Mike Spicer adorns the detailed art with vibrant colors. The palette suggests a classic Black and White film given a new life through modern coloring. A zeppelin hovers in a sky filled with colors akin to the northern lights. Blue uniforms make a strong presence in streets filled with Model T Fords and their successors. Ruby shines in a brown fur stole and a pearl white dress adorned with a red corsage. Yet, playboy Bruce Wayne's film star looks glow pink as he steers his white car into an abandoned warehouse. When Bruce changes into a blue suit, he casts a gargoyle-like shadow on a nearby wall.

 

After The Bat-Man: First Knight #1 opens with an iconic title page, Simon Bowland fills white balloons and boxes with black uppercase dialogue. The lettering grows bold for intonation, swells for raised voices, and occasionally changes color. Italicized words float in clouds when individuals fight for their lives. Sound effects accompany combat, shattered glass, and the Bat-Man's inventions as Bruce Wayne urges himself to be more careful, lest broken bones become a way of life. Thanks to DC Comics for providing a review copy.

 

Final Thoughts

In an era when corruption runs rampant, movies offer an escape from reality. A gap separates the wealthy from those struggling to make ends meet, and the death penalty seems the only thing keeping crime in check. In The Bat-Man: First Knight #1, a hero who suffered childhood trauma risks everything to protect everyone else from sharing his nightmare.

 

Rating 9.8/10

 

Find The Bat-Man: First Knight HC at your local comic shop and at Amazon.com. 

Transformers #25 Review

 

Writer: Robert Kirkman

Artist: Dan Mora & Jorge Corona

Colorist: Mike Spicer

Letterer: Rus Wooton

Cover Artists: David Nakayama & Many More!

Publisher: Image Comics

Price: $4.99

Release Date: October 8, 2025

 

Megatron has lost his beloved Cybertron. He believes his Decepticons had control of their new world within their grasp. But like Governor Tarkin, they let it slip through their fingers. He rages at his inner circle, disgusted at their failure to secure the Earth. Can Megatron rebuild his Decepticons into an effective fighting force after this crushing defeat? Let’s leap into Transformers #25 and see!

 

Story

While Megatron takes out the trash, Optimus Prime and the Autobots clean up Chicago. Amid the battle-ravaged city, a meeting with a Human girl evokes an earlier misstep in the forest. But she gazes upon him with hope and wonder. Both leave their meeting with lighter hearts.

 

This seemingly unnoteworthy encounter isn't Optimus Prime's sole victory in Transformers #25. But like a match, it sparks a flame that illuminates a potential new relationship with Humanity. The Decepticons abandoned the battleground. People notice that some of the giant mechanical aliens stick around to assist in recovery efforts. Humans reacted with fear when the Transformers first appeared on Earth. But as Robert Kirkman takes over the writing duties, hope for a partnership between Humans and Autobots rises.

 

Megatron may be correct in that unassailable power can achieve a kind of peace. Yet before either side can become a truly effective fighting force, the Autobots and the Decepticons need new bases from which to deploy their forces. While Megatron blames his troops for defeat, Optimus Prime and the Autobots build upon their “victory” by investigating the options available to them in Transformers #25.

 

Art

Gray, purple, and green dominate the Decepticon's base at the bottom of the deep blue sea. A tear extending from Megatron's shoulder to his chest evokes a sailor aboard Davy Jones' Flying Dutchman. But the red in the Decepticon leader’s eyes recalls Syrena's more hostile mermaid sisters. Red also links Megatron with another Decepticon, and later conquers the background as a black and red wide shot portrays a sad end.

 

Vibrant colors glow as the Autobots help Humans clean up the wreckage in Chicago. The illustration is clean and precise, with highly detailed and impressive imagery. Pink links a girl approaching Optimus Prime with Arcee assisting her former mentor. As Optimus reaches down to the girl, Ultra Magnus reaches to lift a crushed vehicle onto a truck. Yet while green Decepticons provoke anger in Megatron, a Human wearing green gives Optimus Prime reason to hope.

 

As Dan Mora and Jorge Corona conjure impressive visions, and Mike Spicer lavishes a loaded palette on terra firma and the seabed, Rus Wooton's black uppercase dialogue opens a new era for the Transformers. Red and pink sound effects celebrate Megatron’s rage. But giant off-white and beige letters herald his dominance.

 

When the dialogue and rectangular balloons grow colorful, sound effects reveal that peace on Earth remains but a faint hope in Transformers #25. But perhaps that’s a good thing: if not for Humanity, at least for readers. Thanks to Image Comics and Skybound for providing a review copy.

 

Final Thoughts

They could be giants. Still, anger reveals leaders with hearts three sizes too small. As people in Chicago honor Optimus as their Quinbus Flestrin, the shortest Autobot showcases the largest heart in Transformers #25.

 

Rating 9.6/10

 

For more cover art see my review at Comic Book Dispatch. 

The Bat-Man: Second Knight #1 Preview

 

The Great Depression was a defining era in United States history. When I was growing up, my father discouraged me from becoming an artist. He had seen friends who were gifted artists struggle to get by during this period of hardship. My grandparents also told me about how difficult it was to get by. When they had nothing, a gift of one dollar allowed them to buy a sack of groceries that prevented them from starving.

This beautiful tale takes us back to that era of hardship and uncertainty. Soup kitchens feed the hungry. People yearn for gainful employment. But the residents of Gotham have more to fear than starvation and unemployment. Much more. 

Here's all the info from DC Connect:

 

The Bat-Man: Second Knight #1

Writer: Dan Jurgens

Artist: Mike Perkins

Colorist: Mike Spicer

Letterer: Simon Bowland

Cover Artists: Mike Perkins, Fabrizio De Tommaso, Marc Aspinall & Jorge Fornés

Publisher: DC Comics

Price: $6.99/$7.99 (Variant Covers)*

Issue Length: 48 Pages

Series Length: 6 Issues

Release Date: September 17, 2025

 

The year is 1940. Most of the Western world is embroiled in a war against a fascist regime whose march across Europe shows no sign of defeat. With the specter of global war looming, it’s a time of fear and paranoia for those living in Gotham. It’s only been a few months since the city was rescued from undead monsters by the masked vigilante known as The Bat-Man, but a vicious killer has been on a murder spree that’s taking the city to its breaking point. 

 

Bodies are turning up in theatrically gruesome ways…all staged with the killer’s calling card: a hangman’s noose. While The Bat-Man endeavors to solve the spate of murders, a young reporter from the Daily Star named Lois Lane arrives in Gotham. Meant to cover a movie premiere, it doesn’t take long for Lane to find herself caught in the grips of a new villain in Gotham. One whose mastery of fear will plunge the city into chaos!

 

Note: This perfect bound, magazine-size issue was originally solicited as 32 pages for $3.99/$4.99 (Card Stock). The longer length may mean a shorter series (which would be a shame, as it features such compelling art and storytelling). We’ll see!

 

Now, let's take a look inside:

 

 

 

 

 

 

Thanks to DC Comics for sharing this preview with us.

Resurrection Man: Quantum Karma #6 Preview

 

 

They say our greatest adversary is ourselves. In Mitchell Shelley's case, that's infinitely true. He has lived many lives. Mitchell has seen many ages. He has had many names. And every time Mitchell dies, he is reborn with new powers. Yet as he lives each new life on Earth, Mitchell also inhabits a place beyond time and space. 

In this final issue, Ram V concludes an epic saga that revolves around two questions. Is there a difference between saving the universe and falling in love? And secondly, if you lose your memories, is that the same as dying?

Here's all the info on this final issue from DC Connect:

 

Resurrection Man: Quantum Karma #6

Writer: Ram V

Artists: Anand Rk & Mike Perkins

Colorist: Mike Spicer

Letterer: Aditya Bidikar

Cover Artists: Jeff Dèkal & Evan Cagle

Publisher: DC Comics

Price: $4.99/$5.99

Length: 32 Pages

Release Date: September 3, 2025

 

The end is nigh for Resurrection Man as he suffers at the hands of his greatest enemy…himself. But can the two men put their differences aside long enough to save the universe from its imminent death? Gashadokuro has come, and he’s ready to feast!

 

 

Now, let's take a look inside:

 

 

 

 

 

 Thanks to DC Comics for sharing this preview with us.