Showing posts with label JP Mayer. Show all posts
Showing posts with label JP Mayer. Show all posts

Sunday, November 9, 2025

X-Men: Age of Revelation Overture #1 Review

 


Writer: Jed MacKay

Penciler: Ryan Stegman

Inker: JP Mayer

Colorist: Edgar Delgado

Letterer: Clayton Cowles

Cover Artists: Ryan Stegman, JP Mayer & Marte Gracia; Aaron Kuder & Marte Gracia; Stanley “Artgerm” Lau; Cory Smith & Carlos Lopez; Rickie Yagawa & Tamra Bonvillain; Mark Bagley & Alex Sinclair

Design: Jay Bowen

Editors: Lindsey Cohick, Annalise Bissa, Tom Brevoort & CB Cebulski

Publisher: Marvel Comics

Price: $5.99

Release Date: October 1, 2025

 

When voices awaken him, Scott Summers peers through his visor. Although he recognizes the people around him, they look different. Older. As he rises from the hospital bed and yanks the contact pads off his forehead, Scott asks what's going on. His “friends” tell him they’ve transported his consciousness from his era and supplanted him in his older body. Worse than the abduction, they destroyed his present consciousness to bring him here. Why did his older colleagues summon him to the future? And can he trust them? Let’s grab our visors, leap into X-Men: Age of Revelation Overture #1, and see!

 

Story

Magneto, so often Scott's adversary, wears an X on his belt. He leads Scott out of the cave and shows him a foreign land. It used to be the United States. Below him, nature has encroached upon cities. Foliage-crowned, crumbling towers poke above the forest. Magneto tells him that a mutative virus is sweeping across the United States. Like the Terrigen Bomb that activated Kamala Khan's Inhuman genes, this virus turns Humans into Mutants. This virus has also changed the landscape, destroying the roads and cities that helped Humanity thrive.

 

 

As Scott realizes that civilization lies in ruins, he learns that Doug Ramsey rules the isolated pockets of survivors in this vast, expanding landscape. His choristers assist those villages loyal to him. Seraphim kill the dissenters. Millions may have died. But the Revelation Territories have taken on the vitality of the Mutant nation of Krakoa that Doug helped create. As Cipher, Doug helped people communicate and grow in harmony with nature. Now, as Revelation, Doug takes inspiration from the Biblical story of Humanity's first attempt to build a skyscraper. He turns dissenters into Babels stripped of any ability to communicate in X-Men: Age of Revelation Overture #1.

 


 

 

After providing a glimpse of village life, Jed MacKay's story follows Scott, Revelation, and his seraphim, Psylocke. But the spotlight shines brightest on Scott Summers as he navigates unfamiliar surroundings. He doesn't know this world or who he can trust. And in their desperate struggle to survive, the X-Men employ harsher methods than Scott approves of. While they value his abilities, some aren't ready to follow him. He may not like what his X-Men have done. Still, Scott Summers fights to meet the demands facing him without relinquishing his principles in X-Men: Age of Revelation Overture #1. 

 


 

 

Art

Ryan Stegman and JP Mayer fill traditional page layouts with natural beauty, drama, and action. Scott's muscular body, long hair, beard, and clothing show how time has forced his older self to adapt. His new allies mutter to each other about him. Most regard him with frowns. After cloaking his features in shadow, Magneto's face appears within his mask as he explains the world they inhabit. Then a hairy Mutant leaps from above the cave mouth to confront them. 

 


 

 

Edgar Delgado applies a loaded palette of nuanced colors to X-Men: Age of Revelation Overture #1. Like the fire that accompanies his choristers' appearances, Revelation adorns himself in yellow and orange. As he plucks blue fruit from a tree, the purple foliage forms a link with our first glimpse of his wife. But Bei's predominant red outfit links her with Magneto's costume and Scott's cape. Still, no color reinforces the harshness of this Brave New World like pink. It colors Glob Herman's translucent body, Psylocke's sword, and the energy whirling around Quentin Quire's goggles.

 


 

 

Clayton Cowles fills panels with black uppercase letters in white dialogue balloons and narrative balloons. When he bends others to his will, Revelation speaks white letters into black boxes. White block letters introduce settings and characters. Telepathic communication occurs in cloudy balloons. Sound effects enhance weapon fire and clashing blades, while giant letters overtake the background when Revelation sends his Angel of Death to dispatch his enemies. Thanks to Marvel Comics for providing a review copy.

 


 

 

Final Thoughts

As Cipher, Doug Ramsey helped the Mutants thrive. Now, as Revelation, he isolates people into small pockets of civilization that he can control. While ruling with an iron fist, the truth becomes whatever Revelation wishes it to be. And anyone who disagrees with him never does so again. Jed MacKay, Ryan Stegman, JP Mayer, Edgar Delgado, and Clayton Cowles deliver a far-reaching meditation on what happens when the abilities that help us achieve greatness outweigh our respect for others in X-Men: Age of Revelation Overture #1.

 

Rating 9.8/10

 

To look inside see my review at Comic Book Dispatch. 


Thursday, January 25, 2024

Amazing Spider-Man #41 Review


 


Writer: Zeb Wells

Penciler: John Romita Jr.

Inker: Scott Hanna

Colorist: Marcio Menyz

Letterer: Joe Caramagna

Cover Artists: John Romita Jr, Scott Hanna & Marcio Menyz; Simone Bianchi; Lorenzo Pastrovicchio; Ryan Stegman, JP Mayer & Dave McCaig; Pete Woods

Publisher: Marvel

Price: $4.99

Release Date: January 3, 2024

 

The Beetle is on the Rose. Spider-Man and She-Hulk back Tombstone, but will they clash with Kingpin? And who does Typhoid Mary have the hots for? Let’s thwip into Amazing Spider-Man #41 and find out!

 

Story

Janice Lincoln (The Beetle) clung to her father's bedside. Yet when Gang War erupted, she left the hospital to protect his territory. Janice disregarded his pleas and went after Diamondback to discover Richard Fisk (The Rose) got there first. The Rose wants to hurt Tombstone to redress his loss in their last battle. With gamma-mutated Digger by his side, can the Beetle take him down instead?

 

Amid this story of avarice and revenge, Amazing Spider-Man #41 also grapples with the changing of the guard. Old regimes inevitably give way to the next generation. The question isn't if youth will take over, but how. Richard Fisk tried to usurp his father before. Madame Masque ordered Shotgun to toss her father out an upper-story window. Janice treated her father kindly but took over his organization.

 


 

 

Tombstone seems resigned to his fate. He heard Wilson Fisk was coming, so Lonnie Lincoln waited in his apartment. Kingpin brings Typhoid Mary and Hellfire Club troopers. Tombstone wants the Rose to attack him, not his daughter. But Kingpin knows Richard will hurt Lonnie more by killing Janice. Kingpin supports his son's move by taking on Tombstone. But will Kingpin step aside and let Richard dominate the criminal underworld? And will other crime bosses respect the Rose if Kingpin kills his son's rival?

 

Art

Forced to support a villain, Peter Parker looks smaller than everyone surrounding him in Amazing Spider-Man #41. Typhoid Mary's amorous acts distract him. Like his friend Randy Robertson, Peter tried having a relationship with someone who didn’t share his values. He savored the thrill their opposing energies sparked. In Black Cat’s absence, does Kingpin’s gal hold any attraction for Peter? Sure, it’d be weird. But Peter's vulnerable.

 


 

 

Spider-Man prefers to capture villains rather than pound them. But there’s not enough room for Spidey to swing from the ceiling and thwip opponents amid a score of brawlers in Tombstone’s high-rise apartment. So, he concedes and pummels them instead.

 

John Romita Jr. and Scott Hanna contrast fighting modes in this Gang War chapter. Madame Masque--a master strategist--waits to make her play. Spidey, She-Hulk, and even the Beetle fight but show restraint. Digger, Kingpin, and Tombstone go nuclear. There's a strange intimacy in Kingpin and Tombstone's confrontation. The aging crime bosses reveal a bond of respect in their expressions, actions, and words.

 


 

 

Marcio Menyz’s loaded palette adds a vibrant richness to each scene. The symmetry of the coloring also communicates. Black and purple adorn The Rose and The Beetle. Green dominates Digger and The Beetle's backups. Spidey's red-and-blue merges with a scrum of similarly colored Hellfire Club Troops. The troopers’ gold masks mirror that of Madame Masque. The yellow and orange haze surrounding Tombstone and Kingpin's double-page clash compliments the fires Typhoid Mary's swords ignite in Amazing Spider-Man #41.

 


 

 

Joe Caramagna thwips uppercase black letters into white balloons. Tombstone’s tiny words hover in clouds, suggesting his weakened state. Others grunt tiny words as they trade blows. Yet emotions embolden fonts and color words. Sound effects accompany vicious battles. Beyond storms of bullets and crashing bodies, a ringing cell phone captures everyone's attention in Amazing Spider-Man #41.

 

Thanks to Marvel for providing this essential chapter of the Gang War saga for review.

 


 

 

Final Thoughts

Crime lords battle for--and against--their ambitious offspring in Amazing Spider-Man #41.

 

Rating 9.6/10

 

To preview interior art see my review at Comic Book Dispatch.