Showing posts with label Tony Fleecs. Show all posts
Showing posts with label Tony Fleecs. Show all posts

Monday, July 13, 2026

Deathstroke: The Terminator #5 Preview

 


Slade Wilson lost the love of his wife and children. Then someone murdered his best friend, and stole all the money Slade accumulated in his life of pain and death. As the killing community target the man who once brought them together, his daughter appears. Rose Wilson hopes that there is a soft inner core beneath the hardened shell of Slade's inhumanity. But if there is a shred of the father Rose yearns for buried deep inside him, Slade doesn't have the time to revive it. Where will his next job take him? And will he find a clue to who killed Wintergreen?

Here's all the info from DC Connect:

 

Deathstroke: The Terminator #5 Preview

Writer: Tony Fleecs

Artist & Cover Artist: Carmine Di Giandomenico

Variant Cover Artists: Jeff Spokes, Dike Ruan & Carlo Pagulayan

Publisher: DC Comics

Issue Length: 32 Pages

Price: $3.99 US/Variant $4.99 US (card stock)

Release Date: July 15, 2026

 

 

Deathstroke V Deathstroke!

 

 

As the timer runs out on his latest job, Slade Wilson comes face-to-face with his greatest nightmare…himself! Another Deathstroke is on the loose in the DCU, and everyone’s a target. Will Slade get his kill, or will he be terminated?

 

 

Now, let's take a look inside:

 

 


 

 




Thanks to DC Comics for sharing this preview with us.

 

For what happened last time, see my preview of Deathstroke: The Terminator #4

For what happened before that, see my preview of Deathstroke: The Terminator #3.

For what happened even before that, see my preview of Deathstroke: The Terminator #2.

For how the series started, see my preview of Deathstroke: The Terminator #1

 

Monday, June 15, 2026

Deathstroke: The Terminator #4 Preview

 


Slade Wilson, aka Deathstroke, may be a world-class mercenary. Still, his life has left his family in ruins. After death and injury sidelined his sons, his wife refused to forgive him. And they're not the only family members affected by Slade's choices. Still, Slade laid down a code that he expects all the world's death dealers to follow. 

Yet after Slade Wilson finds Wintergreen's body, Deadshot and Deathblow come after him, accusing Slade of breaking his own rules. He doesn't believe their accusation. But then, Slade seems to be hearing Wintergreen talking to him as he battles Deadshot and Deathblow. 

So, if Wintergreen is really dead, who killed him? And who will the murderer send to attack Slade Wilson next?

Here's all the info from DC Connect:

 

Deathstroke: The Terminator #4

Writer: Tony Fleecs

Artist & Cover Artist: Carmine Di Giandomenico

Variant Cover Artists: Dan Panosian, David Aja & Cully Hamner

Publisher: DC Comics

Issue Length: 32 Pages

Price: $3.99 US/Variant $4.99 US (card stock)

Release Date: June 17, 2026

 

 

The family that kills together stays together!

 

 

Slade’s got a job to do, and he can’t afford any distractions. Enter: Ravager, his deadly daughter. But is she here to save Deathstroke or kill him? It’s Take Your Kid to Work Day in this very special, kill-crazy family reunion issue.

 

 

Now, let's take a look inside:

 

 


 
 



 

Thanks to DC Comics for sharing this preview with us.

 

For what happened last time, see my preview of Deathstroke: The Terminator #3.

For what happened before that, see my preview of Deathstroke: The Terminator #2.

For how the series started, see my preview of Deathstroke: The Terminator #1

Wednesday, May 20, 2026

Deathstroke: The Terminator #3 Preview

 


Someone set Slade Wilson up. His anonymous client hired him to take out a mystery target. But when he arrived, Slade found Wintergreen's body. 

Wintergreen was there for him when his son died and his marriage hit the rocks. So Slade wants answers. Who framed him for Wintergreen's murder? And can Slade live long enough to discover who double-crossed him?

Here's all the info from DC Connect:

 

Deathstroke: The Terminator #3 Preview

Writer: Tony Fleecs

Artist & Cover Artist: Carmine Di Giandomenico

Variant Cover Artists: Dan Panosian, Brad Walker Howard Porter

Publisher: DC Comics

Price: $3.99/4.99 Card Stock

Issue Length: 32 Pages

Release Date: May 20, 2026

 

The Bounty is out on Slade Wilson! 

 

It’s said there is no honor among thieves. But there is a code among killers. Slade Wilson wrote the code. And now he’s in Deadshot’s and Deathblow’s crosshairs for breaking its first rule!

 

 

Now, let's take a look inside this DC Next Level series:

 

 


 

 


 

 

 



 

Thanks to DC Comics for sharing this preview with us.

 

For what happened last time, see my preview of Deathstroke: The Terminator #2.

For how this series began, see my preview of Deathstroke: The Terminator #1. 

Tuesday, April 14, 2026

Deathstroke: The Terminator #2 Preview

 

 

Slade Wilson argued that his clients didn't respected him. He complained that they weren't paying him what he was worth. He took out his aggression on others while admitting that his enhanced abilities had made him set in his ways. But now he's angry. 

Slade Wilson may not be the World's Greatest Detective. But can he learn to think outside the box to find Wintergreen's killer? And will he learn how to do it quietly?

Here's all the info from DC Connect:

 

Deathstroke: The Terminator #2 Preview

Writer: Tony Fleecs

Artist: Carmine Di Giandomenico

Cover Artists: Carmine Di Giandomenico, Dan Panosian, Tyler Kirkham & Guillem March

Publisher: DC Comics

Price: $4.99/$5.99 Card Stock

Issue Length: 32 Pages

Release Date: April 15, 2026

 

Tony Fleecs and Carmine Di Giandomenico take Death’s Fury to the Next Level!

 

Someone’s taken everything from Deathstroke, and hell hath no fury like an assassin scorned! He’s on the road to find a mysterious client, but it won’t be easy. He’s lost his money, his resources, his family, and his best friend and moral compass. What happens when the world’s most terrifying assassin has nothing left to lose?

 

 

Now, let's take a look inside:

 

 


 

 

 


 


 


 

Thanks to DC Comics for sharing this preview with us. 

Monday, March 16, 2026

Deathstroke: The Terminator #1 Preview

 


Slade Wilson knows how to look out for number one. Even if he takes the time to train people, Slade uses them and then discards them. Recently, after Cyborg revived Vanadia, Slade even tried to turn her against the Titans. But what is the supersoldier's life like when he's not turning heroes into villains and preying on their fears? And how good is Slade Wilson at following his employers' orders?

Here's all the info from DC Connect:

 

Deathstroke: The Terminator #1 Preview

Writer: Tony Fleecs

Artist: Carmine Di Giandomenico

Cover Artist: Carmine Di Giandomenico, Dan Panosian & Kyuyong Eom

1:25 Variant Cover Artist: Tony Fleecs

Next Level Variant Cover Artist: Jorge Corona

Foil Variant Cover Artist: Dan Panosian

Also Available: Blank Sketch Cover

Publisher: DC Comics

Issue Length: 32 Pages

Price: $4.99/$5.99 Card Stock

Release Date: March 18, 2026

 

The world’s deadliest assassin hits the next level with Tony Fleecs and Carmine Di Giandomenico!

 

Soldier-turned-superhuman assassin for hire Slade Wilson has made hundreds of enemies in his day, and now one of them is taking his world apart piece by piece. The hit is out on Deathstroke as he evolves into his purest form…a terminator out for revenge and ready to kill anyone who stands in his way.

 

Prepare for brutal violence with over-the-top action and intrigue from the twisted mind of Tony Fleecs (Stray Dogs, Uncanny Valley) with pulse-pounding art by Carvine Di Giandomenico (Flash). DC’s contract killing bogeyman is back and bloodier than ever!

 

 

 

Now, let's take a look inside:

 

 


 

 

 




Thanks to DC Comics for sharing this preview with us.


Saturday, January 3, 2026

Omega Kids #3 Review

 


Writer: Tony Fleecs

Artist: Andrés Genolet

Colorist: Fer Sifuentes-Sujo

Letterer: Travis Lanham

Cover Artists: Rod Reis; Salvador Larroca & Guru-eFX; Adam Pollina & Edgar Delgado

Publisher: Marvel Comics

Price: $3.99

Release Date: December 17, 2025

 

After Revelation detonated his gene bomb, the X-virus killed Humans or turned them into Mutants. But not everyone loves his Mutant Paradise. So Quentin Quire oversees a network of Mutant children who report any potential insurrection. Chief among the Omega Kids is his task force of psychic killers. He trains them to read their fellow Mutants' minds. If they find any intent to harm Revelation, they should punish miscreants in accordance with their crimes.

 

The Omega Kids seem like his replacements. But unknown to him, they've gone off the rails. Can Quentin rein in his elite squad? Or will these psychic warheads wipe out everyone in the Revelation Territories? Let's leap into Omega Kids #3 and see!

 

Story

Unlike Curtis Terrell Jr, Nell Widows, and Ayla Bozkurt, Bailey Quin hasn't entered her teen years. Unburdened by contemplating the type of person she may become, the eight-year-old acts on her inclinations. Tired of Quentin Quire's strict procedures and work ethic, she helps her friends lock him in a psychic projection. Then, with Curtis and Ayla's help, Bailey initiates a psychic relay program. While the kids relax and enjoy a modicum of peace beyond Quire's control, their minds automatically roam the Revelation Territories, killing anyone with a negative thought about their leader.

 

Tim Seeley intertwines all his plot strands in Omega Kids #3. Readers follow Bailey and her friends, the rebels Bailey told Quentin about, and Rachel Summers. But the story focuses on Quentin Quire, as he gradually awakens from his psychic stupor. As rebels, enforcers, and a Phoenix fight, he experiences a rude awakening. Quentin may process a myriad of intelligent thoughts each second. Still, it takes him a while to contemplate how he feels about what the Omega Kids did to him, what they’re doing to their fellow Mutants, and how to respond to their actions.

 

Quentin trained his psychic task force to follow his commands. But a cultural and age gap separated them. Now, Quentin realizes that he was a more effective teacher than he suspected. Unfortunately, Quentin balled them out when they acted on their instincts and rewarded good behavior with food. Still, he is surprised when the kids he trained like animals yearn to escape their leash.

 

Perhaps the greatest irony in Omega Kids #3 remains Quentin's unshakable belief in Revelation. His leader delivered a paradise where Mutants could live without being persecuted by Humans. Then, Quentin conscripts children into his secret police squad and punishes his fellow Mutants when they dare to think, talk, and act as they wish. 

 

 


 

 

Art

Andrés Genolet intersperses scenes of suffering mutants with the kids relaxing in a realm of mathematics. Some of the rebels who surround Quentin look more like Mutants than he does. One rebel could be Quentin’s clone, contrasting their vastly different outlooks. Then Rachel Summers’ fiery form appears above him. Her posture evokes a puppeteer directing Quentin’s movements.

 

Fer Sifuentes-Sujo shows Rachel as a reverse silhouette inside a purple shadow portrait of Quentin. Yellow, orange, and lavender tinge what she sees. After comparing Quentin and his team to Peter Pan and the Lost Boys, Rachel's tiny glowing form evokes Tinkerbell in Omega Kids #3. Yellow and red define Rachel's attire. Yet they also dominate those with whom Quentin identifies.

 

Travis Lanham places black uppercase letters in white balloons and boxes. Balloon shapes differentiate spoken dialogue from radio transmissions, psychic communication, and sounds of distress or surprise. The words grow bold for inflection, swell for raised voices, and rarely shrink. Sound effects accompany psychic attacks and reactions to psychic control in this disturbing story about people prioritizing causes over community. Thanks to Marvel Comics and Comic Book Dispatch for providing a review copy.

 

 


 

 

Final Thoughts

Quentin Quinn has the paradise he envisioned. But he won’t let his fellow Mutants enjoy it. He forces children to be soldiers. And when they misbehave, he says, “Do as I say, not as I do.” Omega Kids #3 is a startling reminder that Humans often fight against the peaceful unity they claim to value, and ideological leaders can be the most self-absorbed of all.

 

Rating 9.8/10


Saturday, December 20, 2025

Omega Kids #2 Review

 


Writer: Tony Fleecs

Artist: Andrés Genolet

Colorist: Fer Sifuentes-Sujo

Letterer: Travis Lanham

Cover Artists: Rod Reis; Chad Hardin & Israel Silva; Carlo Pagulayan, Jazon Paz & Rain Beredo; Federico Vicentini & Matt Milla

Publisher: Marvel Comics

Price: $3.99

Release Date: November 19, 2025

 

The X-Men fought for Mutant equality. But no matter how hard they tried, the X-Men failed to stamp out prejudice, repression, and persecution. So, Doug Ramsey, aka Revelation, unleashed a virus that killed Humans or turned them into Mutants.

 

Revelation has created a Mutant paradise in the former United States. But pockets of resistance still linger. Terrorists and assassins attempt to kill the Mutants’ glorious leader. Revelation can strip dissidents of their ability to communicate. But how does he control his growing territory as the X-Virus spreads across the former United States? And how does Revelation nip trouble in the bud before it can bite him? Let’s leap into Omega Kids #2 and see!

 

Story

Once, Quentin Quire was one of Professor Xavier's brightest students. Now, he leads a surveillance network for Revelation. Quentin has Omega Kids stationed throughout the Revelation Territories. When the young psychics observe dissidents, protestors, and fugitives, they can report their findings to him. But within his vast network, Quentin personally oversees his Elite team. Curtis Terrell Jr, Nell Widows, and Ayla Bozkurt are teenagers. Bailey Quinn is only eight years old. Yet these kids help him prevent uprisings in Revelation’s capital city.

 

In Omega Kids #2, Quentin urges his team to find insurgents in a Philadelphia suburb. While they can kill rebels and terrorists with a thought, the kids can also edit people's memories to keep them out of trouble. But Quentin urges them to carefully assess each subject before rushing to judgment.

 


 

 

Quentin drives his top team hard. He is awed by their potential. But Quentin wishes he were closer to them. And he knows they are as capable of inflicting needless suffering and death as they are of safeguarding Revelation. Sadly, Quentin thinks he can have it both ways in Tony Fleecs’s story. Quentin believes he can employ classical and operant conditioning techniques to transform children into soldiers while maintaining a healthy parental relationship.

 

While the kids constantly signal that they don't share his views, Quentin struggles to close the distance to them. What Quentin doesn't realize in Omega Kids #2 is that the children have turned his strengths against him. Quentin may believe that the kids are all right. But Curtis Terrell Jr, Nell Widows, Ayla Bozkurt, and Bailey Quinn insist, “This is my generation.”

 


 

 

Art

Curtis Terrell Jr is an insecure redhead. Nell Widows has blue hair and horns. Ayla Bozkurt wears teal gloves, a turtleneck, and a light-green bandana in her dark hair. Even though skin covers her eyes, she frequently smiles. Bailey Quinn may be 8 years old, but the blonde radiates confidence and leadership. All wear black jackets bearing a lavender omega symbol. Fer Sifuentes-Sujo lavishes a loaded palette on "Doug's Green Hell," as Quentin calls it. But lavender dominates scenes. The children turn lavender in their astral forms and relax in their lavender refuge. Lavender smoke lingers after their attacks.

 

Bailey and her friends relax on a peaceful hillside beneath a sky filled with mathematical equations and symbols. The residents of Beverly, Massachusetts, may chafe at Carol Danvers' leadership as their shielded town falls into disrepair in the Binary series. But like Republic City after Korra allows the spirit world to mingle with her own, trees, vines, and plants climb walls and push through streets. When the children place their hands against their heads, Andrés Genolet shows their target’s thoughts and memories. An absent loved one takes on a ghost-like appearance. But when they rush to judgment, a familiar symbol rises in Omega Kids #2.

 

Travis Lanham places black uppercase letters in white dialogue balloons. Quentin's team shares their thoughts via clouds and wavy arrows. White letters in black boxes identify people and places. The words grow bold for inflection and swell for raised voices, while sound effects heighten attacks. Yet as Quentin affects his affable charm and struggles to contain his impatience, his T-shirt bears the inscription, "Magneto was weak." Thanks to Marvel Comics for providing a review copy.

 


 

 

Final Thoughts

Quentin Quinn can create a universe with his mind. But as he tries to instill his values in his students, they hide their thoughts and feelings from him. The children express these in their secret place, a construct of their own making. And while he tries to squash rebellions before they start, Quentin doesn't realize that one is brewing in his inner circle in Omega Kids #2.

 

Rating 9.8/10

 

To look inside see my review at Comic Book Dispatch




Wednesday, July 30, 2025

Uncanny Valley #10 Review

 


Writer: Tony Fleecs

Artist: Dave Wachter

Letterer: Pat Brosseau

Cover Artists: Dave Wachter & Tony Fleecs

Publisher: Boom! Studios

Price: $4.99

Release Date: July 9, 2025

 

The First told his advisor that he wanted the cartoon world to lead the Human world. He planned to sacrifice Oliver to relieve suffering in both worlds. But as Oliver's sacrifice draws near, the First admits that there is power in suffering.

 

When Margaret and Pecos Peet return to the cartoon world, the daughter and father’s unhappy past separates them. Can they bridge the distance to each other? And can they slip past the army standing between them and the First’s castle? Let's grab our paintbrushes, leap into Uncanny Valley #10, and find out!

 

Story

The First was troubled. People kept disappearing from the cartoon world. In search of answers, he used magic to understand the link between the Human and cartoon world. Then he lured a Human girl to his domain, and she fell in love with Pecos Pete. The First understands the lifegiving power of blood. What he doesn’t understand is that everything dies. In Uncanny Valley #10, the First claims he wants to transform chaos into order. But all he wants to do is call the shots. And instead of letting fate determine when people disappear, the First wants to wield the power of death.

 

Oliver never understood where he belonged. His mother never told him about her past. As they moved every few years, Oliver never understood why he didn’t fit in with the Human kids he met. When the First insists that his purpose is to unite both worlds, part of Oliver wants to believe him. What wouldn’t be better than ending death?

 

Unlike Paul Atreides, the characters in Tony Fleecs’ series didn’t benefit from Bene Gesserit teachings. Pecos Pete didn’t know how to bridge the gap with his daughter. Oliver accepted a risky dare because he feared the boys in his new school wouldn’t accept him. Spriteleigh left her community because she worried about fitting in. Pecos Pete’s dog, Dewy, trusted the First because he believed the sorcerer's prophesies of doom and disaster.

 

Oliver remembers how Spriteleigh’s father asserted that the First’s fears about the demise of the cartoon world were unjustified. The tiny wise man assured Oliver that he embodies the wisdom and power of his ancestors. As he faces death in Uncanny Valley #10, Oliver also remembers what he told Sprightleigh in Pixiedust Forest. The people who don’t fit in are special.

 

Art

Soldiers line a stairway along a precipice to a wooden platform. The First declared that Oliver would die at Dawn's first light. But as he grasps Oliver like Darth Vader and presents him to the dark sky, his world rewards the First with rain. Dewy clamps Oliver to a wheeled wooden table. But instead of torturing Oliver like Count Rugen’s pain machine, poles rise, lifting the boy like Ann Darrow awaiting Kong.

 

While filling the pages of Uncanny Valley #10 with action-packed spectacle, Dave Wachter fills the starry night with pink and purple clouds. The bottom of the First's purple robe lifts, emulating red eyes peering into the cartoon world. Margaret and Pecos Pete mount a cherry red rescue that symbolizes freedom. Along with their hair color and skin tones, the top of Oliver's shirt shares the same green as Margaret's sweater as she storms toward her son.

 

Pat Brosseau fills white dialogue balloons and boxes with uppercase letters that embolden for inflection, swell for volume, and rarely shrink. The First speaks white uppercase letters into cloudy black balloons. Sound effects help us hear Pecos Pete firing his rifle, the First wielding destructive pink fire, and Margaret speeding along like a tornado. Robust and colorful lettering on two fan-pleasing double-page spreads provides Oliver with a crucial insight into his past in Uncanny Valley #10. Thanks to Boom Studios for providing a review copy.

 

Final Thoughts

Families come in all shapes and sizes. Oliver’s may be small. Still, he has all he needs. Uncanny Valley #10 closes out this Eisner-nominated series by urging us to embrace our heritage, accept change, and forge our paths.

 

Rating 9.8/10

 

For another cover see my review at Comic Book Dispatch


Saturday, May 24, 2025

Uncanny Valley #9 Review

 


Writer: Tony Fleecs

Artist: Dave Wachter

Letterer: Pat Brosseau

Cover Artists: Dave Wachter & Tony Fleecs

Publisher: Boom! Studios

Price: $4.99

Release Date: May 7, 2025

 

Dewy told Oliver that he belonged on the farm. Unlike his grandfather’s dog, Oliver has never felt like he belonged anywhere. So when the crows that found him in the human world swoop in and start carrying away the farm animals, Oliver flees into Pixiedust Forest. Can Spriteleigh and her father help Oliver return to his family?

 

Oliver’s grandfather and mother cannot find more portals to the cartoon world. Nor can they create any. As they drive through the human world, wondering how to reunite with Oliver, Pecos Peet tries to close the distance to his daughter. But Peggy, who has changed her name to Margaret, pushes him away. Can Pecos Pete and Margaret reach the cartoon world before the First sacrifices Oliver? And is the First correct? Are both worlds in danger? Let's grab our pencils and paintbrushes, leap into Uncanny Valley #9, and find out!

 

Story

Margaret often changed jobs and hometowns while singlehandedly raising Oliver. Oliver accepted a dare from the boys at his new school to make friends. But after he leapt off the footbridge, Oliver pulled himself out of an imprint in the ground. The other boys went to the hospital. Margaret has survived her fall from a much higher bridge in Uncanny Valley #9. The leap of faith has allowed her to pick up a paintbrush and paint a portal to the cartoon world.

 

In Pixiedust Forest, Oliver wanted to use the sprite crystal to return to his mother. But when the Ogres attacked, he sacrificed himself to save Spriteleigh and her father. Oliver wonders at his options as he sits in a cell. Despite all his attempts to avoid capture, Oliver is the First’s prisoner in Tony Fleecs' story. The First tells Oliver that he has a role to play. Dewy counsels Oliver to trust the First. Despite the First's plan to emulate Abraham and Isaac at Moriah, Dewy believes that Oliver will survive the First's act of Human sacrifice.

 

Oliver’s grandfather followed the First’s bidding when he traveled to the Human world to retrieve Oliver. But unlike his dog, Pecos Pete has lost faith in the First. He has seen how much the First has changed from a carefree pilot in "Steamboat Willie" to crafting magic in "Fantasia." Like Saruman, the First's years of study in his tower have transformed the happy mouse into a remote figure who commands a ghoul army.

 

The First claims that sacrificing Oliver, a child born of both worlds, will help the cartoon world lead the human world to embrace a healthier approach to life. Yet the First also admits there is power in hurting others in Uncanny Valley #9. While Pecos Peet and Margaret wonder how to find a way past the First's army, the cartoon farmer looks back on his life and realizes that he has made all the wrong decisions.

 

Art

As white replaces brown, a bird's eye view shows the bridge spanning a river. But unlike the browns and grays that dominate Margaret's world, the paintbrush dripping white primer has conjured a portal of vivid blue and magenta. Amid the curves of the cartoon land and sky, a dark castle rises in Uncanny Valley #9. The sharp, straight lines outside echo the iron bars before Oliver. Little is straight in the cartoon world. A purple patch on the gray floor that defies iron shadows evokes the glowing blue crystal the sprites helped him find.

 

Like Oliver, Margaret stands out as she surveys the castle amid stone ruins. Dave Wachter's more nuanced colors link her skepticism and misery with Oliver's. By comparison, Pecos Peet's bright coloring, particularly his blue overalls, links him with his dog Dewy. Both once embraced the First's design. Pecos Peet's rapid movements and deforming shapes demonstrate how cartoon characters shake off pain and eradicate injury. In a world where the First can paint away someone with his brush, and the creator can make someone disappear with his pencil eraser, does Oliver's human-world coloring suggest his susceptibility or immunity to death?

 

Pat Brosseau fills white dialogue balloons and narrative boxes with uppercase letters that embolden for inflection and swell for volume. The first speaks white uppercase letters into cloudy black balloons and boxes. Traditional arrows turn serpentine when emotions rise. Sound effects help us hear characters travel through portals and embrace the No Pain No Gain motto, while music notes bring hope for a better tomorrow in Uncanny Valley #9.

 

Final Thoughts

Whether our actions are predestined or arise from free will, our words and actions affect others. As the First hurts and kills others for the greater good, Uncanny Valley #9 urges us to confront our fears, lest we lose our uniqueness and become captives to power or blind faith.

 

Rating 9.6/10

 

For another cover see my review at Comic Book Dispatch.