Showing posts with label J. Scott Campbell. Show all posts
Showing posts with label J. Scott Campbell. Show all posts

Tuesday, November 12, 2024

Conan: Battle of the Black Stone #3 Review


 


Writer: Jim Zub

Artist: Jonas Scharf

Colorist: Jão Canola

Letterers: Richard Starkings & Tyler Smith

Editors: Chris Butera & Matt Murray

Cover Artists: Liam Sharp, Scott Campbell & Danica Brine

Publisher: Titan Comics

Price: $3.99

Release Date: November 6, 2024

 

In 1936, James Allison sat before his typewriter, spinning weird tales of fantastic adventure. Then, the power of the black stone consumed him. He became its mouthpiece. Caught up in its otherworldly power, James Allison spoke with El Borak, John Conrad, and John Kirowan at the Wanderers Club in Chicago. Yet he also addressed Dark Agnes De Chastillon in 1522, Solomon Kane in 1584, and Conan in the Hyborian Age. As if spinning another yarn, Allison told the heroes they would assemble in the past. What happens when the black stone brings these potent warriors together? Let’s leap into Conan: Battle of the Black Stone #3 and find out!

 

Story

When the Beast from the Black Stone invades Francis Xavier Gordon’s memories, it tears him apart. Now, El Borak is a memory. The Black Stone casts a long shadow over Brissa’s people. She suggests they head toward a monument where the Picts worshipped it. Destroying the statue may break the Black Stone's claim on their lives. But it's a three-day journey, ample time for the Beast to target another victim.

 

The time on the trail gives friends time to process all that occurred. But if it bewilders Conrad and Kirowan, it gives Soloman Kane and Dark Agnes time to bond. Although they hail from different generations, the warriors battled across 16th-century Europe. It helps that Soloman knows Dark Agnes' native tongue. Both have known great evil, but only one banishes reason and attacks opponents in a raging fury.

 

Conan greets Brissa like an old friend. But in Jim Zub’s story, Conan is the elder. The Cimmerian may see himself as young compared to “codger” Kane. Still, years have passed since Conan and Brissa invaded Thulsa Doom’s dark citadel. In Conan: Battle Of The Black Stone #3, Conan confesses that those years have been glorious. Yet, like Yoda, he isn't sure that wars make one great. Nor is he quite sure about Brissa. Conan has always been loathe to accept sorcery. Now, Brissa wields it to guide their steps and shows an understanding of how the Black Stone perpetuates its evil.

 

Of the occult detectives, John Kirowan has oft been the leader in their supernatural adventures. Now, Kirowan seems depressed, and Conrad bursts with excitement. He can't wait to regale his friends and the public with his exploits. Like Dr John Watson and their late comrade El Borak, Conrad strives to chronicle events so that other investigators can enhance their studies. But first, they must survive their adventure in the Hyborian Age. Then, another problem will await them. If they destroy the monument and free themselves from the Black Stone's power, how will they return to 1936?

 

Art

As the six heroes descend a rise in darkness, Brissa and Conan lead, their weapons stained with blood. With the rising sun, Brissa’s thoughts return to the journey that brought her here. When Conan asks if she will fade away, the scenery fades behind him in Conan: Battle Of The Black Stone #3. After their time apart, Jonas Scharf gives the Hyborian couple three pages to catch up until Brissa unwraps a sliver of stone, and James Allison's spirit leads them through the jungle. As Soloman Kane and Dark Agnes journey side by side for two pages, they seem like kindred spirits, with Kane the elder and Agnes a receptive student. The occult detectives share but a single page. Yet Conrad, formerly the doubter, bursts with energy, while John Kirowan, so oft a boy racing into excitement, brings up the rear, his face dour and devoid of enthusiasm. Like James Allison’s spirit, the smoke from Kirowan’s pipe winds a ghostly trail before him.

 

After their trek through greenery beneath orange skies and cloud-streaked day, green energy rises from a split tree. It is not a lightning strike like the one that fueled Dr Frankenstein with the power of electricity. Once again, it paints the glowing green symbol in the darkness. Orange energy contrasts with green and black, imbuing the action with heightened intensity. Jão Canola paints the skies with blue, white, and orange. The soft texture suggests watercolor or paper fibers absorbing colored pencils unevenly. But orange, green, and pink are the colors of death in Conan: The Battle Of The Black Stone #3. When they haunt backgrounds, heroes die.

 

Richard Starkings and Tyler Smith conjure black uppercase words into white dialogue balloons and green narrative boxes. A stately colored font introduces characters and announces the time and location. The letters grow bold for intonation, swell for raised voices, and shrink for lowered voices. Loss robs balloon borders of their integrity and hints at the characters' brokenness over the loss of a friend. Thanks to Titan Comics and Heroic Signatures for providing a copy for review.

 

Final Thoughts

Neither rage nor positivity can safeguard against a creature that attacks you amid a memory. The monster’s claws sweep through heroes’ souls in Conan: Battle of the Black Stone #3 to reap a rich harvest.

 

Rating 9.4/10

 

For more covers and interior art see my preview at The Dragon's Cache.

Monday, January 8, 2024

Amazing Spider-Man #40 Review


 


Writer: Zeb Wells

Penciler: John Romita Jr.

Inker: Scott Hanna

Colorist: Marcio Menyz

Letterer: Joe Caramagna

Cover Artists: John Romita Jr, Scott Hanna & Marcio Menyz; J. Scott Campbell & Tanya Lehoux; Tony Daniel & Sonia Oback; Anthony Francisco; Sean Galloway; Peach Momoko; Joey Vazquez

Publisher: Marvel

Price: $5.99

Release Date: December 20, 2023

 

Madame Masque organized all this chaos, but can she control it? Janice Lincoln loves her father, but then she ousts him as head of his territory. And who does Spidey team up with this issue? Let’s thwip into Amazing Spider-Man #40 and find out!

 

Story

Digger is back and working for a hooded figure who wears a rose. Beetle insists on taking Diamondback's territory. And Madame Masque tells an injured Hammerhead, "Fine. Call in your boys. Go ahead. Make my day!"

 

Madame Masque grabs the headlines in Amazing Spider-Man #40. She played understudy for years. Now she's taking the stage. She believes she'll win this Game Of Thrones. But does she hold all the cards?

 

Aside from She-Hulk, Spider-Man couldn’t keep his team together. So Peter accepts Tombstone’s offer to repeat their former partnership. This time, Tombstone's making no bones about his involvement. He’s a master strategist and knows what this play will cost him. Still, his daughter’s worth it.

 


 

 

Janet Lincoln has finally thrown in the towel with Randy Robertson and embraced the Dark Side. With Randy in hospital and no longer campaigning to overturn Fisk’s Law, she’s building a new future without him. Aside from losing Randy, one wonders what else her actions will cost her. With Luke Cage ignoring Fisk’s Law by coordinating with superheroes and covertly fighting foes as Power Man, will he face the consequences of his actions? With Wilson Fisk back in New York City, might the Kingpin use this Gang War to his advantage? Does anyone think he wants his master-crafted anti-vigilante law overturned? 

 


 

 

Art

John Romita Jr. and Scott Hanna preserve the Rose’s anonymity in their opening page. Then the Art Bros show us the Tracksuit Mafia poised to take down the Inner Demons. She-Hulk practices her fastball while Spider-Man scores a strike. Madame Masque’s body language reinforces her confidence, and Hammerhead's crew pays her respect. While Janice looks determined, she betrays none of the joy she revealed with Randy. Tombstone can't help but smile as he helps Spidey and Shulkie take on the Tracksuite Bros. Yet Tombstone’s not smiling when he discusses the future with his temporary teammates. 

 


 

 

A closeup of Tombstone pouring drinks affords readers a glimpse of Spider-Man. Smoke rises behind Tombstone, reminding us of the anarchy ruling the crime lord's streets. The Beetle makes a powerful statement as she busts into Diamondback's headquarters. John Romita Jr. and Scott Hanna close Amazing Spider-Man #40 by showing a worried father beside his confident daughter as each confronts different crime lords.

 

Marcio Menyz paints pages using a palette loaded with bold colors. Light sources and shadows give scenes drama. While bathing closeups of Madame Masque and Hammerhead in gray tones, the mansion's façade glows with color and reflects gold like her shiny mask. Menyz and Erick Arciniega signaled Hammerhead’s ambition in ASM #35 by showing the crime lord’s reflection in a pool of blood. Now blood coats Hammerhead’s face in Amazing Spider-Man #40.

 


 

 

Vibrant sound effects report gunfire and toppled boxes in a warehouse wrangle. Madame Masque crunches her victims from great heights and underfoot. While Joe Caramagna thwips easily readable uppercase black letters into most of his white balloons, Tombstone’s tell tiny tales. But then, after his extended hospital stay, it’s understandable Tombstone's reflecting on his mortality and the model he set for his daughter.

 

Thanks to Marvel for providing this essential chapter of the Gang War saga for review.

 


 

 

Final Thoughts

Spider-Man, She-Hulk, and the Beetle tackle symptoms while Madame Masque, Tombstone, and perhaps another player concentrate on curing New York City’s disease in Amazing Spider-Man #40.

 

Rating 9.4/10

 

To preview interior art see my review at Comic Book Dispatch.